Hello Dolly

~ Veröffentlichung von Louis Armstrong (alle Versionen dieser Veröffentlichung ansehen, 2 vorhanden)

Titelliste

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Nr.TitelBewertungLänge
1Hello Dolly
recorded in:
New York, Vereinigte Staaten (am 1963-12-03)
Produzent(in):
Mickey Kapp
Banjo und Gitarre:
Anthony Gottuso (Tony Gottuso, guitar) (am 1963-12-03)
Bass:
Arvell Shaw (am 1963-12-03)
Klarinette:
Joe Darensbourg (am 1963-12-03)
Klavier:
Billy Kyle (am 1963-12-03)
Kontrabass:
Arvell Shaw
Posaune:
Trummy Young (am 1963-12-03)
Schlagzeug:
Danny Barcelona (am 1963-12-03)
Trompete:
Louis Armstrong
Sologesang:
Louis Armstrong (am 1963-12-03)
vocals:
Louis Armstrong
phonographisches Urheberrecht (℗) von:
Verve Music Group (now known as Verve Label Group; not for release label use!) (in 2000)
cover recording of:
Hello, Dolly! (am 1963-12-03)
Texter und Komponist(in):
Jerry Herman
publisher:
Edwin H. Morris & Co., Inc. (a division of MPL Communications Inc.) und Jerryco Music Co.
sub-publisher:
Warner Chappel Music Belgium NV
Teil von:
Hello, Dolly!
live recording of:
Hello, Dolly!
Texter und Komponist(in):
Jerry Herman
publisher:
Edwin H. Morris & Co., Inc. (a division of MPL Communications Inc.) und Jerryco Music Co.
sub-publisher:
Warner Chappel Music Belgium NV
Teil von:
Hello, Dolly!
live cover recording of:
Hello, Dolly!
Texter und Komponist(in):
Jerry Herman
publisher:
Edwin H. Morris & Co., Inc. (a division of MPL Communications Inc.) und Jerryco Music Co.
sub-publisher:
Warner Chappel Music Belgium NV
Teil von:
Hello, Dolly!
recording of:
Hello, Dolly!
Texter und Komponist(in):
Jerry Herman
publisher:
Edwin H. Morris & Co., Inc. (a division of MPL Communications Inc.) und Jerryco Music Co.
sub-publisher:
Warner Chappel Music Belgium NV
Teil von:
Hello, Dolly!
42:24
2Mack the Knife
cover recording of:
Mack the Knife (1954 Blitzstein translation)
Texter:
Bertolt Brecht
Komponist(in):
Kurt Weill (composer)
Übersetzer:
Marc Blitzstein (American composer) (in 1954)
publisher:
Universal Edition (publisher; do NOT use as release label)
übersetzte Version von:
Die Dreigroschenoper: Vorspiel. Die Moritat von Mackie Messer
3:23
3On the Sunny Side of the Street
recording of:
On the Sunny Side of the Street
Texter:
Dorothy Fields (American librettist and lyricist)
Komponist(in):
Jimmy McHugh (songwriter)
publisher:
Ancar Enterprises Inc., Cotton Club Publishing, Shapiro, Bernstein & Co., Inc. und Vydia Music Publishing
sub-publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), Lawrence Wright Music Co., Ltd., Memory Lane Music Ltd., Shapiro Bernstein & Co. Ltd. und シンコーミュージック・エンタテイメント A事業部 (Shinko Music Entertainment, A Division)
Teil von:
American Splendor
3:21
4When the Saints Go Marching In
recording of:
When the Saints Go Marching In
Texter und Komponist(in):
[traditional] (special purpose artist)
Teil von:
Roud Folk Song Index (Nummer: 13983)
Version von:
When the Saints Go Marching In
1:32
5Ain't Misbehavin'
recording of:
Ain’t Misbehavin’
Texter:
Andy Razaf (in 1929)
Komponist(in):
Harry Brooks (jazz pianist & songwriter) (in 1929) und Fats Waller (in 1929)
publisher:
BMG Rights Management (UK) Ltd. (not for release label use! see annotation), EMI Music (do not use as release label! this is a music publisher), Redwood Music und Redwood Music Ltd. (Carlin)
4:02
6Cut Off My Legs and Call Me Shorty
recorded in:
New York, New York, Vereinigte Staaten (am 1940-05-01)
alto saxophone:
Charlie Holmes (US jazz saxophonist, active 1920s/1930s) (am 1940-05-01)
Bass:
George "Pops" Foster (am 1940-05-01)
Gitarre:
Lee Blair (am 1940-05-01)
Klavier:
Luis Russell (am 1940-05-01)
Saxophon:
Joe Garland (saxophonist, composer) (am 1940-05-01)
Schlagzeug:
Sid Catlett (am 1940-05-01)
Trompete:
Louis Armstrong (am 1940-05-01)
vocals:
Louis Armstrong (am 1940-05-01)
Orchester:
Louis Armstrong & His Orchestra (am 1940-05-01)
recording of:
Cut Off My Legs and Call Me "Shorty" (am 1940-05-01)
Verfasser(in):
Don Raye und Van Alexander (aka Al Feldman)
2:32
7Blueberry Hill
cover recording of:
Blueberry Hill
Texter:
Al Lewis (Tin Pan Alley era lyricist) und Larry Stock
Verfasser(in):
Al Lewis (Tin Pan Alley era lyricist), Vincent Rose (early-20th century violinist, pianist, composer & bandleader) und Larry Stock
Komponist(in):
Vincent Rose (early-20th century violinist, pianist, composer & bandleader)
publisher:
Chappell & Co., Inc. (USA), Chappell Music Ltd., Larry Stock Music Co., Redwood Music Ltd. (Carlin), Sovereign Music Company und Victoria Music Publishing Co. Ltd.
Teil von:
12 Monkeys Soundtrack
1:38
8Jeepers Creepers
recording of:
Jeepers Creepers
Texter:
Johnny Mercer (in 1938)
Verfasser(in):
Richard A. Whiting (composer)
Komponist(in):
Harry Warren (US composer and lyricist) (in 1938)
publisher:
B. Feldman & Co. Ltd. (publisher est. 1946) und Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
Teil von:
The 11th Academy Award for Best Original Song (Nummer: 2) und Academy Award for Best Original Song (Nummer: 1938 nominee)
4:42
9You Won't Be Satisfied
recording of:
You Won’t Be Satisfied (Until You Break My Heart)
Verfasser(in):
Freddy James und Larry Stock
3:00
10Cabaret
cover recording of:
Cabaret (title song from the Kander & Ebb musical)
Texter:
Fred Ebb (lyricist)
Komponist(in):
John Kander (composer)
publisher:
Carlin Music Corp.
Teil von:
Cabaret (musical)
3:10
11Cain and Abel
3:00
12Basin Street Blues
recording of:
Basin Street Blues
Texter und Komponist(in):
Spencer Williams (US jazz composer, pianist & singer)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated)
3:19
13C'est si bon (It's So Good)
recording of:
C’est si bon (It's So Good, English version)
Texter:
André Hornez (in 1947)
Komponist(in):
Henri Betti (songwriter and pianist) (in 1947)
Übersetzer:
Jerry Seelen (screenwriter, lyricist. songwriter) (in 1949)
publisher:
Éditions Beuscher Arpège
übersetzte Version von:
C’est si bon (original French version)
3:31
14Baby Won't You Please Come Home
recorded in:
New York, New York, Vereinigte Staaten (am 1939-06-15)
alto saxophone:
Charlie Holmes (US jazz saxophonist, active 1920s/1930s) (am 1939-06-15)
Bass:
George "Pops" Foster (am 1939-06-15)
Gitarre:
Lee Blair (am 1939-06-15)
Klavier:
Luis Russell (am 1939-06-15)
Posaune:
Wilbur de Paris (am 1939-06-15), J.C. Higginbotham (am 1939-06-15) und George Washington (jazz trombonist) (am 1939-06-15)
Rohrblattinstrumente:
Rupert Cole (swing era jazz clarinetist and saxophonist) (am 1939-06-15)
Saxophon:
Joe Garland (saxophonist, composer) (am 1939-06-15)
Schlagzeug:
Sid Catlett (am 1939-06-15)
Tenorsaxophon:
Bingie Madison (am 1939-06-15)
Trompete:
Henry “Red” Allen (jazz musician) (am 1939-06-15), Louis Armstrong (am 1939-06-15), Bernard Flood (am 1939-06-15) und Shelton "Scad" Hemphill (am 1939-06-15)
vocals:
Louis Armstrong (am 1939-06-15)
Orchester:
Louis Armstrong & His Orchestra (am 1939-06-15)
Interpret(in):
Louis Armstrong (am 1939-12-18)
cover recording of:
Baby Won’t You Please Come Home (am 1939-06-15)
Verfasser(in):
Charles Warfield und Clarence Williams (US jazz pianist, composer, singer and bandleader)
publisher:
Redwood Music Ltd. (Carlin), Universal‐MCA Music Publishing (US) und Universal/MCA Music Ltd. (not for release label use!)
3:18
15Honeysuckle Rose
cover recording of:
Honeysuckle Rose
Texter:
Andy Razaf (in 1928)
Komponist(in):
Fats Waller (in 1928)
publisher:
Intersong Music
Teil von:
New York, New York (1977 musical film soundtrack)
Teil von:
Thousands Cheer (1943 movie)
2:59
16I'm Confessin' (That I Love You)
recording of:
I’m Confessin’ (That I Love You)
Texter:
Al J. Neiburg (lyricist) (in 1930)
Komponist(in):
Doc Daugherty (in 1930) und Ellis Reynolds (in 1930)
publisher:
Bourne Music Ltd.
Version von:
Lookin’ for Another Sweetie
3:22
17Your Just a No Account
recorded in:
New York, New York, Vereinigte Staaten (am 1939-12-18)
alto saxophone:
Charlie Holmes (US jazz saxophonist, active 1920s/1930s) (am 1939-12-18)
Bass:
George "Pops" Foster (am 1939-12-18)
Gitarre:
Lee Blair (am 1939-12-18)
Klavier:
Luis Russell (am 1939-12-18)
Posaune:
Wilbur de Paris (am 1939-12-18), J.C. Higginbotham (am 1939-12-18) und George Washington (jazz trombonist) (am 1939-12-18)
Rohrblattinstrumente:
Rupert Cole (swing era jazz clarinetist and saxophonist) (am 1939-12-18)
Saxophon:
Joe Garland (saxophonist, composer) (am 1939-12-18)
Schlagzeug:
Sid Catlett (am 1939-12-18)
Tenorsaxophon:
Bingie Madison (am 1939-12-18)
Trompete:
Henry “Red” Allen (jazz musician) (am 1939-12-18), Louis Armstrong (am 1939-12-18), Bernard Flood (am 1939-12-18) und Shelton "Scad" Hemphill (am 1939-12-18)
vocals:
Louis Armstrong (am 1939-12-18)
Orchester:
Louis Armstrong & His Orchestra (am 1939-12-18)
recording of:
You’re Just a No Account (am 1939-12-18)
Texter:
Sammy Cahn
Komponist(in):
Saul Chaplin
2:52
18I'll Get Mine Bye and Bye
recording of:
I'll Get Mine Bye and Bye
Verfasser(in):
Jimmie Davis (American politician, singer and songwriter)
3:04
19High Society
recording of:
High Society (jazz standard, with lyrics added c. 1920s to a 1901 march, supposedly never performed except instrumentally)
Texter:
Walter Melrose
Komponist(in):
Porter Steele (in 1901-04)
basiert auf:
High Society (march composed by Porter Steele in 1901)
1:30
20You Run Your Mouth and I'll Run My Business
recorded in:
New York, New York, Vereinigte Staaten (am 1940-05-01)
alto saxophone:
Charlie Holmes (US jazz saxophonist, active 1920s/1930s) (am 1940-05-01)
Bass:
George "Pops" Foster (am 1940-05-01)
Gitarre:
Lee Blair (am 1940-05-01)
Klavier:
Luis Russell (am 1940-05-01)
Saxophon:
Joe Garland (saxophonist, composer) (am 1940-05-01)
Schlagzeug:
Sid Catlett (am 1940-05-01)
Trompete:
Louis Armstrong (am 1940-05-01)
vocals:
Louis Armstrong (am 1940-05-01)
Orchester:
Louis Armstrong & His Orchestra (am 1940-05-01)
recording of:
You Run Your Mouth and I'll Run My Business (am 1940-05-01)
Texter und Komponist(in):
Lil Hardin Armstrong
2:58