Die kompletten Werke, Volume 37: Werke für Tasteninstrumente

~ Release by Johann Sebastian Bach; Trevor Pinnock, Robert Hill (see all versions of this release, 43 available)

Annotation

Recording:
CD 1/2: September 1998 (BWV 825-827), 3.-7. November 1999 (BWV 828-830), Karlshöhe, Ludwigsburg;
CD 3/4: 15.-18.6.1998, Kirche zu St. Fides und Markus, Freiburg-Sölden

Annotation last modified on 2014-06-19 18:52 UTC.

Tracklist

1▶CD: Sechs Partiten
2▶CD: Sechs Partiten
3▶CD: Die Kunst der Fuge
4▼CD: Die Kunst der Fuge
#TitleArtistRatingLength
1Die Kunst der Fuge, BWV 1080 no. 12.1: Contrapunctus inversus 12 a 4 in forma recta
harpsichord:
Michael Behringer (conductor, organist and harpsichordist) and Robert Hill (American harpsichordist)
recorded at:
Kirche zu St. Fides und Markus in Sölden, Baden-Württemberg, Germany (in 1998-06)
recording of:
Die Kunst der Fuge, BWV 1080: XII, 1. Contrapunctus inversus a 4 (Forma recta) (in 1998-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (number: BWV 1080/12,1)
part of:
Die Kunst der Fuge, BWV 1080 (The Art of Fugue, BWV 1080)
part of:
Die Kunst der Fuge, BWV 1080.1 (1742 autograph)
Johann Sebastian Bach2:19
2Die Kunst der Fuge, BWV 1080 no. 12.2: Contrapunctus inversus 12 a 4 in forma inversa
harpsichord:
Michael Behringer (conductor, organist and harpsichordist) and Robert Hill (American harpsichordist)
recorded at:
Kirche zu St. Fides und Markus in Sölden, Baden-Württemberg, Germany (in 1998-06)
recording of:
Die Kunst der Fuge, BWV 1080: XII, 2. Contrapunctus inversus 12 a 4 (Forma inversa) (in 1998-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (number: BWV 1080/12,2)
part of:
Die Kunst der Fuge, BWV 1080 (The Art of Fugue, BWV 1080)
part of:
Die Kunst der Fuge, BWV 1080.1 (1742 autograph)
Johann Sebastian Bach2:24
3Die Kunst der Fuge, BWV 1080 no. 13.1: Contrapunctus inversus 13 a 3 in forma recta
harpsichord:
Michael Behringer (conductor, organist and harpsichordist) and Robert Hill (American harpsichordist)
recorded at:
Kirche zu St. Fides und Markus in Sölden, Baden-Württemberg, Germany (in 1998-06)
recording of:
Die Kunst der Fuge, BWV 1080: XIII, 2. Contrapunctus inversus a 3 (Forma inversa) (in 1998-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (number: BWV 1080/13,2)
part of:
Die Kunst der Fuge, BWV 1080 (The Art of Fugue, BWV 1080)
part of:
Die Kunst der Fuge, BWV 1080.1 (1742 autograph)
Johann Sebastian Bach2:13
4Die Kunst der Fuge, BWV 1080 no. 13.2: Contrapunctus inversus 13 a 3 in forma inverso
harpsichord:
Michael Behringer (conductor, organist and harpsichordist) and Robert Hill (American harpsichordist)
recorded at:
Kirche zu St. Fides und Markus in Sölden, Baden-Württemberg, Germany (in 1998-06)
recording of:
Die Kunst der Fuge, BWV 1080: XIII, 1. Contrapunctus inversus a 3 (Forma recta) (in 1998-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (number: BWV 1080/13,1)
part of:
Die Kunst der Fuge, BWV 1080 (The Art of Fugue, BWV 1080)
part of:
Die Kunst der Fuge, BWV 1080.1 (1742 autograph)
Johann Sebastian Bach2:17
5Die Kunst der Fuge, BWV 1080 no. 15: Canon alla Ottava
harpsichord:
Robert Hill (American harpsichordist)
recorded at:
Kirche zu St. Fides und Markus in Sölden, Baden-Württemberg, Germany (in 1998-06)
recording of:
Die Kunst der Fuge, BWV 1080: XV. Canon alla Ottava (or "Canon in Hypodiapason" (1742 manuscript)) (in 1998-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (number: BWV 1080/15)
part of:
Die Kunst der Fuge, BWV 1080 (The Art of Fugue, BWV 1080)
part of:
Die Kunst der Fuge, BWV 1080.1 (1742 autograph)
Johann Sebastian Bach4:17
6Die Kunst der Fuge, BWV 1080 no. 16: Canon alla Decima in Contrapunto alla Terza
harpsichord:
Robert Hill (American harpsichordist)
recorded at:
Kirche zu St. Fides und Markus in Sölden, Baden-Württemberg, Germany (in 1998-06)
recording of:
Die Kunst der Fuge, BWV 1080: XVI. Canon alla Decima in Contrapunto alla Terza (in 1998-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (number: BWV 1080/16)
part of:
Die Kunst der Fuge, BWV 1080 (The Art of Fugue, BWV 1080)
Johann Sebastian Bach4:46
7Die Kunst der Fuge, BWV 1080 no. 17: Canon alla Duodecima in Contrapunto alla Quinta
harpsichord:
Robert Hill (American harpsichordist)
recorded at:
Kirche zu St. Fides und Markus in Sölden, Baden-Württemberg, Germany (in 1998-06)
recording of:
Die Kunst der Fuge, BWV 1080: XVII. Canon alla Duodecima in Contrapunto alla Quinta (in 1998-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (number: BWV 1080/17)
part of:
Die Kunst der Fuge, BWV 1080 (The Art of Fugue, BWV 1080)
Johann Sebastian Bach4:05
8Die Kunst der Fuge, BWV 1080 no. 14: Canon per Augmentationem in Contrario Motu
harpsichord:
Robert Hill (American harpsichordist)
recorded at:
Kirche zu St. Fides und Markus in Sölden, Baden-Württemberg, Germany (in 1998-06)
recording of:
Die Kunst der Fuge, BWV 1080: XIV. Canon per Augmentationem in Contrario Motu (in 1998-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (number: BWV 1080/14)
version of:
Die Kunst der Fuge, BWV 1080.1: Canon al roverscio et per augmentationem (1742 autograph, early version)
version of:
Die Kunst der Fuge, BWV 1080.1: Canon in Hypodiateßeron al roverscio e per augmentationem, perpetuus (1742 autograph, early version)
part of:
Die Kunst der Fuge, BWV 1080 (The Art of Fugue, BWV 1080)
revision of:
Canon in Hypodiatesseron, al roversio [sic] e per augmentationem (supplementation to 1742 autograph)
Johann Sebastian Bach3:50
9Die Kunst der Fuge, BWV 1080 no. 19: Fuga a 3 Soggetti
harpsichord:
Robert Hill (American harpsichordist)
recorded at:
Kirche zu St. Fides und Markus in Sölden, Baden-Württemberg, Germany (in 1998-06)
recording of:
Die Kunst der Fuge, BWV 1080: XIX. Fuga a 3 [4] Soggetti (in 1998-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (number: BWV 1080/19)
part of:
Die Kunst der Fuge, BWV 1080 (The Art of Fugue, BWV 1080)
Johann Sebastian Bach8:13
10Die Kunst der Fuge, BWV 1080 no. 18.1: Fuga inversa a 2 Claviere: Forma inversa
harpsichord:
Michael Behringer (conductor, organist and harpsichordist) and Robert Hill (American harpsichordist)
recorded at:
Kirche zu St. Fides und Markus in Sölden, Baden-Württemberg, Germany (in 1998-06)
recording of:
Die Kunst der Fuge, BWV 1080: XVIII, 1. Fuga à 2 Claviere (in 1998-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (number: BWV 1080/18,1)
arrangement of:
Die Kunst der Fuge, BWV 1080: XIII, 1. Contrapunctus inversus a 3 (Forma recta)
part of:
Die Kunst der Fuge, BWV 1080 (The Art of Fugue, BWV 1080)
Johann Sebastian Bach2:08
11Die Kunst der Fuge, BWV 1080 no. 18.2: Alio modo: Fuga inversa a 2 Claviere: Forma recta
harpsichord:
Robert Hill (American harpsichordist)
recorded at:
Kirche zu St. Fides und Markus in Sölden, Baden-Württemberg, Germany (in 1998-06)
recording of:
Die Kunst der Fuge, BWV 1080: XVIII, 2. Alio modo. Fuga à 2 Claviere (in 1998-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (number: BWV 1080/18,2)
arrangement of:
Die Kunst der Fuge, BWV 1080: XIII, 2. Contrapunctus inversus a 3 (Forma inversa)
part of:
Die Kunst der Fuge, BWV 1080 (The Art of Fugue, BWV 1080)
Johann Sebastian Bach2:17
12Die Kunst der Fuge, BWV 1080a no. 1: Contrapunctus a 4
harpsichord:
Robert Hill (American harpsichordist)
recorded at:
Kirche zu St. Fides und Markus in Sölden, Baden-Württemberg, Germany (in 1998-06)
partial recording of:
Die Kunst der Fuge, BWV 1080: XII, 1. Contrapunctus inversus a 4 (Forma recta)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (number: BWV 1080/12,1)
part of:
Die Kunst der Fuge, BWV 1080 (The Art of Fugue, BWV 1080)
part of:
Die Kunst der Fuge, BWV 1080.1 (1742 autograph)
Johann Sebastian Bach3:11
13Die Kunst der Fuge, BWV 1080a no. 3: Contrapunctus a 4
harpsichord:
Robert Hill (American harpsichordist)
recorded at:
Kirche zu St. Fides und Markus in Sölden, Baden-Württemberg, Germany (in 1998-06)
partial recording of:
Die Kunst der Fuge, BWV 1080: III. Contrapunctus 3
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (number: BWV 1080/3)
part of:
Die Kunst der Fuge, BWV 1080 (The Art of Fugue, BWV 1080)
part of:
Die Kunst der Fuge, BWV 1080.1 (1742 autograph)
Johann Sebastian Bach2:49
14Die Kunst der Fuge, BWV 1080a no. 2: Contrapunctus a 4
harpsichord:
Robert Hill (American harpsichordist)
recorded at:
Kirche zu St. Fides und Markus in Sölden, Baden-Württemberg, Germany (in 1998-06)
partial recording of:
Die Kunst der Fuge, BWV 1080: II. Contrapunctus 2
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (number: BWV 1080/2)
part of:
Die Kunst der Fuge, BWV 1080 (The Art of Fugue, BWV 1080)
part of:
Die Kunst der Fuge, BWV 1080.1 (1742 autograph)
Johann Sebastian Bach2:44
15Die Kunst der Fuge, BWV 1080a no. 6: Contrapunctus a 4
harpsichord:
Robert Hill (American harpsichordist)
recorded at:
Kirche zu St. Fides und Markus in Sölden, Baden-Württemberg, Germany (in 1998-06)
partial recording of:
Die Kunst der Fuge, BWV 1080: VI. Contrapunctus 6 a 4 in Stylo Francese
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (number: BWV 1080/6)
part of:
Die Kunst der Fuge, BWV 1080 (The Art of Fugue, BWV 1080)
part of:
Die Kunst der Fuge, BWV 1080.1 (1742 autograph)
Johann Sebastian Bach3:52
16Die Kunst der Fuge, BWV 1080a no. 12: Canon per Augmentationem in contrario motu
harpsichord:
Robert Hill (American harpsichordist)
recorded at:
Kirche zu St. Fides und Markus in Sölden, Baden-Württemberg, Germany (in 1998-06)
partial recording of:
Die Kunst der Fuge, BWV 1080: XIV. Canon per Augmentationem in Contrario Motu
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (number: BWV 1080/14)
version of:
Die Kunst der Fuge, BWV 1080.1: Canon al roverscio et per augmentationem (1742 autograph, early version)
version of:
Die Kunst der Fuge, BWV 1080.1: Canon in Hypodiateßeron al roverscio e per augmentationem, perpetuus (1742 autograph, early version)
part of:
Die Kunst der Fuge, BWV 1080 (The Art of Fugue, BWV 1080)
revision of:
Canon in Hypodiatesseron, al roversio [sic] e per augmentationem (supplementation to 1742 autograph)
Johann Sebastian Bach5:23

Credits

Release

harpsichord:Robert Hill (American harpsichordist)
Trevor Pinnock (conductor / harpsichord)