Atlantic Jazz: Best of the ’70s

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

1▼CD
#TitleArtistRatingLength
1Samia
engineer:
James Douglass, Arif Mardin and Gene Paul
producer:
Arif Mardin
bass:
Jimmy Rowser (on 1971-01-25)
drums (drum set):
Donald Dean (US jazz drummer) (on 1971-01-25)
electric guitar:
Cornell Dupree (on 1971-01-25)
electric piano:
Les McCann (on 1971-01-25)
horn and woodwind:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.) (on 1971-01-25)
percussion:
Buck Clarke (on 1971-01-25)
tenor saxophone:
Eddie Harris (saxophone, piano, vocals) (on 1971-01-25)
performer:
Les McCann
recorded at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (on 1971-01-25)
Eddie Harris feat. Les McCann7:33
2Push Push
recorded in:
New York, New York, United States (on 1971-07-01)
engineer:
Jimmy Douglass (engineer)
producer:
Arif Mardin
alto flute and flute:
Herbie Mann (on 1971-07-01)
bass:
Chuck Rainey (American bassist) (on 1971-07-01)
drums (drum set):
Bernard “Pretty” Purdie (on 1971-07-01)
electric piano, organ and piano:
Richard Tee (on 1971-07-01)
guitar:
Duane Allman (on 1971-07-01) and Cornell Dupree (on 1971-07-01)
harp:
Gene Bianca (on 1971-07-01)
percussion:
Ralph MacDonald (on 1971-07-01)
remixer:
Arif Mardin
recording of:
Push Push (on 1971-07-01)
writer:
Herbie Mann
Herbie Mann10:05
3Come Sunday
producer:
Joel Dorn
cello [cellos]:
Kermit Moore (on 1972-05-11)
flute [flutes]:
Yusef Lateef (on 1972-05-11)
arranger:
Yusef Lateef
recording of:
Come Sunday (1958 revision with lyrics) (on 1972-05-11)
lyricist and composer:
Duke Ellington (US composer, pianist & jazz bandleader)
version of:
Black, Brown, and Beige: I. Black: Come Sunday (part of the 1943 original "Black, Brown, and Beige" suite)
part of:
Black, Brown, and Beige (1958 revised version of the "Black, Brown, and Beige" suite)
Yusef Lateef2:36
4Freaks for the Festival
engineer:
Robert "Lip" Liftin
producer:
Joel Dorn
woodwind:
Rahsaan Roland Kirk (on 1975-05-14)
conductor:
William Eaton (US producer & arranger) (on 1975-05-14)
remixer:
Robert "Lip" Liftin
arranger:
William Eaton (US producer & arranger)
recorded at and remixed at:
Regent Sound Studios in New York, New York, United States (on 1975-05-14)
recording of:
Freaks for the Festival (on 1975-05-14)
composer:
Rahsaan Roland Kirk
Rahsaan Roland Kirk5:34
5A Ladiesman
engineer:
Bob Liftin and Gene Paul
producer:
Joel Dorn
brass:
Thad Jones (American jazz trumpeter) (on 1972-05-30), Charles Lewis (on 1972-05-30) and Eddie Williams (trumpet) (on 1972-05-30)
clarinet:
Arthur Clarke (baritone saxophonist) (on 1972-05-30)
drums (drum set):
Bernard “Pretty” Purdie (on 1972-05-30)
guitar:
Cornell Dupree (on 1972-05-30)
percussion:
Ralph MacDonald (on 1972-05-30)
piano:
Richard Tee (on 1972-05-30)
woodwind:
Ray Beckenstein (saxophonist and flute player) (on 1972-05-30) and David “Fathead” Newman (American jazz saxophonist) (on 1972-05-30)
vocals:
Oscar Brown Jr. (US jazz singer-songwriter from Chicago) (on 1972-05-30)
conductor:
William Eaton (US producer & arranger) (on 1972-05-30)
arranger:
William Eaton (US producer & arranger)
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US)
recorded at:
Regent Sound Studios in New York, New York, United States (on 1972-05-30)
Oscar Brown Jr.54:28
6Missy
David “Fathead” Newman5:26
7Dedicated to You
double bass [bass]:
Richard Davis (American jazz bassist) (on 1972-10-19)
drums (drum set):
Billy Cobham (on 1972-10-19)
electric guitar [guitar]:
David Spinozza (on 1972-10-19)
piano:
Ray Bryant (US jazz pianist, composer, and arranger) (on 1972-10-19)
vocals:
Jimmy Scott (US jazz vocalist) (on 1972-10-19)
conductor:
Eumir Deodato (on 1972-10-19)
concertmaster:
Al Brown (violin) (on 1972-10-19)
recording of:
Dedicated to You (on 1972-10-19)
writer:
Sammy Cahn, Saul Chaplin and Hy Zaret
publisher:
Argosy Music Corp., Cahn Music Company, Chappell & Co., Helene Blue Musique Ltd. and WB Music Corp. (1929–2019)
Jimmy Scott4:09
8Moonchild / In Your Quiet Place
engineer:
Dave Sanders (engineer)
producer:
Joel Dorn
double bass [bass]:
Steve Swallow (on 1970-07-23)
drums (drum set):
Bill Goodwin (jazz drummer, producer) (on 1970-07-23)
guitar:
Sam Brown (jazz guitarist) (on 1970-07-23)
piano:
Keith Jarrett (pianist) (on 1970-07-23)
vibraphone:
Gary Burton (jazz vibraphonist and composer) (on 1970-07-23)
remixer:
Lewis Hahn
recorded at:
A&R Recording Studio (third studio, 322 West 48th Street, closed in 1989) in New York, New York, United States (on 1970-07-23)
recording of:
Moonchild / In Your Quiet Place
composer:
Keith Jarrett (pianist)
Gary Burton & Keith Jarrett7:23
9Blues in A Minor
recording engineer:
Gene Paul (from 1973-11-26 until 1973-11-27)
producer:
Nesuhi Ertegun
double bass [bass]:
Percy Heath (from 1973-11-26 until 1973-11-27)
drums (drum set):
Connie Kay (from 1973-11-26 until 1973-11-27)
piano:
John Lewis (pianist, member of Modern Jazz Quartet) (from 1973-11-26 until 1973-11-27)
vibraphone:
Milt Jackson (from 1973-11-26 until 1973-11-27)
remixer:
Gene Paul
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US)
recorded at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (from 1973-11-26 until 1973-11-27)
The Modern Jazz Quartet7:56
10Birdland
recording engineer:
Joe Bogan (Recording- and mixing engineer), Jay Graydon and Bill Thomas (engineer)
producer and mixer:
Jay Graydon
alto saxophone:
Richie Cole
drums (drum set):
Ralph Humphrey (American drummer and teacher) and Jeff Porcaro
piano:
Michael Omartian
synthesizer:
Michael Boddicker
percussion [rhythm] arranger:
Michael Omartian
vocals arranger:
Janis Siegel
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1979)
additionally recorded at:
Garden Rake Studios in Studio City, Los Angeles, California, United States
recorded at:
Downbreaker Studio in San Fernando, California, United States
mixed at:
Garden Rake Studios in Studio City, Los Angeles, California, United States
recording of:
Birdland (vocal)
lyricist:
Jon Hendricks
composer:
Joe Zawinul (jazz and fusion keyboard player)
publisher:
Hendricks Music Inc., Mulatto Music and Songs of Universal, Inc. (BMI)
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division) and 大洋音楽 (Taiyō Music)
version of:
Birdland (instrumental)
The Manhattan Transfer6:02
11Yoruba
recording engineer:
Lew Hahn (on 1972-01-27)
producer:
Joel Dorn
congas:
Mongo Santamaría (Cuban jazz percussionist) (on 1972-01-27)
double bass [bass]:
Ron Carter (US jazz double-bassist) (on 1972-01-27)
drums (drum set) [drums]:
Bernard “Pretty” Purdie (on 1972-01-27)
flute:
Hubert Laws (on 1972-01-27)
percussion:
Joe Chambers (American jazz drummer, vibraphonist and pianist) (on 1972-01-27), Airto Moreira (percussionist) (on 1972-01-27) and Warren Smith (jazz percussionist) (on 1972-01-27)
piano:
Chick Corea (jazz pianist) (on 1972-01-27)
vibraphone:
Gary Burton (jazz vibraphonist and composer) (on 1972-01-27)
recorded at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (on 1972-01-27)
Hubert Laws6:06
12Egocentric Molecules
assistant engineer:
Russell Bracher, Rick Collins (mastering engineer), Chris Gregg and Brian Leshon
engineer and mixer:
Ed. E. Thacker
producer:
Jean‐Luc Ponty
drums (drum set) and percussion:
Casey Scheuerell
electric piano and organ:
Allan Zavod (in 1978-04)
solo electric bass guitar:
Ralphe Armstrong (bassist from Detroit) (in 1978-04)
solo electric guitar:
Joaquin Lievano (in 1978-04)
solo electric violin:
Jean‐Luc Ponty (in 1978-04)
synthesizer:
Peter Maunu (in 1978-04) and Allan Zavod (in 1978-04)
orchestrator:
Jean‐Luc Ponty
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) and Atlantic (Warner Music imprint) (in 1978)
recorded at:
Chateau Recorders in North Hollywood, Los Angeles, California, United States and Cherokee Studios in Hollywood, Los Angeles, California, United States
mixed at:
Chateau Recorders in North Hollywood, Los Angeles, California, United States
recording of:
Egocentric Molecules (in 1978-04)
composer:
Jean‐Luc Ponty
publisher:
YTNOP Music (Publishing company associated with Jean-Luc Ponty)
sub-publisher:
BMI Publishing, SACEM (Société des auteurs, compositeurs et éditeurs de musique, French rights society representing original songwriters, composers, and music publishers) and SDRM (Société pour l’administration du droit de reproduction mécanique, French mechanical reproduction rights society)
Jean‐Luc Ponty55:47
13A Funky Thide of Sings
recording engineer and mixer:
Jimmy Douglass (engineer)
bass:
Alex Blake (bass)
congas:
Rebop Kwaku Baah
guitar:
John Scofield (US guitarist/composer)
keyboard:
Milcho Leviev
percussion and synthesizer:
Billy Cobham
piccolo and trombone:
Tom Malone (US trombonist)
saxophone:
Larry Schneider
trumpet:
Walt Fowler
arranger:
Billy Cobham
recording of:
A Funky Thide of Sings
composer:
Billy Cobham
Billy Cobham3:21

Credits

Release

manufactured in:Germany
manufactured by:Warner Music Manufacturing Europe (aka WMME Alsdorf; manufacturing company; not for release label use!)
part of:Atlantic Jazz Gallery (Rhino presents) (order: 1)
Discogs:https://www.discogs.com/release/5754618 [info]
ASIN:US: B00000338G [info]