Handel Edition, Vol. 8

~ Release by George Frideric Handel (see all versions of this release, 1 available)

Annotation

Copyright: ℗ 2018 Brilliant Classics

Annotation last modified on 2026-05-25 13:12 UTC.

Tracklist

1▼Digital Media
#TitleRatingLength
1La resurrezione, HWV 47, Pt. 1: Sonata
producer:
Fabrizio Acanfora (producer)
orchestra:
Contrasto Armonico
conductor:
Marco Vitale
recorded at:
Oud‐Katholieke Kerk in Delft, Zuid-Holland (South Holland), Netherlands, Kingdom of the Netherlands (from 2008-10 until 2008-12)
recording of:
La Resurrezione, HWV 47: Part I. Sonata
composer:
George Frideric Handel (German‐British baroque composer) (in 1708)
part of:
La resurrezione, HWV 47: Part I
3:31
2La resurrezione, HWV 47, Pt. 1: Aria. Disserratevi, oh porte d'Averno! (Angelo)
producer:
Fabrizio Acanfora (producer)
alto vocals:
Kristine Gether (alto)
bass vocals:
Mitchell Sandler
soprano vocals:
Stefanie True (Canadian soprano) and Klaartje van Veldhoven (Dutch soprano)
tenor vocals:
Marcel Beekman (tenor)
orchestra:
Contrasto Armonico
conductor:
Marco Vitale
recorded at:
Oud‐Katholieke Kerk in Delft, Zuid-Holland (South Holland), Netherlands, Kingdom of the Netherlands (from 2008-10 until 2008-12)
recording of:
La Resurrezione, HWV 47: Part I. Aria: Disserratevi, o porte d'Averno (Angelo)
composer:
George Frideric Handel (German‐British baroque composer) (in 1708)
part of:
La resurrezione, HWV 47: Part I
5:17
3La resurrezione, HWV 47, Pt. 1: Accompagnato. Qual insolita luce (Lucifero)
producer:
Fabrizio Acanfora (producer)
alto vocals:
Kristine Gether (alto)
bass vocals:
Mitchell Sandler
soprano vocals:
Stefanie True (Canadian soprano) and Klaartje van Veldhoven (Dutch soprano)
tenor vocals:
Marcel Beekman (tenor)
orchestra:
Contrasto Armonico
conductor:
Marco Vitale
recorded at:
Oud‐Katholieke Kerk in Delft, Zuid-Holland (South Holland), Netherlands, Kingdom of the Netherlands (from 2008-10 until 2008-12)
recording of:
La Resurrezione, HWV 47: Part I. Recitative: Qual'insolita luce (Lucifero)
composer:
George Frideric Handel (German‐British baroque composer) (in 1708)
part of:
La resurrezione, HWV 47: Part I
1:15
4La resurrezione, HWV 47, Pt. 1: Aria. Caddi, è ver (Lucifero)
producer:
Fabrizio Acanfora (producer)
alto vocals:
Kristine Gether (alto)
bass vocals:
Mitchell Sandler
soprano vocals:
Stefanie True (Canadian soprano) and Klaartje van Veldhoven (Dutch soprano)
tenor vocals:
Marcel Beekman (tenor)
orchestra:
Contrasto Armonico
conductor:
Marco Vitale
recorded at:
Oud‐Katholieke Kerk in Delft, Zuid-Holland (South Holland), Netherlands, Kingdom of the Netherlands (from 2008-10 until 2008-12)
recording of:
La Resurrezione, HWV 47: Part I. Aria: Caddi, è ver, ma nel cadere (Lucifero)
composer:
George Frideric Handel (German‐British baroque composer) (in 1708)
part of:
La resurrezione, HWV 47: Part I
3:58
5La resurrezione, HWV 47, Pt. 1: Accompagnato. Mà, che veggio (Lucifero)
producer:
Fabrizio Acanfora (producer)
alto vocals:
Kristine Gether (alto)
bass vocals:
Mitchell Sandler
soprano vocals:
Stefanie True (Canadian soprano) and Klaartje van Veldhoven (Dutch soprano)
tenor vocals:
Marcel Beekman (tenor)
orchestra:
Contrasto Armonico
conductor:
Marco Vitale
recorded at:
Oud‐Katholieke Kerk in Delft, Zuid-Holland (South Holland), Netherlands, Kingdom of the Netherlands (from 2008-10 until 2008-12)
recording of:
La Resurrezione, HWV 47: Part I. Recitative: Ma, che veggio? (Lucifero, Angelo)
composer:
George Frideric Handel (German‐British baroque composer) (in 1708)
part of:
La resurrezione, HWV 47: Part I
0:50
6La resurrezione, HWV 47, Pt. 1: Recitativo. Chi sei? Chi è questo Re (Lucifero/angelo)
producer:
Fabrizio Acanfora (producer)
alto vocals:
Kristine Gether (alto)
bass vocals:
Mitchell Sandler
soprano vocals:
Stefanie True (Canadian soprano) and Klaartje van Veldhoven (Dutch soprano)
tenor vocals:
Marcel Beekman (tenor)
orchestra:
Contrasto Armonico
conductor:
Marco Vitale
recorded at:
Oud‐Katholieke Kerk in Delft, Zuid-Holland (South Holland), Netherlands, Kingdom of the Netherlands (from 2008-10 until 2008-12)
recording of:
La Resurrezione, HWV 47: Part I. Recitative: Che sei? Chi è questo rè (Lucifero, Angelo)
composer:
George Frideric Handel (German‐British baroque composer) (in 1708)
part of:
La resurrezione, HWV 47: Part I
1:06
7La resurrezione, HWV 47, Pt. 1: Aria. D'amor fù consiglio (Angelo)
producer:
Fabrizio Acanfora (producer)
alto vocals:
Kristine Gether (alto)
bass vocals:
Mitchell Sandler
soprano vocals:
Stefanie True (Canadian soprano) and Klaartje van Veldhoven (Dutch soprano)
tenor vocals:
Marcel Beekman (tenor)
orchestra:
Contrasto Armonico
conductor:
Marco Vitale
recorded at:
Oud‐Katholieke Kerk in Delft, Zuid-Holland (South Holland), Netherlands, Kingdom of the Netherlands (from 2008-10 until 2008-12)
recording of:
La Resurrezione, HWV 47: Part I. Aria: D'amor fu consiglio (Angelo)
composer:
George Frideric Handel (German‐British baroque composer) (in 1708)
part of:
La resurrezione, HWV 47: Part I
2:51
8La resurrezione, HWV 47, Pt. 1: Recitativo. E ben, questo tuo Nume (Lucifero/angelo)
producer:
Fabrizio Acanfora (producer)
alto vocals:
Kristine Gether (alto)
bass vocals:
Mitchell Sandler
soprano vocals:
Stefanie True (Canadian soprano) and Klaartje van Veldhoven (Dutch soprano)
tenor vocals:
Marcel Beekman (tenor)
orchestra:
Contrasto Armonico
conductor:
Marco Vitale
recorded at:
Oud‐Katholieke Kerk in Delft, Zuid-Holland (South Holland), Netherlands, Kingdom of the Netherlands (from 2008-10 until 2008-12)
recording of:
La Resurrezione, HWV 47: Part I. Recitative: E ben, questo tuo Nume (Lucifero, Angelo)
composer:
George Frideric Handel (German‐British baroque composer) (in 1708)
part of:
La resurrezione, HWV 47: Part I
1:46
9La resurrezione, HWV 47, Pt. 1: Aria. O voi dell'Erebo (Lucifero)
producer:
Fabrizio Acanfora (producer)
alto vocals:
Kristine Gether (alto)
bass vocals:
Mitchell Sandler
soprano vocals:
Stefanie True (Canadian soprano) and Klaartje van Veldhoven (Dutch soprano)
tenor vocals:
Marcel Beekman (tenor)
orchestra:
Contrasto Armonico
conductor:
Marco Vitale
recorded at:
Oud‐Katholieke Kerk in Delft, Zuid-Holland (South Holland), Netherlands, Kingdom of the Netherlands (from 2008-10 until 2008-12)
recording of:
La Resurrezione, HWV 47: Part I. Aria: O voi, dell'Erebo (Lucifero)
composer:
George Frideric Handel (German‐British baroque composer) (in 1708)
part of:
La resurrezione, HWV 47: Part I
3:20
10La resurrezione, HWV 47, Pt. 1: Accompagnato. Notte, notte funesta (Maddalena)
producer:
Fabrizio Acanfora (producer)
alto vocals:
Kristine Gether (alto)
bass vocals:
Mitchell Sandler
soprano vocals:
Stefanie True (Canadian soprano) and Klaartje van Veldhoven (Dutch soprano)
tenor vocals:
Marcel Beekman (tenor)
orchestra:
Contrasto Armonico
conductor:
Marco Vitale
recorded at:
Oud‐Katholieke Kerk in Delft, Zuid-Holland (South Holland), Netherlands, Kingdom of the Netherlands (from 2008-10 until 2008-12)
recording of:
La Resurrezione, HWV 47: Part I. Recitative: Notte, notte funesta (Maddalena)
composer:
George Frideric Handel (German‐British baroque composer) (in 1708)
part of:
La resurrezione, HWV 47: Part I
0:50
11La resurrezione, HWV 47, Pt. 1: Aria. Ferma l'ali (Maddalena)
producer:
Fabrizio Acanfora (producer)
alto vocals:
Kristine Gether (alto)
bass vocals:
Mitchell Sandler
soprano vocals:
Stefanie True (Canadian soprano) and Klaartje van Veldhoven (Dutch soprano)
tenor vocals:
Marcel Beekman (tenor)
orchestra:
Contrasto Armonico
conductor:
Marco Vitale
recorded at:
Oud‐Katholieke Kerk in Delft, Zuid-Holland (South Holland), Netherlands, Kingdom of the Netherlands (from 2008-10 until 2008-12)
recording of:
La Resurrezione, HWV 47: Part I. Aria: Ferma l'ali, e sui miei lumi (Maddalena)
composer:
George Frideric Handel (German‐British baroque composer) (in 1708)
part of:
La resurrezione, HWV 47: Part I
6:34
12La resurrezione, HWV 47, Pt. 1: Recitativo. Concedi, o Maddalena (Cleofe/maddalena)
producer:
Fabrizio Acanfora (producer)
alto vocals:
Kristine Gether (alto)
bass vocals:
Mitchell Sandler
soprano vocals:
Stefanie True (Canadian soprano) and Klaartje van Veldhoven (Dutch soprano)
tenor vocals:
Marcel Beekman (tenor)
orchestra:
Contrasto Armonico
conductor:
Marco Vitale
recorded at:
Oud‐Katholieke Kerk in Delft, Zuid-Holland (South Holland), Netherlands, Kingdom of the Netherlands (from 2008-10 until 2008-12)
recording of:
La Resurrezione, HWV 47: Part I. Recitative: Concedi, o Maddalena (Cleofe, Maddalena)
composer:
George Frideric Handel (German‐British baroque composer) (in 1708)
part of:
La resurrezione, HWV 47: Part I
1:35
13La resurrezione, HWV 47, Pt. 1: Aria. Piangete, sì, piangete (Cleofe)
producer:
Fabrizio Acanfora (producer)
alto vocals:
Kristine Gether (alto)
bass vocals:
Mitchell Sandler
soprano vocals:
Stefanie True (Canadian soprano) and Klaartje van Veldhoven (Dutch soprano)
tenor vocals:
Marcel Beekman (tenor)
orchestra:
Contrasto Armonico
conductor:
Marco Vitale
recorded at:
Oud‐Katholieke Kerk in Delft, Zuid-Holland (South Holland), Netherlands, Kingdom of the Netherlands (from 2008-10 until 2008-12)
recording of:
La Resurrezione, HWV 47: Part I. Aria: Piangete, si, piangete (Cleofe)
composer:
George Frideric Handel (German‐British baroque composer) (in 1708)
part of:
La resurrezione, HWV 47: Part I
2:24
14La resurrezione, HWV 47, Pt. 1: Recitativo. Ahi dolce mio signore (Cleofe/maddalena)
producer:
Fabrizio Acanfora (producer)
alto vocals:
Kristine Gether (alto)
bass vocals:
Mitchell Sandler
soprano vocals:
Stefanie True (Canadian soprano) and Klaartje van Veldhoven (Dutch soprano)
tenor vocals:
Marcel Beekman (tenor)
orchestra:
Contrasto Armonico
conductor:
Marco Vitale
recorded at:
Oud‐Katholieke Kerk in Delft, Zuid-Holland (South Holland), Netherlands, Kingdom of the Netherlands (from 2008-10 until 2008-12)
recording of:
La Resurrezione, HWV 47: Part I. Recitative: Ahi, dolce mio Signore (Maddalena, Cleofe)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
La resurrezione, HWV 47: Part I
2:35
15La resurrezione, HWV 47, Pt. 1: Duetto. Dolci chiodi, amate spine (Maddalena/cleofe)
producer:
Fabrizio Acanfora (producer)
alto vocals:
Kristine Gether (alto)
bass vocals:
Mitchell Sandler
soprano vocals:
Stefanie True (Canadian soprano) and Klaartje van Veldhoven (Dutch soprano)
tenor vocals:
Marcel Beekman (tenor)
orchestra:
Contrasto Armonico
conductor:
Marco Vitale
recorded at:
Oud‐Katholieke Kerk in Delft, Zuid-Holland (South Holland), Netherlands, Kingdom of the Netherlands (from 2008-10 until 2008-12)
recording of:
La Resurrezione, HWV 47: Part I. Aria: Dolci chiodi, amate spine (Maddalena, Cleofe)
composer:
George Frideric Handel (German‐British baroque composer) (in 1708)
part of:
La resurrezione, HWV 47: Part I
3:27
16La resurrezione, HWV 47, Pt. 1: Recitativo. O Cleofe, o Maddalena (San Giovanni/Maddalena)
producer:
Fabrizio Acanfora (producer)
alto vocals:
Kristine Gether (alto)
bass vocals:
Mitchell Sandler
soprano vocals:
Stefanie True (Canadian soprano) and Klaartje van Veldhoven (Dutch soprano)
tenor vocals:
Marcel Beekman (tenor)
orchestra:
Contrasto Armonico
conductor:
Marco Vitale
recorded at:
Oud‐Katholieke Kerk in Delft, Zuid-Holland (South Holland), Netherlands, Kingdom of the Netherlands (from 2008-10 until 2008-12)
recording of:
La Resurrezione, HWV 47: Part I. Recitative: O Cleofe, o Maddalena (San Giovanni, Maddalena)
composer:
George Frideric Handel (German‐British baroque composer) (in 1708)
part of:
La resurrezione, HWV 47: Part I
2:20
17La resurrezione, HWV 47, Pt. 1: Aria. Quando è parto dell'affetto (San Giovanni)
producer:
Fabrizio Acanfora (producer)
alto vocals:
Kristine Gether (alto)
bass vocals:
Mitchell Sandler
soprano vocals:
Stefanie True (Canadian soprano) and Klaartje van Veldhoven (Dutch soprano)
tenor vocals:
Marcel Beekman (tenor)
orchestra:
Contrasto Armonico
conductor:
Marco Vitale
recorded at:
Oud‐Katholieke Kerk in Delft, Zuid-Holland (South Holland), Netherlands, Kingdom of the Netherlands (from 2008-10 until 2008-12)
recording of:
La Resurrezione, HWV 47: Part I. Aria: Quando è parto dell'affetto (San Giovanni)
composer:
George Frideric Handel (German‐British baroque composer) (in 1708)
part of:
La resurrezione, HWV 47: Part I
3:54
18La resurrezione, HWV 47, Pt. 1: Recitativo. Mà dinne, e sarà vero (Cleofe/san Giovanni/Maddalena)
producer:
Fabrizio Acanfora (producer)
alto vocals:
Kristine Gether (alto)
bass vocals:
Mitchell Sandler
soprano vocals:
Stefanie True (Canadian soprano) and Klaartje van Veldhoven (Dutch soprano)
tenor vocals:
Marcel Beekman (tenor)
orchestra:
Contrasto Armonico
conductor:
Marco Vitale
recorded at:
Oud‐Katholieke Kerk in Delft, Zuid-Holland (South Holland), Netherlands, Kingdom of the Netherlands (from 2008-10 until 2008-12)
recording of:
La Resurrezione, HWV 47: Part I. Recitative: Ma dinne, e sarà vero (Cleofe, San Giovanni, Maddalena)
composer:
George Frideric Handel (German‐British baroque composer) (in 1708)
part of:
La resurrezione, HWV 47: Part I
1:34
19La resurrezione, HWV 47, Pt. 1: Aria. Naufragando và per l'onde (Cleofe)
producer:
Fabrizio Acanfora (producer)
alto vocals:
Kristine Gether (alto)
bass vocals:
Mitchell Sandler
soprano vocals:
Stefanie True (Canadian soprano) and Klaartje van Veldhoven (Dutch soprano)
tenor vocals:
Marcel Beekman (tenor)
orchestra:
Contrasto Armonico
conductor:
Marco Vitale
recorded at:
Oud‐Katholieke Kerk in Delft, Zuid-Holland (South Holland), Netherlands, Kingdom of the Netherlands (from 2008-10 until 2008-12)
recording of:
La Resurrezione, HWV 47: Part I. Aria: Naufragando va per l'onde (Cleofe)
composer:
George Frideric Handel (German‐British baroque composer) (in 1708)
part of:
La resurrezione, HWV 47: Part I
5:38
20La resurrezione, HWV 47, Pt. 1: Recitativo. Itene pure, o fide amiche donne (San Giovanni/Maddalena)
producer:
Fabrizio Acanfora (producer)
alto vocals:
Kristine Gether (alto)
bass vocals:
Mitchell Sandler
soprano vocals:
Stefanie True (Canadian soprano) and Klaartje van Veldhoven (Dutch soprano)
tenor vocals:
Marcel Beekman (tenor)
orchestra:
Contrasto Armonico
conductor:
Marco Vitale
recorded at:
Oud‐Katholieke Kerk in Delft, Zuid-Holland (South Holland), Netherlands, Kingdom of the Netherlands (from 2008-10 until 2008-12)
recording of:
La Resurrezione, HWV 47: Part I. Recitative: Itene pure, o fide (San Giovanni, Maddalena)
composer:
George Frideric Handel (German‐British baroque composer) (in 1708)
part of:
La resurrezione, HWV 47: Part I
1:46
21La resurrezione, HWV 47, Pt. 1: Aria. Così la tortorella (San Giovanni)
producer:
Fabrizio Acanfora (producer)
alto vocals:
Kristine Gether (alto)
bass vocals:
Mitchell Sandler
soprano vocals:
Stefanie True (Canadian soprano) and Klaartje van Veldhoven (Dutch soprano)
tenor vocals:
Marcel Beekman (tenor)
orchestra:
Contrasto Armonico
conductor:
Marco Vitale
recorded at:
Oud‐Katholieke Kerk in Delft, Zuid-Holland (South Holland), Netherlands, Kingdom of the Netherlands (from 2008-10 until 2008-12)
recording of:
La Resurrezione, HWV 47: Part I. Aria: Così la tortorella (San Giovanni)
composer:
George Frideric Handel (German‐British baroque composer) (in 1708)
part of:
La resurrezione, HWV 47: Part I
4:32
22La resurrezione, HWV 47, Pt. 1: Recitativo. Se Maria dunque spera (Maddalena)
producer:
Fabrizio Acanfora (producer)
alto vocals:
Kristine Gether (alto)
bass vocals:
Mitchell Sandler
soprano vocals:
Stefanie True (Canadian soprano) and Klaartje van Veldhoven (Dutch soprano)
tenor vocals:
Marcel Beekman (tenor)
orchestra:
Contrasto Armonico
conductor:
Marco Vitale
recorded at:
Oud‐Katholieke Kerk in Delft, Zuid-Holland (South Holland), Netherlands, Kingdom of the Netherlands (from 2008-10 until 2008-12)
recording of:
La Resurrezione, HWV 47: Part I. Recitative: Se Maria dunque spera (Maddalena)
composer:
George Frideric Handel (German‐British baroque composer) (in 1708)
part of:
La resurrezione, HWV 47: Part I
1:14
23La resurrezione, HWV 47, Pt. 1: Aria. Hò un non sò che nel cor (Maddalena)
producer:
Fabrizio Acanfora (producer)
alto vocals:
Kristine Gether (alto)
bass vocals:
Mitchell Sandler
soprano vocals:
Stefanie True (Canadian soprano) and Klaartje van Veldhoven (Dutch soprano)
tenor vocals:
Marcel Beekman (tenor)
orchestra:
Contrasto Armonico
conductor:
Marco Vitale
recorded at:
Oud‐Katholieke Kerk in Delft, Zuid-Holland (South Holland), Netherlands, Kingdom of the Netherlands (from 2008-10 until 2008-12)
recording of:
La Resurrezione, HWV 47: Part I. Aria: Ho un non so che nel cor (Maddalena)
composer:
George Frideric Handel (German‐British baroque composer) (in 1708)
part of:
La resurrezione, HWV 47: Part I
2:39
24La resurrezione, HWV 47, Pt. 1: Recitativo. Uscite pur, uscite (Angelo)
producer:
Fabrizio Acanfora (producer)
alto vocals:
Kristine Gether (alto)
bass vocals:
Mitchell Sandler
soprano vocals:
Stefanie True (Canadian soprano) and Klaartje van Veldhoven (Dutch soprano)
tenor vocals:
Marcel Beekman (tenor)
orchestra:
Contrasto Armonico
conductor:
Marco Vitale
recorded at:
Oud‐Katholieke Kerk in Delft, Zuid-Holland (South Holland), Netherlands, Kingdom of the Netherlands (from 2008-10 until 2008-12)
recording of:
La Resurrezione, HWV 47: Part I. Recitative: Uscite pur, uscite (Angelo)
composer:
George Frideric Handel (German‐British baroque composer) (in 1708)
part of:
La resurrezione, HWV 47: Part I
1:52
25La resurrezione, HWV 47, Pt. 1: Chorus. Il Nume vincitor
producer:
Fabrizio Acanfora (producer)
alto vocals:
Kristine Gether (alto)
bass vocals:
Mitchell Sandler
soprano vocals:
Stefanie True (Canadian soprano) and Klaartje van Veldhoven (Dutch soprano)
tenor vocals:
Marcel Beekman (tenor)
orchestra:
Contrasto Armonico
conductor:
Marco Vitale
recorded at:
Oud‐Katholieke Kerk in Delft, Zuid-Holland (South Holland), Netherlands, Kingdom of the Netherlands (from 2008-10 until 2008-12)
recording of:
La Resurrezione, HWV 47: Part I. Coro: Il Nume vuncitor (Angelo, Coro di Angeli)
composer:
George Frideric Handel (German‐British baroque composer) (in 1708)
part of:
La resurrezione, HWV 47: Part I
2:43
26La resurrezione, HWV 47, Pt. 2: Sinfonia
producer:
Fabrizio Acanfora (producer)
orchestra:
Contrasto Armonico
conductor:
Marco Vitale
recorded at:
Oud‐Katholieke Kerk in Delft, Zuid-Holland (South Holland), Netherlands, Kingdom of the Netherlands (from 2008-10 until 2008-12)
recording of:
La Resurrezione, HWV 47: Part II. Introduction - Einleitung
composer:
George Frideric Handel (German‐British baroque composer) (in 1708)
part of:
La resurrezione, HWV 47: Part II
1:30
27La resurrezione, HWV 47, Pt. 2: Recitativo. di quai nuovi portenti (San Giovanni)
producer:
Fabrizio Acanfora (producer)
alto vocals:
Kristine Gether (alto)
bass vocals:
Mitchell Sandler
soprano vocals:
Stefanie True (Canadian soprano) and Klaartje van Veldhoven (Dutch soprano)
tenor vocals:
Marcel Beekman (tenor)
orchestra:
Contrasto Armonico
conductor:
Marco Vitale
recorded at:
Oud‐Katholieke Kerk in Delft, Zuid-Holland (South Holland), Netherlands, Kingdom of the Netherlands (from 2008-10 until 2008-12)
recording of:
La Resurrezione, HWV 47: Part II. Recitative: Di quai nuovi portenti (San Giovanni)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
La resurrezione, HWV 47: Part II
0:58
28La resurrezione, HWV 47, Pt. 2: Aria. Ecco il sol (San Giovanni)
producer:
Fabrizio Acanfora (producer)
alto vocals:
Kristine Gether (alto)
bass vocals:
Mitchell Sandler
soprano vocals:
Stefanie True (Canadian soprano) and Klaartje van Veldhoven (Dutch soprano)
tenor vocals:
Marcel Beekman (tenor)
orchestra:
Contrasto Armonico
conductor:
Marco Vitale
recorded at:
Oud‐Katholieke Kerk in Delft, Zuid-Holland (South Holland), Netherlands, Kingdom of the Netherlands (from 2008-10 until 2008-12)
recording of:
La Resurrezione, HWV 47: Part II. Aria: Ecco il sol, ch'esce dal mar (San Giovanni)
composer:
George Frideric Handel (German‐British baroque composer) (in 1708)
part of:
La resurrezione, HWV 47: Part II
4:38
29La resurrezione, HWV 47, Pt. 2: Recitativo. Mà dove Maria dimora (San Giovanni)
producer:
Fabrizio Acanfora (producer)
alto vocals:
Kristine Gether (alto)
bass vocals:
Mitchell Sandler
soprano vocals:
Stefanie True (Canadian soprano) and Klaartje van Veldhoven (Dutch soprano)
tenor vocals:
Marcel Beekman (tenor)
orchestra:
Contrasto Armonico
conductor:
Marco Vitale
recorded at:
Oud‐Katholieke Kerk in Delft, Zuid-Holland (South Holland), Netherlands, Kingdom of the Netherlands (from 2008-10 until 2008-12)
recording of:
La Resurrezione, HWV 47: Part II. Recitative: Ma ove Maria dimora (San Giovanni)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
La resurrezione, HWV 47: Part II
0:30
30La resurrezione, HWV 47, Pt. 2: Aria. Risorga il mondo (Angelo)
producer:
Fabrizio Acanfora (producer)
alto vocals:
Kristine Gether (alto)
bass vocals:
Mitchell Sandler
soprano vocals:
Stefanie True (Canadian soprano) and Klaartje van Veldhoven (Dutch soprano)
tenor vocals:
Marcel Beekman (tenor)
orchestra:
Contrasto Armonico
conductor:
Marco Vitale
recorded at:
Oud‐Katholieke Kerk in Delft, Zuid-Holland (South Holland), Netherlands, Kingdom of the Netherlands (from 2008-10 until 2008-12)
recording of:
La Resurrezione, HWV 47: Part II. Aria: Risorga il mondo (Angelo)
composer:
George Frideric Handel (German‐British baroque composer) (in 1708)
part of:
La resurrezione, HWV 47: Part II
2:53
31La resurrezione, HWV 47, Pt. 2: Accompagnato. di rabbia indarno freme (Angelo)
producer:
Fabrizio Acanfora (producer)
alto vocals:
Kristine Gether (alto)
bass vocals:
Mitchell Sandler
soprano vocals:
Stefanie True (Canadian soprano) and Klaartje van Veldhoven (Dutch soprano)
tenor vocals:
Marcel Beekman (tenor)
orchestra:
Contrasto Armonico
conductor:
Marco Vitale
recorded at:
Oud‐Katholieke Kerk in Delft, Zuid-Holland (South Holland), Netherlands, Kingdom of the Netherlands (from 2008-10 until 2008-12)
recording of:
La Resurrezione, HWV 47: Part II. Recitative: Di rabbia indarno freme (Angelo)
composer:
George Frideric Handel (German‐British baroque composer) (in 1708)
part of:
La resurrezione, HWV 47: Part II
1:18
32La resurrezione, HWV 47, Pt. 2: Recitativo: Misero! hò pure udito? (Lucifero/angelo)
producer:
Fabrizio Acanfora (producer)
alto vocals:
Kristine Gether (alto)
bass vocals:
Mitchell Sandler
soprano vocals:
Stefanie True (Canadian soprano) and Klaartje van Veldhoven (Dutch soprano)
tenor vocals:
Marcel Beekman (tenor)
orchestra:
Contrasto Armonico
conductor:
Marco Vitale
recorded at:
Oud‐Katholieke Kerk in Delft, Zuid-Holland (South Holland), Netherlands, Kingdom of the Netherlands (from 2008-10 until 2008-12)
recording of:
La Resurrezione, HWV 47: Part II. Recitative: Misero! ho pure udito? (Lucifero, Angelo)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
La resurrezione, HWV 47: Part II
0:51
33La resurrezione, HWV 47, Pt. 2: Aria. Per celare il nuovo scorno (Lucifero)
producer:
Fabrizio Acanfora (producer)
alto vocals:
Kristine Gether (alto)
bass vocals:
Mitchell Sandler
soprano vocals:
Stefanie True (Canadian soprano) and Klaartje van Veldhoven (Dutch soprano)
tenor vocals:
Marcel Beekman (tenor)
orchestra:
Contrasto Armonico
conductor:
Marco Vitale
recorded at:
Oud‐Katholieke Kerk in Delft, Zuid-Holland (South Holland), Netherlands, Kingdom of the Netherlands (from 2008-10 until 2008-12)
recording of:
La Resurrezione, HWV 47: Part II. Aria: Per celare il nuovo scorno (Lucifero)
composer:
George Frideric Handel (German‐British baroque composer) (in 1708)
part of:
La resurrezione, HWV 47: Part II
1:41
34La resurrezione, HWV 47, Pt. 2: Recitativo. Oh come cieco (Angelo)
producer:
Fabrizio Acanfora (producer)
alto vocals:
Kristine Gether (alto)
bass vocals:
Mitchell Sandler
soprano vocals:
Stefanie True (Canadian soprano) and Klaartje van Veldhoven (Dutch soprano)
tenor vocals:
Marcel Beekman (tenor)
orchestra:
Contrasto Armonico
conductor:
Marco Vitale
recorded at:
Oud‐Katholieke Kerk in Delft, Zuid-Holland (South Holland), Netherlands, Kingdom of the Netherlands (from 2008-10 until 2008-12)
recording of:
La Resurrezione, HWV 47: Part II. Recitative: O come cieco il tuo furor delira! (Angelo)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
La resurrezione, HWV 47: Part II
0:45
35La resurrezione, HWV 47, Pt. 2: Duetto. Impedirlo saprò (Lucifero/angelo)
producer:
Fabrizio Acanfora (producer)
alto vocals:
Kristine Gether (alto)
bass vocals:
Mitchell Sandler
soprano vocals:
Stefanie True (Canadian soprano) and Klaartje van Veldhoven (Dutch soprano)
tenor vocals:
Marcel Beekman (tenor)
orchestra:
Contrasto Armonico
conductor:
Marco Vitale
recorded at:
Oud‐Katholieke Kerk in Delft, Zuid-Holland (South Holland), Netherlands, Kingdom of the Netherlands (from 2008-10 until 2008-12)
recording of:
La Resurrezione, HWV 47: Part II. Aria: Impedirlo io saprò (Lucifero, Angelo)
composer:
George Frideric Handel (German‐British baroque composer) (in 1708)
part of:
La resurrezione, HWV 47: Part II
0:35
36La resurrezione, HWV 47, Pt. 2: Recitativo. Amica, troppo tardo fù il nostro piè (Maddalena/cleofe)
producer:
Fabrizio Acanfora (producer)
alto vocals:
Kristine Gether (alto)
bass vocals:
Mitchell Sandler
soprano vocals:
Stefanie True (Canadian soprano) and Klaartje van Veldhoven (Dutch soprano)
tenor vocals:
Marcel Beekman (tenor)
orchestra:
Contrasto Armonico
conductor:
Marco Vitale
recorded at:
Oud‐Katholieke Kerk in Delft, Zuid-Holland (South Holland), Netherlands, Kingdom of the Netherlands (from 2008-10 until 2008-12)
recording of:
La Resurrezione, HWV 47: Part II. Recitative: Amica, troppo tardo (Maddalena, Cleofe)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
La resurrezione, HWV 47: Part II
1:09
37La resurrezione, HWV 47, Pt. 2: Aria. Per me già di morire (Maddalena)
producer:
Fabrizio Acanfora (producer)
alto vocals:
Kristine Gether (alto)
bass vocals:
Mitchell Sandler
soprano vocals:
Stefanie True (Canadian soprano) and Klaartje van Veldhoven (Dutch soprano)
tenor vocals:
Marcel Beekman (tenor)
orchestra:
Contrasto Armonico
conductor:
Marco Vitale
recorded at:
Oud‐Katholieke Kerk in Delft, Zuid-Holland (South Holland), Netherlands, Kingdom of the Netherlands (from 2008-10 until 2008-12)
recording of:
La Resurrezione, HWV 47: Part II. Aria: Per me già di morire (Maddalena)
composer:
George Frideric Handel (German‐British baroque composer) (in 1708)
part of:
La resurrezione, HWV 47: Part II
5:47
38La resurrezione, HWV 47, Pt. 2: Recitativo. Ahi, abborrito nome (Lucifero)
producer:
Fabrizio Acanfora (producer)
alto vocals:
Kristine Gether (alto)
bass vocals:
Mitchell Sandler
soprano vocals:
Stefanie True (Canadian soprano) and Klaartje van Veldhoven (Dutch soprano)
tenor vocals:
Marcel Beekman (tenor)
orchestra:
Contrasto Armonico
conductor:
Marco Vitale
recorded at:
Oud‐Katholieke Kerk in Delft, Zuid-Holland (South Holland), Netherlands, Kingdom of the Netherlands (from 2008-10 until 2008-12)
recording of:
La Resurrezione, HWV 47: Part II. Recitative: Ahi, abborrito nome (Lucifero)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
La resurrezione, HWV 47: Part II
0:38
39La resurrezione, HWV 47, Pt. 2: Aria. Vedo il ciel (Cleofe)
producer:
Fabrizio Acanfora (producer)
alto vocals:
Kristine Gether (alto)
bass vocals:
Mitchell Sandler
soprano vocals:
Stefanie True (Canadian soprano) and Klaartje van Veldhoven (Dutch soprano)
tenor vocals:
Marcel Beekman (tenor)
orchestra:
Contrasto Armonico
conductor:
Marco Vitale
recorded at:
Oud‐Katholieke Kerk in Delft, Zuid-Holland (South Holland), Netherlands, Kingdom of the Netherlands (from 2008-10 until 2008-12)
recording of:
La Resurrezione, HWV 47: Part II. Aria: Vedo il Ciel che più sereno (Cleofe)
composer:
George Frideric Handel (German‐British baroque composer) (in 1708)
part of:
La resurrezione, HWV 47: Part II
3:54
40La resurrezione, HWV 47, Pt. 2: Recitativo. Cleofe, siam giunte al luogo (Maddalena/cleofe/angelo)
producer:
Fabrizio Acanfora (producer)
alto vocals:
Kristine Gether (alto)
bass vocals:
Mitchell Sandler
soprano vocals:
Stefanie True (Canadian soprano) and Klaartje van Veldhoven (Dutch soprano)
tenor vocals:
Marcel Beekman (tenor)
orchestra:
Contrasto Armonico
conductor:
Marco Vitale
recorded at:
Oud‐Katholieke Kerk in Delft, Zuid-Holland (South Holland), Netherlands, Kingdom of the Netherlands (from 2008-10 until 2008-12)
recording of:
La Resurrezione, HWV 47: Part II. Recitative: Cleofe, siam giunte al luogo (Maddalena, Cleofe, Angelo)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
La resurrezione, HWV 47: Part II
2:01
41La resurrezione, HWV 47, Pt. 2: Aria. Se per colpa di donna infelice (Angelo)
producer:
Fabrizio Acanfora (producer)
alto vocals:
Kristine Gether (alto)
bass vocals:
Mitchell Sandler
soprano vocals:
Stefanie True (Canadian soprano) and Klaartje van Veldhoven (Dutch soprano)
tenor vocals:
Marcel Beekman (tenor)
orchestra:
Contrasto Armonico
conductor:
Marco Vitale
recorded at:
Oud‐Katholieke Kerk in Delft, Zuid-Holland (South Holland), Netherlands, Kingdom of the Netherlands (from 2008-10 until 2008-12)
recording of:
La Resurrezione, HWV 47: Part II. Aria: Se per colpa di donna infelice (Angelo)
composer:
George Frideric Handel (German‐British baroque composer) (in 1708)
part of:
La resurrezione, HWV 47: Part II
3:06
42La resurrezione, HWV 47, Pt. 2: Recitativo. Mio giesù, mio signore (Maddalena)
producer:
Fabrizio Acanfora (producer)
alto vocals:
Kristine Gether (alto)
bass vocals:
Mitchell Sandler
soprano vocals:
Stefanie True (Canadian soprano) and Klaartje van Veldhoven (Dutch soprano)
tenor vocals:
Marcel Beekman (tenor)
orchestra:
Contrasto Armonico
conductor:
Marco Vitale
recorded at:
Oud‐Katholieke Kerk in Delft, Zuid-Holland (South Holland), Netherlands, Kingdom of the Netherlands (from 2008-10 until 2008-12)
recording of:
La Resurrezione, HWV 47: Part II. Recitative: Mio Gesù, mio Signore (Maddalena)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
La resurrezione, HWV 47: Part II
1:14
43La resurrezione, HWV 47, Pt. 2: Aria. Del cielo dolente (Maddalena)
producer:
Fabrizio Acanfora (producer)
alto vocals:
Kristine Gether (alto)
bass vocals:
Mitchell Sandler
soprano vocals:
Stefanie True (Canadian soprano) and Klaartje van Veldhoven (Dutch soprano)
tenor vocals:
Marcel Beekman (tenor)
orchestra:
Contrasto Armonico
conductor:
Marco Vitale
recorded at:
Oud‐Katholieke Kerk in Delft, Zuid-Holland (South Holland), Netherlands, Kingdom of the Netherlands (from 2008-10 until 2008-12)
recording of:
La Resurrezione, HWV 47: Part II. Aria: Del ciglio dolente (Maddalena)
composer:
George Frideric Handel (German‐British baroque composer) (in 1708)
part of:
La resurrezione, HWV 47: Part II
2:43
44La resurrezione, HWV 47, Pt. 2: Recitativo. Sì, sì, cerchiamo pure (Cleofe)
producer:
Fabrizio Acanfora (producer)
alto vocals:
Kristine Gether (alto)
bass vocals:
Mitchell Sandler
soprano vocals:
Stefanie True (Canadian soprano) and Klaartje van Veldhoven (Dutch soprano)
tenor vocals:
Marcel Beekman (tenor)
orchestra:
Contrasto Armonico
conductor:
Marco Vitale
recorded at:
Oud‐Katholieke Kerk in Delft, Zuid-Holland (South Holland), Netherlands, Kingdom of the Netherlands (from 2008-10 until 2008-12)
recording of:
La Resurrezione, HWV 47: Part II. Recitative: Sì, sì, cerchiamo pure (Cleofe)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
La resurrezione, HWV 47: Part II
0:32
45La resurrezione, HWV 47, Pt. 2: Aria. Augelletti, ruscelletti (Cleofe)
producer:
Fabrizio Acanfora (producer)
alto vocals:
Kristine Gether (alto)
bass vocals:
Mitchell Sandler
soprano vocals:
Stefanie True (Canadian soprano) and Klaartje van Veldhoven (Dutch soprano)
tenor vocals:
Marcel Beekman (tenor)
orchestra:
Contrasto Armonico
conductor:
Marco Vitale
recorded at:
Oud‐Katholieke Kerk in Delft, Zuid-Holland (South Holland), Netherlands, Kingdom of the Netherlands (from 2008-10 until 2008-12)
recording of:
La Resurrezione, HWV 47: Part II. Aria: Augelletti, ruscelletti (Cleofe)
composer:
George Frideric Handel (German‐British baroque composer) (in 1708)
part of:
La resurrezione, HWV 47: Part II
3:08
46La resurrezione, HWV 47, Pt. 2: Recitativo. Dove si frettolosi (San Giovanni/Cleofe)
producer:
Fabrizio Acanfora (producer)
alto vocals:
Kristine Gether (alto)
bass vocals:
Mitchell Sandler
soprano vocals:
Stefanie True (Canadian soprano) and Klaartje van Veldhoven (Dutch soprano)
tenor vocals:
Marcel Beekman (tenor)
orchestra:
Contrasto Armonico
conductor:
Marco Vitale
recorded at:
Oud‐Katholieke Kerk in Delft, Zuid-Holland (South Holland), Netherlands, Kingdom of the Netherlands (from 2008-10 until 2008-12)
recording of:
La Resurrezione, HWV 47: Part II. Recitative: Dove sì frettolosi (San Giovanni, Cleofe)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
La resurrezione, HWV 47: Part II
1:32
47La resurrezione, HWV 47, Pt. 2: Aria. Caro figlio (San Giovanni)
producer:
Fabrizio Acanfora (producer)
alto vocals:
Kristine Gether (alto)
bass vocals:
Mitchell Sandler
soprano vocals:
Stefanie True (Canadian soprano) and Klaartje van Veldhoven (Dutch soprano)
tenor vocals:
Marcel Beekman (tenor)
orchestra:
Contrasto Armonico
conductor:
Marco Vitale
recorded at:
Oud‐Katholieke Kerk in Delft, Zuid-Holland (South Holland), Netherlands, Kingdom of the Netherlands (from 2008-10 until 2008-12)
recording of:
La Resurrezione, HWV 47: Part II. Aria: Caro Figlio! (San Giovanni)
composer:
George Frideric Handel (German‐British baroque composer) (in 1708)
part of:
La resurrezione, HWV 47: Part II
4:13
48La resurrezione, HWV 47, Pt. 2: Recitativo. Cleofe, Giovanni, udite (Maddalena/san Giovanni/Cleofe)
producer:
Fabrizio Acanfora (producer)
alto vocals:
Kristine Gether (alto)
bass vocals:
Mitchell Sandler
soprano vocals:
Stefanie True (Canadian soprano) and Klaartje van Veldhoven (Dutch soprano)
tenor vocals:
Marcel Beekman (tenor)
orchestra:
Contrasto Armonico
conductor:
Marco Vitale
recorded at:
Oud‐Katholieke Kerk in Delft, Zuid-Holland (South Holland), Netherlands, Kingdom of the Netherlands (from 2008-10 until 2008-12)
recording of:
La Resurrezione, HWV 47: Part II. Recitative: Cleofe, Giovanni, udite (Maddalena, San Giovanni, Cleofe)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
La resurrezione, HWV 47: Part II
1:56
49La resurrezione, HWV 47, Pt. 2: Aria. Se impassibile, immortale (Maddalena)
producer:
Fabrizio Acanfora (producer)
alto vocals:
Kristine Gether (alto)
bass vocals:
Mitchell Sandler
soprano vocals:
Stefanie True (Canadian soprano) and Klaartje van Veldhoven (Dutch soprano)
tenor vocals:
Marcel Beekman (tenor)
orchestra:
Contrasto Armonico
conductor:
Marco Vitale
recorded at:
Oud‐Katholieke Kerk in Delft, Zuid-Holland (South Holland), Netherlands, Kingdom of the Netherlands (from 2008-10 until 2008-12)
recording of:
La Resurrezione, HWV 47: Part II. Aria: Se impassibile, immortale (Maddalena)
composer:
George Frideric Handel (German‐British baroque composer) (in 1708)
part of:
La resurrezione, HWV 47: Part II
4:00
50La resurrezione, HWV 47, Pt. 2: Recitativo. Sì, sì, col redentore (San Giovanni)
producer:
Fabrizio Acanfora (producer)
alto vocals:
Kristine Gether (alto)
bass vocals:
Mitchell Sandler
soprano vocals:
Stefanie True (Canadian soprano) and Klaartje van Veldhoven (Dutch soprano)
tenor vocals:
Marcel Beekman (tenor)
orchestra:
Contrasto Armonico
conductor:
Marco Vitale
recorded at:
Oud‐Katholieke Kerk in Delft, Zuid-Holland (South Holland), Netherlands, Kingdom of the Netherlands (from 2008-10 until 2008-12)
recording of:
La Resurrezione, HWV 47: Part II. Recitative: Sì, sì, col Redentore (San Giovanni, Cleofe, Maddalena)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
La resurrezione, HWV 47: Part II
0:28
51La resurrezione, HWV 47, Pt. 2: Chorus. Diasi lode in cielo
producer:
Fabrizio Acanfora (producer)
alto vocals:
Kristine Gether (alto)
bass vocals:
Mitchell Sandler
soprano vocals:
Stefanie True (Canadian soprano) and Klaartje van Veldhoven (Dutch soprano)
tenor vocals:
Marcel Beekman (tenor)
orchestra:
Contrasto Armonico
conductor:
Marco Vitale
recorded at:
Oud‐Katholieke Kerk in Delft, Zuid-Holland (South Holland), Netherlands, Kingdom of the Netherlands (from 2008-10 until 2008-12)
recording of:
La Resurrezione, HWV 47: Part II. Coro: Diasi lode in Cielo, in terra
composer:
George Frideric Handel (German‐British baroque composer) (in 1708)
part of:
La resurrezione, HWV 47: Part II
1:35
52Jephtha, HWV 70: Overture
orchestra:
Akademie für Alte Musik Berlin (Academy for Ancient Music Berlin) (in 1994)
conductor:
Marcus Creed (conductor) (in 1994)
recording of:
Jephtha, HWV 70: no. 0. Overture (in 1994)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Jephtha, HWV 70
5:30
53Jephtha, HWV 70: Menuet
orchestra:
Akademie für Alte Musik Berlin (Academy for Ancient Music Berlin) (in 1994)
conductor:
Marcus Creed (conductor) (in 1994)
recording of:
Jephtha, HWV 70: no. 0a. Minuet (in 1994)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Jephtha, HWV 70
1:38
54Jephtha, HWV 70, Pt. 1: Accompagnato. It Must Be So (Zebul)
bass vocals [Zebul]:
Michael George (operatic bass) (in 1994)
orchestra:
Akademie für Alte Musik Berlin (Academy for Ancient Music Berlin) (in 1994)
conductor:
Marcus Creed (conductor) (in 1994)
recording of:
Jephtha, HWV 70: Act I, no. 1. Accompagnato "It must be so or these wile Ammonites" (Zebul) (in 1994)
composer:
George Frideric Handel (German‐British baroque composer)
librettist:
Thomas Morell
part of:
Jephtha, HWV 70: Act I
1:30
55Jephtha, HWV 70, Pt. 1: Air. Pour Forth No More Unheeded Prayr's (Zebul)
bass vocals [Zebul]:
Michael George (operatic bass) (in 1994)
orchestra:
Akademie für Alte Musik Berlin (Academy for Ancient Music Berlin) (in 1994)
conductor:
Marcus Creed (conductor) (in 1994)
recording of:
Jephtha, HWV 70: Act I, no. 2. Air "Pour forth no more unheeded pray'rs" (Zebul) (in 1994)
composer:
George Frideric Handel (German‐British baroque composer)
librettist:
Thomas Morell
part of:
Jephtha, HWV 70: Act I
4:58
56Jephtha, HWV 70, Pt. 1: Chorus. No More to Ammon's God and King
vocals:
RIAS Kammerchor (German chamber choir) (in 1994)
orchestra:
Akademie für Alte Musik Berlin (Academy for Ancient Music Berlin) (in 1994)
conductor:
Marcus Creed (conductor) (in 1994)
recording of:
Jephtha, HWV 70: Act I, no. 3. Chorus "No more to Ammon's god and King" (in 1994)
composer:
George Frideric Handel (German‐British baroque composer)
librettist:
Thomas Morell
part of:
Jephtha, HWV 70: Act I
2:38
57Jephtha, HWV 70, Pt. 1: Recitative. But Jephtha Comes (Zebul/Jephtha)
bass vocals [Zebul]:
Michael George (operatic bass) (in 1994)
tenor vocals [Jephtha]:
John Mark Ainsley (tenor) (in 1994)
orchestra:
Akademie für Alte Musik Berlin (Academy for Ancient Music Berlin) (in 1994)
conductor:
Marcus Creed (conductor) (in 1994)
recording of:
Jephtha, HWV 70: Act I, no. 3a. Recitative "But Jephtha comes" (Zebul, Jephtha) (in 1994)
composer:
George Frideric Handel (German‐British baroque composer)
librettist:
Thomas Morell
part of:
Jephtha, HWV 70: Act I
1:05
58Jephtha, HWV 70, Pt. 1: Air. Virtue My Soul Shall Still Embrace (Jephtha)
tenor vocals [Jephtha]:
John Mark Ainsley (tenor) (in 1994)
orchestra:
Akademie für Alte Musik Berlin (Academy for Ancient Music Berlin) (in 1994)
conductor:
Marcus Creed (conductor) (in 1994)
recording of:
Jephtha, HWV 70: Act I, no. 4. Air "Virtue my soul shall still embrace" (Jephtha) (in 1994)
composer:
George Frideric Handel (German‐British baroque composer)
librettist:
Thomas Morell
part of:
Jephtha, HWV 70: Act I
4:07
59Jephtha, HWV 70, Pt. 1: Recitative. 'Twill be a painful separation (Storgè)
mezzo-soprano vocals [Storge]:
Catherine Denley (contralto, mezzo‐soprano) (in 1994)
orchestra:
Akademie für Alte Musik Berlin (Academy for Ancient Music Berlin) (in 1994)
conductor:
Marcus Creed (conductor) (in 1994)
recording of:
Jephtha, HWV 70: Act I, no. 4a. Recitative "Twill be a painful separation" (Storge) (in 1994)
composer:
George Frideric Handel (German‐British baroque composer)
librettist:
Thomas Morell
part of:
Jephtha, HWV 70: Act I
0:30
60Jephtha, HWV 70, Pt. 1: Air. In Gentle Murmurs Will Mourn (Storgè)
mezzo-soprano vocals [Storge]:
Catherine Denley (contralto, mezzo‐soprano) (in 1994)
orchestra:
Akademie für Alte Musik Berlin (Academy for Ancient Music Berlin) (in 1994)
conductor:
Marcus Creed (conductor) (in 1994)
recording of:
Jephtha, HWV 70: Act I, no. 5. Air "In gentle murmurs will I mourn" (Storge) (in 1994)
composer:
George Frideric Handel (German‐British baroque composer)
librettist:
Thomas Morell
part of:
Jephtha, HWV 70: Act I
5:10
61Jephtha, HWV 70, Pt. 1: Recitative. Happy This Embassy, My Charming Iphis (Hamor )
countertenor vocals [Hamor]:
Axel Köhler (in 1994)
orchestra:
Akademie für Alte Musik Berlin (Academy for Ancient Music Berlin) (in 1994)
conductor:
Marcus Creed (conductor) (in 1994)
recording of:
Jephtha, HWV 70: Act I, no. 5a. Recitative "Happy this embassy" (Hamor) (in 1994)
composer:
George Frideric Handel (German‐British baroque composer)
librettist:
Thomas Morell
part of:
Jephtha, HWV 70: Act I
0:51
62Jephtha, HWV 70, Pt. 1: Air. Dull Delay, in Piercing Anguish (Hamor)
countertenor vocals [Hamor]:
Axel Köhler (in 1994)
orchestra:
Akademie für Alte Musik Berlin (Academy for Ancient Music Berlin) (in 1994)
conductor:
Marcus Creed (conductor) (in 1994)
recording of:
Jephtha, HWV 70: Act I, no. 6. Air "Dull delay, in piercing anguish" (Hamor) (in 1994)
composer:
George Frideric Handel (German‐British baroque composer)
librettist:
Thomas Morell
part of:
Jephtha, HWV 70: Act I
3:05
63Jephtha, HWV 70, Pt. 1: Recitative. Ill Suits the Voice of Love (Iphis)
soprano vocals [Iphis]:
Christiane Oelze (German soprano) (in 1994)
orchestra:
Akademie für Alte Musik Berlin (Academy for Ancient Music Berlin) (in 1994)
conductor:
Marcus Creed (conductor) (in 1994)
recording of:
Jephtha, HWV 70: Act I, no. 6a. Recitative "Ill suits the voice of love" (Iphis) (in 1994)
composer:
George Frideric Handel (German‐British baroque composer)
librettist:
Thomas Morell
part of:
Jephtha, HWV 70: Act I
0:30
64Jephtha, HWV 70, Pt. 1: Air. Take the Heart You Foundly Gave (Iphis)
soprano vocals [Iphis]:
Christiane Oelze (German soprano) (in 1994)
orchestra:
Akademie für Alte Musik Berlin (Academy for Ancient Music Berlin) (in 1994)
conductor:
Marcus Creed (conductor) (in 1994)
recording of:
Jephtha, HWV 70: Act I, no. 7. Air "Take the heart you fondly gave" (Iphis) (in 1994)
lyricist:
Thomas Morell
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Jephtha, HWV 70: Act I
3:57
65Jephtha, HWV 70, Pt. 1: Recitative. I Go. My Soul (Hamor)
countertenor vocals [Hamor]:
Axel Köhler (in 1994)
orchestra:
Akademie für Alte Musik Berlin (Academy for Ancient Music Berlin) (in 1994)
conductor:
Marcus Creed (conductor) (in 1994)
recording of:
Jephtha, HWV 70: Act I, no. 7a. Recitative "I go. My soul, inspir'd by thy command" (Hamor) (in 1994)
composer:
George Frideric Handel (German‐British baroque composer)
librettist:
Thomas Morell
part of:
Jephtha, HWV 70: Act I
0:31
66Jephtha, HWV 70, Pt. 1: Duet. These Labours Past, How Happy We (Jephtha)
countertenor vocals [Hamor]:
Axel Köhler (in 1994)
soprano vocals [Iphis]:
Christiane Oelze (German soprano) (in 1994)
orchestra:
Akademie für Alte Musik Berlin (Academy for Ancient Music Berlin) (in 1994)
conductor:
Marcus Creed (conductor) (in 1994)
recording of:
Jephtha, HWV 70: Act I, no. 8. Duet "These labours past, how happy we" (Iphis, Hamor) (in 1994)
composer:
George Frideric Handel (German‐British baroque composer)
librettist:
Thomas Morell
part of:
Jephtha, HWV 70: Act I
5:47
67Jephtha, HWV 70, Pt. 1: Recitative. What Mean These Doubtful Fancies (Jephtha)
tenor vocals [Jephtha]:
John Mark Ainsley (tenor) (in 1994)
orchestra:
Akademie für Alte Musik Berlin (Academy for Ancient Music Berlin) (in 1994)
conductor:
Marcus Creed (conductor) (in 1994)
recording of:
Jephtha, HWV 70: Act I, no. 8a. Recitative "What mean these doubtful fancies" (Jephtha) (in 1994)
composer:
George Frideric Handel (German‐British baroque composer)
librettist:
Thomas Morell
part of:
Jephtha, HWV 70: Act I
0:56
68Jephtha, HWV 70, Pt. 1: Accompagnato. If, Lord, Sustain'd by Thy Almighty Pow'r (Jephtha). Recitative. 'Tis Said. Attend, Ye Chiefs[Jephtha]
tenor vocals [Jephtha]:
John Mark Ainsley (tenor) (in 1994)
orchestra:
Akademie für Alte Musik Berlin (Academy for Ancient Music Berlin) (in 1994)
conductor:
Marcus Creed (conductor) (in 1994)
recording of:
Jephtha, HWV 70: Act I, no. 9. Accompagnato "If, Lord, sustain'd by Thy almighty pow'r" (Jephtha) (in 1994)
composer:
George Frideric Handel (German‐British baroque composer)
librettist:
Thomas Morell
part of:
Jephtha, HWV 70: Act I
recording of:
Jephtha, HWV 70: Act I, no. 9a. Recitative "'Tis said. Attend, ye chiefs" (Jephtha) (in 1994)
composer:
George Frideric Handel (German‐British baroque composer)
librettist:
Thomas Morell
part of:
Jephtha, HWV 70: Act I
1:10
69Jephtha, HWV 70, Pt. 1: Chorus. O God, Behold Our Sore Distress
choir vocals:
RIAS Kammerchor (German chamber choir) (in 1994)
orchestra:
Akademie für Alte Musik Berlin (Academy for Ancient Music Berlin) (in 1994)
conductor:
Marcus Creed (conductor) (in 1994)
recording of:
Jephtha, HWV 70: Act I, no. 10. Chorus "O God, behold our sore distress" (in 1994)
composer:
George Frideric Handel (German‐British baroque composer)
librettist:
Thomas Morell
part of:
Jephtha, HWV 70: Act I
4:10
70Jephtha, HWV 70, Pt. 1: Recitative. Some Dire Event Hangs o'er Our Heads (Storgè)
mezzo-soprano vocals [Storge]:
Catherine Denley (contralto, mezzo‐soprano) (in 1994)
orchestra:
Akademie für Alte Musik Berlin (Academy for Ancient Music Berlin) (in 1994)
conductor:
Marcus Creed (conductor) (in 1994)
recording of:
Jephtha, HWV 70: Act I, no. 10a. Recitative "Some dire event hangs o'er our heads" (Storge) (in 1994)
composer:
George Frideric Handel (German‐British baroque composer)
librettist:
Thomas Morell
part of:
Jephtha, HWV 70: Act I
0:28
71Jephtha, HWV 70, Pt. 1: Air. Scenes of Horror, Scenes of Woe (Storgè)
mezzo-soprano vocals [Storge]:
Catherine Denley (contralto, mezzo‐soprano) (in 1994)
orchestra:
Akademie für Alte Musik Berlin (Academy for Ancient Music Berlin) (in 1994)
conductor:
Marcus Creed (conductor) (in 1994)
recording of:
Jephtha, HWV 70: Act I, no. 11. Air "Scenes of horror, scenes of woe" (Storge) (in 1994)
composer:
George Frideric Handel (German‐British baroque composer)
librettist:
Thomas Morell
part of:
Jephtha, HWV 70: Act I
4:17
72Jephtha, HWV 70, Pt. 1: Recitative. Say, My Dear Mother (Iphis/Storgè)
mezzo-soprano vocals [Storge]:
Catherine Denley (contralto, mezzo‐soprano) (in 1994)
soprano vocals [Iphis]:
Christiane Oelze (German soprano) (in 1994)
orchestra:
Akademie für Alte Musik Berlin (Academy for Ancient Music Berlin) (in 1994)
conductor:
Marcus Creed (conductor) (in 1994)
recording of:
Jephtha, HWV 70: Act I, no. 11a. Recitative "Say, my dear mother" (Iphis, Storge) (in 1994)
composer:
George Frideric Handel (German‐British baroque composer)
librettist:
Thomas Morell
part of:
Jephtha, HWV 70: Act I
0:59
73Jephtha, HWV 70, Pt. 1: Air. The Smiling Dawn of Happy Days (Iphis)
soprano vocals [Iphis]:
Christiane Oelze (German soprano) (in 1994)
orchestra:
Akademie für Alte Musik Berlin (Academy for Ancient Music Berlin) (in 1994)
conductor:
Marcus Creed (conductor) (in 1994)
recording of:
Jephtha, HWV 70: Act I, no. 12. Air "The smiling dawn of happy days" (Iphis) (in 1994)
composer:
George Frideric Handel (German‐British baroque composer)
librettist:
Thomas Morell
part of:
Jephtha, HWV 70: Act I
3:18
74Jephtha, HWV 70, Pt. 1: Recitative. Such, Jephtha, Was the Haughty King's Reply (Zebul/Jephtha)
bass vocals [Zebul]:
Michael George (operatic bass) (in 1994)
tenor vocals [Jephtha]:
John Mark Ainsley (tenor) (in 1994)
orchestra:
Akademie für Alte Musik Berlin (Academy for Ancient Music Berlin) (in 1994)
conductor:
Marcus Creed (conductor) (in 1994)
recording of:
Jephtha, HWV 70: Act I, no. 12a. Recitative "Such, Jephtha, was the haughty King's reply" (Zebul, Jephtha) (in 1994)
composer:
George Frideric Handel (German‐British baroque composer)
librettist:
Thomas Morell
part of:
Jephtha, HWV 70: Act I
0:29
75Jephtha, HWV 70, Pt. 1: Chorus. When His Loud Voice in Thunder Spoke
choir vocals:
RIAS Kammerchor (German chamber choir) (in 1994)
orchestra:
Akademie für Alte Musik Berlin (Academy for Ancient Music Berlin) (in 1994)
conductor:
Marcus Creed (conductor) (in 1994)
recording of:
Jephtha, HWV 70: Act I, no. 13. Chorus "When His loud voice in thunder spoke" (in 1994)
composer:
George Frideric Handel (German‐British baroque composer)
librettist:
Thomas Morell
part of:
Jephtha, HWV 70: Act I
4:20
76Jephtha, HWV 70, Pt. 2: Recitative. Glad Tidings of Great Joy (Hamor)
countertenor vocals [Hamor]:
Axel Köhler (in 1994)
orchestra:
Akademie für Alte Musik Berlin (Academy for Ancient Music Berlin) (in 1994)
conductor:
Marcus Creed (conductor) (in 1994)
recording of:
Jephtha, HWV 70: Act II, no. 13a. Recitative "Glad things of great joy" (Hamor) (in 1994)
composer:
George Frideric Handel (German‐British baroque composer)
librettist:
Thomas Morell
part of:
Jephtha, HWV 70: Act II
1:19
77Jephtha, HWV 70, Pt. 2: Chorus. Cherub and Seraphim, Unbodied Forms
choir vocals:
RIAS Kammerchor (German chamber choir) (in 1994)
orchestra:
Akademie für Alte Musik Berlin (Academy for Ancient Music Berlin) (in 1994)
conductor:
Marcus Creed (conductor) (in 1994)
recording of:
Jephtha, HWV 70: Act II, no. 14. Chorus "Cherub and Seraphim, unbodied forms" (in 1994)
composer:
George Frideric Handel (German‐British baroque composer)
librettist:
Thomas Morell
part of:
Jephtha, HWV 70: Act II
3:07
78Jephtha, HWV 70, Pt. 2: Air. Up the Dreadful Steep Ascending (Hamor)
countertenor vocals [Hamor]:
Axel Köhler (in 1994)
orchestra:
Akademie für Alte Musik Berlin (Academy for Ancient Music Berlin) (in 1994)
conductor:
Marcus Creed (conductor) (in 1994)
recording of:
Jephtha, HWV 70: Act II, no. 15. Air "Up the dreadful steep ascending" (Hamor) (in 1994)
composer:
George Frideric Handel (German‐British baroque composer)
librettist:
Thomas Morell
part of:
Jephtha, HWV 70: Act II
4:33
79Jephtha, HWV 70, Pt. 2: Recitative. 'Tis Well. Haste, Haste, Ye Maidens (Iphis)
soprano vocals [Iphis]:
Christiane Oelze (German soprano) (in 1994)
orchestra:
Akademie für Alte Musik Berlin (Academy for Ancient Music Berlin) (in 1994)
conductor:
Marcus Creed (conductor) (in 1994)
recording of:
Jephtha, HWV 70: Act II, no. 15a. Recitative "'Tis well. Haste, haste, ye maidens" (Iphis) (in 1994)
composer:
George Frideric Handel (German‐British baroque composer)
librettist:
Thomas Morell
part of:
Jephtha, HWV 70: Act II
0:23
80Jephtha, HWV 70, Pt. 2: Air. Tune the Soft Melodious Lute (Iphis)
soprano vocals [Iphis]:
Christiane Oelze (German soprano) (in 1994)
orchestra:
Akademie für Alte Musik Berlin (Academy for Ancient Music Berlin) (in 1994)
conductor:
Marcus Creed (conductor) (in 1994)
recording of:
Jephtha, HWV 70: Act II, no. 16: Air "Tune the soft melodious lute" (Iphis) (in 1994)
composer:
George Frideric Handel (German‐British baroque composer)
librettist:
Thomas Morell
part of:
Jephtha, HWV 70: Act II
4:19
81Jephtha, HWV 70, Pt. 2: Recitative. Heav'n Smiles Once More (Jephtha)
tenor vocals [Jephtha]:
John Mark Ainsley (tenor) (in 1994)
orchestra:
Akademie für Alte Musik Berlin (Academy for Ancient Music Berlin) (in 1994)
conductor:
Marcus Creed (conductor) (in 1994)
recording of:
Jephtha, HWV 70: Act II, no. 16a. Recitative "Heav'n smiles once more" (Zebul) (in 1994)
composer:
George Frideric Handel (German‐British baroque composer)
librettist:
Thomas Morell
part of:
Jephtha, HWV 70: Act II
recording of:
Jephtha, HWV 70: Act II, no. 17a. Recitative "Zebul, thy deeds were valiant" (Jephtha) (in 1994)
composer:
George Frideric Handel (German‐British baroque composer)
librettist:
Thomas Morell
part of:
Jephtha, HWV 70: Act II
0:33
82Jephtha, HWV 70, Pt. 2: Air. His Mighty Arm (Jephtha)
tenor vocals [Jephtha]:
John Mark Ainsley (tenor) (in 1994)
orchestra:
Akademie für Alte Musik Berlin (Academy for Ancient Music Berlin) (in 1994)
conductor:
Marcus Creed (conductor) (in 1994)
recording of:
Jephtha, HWV 70: Act II, no. 18. Air "His mighty arm, with sudden blow" (Jephtha) (in 1994)
composer:
George Frideric Handel (German‐British baroque composer)
librettist:
Thomas Morell
part of:
Jephtha, HWV 70: Act II
5:26
83Jephtha, HWV 70, Pt. 2: Chorus. In Glory High
choir vocals:
RIAS Kammerchor (German chamber choir) (in 1994)
orchestra:
Akademie für Alte Musik Berlin (Academy for Ancient Music Berlin) (in 1994)
conductor:
Marcus Creed (conductor) (in 1994)
recording of:
Jephtha, HWV 70: Act II, no. 19. Chorus: "In glory high, in might serene" (in 1994)
composer:
George Frideric Handel (German‐British baroque composer)
librettist:
Thomas Morell
part of:
Jephtha, HWV 70: Act II
2:24
84Jephtha, HWV 70, Pt. 2: Symphony
orchestra:
Akademie für Alte Musik Berlin (Academy for Ancient Music Berlin) (in 1994)
conductor:
Marcus Creed (conductor) (in 1994)
recording of:
Jephtha, HWV 70: Act II, no. 20. Symphony (in 1994)
composer:
George Frideric Handel (German‐British baroque composer)
librettist:
Thomas Morell
part of:
Jephtha, HWV 70: Act II
1:13
85Jephtha, HWV 70, Pt. 2: Recitative. Hail, Glorious Conqueror! (Iphis)
soprano vocals [Iphis]:
Christiane Oelze (German soprano) (in 1994)
orchestra:
Akademie für Alte Musik Berlin (Academy for Ancient Music Berlin) (in 1994)
conductor:
Marcus Creed (conductor) (in 1994)
recording of:
Jephtha, HWV 70: Act II, no. 20a. Recitative "Hail, glorious conqueror!" (Iphis) (in 1994)
composer:
George Frideric Handel (German‐British baroque composer)
librettist:
Thomas Morell
part of:
Jephtha, HWV 70: Act II
0:24
86Jephtha, HWV 70, Pt. 2: Air. Welcome, as the Cheerful Light (Iphis). Chorus. Welcome Thou, Whose Deeds Conspire
choir vocals:
RIAS Kammerchor (German chamber choir) (in 1994)
soprano vocals [Iphis]:
Christiane Oelze (German soprano) (in 1994)
orchestra:
Akademie für Alte Musik Berlin (Academy for Ancient Music Berlin) (in 1994)
conductor:
Marcus Creed (conductor) (in 1994)
recording of:
Jephtha, HWV 70: Act II, no. 21. Air and Chorus: "Welcome, as the cheerful light" (Iphis) (in 1994)
composer:
George Frideric Handel (German‐British baroque composer)
librettist:
Thomas Morell
part of:
Jephtha, HWV 70: Act II
3:57
87Jephtha, HWV 70, Pt. 2: Recitative. Horror! Confusion! (Jephtha)
tenor vocals [Jephtha]:
John Mark Ainsley (tenor) (in 1994)
orchestra:
Akademie für Alte Musik Berlin (Academy for Ancient Music Berlin) (in 1994)
conductor:
Marcus Creed (conductor) (in 1994)
recording of:
Jephtha, HWV 70: Act II, no. 21a. Recitative "Horror! Confusion! Harsh this music grates" (Jephtha) (in 1994)
composer:
George Frideric Handel (German‐British baroque composer)
librettist:
Thomas Morell
part of:
Jephtha, HWV 70: Act II
0:26
88Jephtha, HWV 70, Pt. 2: Air. Open Thy Marble Jaws, O Tomb (Jephtha)
tenor vocals [Jephtha]:
John Mark Ainsley (tenor) (in 1994)
orchestra:
Akademie für Alte Musik Berlin (Academy for Ancient Music Berlin) (in 1994)
conductor:
Marcus Creed (conductor) (in 1994)
recording of:
Jephtha, HWV 70: Act II, no. 22. Air "Open thy marble jaws, o tomb" (Jephtha) (in 1994)
composer:
George Frideric Handel (German‐British baroque composer)
librettist:
Thomas Morell
part of:
Jephtha, HWV 70: Act II
4:32
89Jephtha, HWV 70, Pt. 2: Recitative. Why is my Brother Thus Afflicted? (Zebul/Jephtha)
bass vocals [Zebul]:
Michael George (operatic bass) (in 1994)
tenor vocals [Jephtha]:
John Mark Ainsley (tenor) (in 1994)
orchestra:
Akademie für Alte Musik Berlin (Academy for Ancient Music Berlin) (in 1994)
conductor:
Marcus Creed (conductor) (in 1994)
recording of:
Jephtha, HWV 70: Act II, no. 22a. Recitative "Why is my brother thus afflicted?" (Zebul, Jephtha) (in 1994)
composer:
George Frideric Handel (German‐British baroque composer)
librettist:
Thomas Morell
part of:
Jephtha, HWV 70: Act II
1:06
90Jephtha, HWV 70, Pt. 2: Accompagnato and Arioso. First Perish Thou. Let Other Creatures (Storgè)
mezzo-soprano vocals [Storge]:
Catherine Denley (contralto, mezzo‐soprano) (in 1994)
orchestra:
Akademie für Alte Musik Berlin (Academy for Ancient Music Berlin) (in 1994)
conductor:
Marcus Creed (conductor) (in 1994)
recording of:
Jephtha, HWV 70: Act II, no. 23. Accompagnato and Arioso "First perish thou and perish all the world!" (Storge) (in 1994)
composer:
George Frideric Handel (German‐British baroque composer)
librettist:
Thomas Morell
part of:
Jephtha, HWV 70: Act II
2:14
91Jephtha, HWV 70, Pt. 2: Recitative. If Such Thy Cruel Purpose (Hamor)
countertenor vocals [Hamor]:
Axel Köhler (in 1994)
orchestra:
Akademie für Alte Musik Berlin (Academy for Ancient Music Berlin) (in 1994)
conductor:
Marcus Creed (conductor) (in 1994)
recording of:
Jephtha, HWV 70: Act II, no. 23a. Recitative "If such thy cruel purpose, lo!" (Hamor) (in 1994)
composer:
George Frideric Handel (German‐British baroque composer)
librettist:
Thomas Morell
part of:
Jephtha, HWV 70: Act II
0:23
92Jephtha, HWV 70, Pt. 2: Air. On Me Let Blind Mistaken Zeal (Hamor)
countertenor vocals [Hamor]:
Axel Köhler (in 1994)
orchestra:
Akademie für Alte Musik Berlin (Academy for Ancient Music Berlin) (in 1994)
conductor:
Marcus Creed (conductor) (in 1994)
recording of:
Jephtha, HWV 70: Act II, no. 24. Air "On me let blind mistake zeal" (Hamor) (in 1994)
composer:
George Frideric Handel (German‐British baroque composer)
librettist:
Thomas Morell
part of:
Jephtha, HWV 70: Act II
1:36
93Jephtha, HWV 70, Pt. 2: Quartet. O Spare Your Daughter! (Storgè/Hamor/Jephtha/Zebul)
bass vocals [Zebul]:
Michael George (operatic bass) (in 1994)
countertenor vocals [Hamor]:
Axel Köhler (in 1994)
mezzo-soprano vocals [Storge]:
Catherine Denley (contralto, mezzo‐soprano) (in 1994)
tenor vocals [Jephtha]:
John Mark Ainsley (tenor) (in 1994)
orchestra:
Akademie für Alte Musik Berlin (Academy for Ancient Music Berlin) (in 1994)
conductor:
Marcus Creed (conductor) (in 1994)
recording of:
Jephtha, HWV 70: Act II, no. 25. Quartet "O spare your daughter!" (Storge, Hamor, Jephtha, Zebul) (in 1994)
composer:
George Frideric Handel (German‐British baroque composer)
librettist:
Thomas Morell
part of:
Jephtha, HWV 70: Act II
2:47
94Jephtha, HWV 70, Pt. 2: Recitative. Such News Flies Swift (Iphis)
soprano vocals [Iphis]:
Christiane Oelze (German soprano) (in 1994)
orchestra:
Akademie für Alte Musik Berlin (Academy for Ancient Music Berlin) (in 1994)
conductor:
Marcus Creed (conductor) (in 1994)
recording of:
Jephtha, HWV 70: Act II, no. 25a. Recitative "Such news flies swift" (Iphis) (in 1994)
composer:
George Frideric Handel (German‐British baroque composer)
librettist:
Thomas Morell
part of:
Jephtha, HWV 70: Act II
0:30
95Jephtha, HWV 70, Pt. 2: Accompagnato. For Joys So Vast (Iphis)
soprano vocals [Iphis]:
Christiane Oelze (German soprano) (in 1994)
orchestra:
Akademie für Alte Musik Berlin (Academy for Ancient Music Berlin) (in 1994)
conductor:
Marcus Creed (conductor) (in 1994)
recording of:
Jephtha, HWV 70: Act II, no. 26. Accompagnato "For joys so vast, too little is the price" (Iphis) (in 1994)
composer:
George Frideric Handel (German‐British baroque composer)
librettist:
Thomas Morell
part of:
Jephtha, HWV 70: Act II
0:49
96Jephtha, HWV 70, Pt. 2: Air. Happy They! (Iphis)
soprano vocals [Iphis]:
Christiane Oelze (German soprano) (in 1994)
orchestra:
Akademie für Alte Musik Berlin (Academy for Ancient Music Berlin) (in 1994)
conductor:
Marcus Creed (conductor) (in 1994)
recording of:
Jephtha, HWV 70: Act II, no. 27. Air "Happy they! This vital breath with content" (Iphis) (in 1994)
composer:
George Frideric Handel (German‐British baroque composer)
librettist:
Thomas Morell
part of:
Jephtha, HWV 70: Act II
3:40
97Jephtha, HWV 70, Pt. 2: Accompagnato. Deeper and Deeper Still (Jephtha)
tenor vocals [Jephtha]:
John Mark Ainsley (tenor) (in 1994)
orchestra:
Akademie für Alte Musik Berlin (Academy for Ancient Music Berlin) (in 1994)
conductor:
Marcus Creed (conductor) (in 1994)
recording of:
Jephtha, HWV 70: Act II, no. 28. Accompagnato "Deeper and deeper still, thy goodness" (Jephtha) (in 1994)
composer:
George Frideric Handel (German‐British baroque composer)
librettist:
Thomas Morell
part of:
Jephtha, HWV 70: Act II
3:37
98Jephtha, HWV 70, Pt. 2: Chorus. How Dark, O Lord, Are Thy Decrees!
choir vocals:
RIAS Kammerchor (German chamber choir) (in 1994)
orchestra:
Akademie für Alte Musik Berlin (Academy for Ancient Music Berlin) (in 1994)
conductor:
Marcus Creed (conductor) (in 1994)
recording of:
Jephtha, HWV 70: Act II, no. 29. Chorus "How dark, o Lord, are thy decrees!" (in 1994)
composer:
George Frideric Handel (German‐British baroque composer)
librettist:
Thomas Morell
part of:
Jephtha, HWV 70: Act II
7:09