Tracklist

1CD
#TitleArtistRatingLength
1Turandot: Atto I. "Popolo di Pekino!"
engineer:
James Brown (Decca engineer, 1960s)
producer:
Peter Andry (producer) and Victor Olof
choir vocals:
Coro dell’Accademia Nazionale di Santa Cecilia (Chorus of the National Academy of Santa Cecilia) (in 1955-07)
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia (Orchestra of the National Academy of Santa Cecilia) (in 1955-07)
conductor:
Alberto Erede (conductor) (in 1955-07)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1955)
recorded at:
Accademia nazionale di Santa Cecilia in Roma (Rome), Roma, Lazio, Italy (in 1955-07)
recording of:
Turandot: Atto I. “Popolo di Pekino!” … “Indietro, cani!” (Un mandarino, La folla, Guardie, Liù) (in 1955-07)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Adami and Renato Simoni
part of:
Turandot: Atto I (Turandot: Act I)
Giacomo Puccini5:50
2Turandot: Atto I. "Gira la cote!"
engineer:
James Brown (Decca engineer, 1960s)
producer:
Peter Andry (producer) and Victor Olof
choir vocals:
Coro dell’Accademia Nazionale di Santa Cecilia (Chorus of the National Academy of Santa Cecilia) (in 1955-07)
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia (Orchestra of the National Academy of Santa Cecilia) (in 1955-07)
conductor:
Alberto Erede (conductor) (in 1955-07)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1955)
recorded at:
Accademia nazionale di Santa Cecilia in Roma (Rome), Roma, Lazio, Italy (in 1955-07)
recording of:
Turandot: Atto I. “Gira la cote! Gira!” (La folla, Servi del boia) (in 1955-07)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Adami and Renato Simoni
part of:
Turandot: Atto I (Turandot: Act I)
Giacomo Puccini7:23
3Turandot: Atto I. "O giovinetto! Grazia, grazia!"
engineer:
James Brown (Decca engineer, 1960s)
producer:
Peter Andry (producer) and Victor Olof
choir vocals:
Coro dell’Accademia Nazionale di Santa Cecilia (Chorus of the National Academy of Santa Cecilia) (in 1955-07)
tenor vocals:
Mario Del Monaco (tenor) (in 1955-07)
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia (Orchestra of the National Academy of Santa Cecilia) (in 1955-07)
conductor:
Alberto Erede (conductor) (in 1955-07)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1955)
recorded at:
Accademia nazionale di Santa Cecilia in Roma (Rome), Roma, Lazio, Italy (in 1955-07)
recording of:
Turandot: Atto I. “O giovinetto!” – “La grazia” (La folla, Calaf, Sacerdoti bianchi) (in 1955-07)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Adami and Renato Simoni
part of:
Turandot: Atto I (Turandot: Act I)
Giacomo Puccini5:14
4Turandot: Atto I. "Figlio, che fai?"
engineer:
James Brown (Decca engineer, 1960s)
producer:
Peter Andry (producer) and Victor Olof
choir vocals:
Coro dell’Accademia Nazionale di Santa Cecilia (Chorus of the National Academy of Santa Cecilia) (in 1955-07)
soprano vocals:
Renata Tebaldi (soprano) (in 1955-07)
tenor vocals:
Mario Del Monaco (tenor) (in 1955-07)
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia (Orchestra of the National Academy of Santa Cecilia) (in 1955-07)
conductor:
Alberto Erede (conductor) (in 1955-07)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1955)
recorded at:
Accademia nazionale di Santa Cecilia in Roma (Rome), Roma, Lazio, Italy (in 1955-07)
recording of:
Turandot: Atto I. “Figlio, che fai?” (Timur, Calaf, Liù, La folla, Il Principe di Persia) (in 1955-07)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Adami and Renato Simoni
part of:
Turandot: Atto I (Turandot: Act I)
Giacomo Puccini1:46
5Turandot: Atto I. "Fermo! Che fai? T'arresta"
engineer:
James Brown (Decca engineer, 1960s)
producer:
Peter Andry (producer) and Victor Olof
choir vocals:
Coro dell’Accademia Nazionale di Santa Cecilia (Chorus of the National Academy of Santa Cecilia) (in 1955-07)
tenor vocals:
Mario Del Monaco (tenor) (in 1955-07)
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia (Orchestra of the National Academy of Santa Cecilia) (in 1955-07)
conductor:
Alberto Erede (conductor) (in 1955-07)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1955)
recorded at:
Accademia nazionale di Santa Cecilia in Roma (Rome), Roma, Lazio, Italy (in 1955-07)
recording of:
Turandot: Atto I. “Fermo! Che fai? T’arresta!” (Ministri [Ping, Pang, Pong], Calaf) (in 1955-07)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Adami and Renato Simoni
part of:
Turandot: Atto I (Turandot: Act I)
Giacomo Puccini6:25
6Turandot: Atto I. "Signore, ascolta!"
engineer:
James Brown (Decca engineer, 1960s)
producer:
Peter Andry (producer) and Victor Olof
choir vocals:
Coro dell’Accademia Nazionale di Santa Cecilia (Chorus of the National Academy of Santa Cecilia) (in 1955-07)
soprano vocals:
Renata Tebaldi (soprano) (in 1955-07)
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia (Orchestra of the National Academy of Santa Cecilia) (in 1955-07)
conductor:
Alberto Erede (conductor) (in 1955-07)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1955)
recorded at:
Accademia nazionale di Santa Cecilia in Roma (Rome), Roma, Lazio, Italy (in 1955-07)
recording of:
Turandot: Atto I. “Signore, ascolta!” (Liù) (in 1955-07)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Adami and Renato Simoni
part of:
Turandot: Atto I (Turandot: Act I)
Giacomo Puccini2:36
7Turandot: Atto I. "Non piangere, Liù"
engineer:
James Brown (Decca engineer, 1960s)
producer:
Peter Andry (producer) and Victor Olof
choir vocals:
Coro dell’Accademia Nazionale di Santa Cecilia (Chorus of the National Academy of Santa Cecilia) (in 1955-07)
tenor vocals:
Mario Del Monaco (tenor) (in 1955-07)
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia (Orchestra of the National Academy of Santa Cecilia) (in 1955-07)
conductor:
Alberto Erede (conductor) (in 1955-07)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1955)
recorded at:
Accademia nazionale di Santa Cecilia in Roma (Rome), Roma, Lazio, Italy (in 1955-07)
recording of:
Turandot: Atto I. “Non piangere, Liù” (Calaf, Liù, Timur) (in 1955-07)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Adami and Renato Simoni
part of:
Turandot: Atto I (Turandot: Act I)
Giacomo Puccini5:17
8Turandot: Atto II. "Olà, Pang! Olà, Pong!"
engineer:
James Brown (Decca engineer, 1960s)
producer:
Peter Andry (producer) and Victor Olof
choir vocals:
Coro dell’Accademia Nazionale di Santa Cecilia (Chorus of the National Academy of Santa Cecilia) (in 1955-07)
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia (Orchestra of the National Academy of Santa Cecilia) (in 1955-07)
conductor:
Alberto Erede (conductor) (in 1955-07)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1955)
recorded at:
Accademia nazionale di Santa Cecilia in Roma (Rome), Roma, Lazio, Italy (in 1955-07)
recording of:
Turandot: Atto II, scena 1. “Olà, Pang! Olà, Pong!” (Ping, Pang, Pong) (in 1955-07)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Adami and Renato Simoni
part of:
Turandot: Atto II (Turandot: Act II)
Giacomo Puccini3:24
9Turandot: Atto II. "Ho una casa nell'Honan"
engineer:
James Brown (Decca engineer, 1960s)
producer:
Peter Andry (producer) and Victor Olof
baritone vocals:
Fernando Corena (operatic bass) (in 1955-07)
choir vocals:
Coro dell’Accademia Nazionale di Santa Cecilia (Chorus of the National Academy of Santa Cecilia) (in 1955-07)
tenor vocals:
Mario Carlin (tenor) (in 1955-07) and Renato Ercolani (tenor) (in 1955-07)
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia (Orchestra of the National Academy of Santa Cecilia) (in 1955-07)
conductor:
Alberto Erede (conductor) (in 1955-07)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1955)
recorded at:
Accademia nazionale di Santa Cecilia in Roma (Rome), Roma, Lazio, Italy (in 1955-07)
recording of:
Turandot: Atto II, scena 1. “Ho una casa nell’Honan” (Ping, Pang, Pong) (in 1955-07)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Adami and Renato Simoni
part of:
Turandot: Atto II (Turandot: Act II)
Giacomo Puccini3:07
10Turandot: Atto II. "O mondo..."
engineer:
James Brown (Decca engineer, 1960s)
producer:
Peter Andry (producer) and Victor Olof
choir vocals:
Coro dell’Accademia Nazionale di Santa Cecilia (Chorus of the National Academy of Santa Cecilia) (in 1955-07)
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia (Orchestra of the National Academy of Santa Cecilia) (in 1955-07)
conductor:
Alberto Erede (conductor) (in 1955-07)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1955)
recorded at:
Accademia nazionale di Santa Cecilia in Roma (Rome), Roma, Lazio, Italy (in 1955-07)
recording of:
Turandot: Atto II, scena 1. “O mondo, pieno di pazzi innamorati!” (Ministri, Coro) (in 1955-07)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Adami and Renato Simoni
part of:
Turandot: Atto II (Turandot: Act II)
Giacomo Puccini4:41
11Turandot: Atto II. Introduzione
engineer:
James Brown (Decca engineer, 1960s)
producer:
Peter Andry (producer) and Victor Olof
choir vocals:
Coro dell’Accademia Nazionale di Santa Cecilia (Chorus of the National Academy of Santa Cecilia) (in 1955-07)
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia (Orchestra of the National Academy of Santa Cecilia) (in 1955-07)
conductor:
Alberto Erede (conductor) (in 1955-07)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1955)
recorded at:
Accademia nazionale di Santa Cecilia in Roma (Rome), Roma, Lazio, Italy (in 1955-07)
partial recording of:
Turandot: Atto II, scena 2. “Gravi, enormi ed imponenti” (La folla) (in 1955-07)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Adami and Renato Simoni
part of:
Turandot: Atto II (Turandot: Act II)
Giacomo Puccini1:23
12Turandot: Atto II. "Gravi enormi ed imponenti"
engineer:
James Brown (Decca engineer, 1960s)
producer:
Peter Andry (producer) and Victor Olof
choir vocals:
Coro dell’Accademia Nazionale di Santa Cecilia (Chorus of the National Academy of Santa Cecilia) (in 1955-07)
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia (Orchestra of the National Academy of Santa Cecilia) (in 1955-07)
conductor:
Alberto Erede (conductor) (in 1955-07)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1955)
recorded at:
Accademia nazionale di Santa Cecilia in Roma (Rome), Roma, Lazio, Italy (in 1955-07)
partial recording of:
Turandot: Atto II, scena 2. “Gravi, enormi ed imponenti” (La folla) (in 1955-07)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Adami and Renato Simoni
part of:
Turandot: Atto II (Turandot: Act II)
recording of:
Turandot: Atto II, scena 2. “Gravi, enormi ed imponenti” (La folla) (in 1955-07)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Adami and Renato Simoni
part of:
Turandot: Atto II (Turandot: Act II)
Giacomo Puccini3:01
13Turandot: Atto II. "Un giuramento atroce mi costringe"
engineer:
James Brown (Decca engineer, 1960s)
producer:
Peter Andry (producer) and Victor Olof
choir vocals:
Coro dell’Accademia Nazionale di Santa Cecilia (Chorus of the National Academy of Santa Cecilia) (in 1955-07)
tenor vocals:
Mario Del Monaco (tenor) (in 1955-07)
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia (Orchestra of the National Academy of Santa Cecilia) (in 1955-07)
conductor:
Alberto Erede (conductor) (in 1955-07)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1955)
recorded at:
Accademia nazionale di Santa Cecilia in Roma (Rome), Roma, Lazio, Italy (in 1955-07)
recording of:
Turandot: Atto II, scena 2. “Un giuramento atroce mi costringe” (Altoum, Calaf) (in 1955-07)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Adami and Renato Simoni
part of:
Turandot: Atto II (Turandot: Act II)
Giacomo Puccini4:25
14Turandot: Atto II. "Popolo di Pekino!"
engineer:
James Brown (Decca engineer, 1960s)
producer:
Peter Andry (producer) and Victor Olof
choir vocals:
Coro dell’Accademia Nazionale di Santa Cecilia (Chorus of the National Academy of Santa Cecilia) (in 1955-07)
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia (Orchestra of the National Academy of Santa Cecilia) (in 1955-07)
conductor:
Alberto Erede (conductor) (in 1955-07)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1955)
recorded at:
Accademia nazionale di Santa Cecilia in Roma (Rome), Roma, Lazio, Italy (in 1955-07)
recording of:
Turandot: Atto II, scena 2. “Diecimila anni al nostro Imperatore!” (La folla, Un mandarino, Ragazzi) (in 1955-07)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Adami and Renato Simoni
publisher:
Casa Ricordi and Hendon Music Inc.
part of:
Turandot: Atto II (Turandot: Act II)
Giacomo Puccini1:50
2CD