Hits of the 50s

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

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Nr.TitelKünstlerBewertungLänge
1Diana
vocals:
Paul Anka (Canadian singer, songwriter and actor)
conductor:
Don Costa (US pop music arranger & producer)
Teil von:
Huffington Post: 100 Best Canadian Songs Ever (Nummer: 26)
recording of:
Diana (am 1957-05-20)
Texter und Komponist(in):
Paul Anka (Canadian singer, songwriter and actor)
publisher:
Pamco Music Inc. (beendet), Epa Publishing, Robert Mellin Music Publishing Corp. und Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–)
sub-publisher:
ミュージカル・ライツ・東京 株式会社 (Musical Lights Tokyo)
Paul Anka4.22:27
2Don’t Be Cruel
Bass:
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (am 1956-07-02)
Gitarre:
Scotty Moore (American guitarist and recording engineer) (am 1956-07-02) und Elvis Presley (“The King of Rock and Roll”) (am 1956-07-02)
Klavier:
Shorty Long (1950s country/rockabilly artist) (am 1956-07-02)
Schlagzeug:
D.J. Fontana (am 1956-07-02)
Sologesang:
Elvis Presley (“The King of Rock and Roll”) (am 1956-07-02)
vocals:
The Jordanaires (southern gospel group) (am 1956-07-02)
phonographisches Urheberrecht (℗) von:
BMG Entertainment (in 1956), BMG Music (in 1956) und Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 2002)
aufgenommen bei:
RCA Studios (New York, later noted as RCA Recording Studios) in New York, New York, Vereinigte Staaten (am 1956-07-02)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1956 (Nummer: 11) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 197)
recording of:
Don’t Be Cruel (am 1956-07-02)
Verfasser(in):
Otis Blackwell (American pianist, singer and songwriter) und Elvis Presley (“The King of Rock and Roll”)
publisher:
Carlin Music Corporation, Elvis Presley Music, Elvis Presley Music Inc., Shalimar Music Corp., Unichappell Music, Inc. und Williamson Music Company
Elvis Presley3.82:05
3Que Sera Sera (Whatever Will Be, Will Be)
recording of:
Que será, será (Whatever Will Be, Will Be)
Texter:
Ray Evans (American songwriter)
Komponist(in):
Jay Livingston
publisher:
Jay Livingston Music Inc., MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), St. Angelo Music, Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group), Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23) und Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–)
sub-publisher:
日音 Synch事業部 (NICHION, INC. Synch Division), フジパシフィック音楽出版 (Fujipacific Music inc.) (bis 2014-12-31) und フジパシフィックミュージック (Fujipacific Music, Inc.) (vom 2015-01-01 bis heute)
Teil von:
The 29th Academy Award for Best Original Song (Nummer: 1) und Academy Award for Best Original Song (Nummer: 1956 winner)
Doris Day2:05
4Be My Guest
recording of:
Be My Guest
Texter und Komponist(in):
Antoine Dominique Domino (Fats Domino), Tommy Boyce (US songwriter of Boyce and Hart) und John Marascalco
publisher:
EMI Unart Catalog Inc. und Magic Dolphin Music Inc.
Fats Domino2:17
5Just Walking in the Rain
recording of:
Just Walkin’ in the Rain
Verfasser(in):
Johnny Bragg, Buddy Killen und Robert Riley
Johnnie Ray2:50
6Wheel of Fortune
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1952-01-17)
vocals:
Kay Starr
Orchester:
Hal Mooney & His Orchestra
conductor:
Hal Mooney
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1952)
cover recording of:
Wheel of Fortune (1951 song) (am 1952-01-17)
Verfasser(in):
Bennie Benjamin und George David Weiss
publisher:
Carlin Music Corp.
Kay Starr3:04
7Jezebel
recording of:
Jezebel
Texter und Komponist(in):
Wayne Shanklin
publisher:
Anne-Rachel Music Corp. und Domino Publishing Co. Ltd.
Frankie Laine3:10
8Among My Souvenirs
cover recording of:
Among My Souvenirs
Texter:
Edgar Leslie
Komponist(in):
Horatio Nicholls
publisher:
Crawford Music Inc., DeSylva, Brown and Henderson, Inc. (am 1927-10-05), Lawrence Wright Music Co., Ltd. (am 1927-10-05) und Chappell & Co., Inc. (USA) (am 1968-09-23)
Connie Francis2:39
9Darling, Je Vous Aime Beaucoup
cover recording of:
Darling, je vous aime beaucoup
Texter und Komponist(in):
Anna Sosenko (in 1935)
publisher:
Chappell & Co., Inc. (USA) und Francis Day S.A.
Medley von:
La Vie en rose (French original)
Nat King Cole3:04
10A Dear John Letter
Interpret(in):
Jean Shepard (American honky tonk singer-songwriter)
recording of:
A Dear John Letter
Verfasser(in):
Billy Barton (country/rockabilly), Charles “Fuzzy” Owen und Lewis Tally
publisher:
American Music, Inc.
cover recording of:
A Dear John Letter
Verfasser(in):
Billy Barton (country/rockabilly), Charles “Fuzzy” Owen und Lewis Tally
publisher:
American Music, Inc.
Jean Shepard & Ferlin Husky2:30
11Carol
Produzent(in):
Leonard & Phil Chess (legendary US production duo)
Gitarre und Sologesang:
Chuck Berry (am 1958-06-12)
Klavier:
Paul Gayten (US R&B) (am 1958-06-12)
Kontrabass:
Willie Dixon (am 1958-06-12)
Perkussion:
[unknown] ([unbekannt], Special Purpose Artist – Do not add releases here, if possible.) (am 1958-06-12)
Schlagzeug:
Odie Payne (American Chicago blues drummer) (am 1958-06-12)
aufgenommen bei:
Sheldon Recording Studios, Inc. in Chicago, Illinois, Vereinigte Staaten (am 1958-06-12)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1958 (recordings) (Nummer: 10)
recording of:
Carol (am 1958-06-12)
Texter und Komponist(in):
Chuck Berry
publisher:
Arc Music Corp. (U.S. rock & blues publisher), Jewel Music Inc. und Jewel Music Publishing Co. Ltd. (publisher; do NOT use as release label)
Chuck Berry3.82:49
12Love Letters in the Sand
Produzent(in):
Randy Wood (producer)
Bass:
Larry Breen (am 1956-11-24)
Gitarre:
Barney Kessel (am 1956-11-24) und Jack Marshall (US jazz guitarist, composer, arranger & record producer) (am 1956-11-24)
Klarinette:
Ryland Weston (am 1956-11-24)
Klavier:
Milt Rogers (bandleader, arranger and composer) (am 1956-11-24)
Saxophon:
Babe Russin (am 1956-11-24) und Justin Gordon (am 1956-11-24)
Schlagzeug:
Dick Shanahan (am 1956-11-24)
Vibraphon:
Bernie Mattinson (am 1956-11-24)
Chorgesang:
[unknown] ([unbekannt], Special Purpose Artist – Do not add releases here, if possible.) (am 1956-11-24)
vocals:
Pat Boone (am 1956-11-24)
conductor:
Billy Vaughn (am 1956-11-24)
phonographisches Urheberrecht (℗) von:
HHO Ltd. (The Henry Hadaway Organisation Ltd., music licensing)
aufgenommen bei:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California (Kalifornien), Vereinigte Staaten (am 1956-11-24)
cover recording of:
Love Letters in the Sand (am 1956-11-24)
Texter:
Charles Kenny (songwriter, violinist) und Nick Kenny
Komponist(in):
J. Fred Coots, Charles Kenny (songwriter, violinist) und Nick Kenny
publisher:
Bourne (not for release label use, this is a music publisher), Bourne, Inc. und Francis, Day & Hunter Ltd.
Pat Boone2:08
13Come Go With Me
Teil von:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 441)
recording of:
Come Go With Me
publisher:
Joseph M. Averbach
Texter und Komponist(in):
C.E. Quick
publisher:
Fee Bee Music Company und Gil Music Corporation
The Del‐Vikings4.52:36
14Ebb Tide
phonographisches Urheberrecht (℗) von:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1954)
recording of:
Ebb Tide
Texter:
Carl Sigman
Komponist(in):
Robert Maxwell (US harpist, songwriter and teacher)
publisher:
EMI Robbins Catalog Inc. (ASCAP), EMI United Partnership Ltd., France Mélodie, Robbins Music (publishing company owned by EMI Music Publishing Ltd.), Robbins Music Corp., SBK Robbins Catalog, Inc., フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department), ヤマハミュージックパブリッシング (Yamaha Music Publishing) (bis 2017-03-31) und ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) (vom 2017-04-01 bis heute)
Arrangement von:
Ebb Tide (original instrumental version)
Frank Chacksfield & His Orchestra2:46
15Poor Jenny
recording of:
Poor Jenny
Verfasser(in):
Boudleaux Bryant und Felice Bryant
publisher:
Acuff-Rose Publications, Inc. (BMI)
The Everly Brothers2:14
16What Can I Do
Sammy Davis Jr.2:51
17Sixteen Tons
cover recording of:
Sixteen Tons
Texter und Komponist(in):
Merle Travis
arranger:
Paul Brody
publisher:
American Music, Inc. und Campbell Connelly & Co. Ltd.
Frankie Laine2:22
18So Close
Brook Benton2:05
19Anytime
cover recording of:
Any Time
Texter und Komponist(in):
Herbert Happy Lawson (in 1921)
publisher:
Adams-Lawson Music Publishers (am 1921-12-22) und Herbert Happy Lawson Music Publishing Co. (am 1921-12-27)
Eddie Fisher2:42
20I’ll Never Forget You
recording of:
I'll Never Forget You (Rosemary Clooney song)
Rosemary Clooney3:40
21Johnny B. Goode
Produzent(in):
Leonard & Phil Chess (legendary US production duo)
Gitarre und Sologesang:
Chuck Berry (am 1958-01-06)
Klavier:
Johnnie Johnson (US jazz/blues/rock’n’roll pianist) (am 1958-01-06)
Kontrabass:
Willie Dixon (am 1958-01-06)
Schlagzeug:
Jasper Thomas (am 1958-01-06)
aufgenommen bei:
Sheldon Recording Studios, Inc. in Chicago, Illinois, Vereinigte Staaten (am 1958-01-06)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1958 (recordings) (Nummer: 1), NME: 50 Greatest Guitar Riffs of All Time (2012-10-25) (Nummer: 3), Rolling Stone: The 100 Greatest Guitar Solos of All Time (2026-05-04) (Nummer: 6), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 7), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 33), Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (Nummer: 53) und Rock and Roll Hall of Fame – 500 Songs That Shaped Rock
recording of:
Johnny B. Goode (am 1958-01-06)
Texter und Komponist(in):
Chuck Berry (in 1955)
publisher:
Arc Music (U.S. rock & blues publisher), Arc Music Corp. (U.S. rock & blues publisher), Isalee Music, Jewel Music Publishing Co. Ltd. (publisher; do NOT use as release label) und ロックンロール ミュージック (Rock ’n’ Roll Music)
Teil von:
Back to the Future: the Musical
Chuck Berry4.252:39
22It’s Only Make Believe
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1958 (recordings) (Nummer: 18)
recording of:
It’s Only Make Believe
Verfasser(in):
Jack Nance (in 1958) und Conway Twitty (in 1958)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Tree Publishing Co., Inc. und Warner Chappell Music Ltd. (no slash; used 1988–1996)
Conway Twitty2:28
23I’m Walkin’
recording of:
I’m Walkin’
Texter und Komponist(in):
Antoine Dominique Domino (Fats Domino) und Dave Bartholomew
Verfasser(in):
A. Domino/D. Bartholomew (duo)
publisher:
Cordial MV, EMI Catalogue Partnership, EMI Unart Catalog Inc. und Rolf Budde Musikverlag (aka Budde Music)
Fats Domino2:54
24The Naughty Lady of Shady Lane
recording of:
The Naughty Lady of Shady Lane
Verfasser(in):
Roy Bennett (US songwriter) und Sid Tepper
The Ames Brothers2:52
25Friendly Persuasion
recording of:
Friendly Persuasion (Thee I Love)
Texter:
Paul Francis Webster
Komponist(in):
Dimitri Tiomkin
publisher:
BMG Music Publishing Ltd. und Leo Feist, Inc.
Teil von:
The 29th Academy Award for Best Original Song (Nummer: 2)
Pat Boone3:02
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Nennungen

Veröffentlichung

Verwertungsgesellschaft:MCPS (UK rights society; do not use this as a label or work publisher!)
Teil von:Cheap’O’Lata (Nummer: 10003) (Reihenfolge: 54)
ASIN:JP: B002YCGKTW [Info]