Banda sonora original: 24 éxitos de cine en versión original

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, 2 vorhanden)

Anmerkung

1. Dirty Dancing

2. Bagdad Cafe

3. Calles De Fuego

4. Elegir un Amor

5. El Silencio de Los Corderos

6. Pretty Woman

7. Regreso Al Futuro

8. Superdetective en Hollywood

9. Cowboy De Medianoche

10. American Graffiti

11. Memorias De Africa

12. Nueve Semanas y Media

13. El rey Pescador

14. The Commitments

15. Tomates Verdes Fritos

16. Armas De Mujer

17. Thelma y Louise

18. Tacones Lejanos

19. Lily Was Here

20. Oficial y Caballero

21. What a Wonderful World

Anmerkung zuletzt geändert am 2012-11-21 20:16 UTC.

Titelliste

1▼CD
Nr.TitelKünstlerBewertungLänge
1The Time of My Life
recording of:
(I’ve Had) The Time of My Life
Texter:
Franke Previte
Komponist(in):
John DeNicola und Donald Markowitz
publisher:
Calspen Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI April Music Inc., Marcu Music Company, Inc., R U Cyrius Publishing, Sony/ATV Tunes LLC (ASCAP), Donald Jay Music, Ltd. (publisher) (in 1987), Jemava Music Corp. (in 1987), Knockout Music Inc. (in 1987) und R.U. Cyrius Publishing (in 1987)
sub-publisher:
ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) (beendet), Sony Music Publishing (Japan) Inc. (song publisher, never a release label), ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division) und フジパシフィックミュージック (Fujipacific Music, Inc.)
Teil von:
The 60th Academy Award for Best Original Song (Nummer: 1) und Academy Award for Best Original Song (Nummer: 1987 winner)
Bill Medley4:40
2Calling You
Produzent(in):
Levi Seacer, Jr.
Mundharmonika:
Bruce Kurnow
vocals:
Jevetta Steele
arranger:
Levi Seacer, Jr.
recording of:
Calling You (in 1988)
Texter und Komponist(in):
Bob Telson (composer, songwriter and pianist)
publisher:
Boodle Music (in 1987)
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Teil von:
The 61st Academy Award for Best Original Song (Nummer: 2) und Academy Award for Best Original Song (Nummer: 1988 nominee)
Jevetta Steele35:20
3I Can Dream About You
Don Hartman4:07
4Theme From Dying Young
recording of:
Dying Young Theme
Komponist(in):
James Newton Howard (American score composer)
publisher:
Fox Film Music Corp. und Fox Film Music Corporation (BMI-affiliated)
Kenny G4:00
5Main Title
recorded in:
München, Bayern, Deutschland (in 1990-08)
recording engineer:
Alan Snelling
Programmierung:
John Mahoney (R&B/jazz keyboardist)
Produzent(in):
Howard Shore (Canadian score composer)
Mix:
Gary Chester (production, engineer)
assistierendes Editing:
Nic Ratner
Editing:
Suzana Perić
Orchester:
Münchner Symphoniker (Munich Symphony Orchestra, German symphonic orchestra pka “Symphonie-Orchester Graunke”; not related to Alfred Scholz) (in 1990-08)
conductor:
Howard Shore (Canadian score composer) (in 1990-08)
phonographisches Urheberrecht (℗) von:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.)
recording of:
Main Title (The Silence of the Lambs) (in 1990-08)
Orchestrator(in):
Homer Denison (orchestrator, composer)
Komponist(in):
Howard Shore (Canadian score composer)
Teil von:
The Silence of the Lambs (1991 film score)
Howard Shore25:05
6It Must Have Been Love
Programmierung:
Clarence Öfwerman (von 1987 bis 1990)
Techniker(in):
Anders Herrlin und Alar Suurna
Produzent(in):
Clarence Öfwerman
Mix:
Humberto Gatica
E-Gitarre [electric guitars]:
Jonas Isacsson (von 1987 bis 1990)
Keyboard [keyboards] und Synclavier:
Clarence Öfwerman (von 1987 bis 1990)
Schlagzeug:
Pelle Alsing (von 1987 bis 1990)
vocals:
Marie Fredriksson (von 1987 bis 1990) und Per Gessle (Swedish singer and guitarist) (von 1987 bis 1990)
phonographisches Urheberrecht (℗) von:
EMI Svenska AB (not for release label use!) (in 1990) und Parlophone Music Sweden AB (not for release label use, for copyrights use only) (in 1990)
aufgenommen bei:
Audio Sweden in Stockholm, Stockholms län (Stockholm county), Schweden (von 1987 bis 1990) und EMI Studios in Stockholm, Stockholms län (Stockholm county), Schweden (von 1987 bis 1990)
mixed at:
Ground Control Studios in Santa Monica, California (Kalifornien), Vereinigte Staaten
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 466)
recording of:
It Must Have Been Love (von 1987 bis 1990)
Texter und Komponist(in):
Per Håkan Gessle (Swedish singer and guitarist)
publisher:
EMI Music Publishing Australia Pty Ltd (not for release label use!), EMI Music Publishing Ltd. (PRS‐affiliated) und Jimmy Fun Music
Roxette3.154:16
7Johnny B. Goode
Produzent(in):
Bones Howe
Solo-Gitarre:
Tim May (session/jazz guitarist)
vocals:
Mark Campbell (Marty McFly)
cover recording of:
Johnny B. Goode
Texter und Komponist(in):
Chuck Berry (in 1955)
publisher:
Arc Music (U.S. rock & blues publisher), Arc Music Corp. (U.S. rock & blues publisher), Isalee Music, Jewel Music Publishing Co. Ltd. (publisher; do NOT use as release label) und ロックンロール ミュージック (Rock ’n’ Roll Music)
Teil von:
Back to the Future: the Musical
Marty McFly with the Starlighters3:03
8Axel F
Produzent(in):
Harold Faltermeyer
phonographisches Urheberrecht (℗) von:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) und Geffen Records (in 1984)
mixed at:
The Record Plant (aka “Record Plant” Los Angeles) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
Teil von:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (Nummer: 70)
recording of:
Axel F (Beverly Hills Cop)
Komponist(in):
Harold Faltermeyer
Harold Faltermeyer4.153:01
9Everybody’s Talkin’
phonographisches Urheberrecht (℗) von:
BMG Music (in 1967)
früheste Veröffentlichung:
Everybody’s Talkin’ von Nilsson (US singer-songwriter)
Teil von:
New York Post: 100 Greatest Covers (2007) (Nummer: 51)
cover recording of:
Everybody’s Talkin’
Texter und Komponist(in):
Fred Neil
publisher:
Carlin Music Corporation, Coconut Grove Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Third Palm Music und Third Story Music, Inc.
Nilsson3.92:43
10That’ll Be the Day
recording of:
That’ll Be the Day
Verfasser(in):
Jerry Allison, Buddy Holly (1950s rock & roll singer‐songwriter) und Norman Petty
publisher:
MPL Communications Inc. (Paul McCartney‐related, NYC‐based company), Nor-Va-Jak Music, Inc, Peermusic (UK) Limited, Southern Music (publisher), Wren Music Co. und MPL Communications (not for release label use! Paul McCartney-related, London-based company) (in 1976)
Buddy Holly2:16
11I Had a Farm in Africa
Techniker(in):
Nicholas Basich und Mike Novitch
Produzent(in):
John Barry (English score composer)
Mix:
Dan Wallin
conductor und Interpret(in):
John Barry (English score composer)
arranger:
John Barry (English score composer)
phonographisches Urheberrecht (℗) von:
Geffen Records (in 1985)
aufgenommen bei:
The Record Plant, Studio M in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
I Had a Farm in Africa (Out of Africa, main title)
Komponist(in):
John Barry (English score composer)
publisher:
MCA Music Ltd.
Teil von:
Out of Africa (soundtrack of the 1985 film)
John Barry43:10
12You Can Leave Your Hat On
Techniker(in):
Brian Reeves
Produzent(in):
Richie Zito
Mix:
Rik Pekkonen
Bass und Synthesizer:
Arthur Barrow
Gitarre:
Richie Zito
Horn:
Dick Hyde, Steve Madaio und Joel Peskin
membranophone:
Michael Baird
Hintergrundgesang:
Maxine Sharp, Julia Waters und Maxine Waters
Sologesang:
Joe Cocker
aufgenommen bei:
Ocean Way Recording in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
cover recording of:
You Can Leave Your Hat On
Texter und Komponist(in):
Randy Newman (American singer‐songwriter and score composer)
publisher:
Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), WC Music Corp., Randy Newman (publisher) (in 1972), Randy Newman Music (in 1972, in 1976) und WB Music Corp. (1929–2019) (in 1972, in 1976)
recording of:
You Can Leave Your Hat On
Texter und Komponist(in):
Randy Newman (American singer‐songwriter and score composer)
publisher:
Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), WC Music Corp., Randy Newman (publisher) (in 1972), Randy Newman Music (in 1972, in 1976) und WB Music Corp. (1929–2019) (in 1972, in 1976)
Joe Cocker3.854:13
13I’m Sorry
recording of:
I’m Sorry (Brenda Lee song, 1960)
Verfasser(in):
Dub Albritton (manager and songwriter) und Ronnie Self (rockabilly singer and songwriter)
publisher:
Songs of Universal (SOCAN)
Brenda Lee2:41
14Mustang Sally
Hintergrundgesang:
Angeline Ball, Maria Doyle Kennedy und Bronagh Gallagher (Irish singer and actress)
vocals:
Andrew Strong (Irish singer)
phonographisches Urheberrecht (℗) von:
Geffen Records (in 1991) und MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1991)
cover recording of:
Mustang Sally
Texter und Komponist(in):
Sir Mack Rice
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), EMI Songs Australia Pty. Ltd., Fourteenth Hour Music, Inc., Springtime Music, Inc. und フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department)
Andrew Strong4.54:00
15Cherish
Jodeci2:21
16Let the River Run
Techniker(in):
Tim Leitner
Produzent(in):
Rob Mounsey und Carly Simon
Mix:
Frank Filipetti
Gitarre:
Jimmy Ryan (American guitarist and singer/songwriter)
Keyboard [keyboards]:
Rob Mounsey
Schlagzeug [drums]:
Mickey Curry
Hintergrundgesang [background singers]:
Vivian Cherry, Frank Floyd (US soul disco funk singer), Gordon Grody, Lani Groves, Kasey Cisyk, Frank Simms, Vaneese Thomas und Kurt Yaghjian
Sologesang:
Carly Simon
phonographisches Urheberrecht (℗) von:
Twentieth Century Fox Film Corporation (do not use as a release label! for copyrights use only) (in 1988)
aufgenommen bei und mixed at:
Hit Factory, NYC (The Hit Factory) in Manhattan, New York, New York, Vereinigte Staaten
recording of:
Let the River Run
Texter und Komponist(in):
Carly Simon
publisher:
C’est Music und TCF Music Publishing, Inc. (Twentieth Century Fox Music Publishing, Inc.; ASCAP)
Teil von:
The 61st Academy Award for Best Original Song (Nummer: 1) und Academy Award for Best Original Song (Nummer: 1988 winner)
Carly Simon3:40
17Part of Me, Part of You
recording of:
Part of Me, Part of You
Verfasser(in):
Glenn Frey (US musician/singer/songwriter, member of the Eagles) und Jack Tempchin
Glenn Frey4:16
18Piensa en mi
cover recording of:
Piensa en mí
Verfasser(in):
Agustín Lara (in 1935) und María Teresa Lara (in 1935)
Luz Casal4:27
19Lily Was Here
Gast-Saxophon:
Candy Dulfer
recording of:
Lily Was Here
Komponist(in):
David A. Stewart (UK guitarist/singer for Eurythmics)
publisher:
BMG Music Publishing Ltd. und Eligible Music Ltd.
Dave Stewart feat. Candy Dulfer4:09
20Up Where We Belong
Produzent(in):
Stewart Levine (record producer and saxophonist)
Gitarre:
Louie Shelton
Keyboard:
Robbie Buchanan (Canadian producer) und Bobby Lyle
Perkussion:
Paulinho da Costa (Brazilian percussionist)
Schlagzeug:
Leon Ndugu Chancler
Sologesang:
Joe Cocker und Jennifer Warnes
phonographisches Urheberrecht (℗) von:
Island Records, Inc. (US, Island holding) (in 1982) und The Island Def Jam Music Group (American holding company, not normally a release label) (in 1982)
recording of:
Up Where We Belong (An Officer and a Gentleman)
Texter:
Will Jennings
Komponist(in):
Jack Nitzsche (American musician and score composer) und Buffy Sainte‐Marie
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Ensign Music Corporation, Famous Chappell und Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody)
Teil von:
The 55th Academy Award for Best Original Song (Nummer: 1) und Academy Award for Best Original Song (Nummer: 1982 winner)
Joe Cocker3.53:52
21What a Wonderful World
recorded in:
New York, Vereinigte Staaten (am 1967-08-16)
Techniker(in):
Eddie Brackett und Bob Simpson (US jazz engineer/producer)
Produzent(in):
Bob Thiele (producer & songwriter)
alto saxophone:
Sam Marowitz (saxophonist and clarinetist) (am 1967-08-16) und Daniel Trimboli (am 1967-08-16)
baritone saxophone:
Raymond Stanfield (am 1967-08-16)
flute:
Sam Marowitz (saxophonist and clarinetist) (am 1967-08-16), Jerome Richardson (am 1967-08-16) und Daniel Trimboli (am 1967-08-16)
Gitarre:
Allen Hanlon (jazz guitarist) (am 1967-08-16), Art Ryerson (am 1967-08-16) und Willard Suyker (am 1967-08-16)
Klarinette:
Sam Marowitz (saxophonist and clarinetist) (am 1967-08-16) und Jerome Richardson (am 1967-08-16)
Klavier:
Hank Jones (piano) (am 1967-08-16)
Kontrabass:
Russ Savakus (am 1967-08-16)
Perkussion:
Warren Hard (am 1967-08-16)
Posaune:
Urbie Green (am 1967-08-16) und J.J. Johnson (jazz/bop trombonist/session leader) (am 1967-08-16)
Schlagzeug:
Grady Tate (am 1967-08-16)
Tenorsaxophon:
Jerome Richardson (am 1967-08-16) und Daniel Trimboli (am 1967-08-16)
Trompete:
Louis Armstrong (am 1967-08-16), Clark Terry (American swing trumpeter) (am 1967-08-16) und Joe Wilder (am 1967-08-16)
Sologesang:
Louis Armstrong (am 1967-08-16)
Orchester:
Louis Armstrong’s Orchestra and Chorus (am 1967-08-16)
conductor und chorus master:
Tommy Goodman (pianist, arranger for Benny Goodman and Duke Ellington) (am 1967-08-16)
phonographisches Urheberrecht (℗) von:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1968) und Project 3 Records Inc. (in 1988)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 171) und Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 283)
recording of:
What a Wonderful World (am 1967-08-16)
Verfasser(in):
George Douglas (producer & songwriter) und George David Weiss
publisher:
Abilene Music Inc., Carlin Music Corp., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Memory Lane Music (publishing company), Quartet Music Inc., Range Road Music Inc. und Valando Music, Inc.
sub-publisher:
BMC Publishing NV, Sony Music Publishing (Japan) Inc. (song publisher, never a release label), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), フジパシフィック音楽出版 (Fujipacific Music inc.) (bis 2014-12-31) und フジパシフィックミュージック (Fujipacific Music, Inc.) (vom 2015-01-01 bis heute)
Teil von:
12 Monkeys Soundtrack
Teil von:
Freaky Friday (2003)
Louis Armstrong3.952:17

Nennungen