Welcome to the Pleasuredome: The Real 80’s

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

1▼CD
Nr.TitelKünstlerBewertungLänge
1Welcome to the Pleasuredome
recording of:
Welcome to the Pleasuredome
Komponist(in):
Peter Gill (UK drummer for Frankie Goes to Hollywood), Holly Johnson, Brian Nash (British guitarist (Frankie Goes to Hollywood) and songwriter) und Mark O’Toole (former bassist of Frankie Goes to Hollywood)
Frankie Goes to Hollywood54:21
2Penthouse and Pavement
Produzent(in):
B.E.F. und Peter Walsh (UK producer)
Bass, Gitarre und Synthesizer:
John Wilson (guitarist; Heaven 17)
Perkussion, Klavier und Synthesizer und Hintergrundgesang:
Martyn Ware
Perkussion, Saxophon und Synthesizer:
Ian Craig Marsh
Sologesang:
Glenn Gregory
vocals:
Josie James
recording of:
Penthouse and Pavement
Texter:
Glenn Gregory
Komponist(in):
Glenn Gregory, Ian Craig Marsh und Martyn Ware
publisher:
Sound Diagrams (publisher), Virgin Music (Publishers) Ltd. und Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23)
Heaven 1746:22
3The Tide Is High
assistierende(r) Techniker(in):
Gary Boatner (engineer) und Doug Schwartz (mastering engineer)
Techniker(in):
Lenise Bent
Produzent(in):
Mike Chapman (Australian producer and songwriter)
Bassgitarre:
Nigel Harrison (in 1980)
Gast-Perkussion:
Alex Acuña (in 1980), Ollie E. Brown (US drummer, session musician & record producer) (in 1980) und Emil Richards (in 1980)
Gitarre:
Frank Infante (in 1980) und Chris Stein (in 1980)
Keyboard:
Jimmy Destri (in 1980)
Pauke:
Chris Stein (in 1980)
Schlagzeug:
Clem Burke (in 1980)
Hintergrundgesang [girl-group backup vocals]:
The ‘B’ Girls und Deborah Harry
Sologesang:
Deborah Harry (in 1980)
instruments arranger:
Jimmie Haskell
phonographisches Urheberrecht (℗) von:
Chrysalis Records (don’t use as an imprint; please use “Chrysalis” instead) (in 1980), Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (in 1980), Chrysalis Records, Inc. (not for release label use!) (in 1980, in 2001), Capitol Records (imprint of Capitol Records, Inc.) (in 2001), Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 2001) und Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 2001)
aufgenommen bei:
Power Station Studios (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, Vereinigte Staaten (in 1980) und United Western Recorders in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1980)
cover recording of:
The Tide Is High (in 1980)
Verfasser(in):
John Holt (in 1967)
zusätzliche(r) Verfasser(in):
Howard Barrett (in 1967) und Tyrone Evans (in 1967)
publisher:
B & C Music Corp., Campbell Connelly (Australia) P/L, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Embassy Music Corporation, Gemrod Music Inc., Sparta Florida Music Group und Sparta Florida Music Group Ltd.
Blondie4.154:32
4Private Idaho
assistierende(r) Techniker(in):
Benjamin Armbrister
Techniker(in):
Rhett Davies
leitende(r) Produzent(in):
Chris Blackwell (Island Records)
Produzent(in):
Rhett Davies und The B‐52’s
aufgenommen bei:
Compass Point Studios in Nassau, Bahamas (in 1980-04)
recording of:
Private Idaho (in 1980-04)
Komponist(in):
Kate Pierson, Fred Schneider (US singer‐songwriter, frontman of The B‐52s), Keith Strickland, Cindy Wilson und Ricky Wilson (The B‐52’s)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing Australia Pty Ltd (not for release label use!) und Rondor Music (London) Ltd.
The B‐52s4.553:33
5Absolute
recording of:
Absolute
Texter und Komponist(in):
Green Gartside
publisher:
Jouissance Music und WB Music Corp. (1929–2019)
Scritti Politti4:18
6Who Needs Love (Like That)
recording of:
Who Needs Love Like That
Texter und Komponist(in):
Vince Clarke (member of Erasure, Depeche Mode, Yazoo,…)
Erasure3:01
7Blind Vision
assistierende(r) Techniker(in):
Linda Randazzo
Techniker(in):
Jay Mark
Produzent(in):
John Luongo
Bass:
Neil Jason (bassist)
Gitarre:
David Rhodes (guitarist, singer, and songwriter)
Perkussion:
Bashiri Johnson
Posaune:
Paul Litteral
Saxophon:
Crispin Cioe und Arno Hecht (American saxophonist)
Trompete:
Robert Funk (trombonist, trumpet player)
Hintergrundgesang:
Brenda Jay Nelson (backing singer), Jocelyn Brown und Dolette McDonald
conductor:
James Bion Dolillo
phonographisches Urheberrecht (℗) von:
The Decca Record Co. Ltd. (The Decca Record Company Limited, not a release label; for copyrights use only) (in 1983)
aufgenommen bei:
Sigma Sound Studios (New York) in New York, New York, Vereinigte Staaten
recording of:
Blind Vision
Verfasser(in):
Neil Arthur (singer, songwriter, producer) und Stephen Luscombe
publisher:
Complete Music Ltd. und Cherry Red Music (publisher) (in 1983)
Blancmange53:55
819
Produzent(in):
Paul Hardcastle
phonographisches Urheberrecht (℗) von:
Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (in 1985)
Musikvideos:
19 (music video) von Paul Hardcastle
Teil von:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (Nummer: 73)
recording of:
19
Texter:
Bill Couturié, Paul Hardcastle und Jonas McCord
Komponist(in):
Paul Hardcastle
publisher:
Oval Music und Virgin Music (Publishing) Ltd.
Paul Hardcastle3.63:38
9This Is Not a Love Song
Produzent(in) und Mix:
Martin Atkins (UK drummer) und John Lydon (Johnny Rotten of the Sex Pistols)
arranger:
Martin Atkins (UK drummer) und John Lydon (Johnny Rotten of the Sex Pistols)
phonographisches Urheberrecht (℗) von:
Virgin Records Ltd. (not for release label use! for company relationships only)
recording of:
This Is Not a Love Song
Verfasser(in):
Martin Atkins (UK drummer), Keith Levene und John Lydon (Johnny Rotten of the Sex Pistols)
publisher:
Complete Music Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Virgin Music Publishing und Warner/Chappell Music Ltd. (1996–2019)
Version von:
Love Song
Public Image Ltd.44:10
10A Forest
Produzent(in):
Mike Hedges (UK producer/recording engineer) und Robert Smith (UK guitarist, vocalist and songwriter for The Cure)
Bass:
Simon Gallup
Gitarre:
Robert Smith (UK guitarist, vocalist and songwriter for The Cure)
Keyboard:
Matthieu Hartley
Schlagzeug:
Lol Tolhurst
vocals:
Robert Smith (UK guitarist, vocalist and songwriter for The Cure)
phonographisches Urheberrecht (℗) von:
Fiction Records Ltd. (not for release label use! please use “Fiction” for that instead)
recording of:
A Forest
Texter:
Robert Smith (UK guitarist, vocalist and songwriter for The Cure)
Komponist(in):
Simon Gallup, Matthieu Hartley, Robert Smith (UK guitarist, vocalist and songwriter for The Cure) und Lol Tolhurst
publisher:
APB Music Co.
The Cure3.654:55
11Our Darkness
recording of:
Our Darkness
Texter und Komponist(in):
Anne Clark (English poet, songwriter and electronic musician) und David Harrow (English record producer, DJ, and multimedia artist)
publisher:
BMG 10 Music Ltd., Red Flame Music Ltd. und Virgin Music (Publishers) Ltd.
Anne Clark45:19
12Down in the Park
assistierende(r) Techniker(in):
Harvey Ishiki
Techniker(in):
Jon Caffery (producer and engineer)
Produzent(in):
Gary Numan
Mix:
Jon Caffery (producer and engineer), Gary Numan und Rikki Sylvan
Bassgitarre:
Paul Gardiner
Gitarre, Keyboard und Sologesang:
Gary Numan
Schlagzeug:
Jess Lidyard
phonographisches Urheberrecht (℗) von:
Beggars Banquet (in 1979)
recording of:
Down in the Park
Texter und Komponist(in):
Gary Numan
publisher:
Beggars Banquet, Beggars Banquet Music Ltd., Momentum Music Ltd. und Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Gary Numan4.54:20
13Confusion
Techniker(in):
Michael Johnson (UK recording engineer and producer)
Produzent(in):
New Order (UK synth pop band)
phonographisches Urheberrecht (℗) von:
Factory Communications Ltd. (holding company – file no releases here!) (in 1987)
recording of:
Confusion
Verfasser(in):
Arthur Baker (American record producer and DJ), Gillian Gilbert, Peter Hook, Stephen Morris (New Order) und Bernard Sumner
publisher:
Be Music (New Order’s own publishing company), Shakin’ Baker Music und Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23)
New Order3.354:40
14The Night You Murdered Love
Assistent recording engineer und assistierende(r) Mix:
Tim Burrell
recording engineer:
Martyn Webster (engineer)
Koproduzent(in):
Bernard Edwards (American bassist and record producer)
Produzent(in):
Bernard Edwards (American bassist and record producer), Martin Fry und Mark White (ABC/Vice Versa)
Mix:
Julian Mendelsohn (Australian record producer and engineer)
Bass:
Brad Lang
Keyboard:
David Clayton
Kontrabass:
Danny Thompson (English double bass player)
Mundharmonika:
Judd Lander
Perkussion:
Pandit Dinesh und Louis Jardim
Saxophon:
Howie Casey
Schlagzeug:
Graham Broad
Saiteninstrumente arranger:
Richard Niles
phonographisches Urheberrecht (℗) von:
Phonogram Ltd. (London) (company name, NOT a label!) (in 1987)
aufgenommen bei und mixed at:
Marcus Studios in Bayswater, Westminster, London (Greater London), England, Vereinigtes Königreich
Teil von:
The Downloader’s Music Source Book (Nummer: 74)
recording of:
The Night You Murdered Love
Verfasser(in):
Martin Fry und Mark White (ABC/Vice Versa)
publisher:
10 Music Ltd., Neutron Music und Neutron Music Ltd.
ABC54:43
15Careless Love
recording of:
Careless Love
Verfasser(in):
Annette Humpe und Inga Humpe
Inga & Anete Humpe4:00
16Fantastic Day
Produzent(in):
Bob Sargeant
recording of:
Fantastic Day
Texter und Komponist(in):
Nick Heyward
Haircut 1002.53:12
17Somewhere in My Heart
Produzent(in):
Michael Jonzun
recording of:
Somewhere in My Heart
Texter und Komponist(in):
Roddy Frame
publisher:
Complete Music Ltd.
Aztec Camera3.63:55
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