25 Unforgettable Memories, Part I

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

1▼CD
Nr.TitelKünstlerBewertungLänge
1In the Mood
instrumental recording of:
In the Mood (am 1939-08-01)
Texter:
Andy Razaf
Komponist(in):
Wingy Manone
publisher:
Shapiro Bernstein and Co. Limited und Shapiro, Bernstein & Co., Inc.
sub-publisher:
シンコーミュージック・エンタテイメント A事業部 (Shinko Music Entertainment, A Division)
basiert auf:
Tar Paper Stomp
Teil von:
The Real Book (compilation of jazz standards, volume I)
Glenn Miller3:36
2Only You
Klavier:
Buck Ram (am 1955-04-26)
Sologesang:
Tony Williams (lead singer for The Platters) (am 1955-04-26)
Sprecher [dialogue]:
Wolfman Jack (US disc jockey) (am 1955-04-26)
phonographisches Urheberrecht (℗) von:
Mercury Records (or just “Mercury”; a UMG imprint, do not use it for ©/℗ credits) (in 1955), PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1955) und The Island Def Jam Music Group (American holding company, not normally a release label) (in 1957)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1955 (Nummer: 10)
recording of:
Only You (am 1955-04-26)
Texter und Komponist(in):
Buck Ram
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), Hollis Music, Inc., Robert Mellin, Inc., Tro-Hollis Music, Inc., Wildwood Music und Sherwin Music (publisher) (in 1973)
The Platters2:36
3I've Got You Under My Skin
cover recording of:
I’ve Got You Under My Skin
Texter und Komponist(in):
Cole Porter (composer) (in 1936)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music (UK), Victoria Music Ltd. und Warner Chappell Music Ltd. (no slash; used 1988–1996)
Teil von:
The 9th Academy Award for Best Original Song (Nummer: 2) und Academy Award for Best Original Song (Nummer: 1936 nominee)
Teil von:
Born to Dance
Shirley Bassey43:32
4Island in the Sun
Produzent(in):
Joe Carlton
Bongos:
Noah Rodriguez (am 1957-01-27)
Conga:
Daniel Barrajanos (am 1957-01-27)
flute:
James N. DeMeo (am 1957-01-27) und Harold M. Jones (50s US flautist) (am 1957-01-27)
Gitarre:
Frantz Casséus (am 1957-01-27), Victor Messer (am 1957-01-27) und Millard Thomas (am 1957-01-27)
Kontrabass:
Norman Keenan (am 1957-01-27)
Marimba:
Joe Venuto (am 1957-01-27)
Trompete:
Joseph B. Wilder (am 1957-01-27)
Chorgesang:
Gilbert E. Adkins (am 1957-01-27), Irving D. Barnes (am 1957-01-27), Leon Bibb (am 1957-01-27), Charles Colman (am 1957-01-27), Stephen Harbachick (baritone) (am 1957-01-27), Marvin Hayes (bass-baritone) (am 1957-01-27), Herbert L. Stubbs (am 1957-01-27), Irving Burgie (am 1957-01-27), Joe N. Kenyon (am 1957-01-27), Leroy B. Thompson (am 1957-01-27), Samuel R. McCurry (am 1957-01-27), John Nielsen (am 1957-01-27), Brock Peters (am 1957-01-27), Howard A. Roberts (founder of the Howard Roberts Chorale) (am 1957-01-27), Rodester Timmons (am 1957-01-27) und William Stewart (choral vocals in Harry Belafonte recordings) (am 1957-01-27)
Sologesang:
Harry Belafonte (am 1957-01-27)
vocals:
Harry Belafonte
conductor:
Robert DeCormier (American composer and conductor) (am 1957-01-27)
aufgenommen bei:
Webster Hall in East Village, New York, New York, Vereinigte Staaten (am 1957-01-27)
recording of:
Island in the Sun (am 1957-01-27)
Verfasser(in):
Harry Belafonte und Lord Burgess
publisher:
Caribe Music Corp., Cherry Lane Music Publishing und Clara Music Publ. Corp.
Harry Belafonte23:21
5Mona Lisa
Produzent(in):
Lee Gillette
Bass:
Joe Comfort (am 1950-03-11)
Bongos:
Jack Costanzo (am 1950-03-11)
Bratsche / Viola:
Allan Harshman (violist) (am 1950-03-11) und Dave Sterkin (am 1950-03-11)
Cello:
Cy Bernard (am 1950-03-11) und Eleanor Slatkin (US cellist, b. Aller) (am 1950-03-11)
Geige / Violine:
Sam Cytron (am 1950-03-11), David Frisina (am 1950-03-11), Murray Kellner (am 1950-03-11), Mark Levant (am 1950-03-11), Dan Lube (am 1950-03-11), Lou Raderman (am 1950-03-11), Paul Shure (am 1950-03-11) und Felix Slatkin (am 1950-03-11)
Gitarre:
Irving Ashby (am 1950-03-11)
Klavier:
Buddy Cole (am 1950-03-11)
Schlagzeug:
Lee Young (40s-60s US jazz drummer, then producer/A&R) (am 1950-03-11)
Chorgesang:
[unknown] ([unbekannt], Special Purpose Artist – Do not add releases here, if possible.) (am 1950-03-11)
vocals:
Nat King Cole (am 1950-03-11)
Orchester:
Les Baxter and His Orchestra (am 1950-03-11)
conductor:
Les Baxter (am 1950-03-11)
arranger:
Nelson Riddle (am 1950-03-11)
cover recording of:
Mona Lisa (am 1950-03-11)
Texter:
Raymond B. Evans (American songwriter)
Komponist(in):
Jay Livingston
publisher:
Famous Chappell und Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody)
sub-publisher:
BMG Unisong Music Publishers BV
Teil von:
The 23rd Academy Award for Best Original Song (Nummer: 1) und Academy Award for Best Original Song (Nummer: 1950 winner)
Nat King Cole43:27
6The Man I Love
cover recording of:
The Man I Love
Texter:
Ira Gershwin (in 1924)
Komponist(in):
George Gershwin (composer) (in 1924)
publisher:
New World Company, New World Music Corp., Productions et Éditions Cinématographiques Françaises, Warner/Chappell Music Holland BV, WB Music Corp. (1929–2019) (bis 2019-05-28) und WC Music Corp. (vom 2019-05-28 bis heute)
enthalten in:
An American in Paris (2015 Broadway musical)
Teil von:
Lady, Be Good (full musical)
Teil von:
New York, New York (1977 musical film soundtrack)
Billie Holiday3:02
7Bye, Bye Baby
cover recording of:
Bye Bye Baby (Gentlemen Prefer Blondes)
Texter:
Leo Robin (US composer, lyricist & songwriter)
Komponist(in):
Jule Styne
publisher:
Music Sales Corporation (American copyright holder in both popular and classical music)
sub-publisher:
ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
Teil von:
Gentlemen Prefer Blondes (1949 musical based on novel of the same name by Anita Loos)
Marilyn Monroe3:27
8Love Letters in the Sand
cover recording of:
Love Letters in the Sand
Texter:
Charles Kenny (songwriter, violinist) und Nick Kenny
Komponist(in):
J. Fred Coots, Charles Kenny (songwriter, violinist) und Nick Kenny
publisher:
Bourne (not for release label use, this is a music publisher), Bourne, Inc. und Francis, Day & Hunter Ltd.
Pat Boone42:16
9Banana Boat Song
recording of:
Day‐O (The Banana Boat Song) (Burgess/Attaway arrangement made famous by Harry Belafonte)
zusätzlicher Texter:
William Attaway (in 1955) und Irving Burgie (in 1955)
Komponist(in):
[traditional] (special purpose artist)
publisher:
Caribe Music Corp., Cherry Lane Music Ltd., Cherry Lane Music Publishing Ltd, EMI Songs Ltd., Garber Music Ltd., Lord Burgess Music Publishing Co., Music Sales Corp (American copyright holder in both popular and classical music) und Reservoir Media Music
Version von:
Day‐O (The Banana Boat Song) (original folk song)
Harry Belafonte2:59
10Que Sera Sera
vocals:
Doris Day (am 1956-02-24)
Orchester:
Frank De Vol and His Orchestra (am 1956-02-24)
conductor:
Frank De Vol (am 1956-02-24)
phonographisches Urheberrecht (℗) von:
Sony BMG Music Entertainment Inc. (vom 1956 bis heute)
cover recording of:
Que será, será (Whatever Will Be, Will Be) (am 1956-02-24)
Texter:
Ray Evans (American songwriter)
Komponist(in):
Jay Livingston
publisher:
Jay Livingston Music Inc., MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), St. Angelo Music, Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group), Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23) und Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–)
sub-publisher:
日音 Synch事業部 (NICHION, INC. Synch Division), フジパシフィック音楽出版 (Fujipacific Music inc.) (bis 2014-12-31) und フジパシフィックミュージック (Fujipacific Music, Inc.) (vom 2015-01-01 bis heute)
Teil von:
The 29th Academy Award for Best Original Song (Nummer: 1) und Academy Award for Best Original Song (Nummer: 1956 winner)
Doris Day2:06
11Stompin' at the Savoy
instrumental recording of:
Stompin’ at the Savoy
Texter:
Andy Razaf
Komponist(in):
Benny Goodman (clarinetist and bandleader), Edgar Sampson und Chick Webb
publisher:
EMI Robbins Catalog (ASCAP), Ragbag Music (ASCAP), Razaf Music, Rytvoc (ASCAP), フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) und ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
Benny Goodman2:28
12Diamonds Are a Girl's Best Friend
cover recording of:
Diamonds Are a Girl’s Best Friend (Gentlemen Prefer Blondes)
Texter:
Leo Robin (US composer, lyricist & songwriter)
Komponist(in):
Leo Robin (US composer, lyricist & songwriter) und Jule Styne
publisher:
Dorsey Bros Music Ltd. (Angel Eyes - Dennis/Brent) und Music Sales Corporation (American copyright holder in both popular and classical music)
sub-publisher:
ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
Teil von:
Gentlemen Prefer Blondes (1949 musical based on novel of the same name by Anita Loos)
Marilyn Monroe3:31
13Swinging the Blues
recording of:
Swingin’ the Blues
Komponist(in):
Count Basie (pianist) (in 1938) und Eddie Durham (American guitarist, trombonist, composer and arranger.) (in 1938)
Count Basie3:06
14Mood Indigo
instrumental recording of:
Mood Indigo (1930 jazz composition and song)
Texter:
Irving Mills (in 1930)
Komponist(in):
Barney Bigard (in 1930) und Duke Ellington (US composer, pianist & jazz bandleader) (in 1930)
publisher:
Duke Ellington Music, Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Indigo Mood Music, Mills Music, Inc., EMI Mills Music Inc. (ASCAP-affiliated) (in 1930), EMI Music Publishing Ltd. (PRS‐affiliated) (in 1930) und Lawrence Wright Music Co., Ltd. (in 1930)
sub-publisher:
ソニー・ミュージックパブリッシング CMP外国事業部 (sub‐publisher for foreign (non‐Japanese) works) und ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
Teil von:
The Real Book (compilation of jazz standards, volume I)
Duke Ellington3:05
15On the Sunny Side of the Street
cover recording of:
On the Sunny Side of the Street
Texter:
Dorothy Fields (American librettist and lyricist)
Komponist(in):
Jimmy McHugh (songwriter)
publisher:
Ancar Enterprises Inc., Cotton Club Publishing, Shapiro, Bernstein & Co., Inc. und Vydia Music Publishing
sub-publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), Lawrence Wright Music Co., Ltd., Memory Lane Music Ltd., Shapiro Bernstein & Co. Ltd. und シンコーミュージック・エンタテイメント A事業部 (Shinko Music Entertainment, A Division)
Teil von:
American Splendor
Louis Armstrong2:56
16Chattanooga Choo Choo
recording of:
Chattanooga Choo Choo
Texter:
Mack Gordon (in 1941)
Komponist(in):
Harry Warren (US composer and lyricist) (in 1941)
publisher:
EMI Feist Catalog Inc., Warner Bros., Inc. (Warner Bros. Music Division) und WC Music Corp.
sub-publisher:
フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Teil von:
The 14th Academy Award for Best Original Song (Nummer: 2) und Academy Award for Best Original Song (Nummer: 1941 nominee)
Glenn Miller3:26
17When the Saints Go Marchin' In
recording of:
When the Saints Go Marching In
Texter und Komponist(in):
[traditional] (special purpose artist)
Teil von:
Roud Folk Song Index (Nummer: 13983)
Version von:
When the Saints Go Marching In
Louis Armstrong2:42
18I Wanna Be Loved by You
cover recording of:
I Wanna Be Loved by You (Good Boy/Some Like It Hot)
Texter:
Bert Kalmar
Komponist(in):
Harry Ruby und Herbert Stothart (composer)
publisher:
BMG Firefly, Edwin H. Morris & Co., Inc. (a division of MPL Communications Inc.), Harry Ruby Music Co., Warner Bros., Inc. (not for release label use!) und WB Music Corp. (1929–2019)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
recording of:
I Wanna Be Loved by You (Good Boy/Some Like It Hot)
Texter:
Bert Kalmar
Komponist(in):
Harry Ruby und Herbert Stothart (composer)
publisher:
BMG Firefly, Edwin H. Morris & Co., Inc. (a division of MPL Communications Inc.), Harry Ruby Music Co., Warner Bros., Inc. (not for release label use!) und WB Music Corp. (1929–2019)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Marilyn Monroe3:01
19Nobody Knows the Trouble I've Seen
recording of:
Nobody Knows the Trouble I’ve Seen
Texter und Komponist(in):
[traditional] (special purpose artist)
publisher:
C. Mose Music
Mahalia Jackson2:38
20My Prayer
recorded in:
New York, New York, Vereinigte Staaten (in 1956-04)
phonographisches Urheberrecht (℗) von:
PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1956)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1956 (Nummer: 20)
cover recording of:
My Prayer (in 1956-04)
Texter:
Jimmy Kennedy (Irish songwriter)
Komponist(in):
Georges Boulanger (Romani-Romanian violinist, conductor, composer)
publisher:
J. Albert & Son Pty. Ltd., Peter Maurice Music, Skidmore Music Co., Inc., イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (vom 2021-07-01 bis heute)
basiert auf:
Avant de mourir
The Platters42:44
21Crazy Love
vocals:
Paul Anka (Canadian singer, songwriter and actor)
recording of:
Crazy Love
Texter und Komponist(in):
Paul Anka (Canadian singer, songwriter and actor)
publisher:
Spanka Music (beendet) und Epa Publishing
Paul Anka2:21
22Ramblin' Rose
recording of:
Ramblin’ Rose (1962 popular torch song)
Texter:
Noel Sherman
Komponist(in):
Joe Sherman
publisher:
Sony/ATV Music Publishing LLC (1995–2020)
Nat King Cole2:47
23Rum and Coca Cola
cover recording of:
Rum and Coca‐Cola (calypso)
Texter:
Lord Invader (calypso vocalist and songwriter)
zusätzlicher Texter:
Morey Amsterdam
Komponist(in):
Lionel Belasco (Trinidadian-Venezuelan calypso pianist, composer and bandleader)
zusätzliche(r) Komponist(in):
Paul Baron (conductor) und Jeri Sullivan
publisher:
EMI Feist Catalog Inc. und EMI Partnership Musikverlag GmbH
Andrew Sisters3:09
24Cry Me a River
recording of:
Cry Me a River
Texter und Komponist(in):
Arthur Hamilton
publisher:
Chappell & Co., Inc. (USA), Chappell Music Co. Inc., Harmony Grace Publishing, Saunders Publications Inc., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), Daksel Music Corp. (in 1982) und Song and Dance Music Co. (in 1982)
sub-publisher:
Warner/Chappell Music Japan, Synch division (Warner/Chappell Music Japan K.K., Synch Division) und Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label)
cover recording of:
Cry Me a River
Texter und Komponist(in):
Arthur Hamilton
publisher:
Chappell & Co., Inc. (USA), Chappell Music Co. Inc., Harmony Grace Publishing, Saunders Publications Inc., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), Daksel Music Corp. (in 1982) und Song and Dance Music Co. (in 1982)
sub-publisher:
Warner/Chappell Music Japan, Synch division (Warner/Chappell Music Japan K.K., Synch Division) und Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label)
Shirley Bassy43:27
25Everybody Loves a Lover
vocals:
Doris Day (am 1958-05-12)
Orchester:
Frank DeVol’s Orchestra (am 1958-05-12)
conductor:
Frank De Vol (am 1958-05-12)
recording of:
Everybody Loves a Lover (am 1958-05-12)
Texter:
Richard Adler (musical composer/lyricist)
Komponist(in):
Robert Allen (US songwriter/arranger/pianist)
Doris Day2:43

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