The Distinguished Conductor

~ Release by Sir Neville Marriner (see all versions of this release, 1 available)

Tracklist

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1Le nozze di Figaro, K. 492: Overture
producer:
John Fraser (UK producer)
orchestra:
Academy of St Martin in the Fields (from 1981-06-15 until 1981-06-16)
conductor:
Sir Neville Marriner (conductor) (from 1981-06-15 until 1981-06-16)
balance engineer:
Stuart Eltham (engineer)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1981-06-15 until 1981-06-16)
recording of:
Le nozze di Figaro, K. 492: Sinfonia (from 1981-06-15 until 1981-06-16)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1786)
part of:
Die Hochzeit des Figaro (German translation)
part of:
Le nozze di Figaro, K. 492 (The Marriage of Figaro, K 492)
Wolfgang Amadeus Mozart4:14
2Pavane, op. 50 (Instrumental Version)
orchestra:
Academy of St Martin in the Fields
conductor:
Sir Neville Marriner (conductor)
recording of:
Pavane, op. 50 (catch-all for arrangements and unknown versions)
composer:
Gabriel Fauré (French composer)
arrangement of:
Pavane, op. 50 (for piano and chorus)
Gabriel Fauré6:19
3String Quintet in E major, op. 11 no. 5, G. 275: III. Minuetto - Trio (Arr. Woodhouse for String Orchestra)
engineer:
Stuart Eltham (engineer)
producer:
John Fraser (UK producer)
orchestra:
Academy of St Martin in the Fields (in 1986)
conductor:
Sir Neville Marriner (conductor) (in 1986)
recording of:
Quintet in E major, G. 275, op. 11 no. 5: III. Minuetto (orch. Woodhouse) (in 1986)
orchestrator:
Charles Woodhouse (violinist, arranger, composer)
composer:
Luigi Boccherini (Italian composer) (in 1771)
orchestration of:
Quintet in E major, G. 275, op. 11 no. 5: III. Minuetto (con un poco di moto)
recording of:
Quintet in E major, G. 275, op. 11 no. 5: III. Minuetto (con un poco di moto) (catch-all for arrangements)
composer:
Luigi Boccherini (Italian composer)
arrangement of:
Quintet in E major, G. 275, op. 11 no. 5: III. Minuetto (con un poco di moto)
Luigi Boccherini3:58
4Holberg Suite, op. 40: I. Praeludium
orchestra:
Academy of St Martin in the Fields
conductor:
Sir Neville Marriner (conductor)
recording of:
Fra Holbergs tid, op. 40: I. Præludium (Allegro vivace) (for string orchestra)
composer:
Edvard Grieg (composer) (in 1884)
arrangement of:
Fra Holbergs tid, op. 40: I. Præludium (Allegro vivace) (for piano)
part of:
Fra Holbergs tid, op. 40 (Holberg Suite, op. 40, for string orchestra)
Edvard Grieg2:47
5Four Sea Interludes from Peter Grimes, op. 33a: No. 2, Sunday Morning
orchestra:
Minnesota Orchestra
conductor:
Sir Neville Marriner (conductor)
recording of:
Four Sea Interludes from 'Peter Grimes', op. 33a: II. Sunday Morning: Allegro spiritoso
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1945)
part of:
Four Sea Interludes from 'Peter Grimes', op. 33a
Benjamin Britten3:35
6La scala di seta: Overture
producer:
John Fraser (UK producer)
orchestra:
Academy of St Martin in the Fields (in 1987-11)
conductor:
Sir Neville Marriner (conductor) (in 1987-11)
balance engineer:
Stuart Eltham (engineer)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1987-11)
recording of:
La scala di seta: Sinfonia (in 1987-11)
composer:
Gioachino Rossini (composer)
librettist:
Giuseppe Maria Foppa
part of:
La scala di seta
Gioachino Rossini6:01
7Gloria in D major, RV 589: I. Gloria in excelsis Deo
producer:
David Groves (classical music producer at EMI)
choir vocals:
Academy of St Martin in the Fields Chorus (from 1990-10-05 until 1990-10-07)
orchestra:
Academy of St Martin in the Fields (from 1990-10-05 until 1990-10-07)
conductor:
Sir Neville Marriner (conductor) (from 1990-10-05 until 1990-10-07)
chorus master:
László Heltay (British/Hungarian conductor and composer) (from 1990-10-05 until 1990-10-07)
balance engineer:
Mark Vigars (engineer)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1990)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1990-10-05 until 1990-10-07)
recording of:
Gloria in D major, RV 589: I. Gloria in excelsis Deo (from 1990-10-05 until 1990-10-07)
composer:
Antonio Vivaldi (Italian baroque composer and violinist)
part of:
Gloria in D major, RV 589
recording of:
Gloria, RV 589: I. Gloria in excelsis Deo (edited by Malipiero)
lyricist:
Anonymous ([anonymous], special purpose artist)
additional composer:
Gian Francesco Malipiero (Italian composer)
composer:
Antonio Vivaldi (Italian baroque composer and violinist)
is based on:
Gloria in D major, RV 589: I. Gloria in excelsis Deo
part of:
Gloria, RV 589 (edited by Malipiero)
Antonio Vivaldi2:24
8Gloria in D major, RV 589: II. Et in terra pax hominibus
choir vocals:
Academy of St Martin in the Fields Chorus
orchestra:
Academy of St Martin in the Fields
conductor:
Sir Neville Marriner (conductor)
recording of:
Gloria, RV 589: II. Et in terra pax hominibus (edited by Malipiero)
additional composer:
Gian Francesco Malipiero (Italian composer)
composer:
Antonio Vivaldi (Italian baroque composer and violinist)
is based on:
Gloria in D major, RV 589: II. Et in terra pax
part of:
Gloria, RV 589 (edited by Malipiero)
Antonio Vivaldi5:33
9Gloria in D major, RV 589: XI. Quoniam tu solus sanctus
choir vocals:
Academy of St Martin in the Fields Chorus
orchestra:
Academy of St Martin in the Fields
conductor:
Sir Neville Marriner (conductor)
recording of:
Gloria in D major, RV 589: XI. Quoniam tu solus sanctus
composer:
Antonio Vivaldi (Italian baroque composer and violinist)
part of:
Gloria in D major, RV 589
Antonio Vivaldi0:49
10Gloria in D major, RV 589: XII. Cum Sancto Spiritu
choir vocals:
Academy of St Martin in the Fields Chorus
orchestra:
Academy of St Martin in the Fields
conductor:
Sir Neville Marriner (conductor)
recording of:
Gloria in D major, RV 589: XII. Cum Sancto Spiritu
composer:
Antonio Vivaldi (Italian baroque composer and violinist)
part of:
Gloria in D major, RV 589
Antonio Vivaldi2:55
11Piano Concerto no. 5 in F minor, BWV 1056: I. —
producer:
John Fraser (UK producer)
piano:
Andrei Gavrilov (pianist) (in 1986-04)
orchestra:
Academy of St Martin in the Fields (in 1986-04)
conductor:
Sir Neville Marriner (conductor) (in 1986-04)
balance engineer:
Mark Vigars (engineer)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1987)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1986-04)
recording of:
Concerto no. 5 for Keyboard and Orchestra in F minor, BWV 1056: I. Allegro (in 1986-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Concerto no. 5 for Keyboard and Orchestra in F minor, BWV 1056
Johann Sebastian Bach3:31
12Piano Concerto no. 5 in F minor, BWV 1056: II. Largo
producer:
John Fraser (UK producer)
piano:
Andrei Gavrilov (pianist) (in 1986-04)
orchestra:
Academy of St Martin in the Fields (in 1986-04)
conductor:
Sir Neville Marriner (conductor) (in 1986-04)
balance engineer:
Mark Vigars (engineer)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1987)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1986-04)
recording of:
Concerto no. 5 for Keyboard and Orchestra in F minor, BWV 1056: II. Largo (in 1986-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Concerto no. 5 for Keyboard and Orchestra in F minor, BWV 1056
Johann Sebastian Bach3:28
13Piano Concerto no. 5 in F minor, BWV 1056 III. Presto
producer:
John Fraser (UK producer)
piano:
Andrei Gavrilov (pianist) (in 1986-04)
orchestra:
Academy of St Martin in the Fields (in 1986-04)
conductor:
Sir Neville Marriner (conductor) (in 1986-04)
balance engineer:
Mark Vigars (engineer)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1987)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1986-04)
recording of:
Concerto no. 5 for Keyboard and Orchestra in F minor, BWV 1056: III. Presto (in 1986-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Concerto no. 5 for Keyboard and Orchestra in F minor, BWV 1056
Johann Sebastian Bach3:07
14Horn Concerto no. 5 in F major: II. Adagio
producer:
John Fraser (UK producer)
horn:
Barry Tuckwell (hornist / conductor) (in 1980-02, in 1980-04)
orchestra:
Academy of St Martin in the Fields (in 1980-02, in 1980-04)
conductor:
Sir Neville Marriner (conductor) (in 1980-02, in 1980-04)
balance engineer:
Stuart Eltham (engineer)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1980-02, in 1980-04)
recording of:
Horn Concerto no. 5 in F major: II. Adagio (in 1980-02)
composer:
Giovanni Punto (aka Giovanni Punto)
part of:
Horn Concerto no. 5 in F major
recording of:
Horn Concerto no. 5 in F major: II. Adagio (in 1980-04)
composer:
Giovanni Punto (aka Giovanni Punto)
part of:
Horn Concerto no. 5 in F major
Giovanni Punto5:21
15Symphony no. 40 in G minor, K. 550: I. Molto allegro
producer:
John Fraser (UK producer)
orchestra:
Academy of St Martin in the Fields (from 1986-10-29 until 1986-11-01)
conductor:
Sir Neville Marriner (conductor) (from 1986-10-29 until 1986-11-01)
balance engineer:
Stuart Eltham (engineer)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1986-10-29 until 1986-11-01)
recording of:
Symphony no. 40 in G minor, K. 550 “Great”: I. Allegro molto (2nd version) (from 1986-10-29 until 1986-11-01)
orchestrator:
Neal Desby and Edward Trybek
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1788 until 1788-07-25)
part of:
Symphony no. 40 in G minor, K. 550 “Great” (2nd version)
Wolfgang Amadeus Mozart7:26
16Symphony no. 40 in G minor, K. 550: II. Andante
producer:
John Fraser (UK producer)
orchestra:
Academy of St Martin in the Fields (from 1986-10-29 until 1986-11-01)
conductor:
Sir Neville Marriner (conductor) (from 1986-10-29 until 1986-11-01)
balance engineer:
Stuart Eltham (engineer)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1986-10-29 until 1986-11-01)
recording of:
Symphony no. 40 in G minor, K. 550 “Great”: II. Andante (2nd version) (from 1986-10-29 until 1986-11-01)
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1788 until 1788-07-25)
part of:
Symphony no. 40 in G minor, K. 550 “Great” (2nd version)
Wolfgang Amadeus Mozart10:58
17Symphony no. 40 in G minor, K. 550: III. Menuetto. Allegretto
producer:
John Fraser (UK producer)
orchestra:
Academy of St Martin in the Fields (from 1986-10-29 until 1986-11-01)
conductor:
Sir Neville Marriner (conductor) (from 1986-10-29 until 1986-11-01)
balance engineer:
Stuart Eltham (engineer)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1986-10-29 until 1986-11-01)
recording of:
Symphony no. 40 in G minor, K. 550 “Great”: III. Minuetto. Allegretto & Trio (2nd version) (from 1986-10-29 until 1986-11-01)
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1788 until 1788-07-25)
part of:
Symphony no. 40 in G minor, K. 550 “Great” (2nd version)
Wolfgang Amadeus Mozart3:47
18Symphony no. 40 in G minor, K. 550: IV. Allegro assai
producer:
John Fraser (UK producer)
orchestra:
Academy of St Martin in the Fields (from 1986-10-29 until 1986-11-01)
conductor:
Sir Neville Marriner (conductor) (from 1986-10-29 until 1986-11-01)
balance engineer:
Stuart Eltham (engineer)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1986-10-29 until 1986-11-01)
recording of:
Symphony no. 40 in G minor, K. 550 “Great”: IV. Finale. Allegro assai (2nd version) (from 1986-10-29 until 1986-11-01)
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1788 until 1788-07-25)
part of:
Symphony no. 40 in G minor, K. 550 “Great” (2nd version)
Wolfgang Amadeus Mozart6:35
19Piano Concerto in A minor, op. 16: II. Adagio
producer:
John Fraser (UK producer)
piano:
Cécile Ousset (French pianist) (in 1984-07)
orchestra:
London Symphony Orchestra (in 1984-07)
conductor:
Sir Neville Marriner (conductor) (in 1984-07)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1984-07)
recording of:
Concerto in A minor for Piano and Orchestra, op. 16: II. Adagio (in 1984-07)
composer:
Edvard Grieg (composer) (in 1868)
part of:
Concerto in A minor for Piano and Orchestra, op. 16
Edvard Grieg6:28
20Peer Gynt, op. 23, Act 1: No. 1, Prelude. At the Wedding
orchestra:
Academy of St Martin in the Fields
conductor:
Sir Neville Marriner (conductor)
recording of:
Peer Gynt, op. 23: 1. akt, prelude: I Bryllupsgården
composer:
Edvard Grieg (composer) (in 1875)
librettist:
Henrik Ibsen (in 1867)
part of:
Peer Gynt, op. 23
Edvard Grieg5:16
21Peer Gynt, op. 23, Act 1: No. 2, Wedding March
orchestra:
Academy of St Martin in the Fields
conductor:
Sir Neville Marriner (conductor)
recording of:
Peer Gynt, op. 23: 1. akt: Halling
composer:
Edvard Grieg (composer) (in 1875)
librettist:
Henrik Ibsen (in 1867)
part of:
Peer Gynt, op. 23
Edvard Grieg3:11
22Peer Gynt, op. 23, Act 2: No. 7, In the Hall of the Mountain King
choir vocals:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir)
soprano vocals:
Lucia Popp (soprano)
orchestra:
Academy of St Martin in the Fields
conductor:
Sir Neville Marriner (conductor)
recording of:
Peer Gynt, op. 23: 2. akt: I Dovregubbens hall
composer:
Edvard Grieg (composer) (in 1875)
librettist:
Henrik Ibsen (in 1867)
part of:
Peer Gynt, op. 23
Edvard Grieg2:43
23Peer Gynt, op. 23, Act 3: No. 12, The Death of Åse
orchestra:
Academy of St Martin in the Fields
conductor:
Sir Neville Marriner (conductor)
recording of:
Peer Gynt, op. 23: 3. akt: Åses død
composer:
Edvard Grieg (composer) (in 1875)
librettist:
Henrik Ibsen (in 1867)
part of:
Peer Gynt, op. 23
Edvard Grieg5:49
24Peer Gynt, op. 23, Act 4: No. 13, Prelude. Morning Mood
producer:
John Fraser (UK producer)
orchestra:
Academy of St Martin in the Fields (from 1982-07-28 until 1982-07-30)
conductor:
Sir Neville Marriner (conductor) (from 1982-07-28 until 1982-07-30)
balance engineer:
Stuart Eltham (engineer)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1982-07-28 until 1982-07-30)
recording of:
Peer Gynt, op. 23: 4. akt, prelude: Morgenstemning (from 1982-07-28 until 1982-07-30)
composer:
Edvard Grieg (composer) (in 1875)
librettist:
Henrik Ibsen (in 1867)
part of:
Peer Gynt, op. 23
Edvard Grieg4:17
25Peer Gynt, op. 23, Act 4: No. 18, Solveig's Song
producer:
John Fraser (UK producer)
soprano vocals:
Lucia Popp (soprano) (from 1982-07-28 until 1982-07-30)
orchestra:
Academy of St Martin in the Fields (from 1982-07-28 until 1982-07-30)
conductor:
Sir Neville Marriner (conductor) (, from 1982-07-28 until 1982-07-30)
balance engineer:
Stuart Eltham (engineer)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1982-07-28 until 1982-07-30)
recording of:
Peer Gynt, op. 23: 4. akt: Solveigs sang (from 1982-07-28 until 1982-07-30)
composer:
Edvard Grieg (composer) (in 1875)
librettist:
Henrik Ibsen (in 1867)
part of:
Peer Gynt, op. 23
Edvard Grieg5:50
26Peer Gynt, op. 23, Act 5: No. 26, Solveig's Cradle Song
soprano vocals:
Lucia Popp (soprano)
orchestra:
Academy of St Martin in the Fields
conductor:
Sir Neville Marriner (conductor)
recording of:
Peer Gynt, op. 23: 5. akt: Solveigs vuggevise
composer:
Edvard Grieg (composer) (in 1875)
librettist:
Henrik Ibsen (in 1867)
part of:
Peer Gynt, op. 23
Edvard Grieg4:57
27Brandenburg Concerto no. 4 in G major, BWV 1049: I. Allegro
producer:
John Fraser (UK producer)
harpsichord [harpsichord continuo]:
John Constable (pianist) (from 1985-11-01 until 1985-11-04, on 1985-11-13)
recorder:
Catherine Latham (Classical oboe and recorder player) (from 1985-11-01 until 1985-11-04, on 1985-11-13) and Philip Pickett (musician) (from 1985-11-01 until 1985-11-04, on 1985-11-13)
violin:
Iona Brown (violinist and director of the Academy of St Martin in the Fields) (from 1985-11-01 until 1985-11-04, on 1985-11-13)
orchestra:
Academy of St Martin in the Fields (from 1985-11-01 until 1985-11-04, on 1985-11-13)
conductor:
Sir Neville Marriner (conductor) (from 1985-11-01 until 1985-11-04, on 1985-11-13)
balance engineer:
Stuart Eltham (engineer)
phonographic copyright (℗) by:
Warner Classics UK (not for release label use! for copyrights use only)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1985-11-01 until 1985-11-04, on 1985-11-13)
recording of:
Brandenburgisches Konzert Nr. 4 G-Dur, BWV 1049: I. Allegro (from 1985-11-01 until 1985-11-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Brandenburgisches Konzert Nr. 4 G-Dur, BWV 1049 (Brandenburg Concerto No. 4 in G major, BWV 1049)
recording of:
Brandenburgisches Konzert Nr. 4 G-Dur, BWV 1049: I. Allegro (on 1985-11-13)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Brandenburgisches Konzert Nr. 4 G-Dur, BWV 1049 (Brandenburg Concerto No. 4 in G major, BWV 1049)
Johann Sebastian Bach7:34
28Brandenburg Concerto no. 4 in G major, BWV 1049: II. Andante
producer:
John Fraser (UK producer)
harpsichord [harpsichord continuo]:
John Constable (pianist) (from 1985-11-01 until 1985-11-04, on 1985-11-13)
recorder:
Catherine Latham (Classical oboe and recorder player) (from 1985-11-01 until 1985-11-04, on 1985-11-13) and Philip Pickett (musician) (from 1985-11-01 until 1985-11-04, on 1985-11-13)
violin:
Iona Brown (violinist and director of the Academy of St Martin in the Fields) (from 1985-11-01 until 1985-11-04, on 1985-11-13)
orchestra:
Academy of St Martin in the Fields (from 1985-11-01 until 1985-11-04, on 1985-11-13)
conductor:
Sir Neville Marriner (conductor) (from 1985-11-01 until 1985-11-04, on 1985-11-13)
balance engineer:
Stuart Eltham (engineer)
phonographic copyright (℗) by:
Warner Classics UK (not for release label use! for copyrights use only)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1985-11-01 until 1985-11-04, on 1985-11-13)
recording of:
Brandenburgisches Konzert Nr. 4 G-Dur, BWV 1049: II. Andante (from 1985-11-01 until 1985-11-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Brandenburgisches Konzert Nr. 4 G-Dur, BWV 1049 (Brandenburg Concerto No. 4 in G major, BWV 1049)
recording of:
Brandenburgisches Konzert Nr. 4 G-Dur, BWV 1049: II. Andante (on 1985-11-13)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Brandenburgisches Konzert Nr. 4 G-Dur, BWV 1049 (Brandenburg Concerto No. 4 in G major, BWV 1049)
Johann Sebastian Bach3:47
29Brandenburg Concerto no. 4 in G major, BWV 1049: III. Presto
producer:
John Fraser (UK producer)
harpsichord [harpsichord continuo]:
John Constable (pianist) (from 1985-11-01 until 1985-11-04, on 1985-11-13)
recorder:
Catherine Latham (Classical oboe and recorder player) (from 1985-11-01 until 1985-11-04, on 1985-11-13) and Philip Pickett (musician) (from 1985-11-01 until 1985-11-04, on 1985-11-13)
violin:
Iona Brown (violinist and director of the Academy of St Martin in the Fields) (from 1985-11-01 until 1985-11-04, on 1985-11-13)
orchestra:
Academy of St Martin in the Fields (from 1985-11-01 until 1985-11-04, on 1985-11-13)
conductor:
Sir Neville Marriner (conductor) (from 1985-11-01 until 1985-11-04, on 1985-11-13)
balance engineer:
Stuart Eltham (engineer)
phonographic copyright (℗) by:
Warner Classics UK (not for release label use! for copyrights use only)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1985-11-01 until 1985-11-04, on 1985-11-13)
recording of:
Brandenburgisches Konzert Nr. 4 G-Dur, BWV 1049: III. Presto (from 1985-11-01 until 1985-11-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Brandenburgisches Konzert Nr. 4 G-Dur, BWV 1049 (Brandenburg Concerto No. 4 in G major, BWV 1049)
recording of:
Brandenburgisches Konzert Nr. 4 G-Dur, BWV 1049: III. Presto (on 1985-11-13)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Brandenburgisches Konzert Nr. 4 G-Dur, BWV 1049 (Brandenburg Concerto No. 4 in G major, BWV 1049)
Johann Sebastian Bach5:23
30Orchestral Suite no. 3 in D major, BWV 1068: I. Ouverture
producer:
John Fraser (UK producer)
cello [cello continuo]:
Denis Vigay (cellist) (from 1984-11-03 until 1984-11-08)
harpsichord [harpsichord continuo]:
Alastair Ross (organist and harpsichordist) (from 1984-11-03 until 1984-11-08)
oboe:
Barry Davis (classical oboist) (from 1984-11-03 until 1984-11-08) and Celia Nicklin (oboist) (from 1984-11-03 until 1984-11-08)
trumpet:
Simon Ferguson (from 1984-11-03 until 1984-11-08), William Houghton (classical trumpet player) (from 1984-11-03 until 1984-11-08) and Michael Laird (classical trumpeter) (from 1984-11-03 until 1984-11-08)
violin:
Iona Brown (violinist and director of the Academy of St Martin in the Fields) (from 1984-11-03 until 1984-11-08)
orchestra:
Academy of St Martin in the Fields (from 1984-11-03 until 1984-11-08)
conductor:
Sir Neville Marriner (conductor) (from 1984-11-03 until 1984-11-08)
phonographic copyright (℗) by:
Warner Classics UK (not for release label use! for copyrights use only) (in 1985)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1984-11-03 until 1984-11-08)
recording of:
Orchestersuite Nr. 3 D-Dur, BWV 1068: I. Ouverture (from 1984-11-03 until 1984-11-08)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Orchestersuite Nr. 3 D-Dur, BWV 1068 (Orchestral Suite no. 3 in D major, BWV 1068)
Johann Sebastian Bach7:54
31Orchestral Suite no. 3 in D major, BWV 1068: II. Air
producer:
John Fraser (UK producer)
cello [cello continuo]:
Denis Vigay (cellist) (on 1984-11-03, from 1984-11-05 until 1984-11-06, on 1984-11-08)
harpsichord [harpsichord continuo] and organ [organ continuo]:
Alastair Ross (organist and harpsichordist) (on 1984-11-03, from 1984-11-05 until 1984-11-06, on 1984-11-08)
oboe:
Barry Davis (classical oboist) (on 1984-11-03, from 1984-11-05 until 1984-11-06, on 1984-11-08) and Celia Nicklin (oboist) (on 1984-11-03, from 1984-11-05 until 1984-11-06, on 1984-11-08)
trumpet:
Simon Ferguson (on 1984-11-03, from 1984-11-05 until 1984-11-06, on 1984-11-08), William Houghton (classical trumpet player) (on 1984-11-03, from 1984-11-05 until 1984-11-06, on 1984-11-08) and Michael Laird (classical trumpeter) (on 1984-11-03, from 1984-11-05 until 1984-11-06, on 1984-11-08)
violin:
Iona Brown (violinist and director of the Academy of St Martin in the Fields) (on 1984-11-03, from 1984-11-05 until 1984-11-06, on 1984-11-08)
orchestra:
Academy of St Martin in the Fields (on 1984-11-03, from 1984-11-05 until 1984-11-06, on 1984-11-08)
conductor:
Sir Neville Marriner (conductor) (on 1984-11-03, from 1984-11-05 until 1984-11-06, on 1984-11-08)
balance engineer:
Stuart Eltham (engineer)
phonographic copyright (℗) by:
Warner Classics UK (not for release label use! for copyrights use only) (in 1985)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1984-11-03, from 1984-11-05 until 1984-11-06, on 1984-11-08)
recording of:
Orchestersuite Nr. 3 D-Dur, BWV 1068: II. Air (Orchestral Suite no. 3 in D major, BWV 1068: II. Air, Air on the G string) (on 1984-11-03)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1730)
part of:
Orchestersuite Nr. 3 D-Dur, BWV 1068 (Orchestral Suite no. 3 in D major, BWV 1068)
recording of:
Orchestersuite Nr. 3 D-Dur, BWV 1068: II. Air (Orchestral Suite no. 3 in D major, BWV 1068: II. Air, Air on the G string) (from 1984-11-05 until 1984-11-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1730)
part of:
Orchestersuite Nr. 3 D-Dur, BWV 1068 (Orchestral Suite no. 3 in D major, BWV 1068)
recording of:
Orchestersuite Nr. 3 D-Dur, BWV 1068: II. Air (Orchestral Suite no. 3 in D major, BWV 1068: II. Air, Air on the G string) (on 1984-11-08)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1730)
part of:
Orchestersuite Nr. 3 D-Dur, BWV 1068 (Orchestral Suite no. 3 in D major, BWV 1068)
Johann Sebastian Bach4:57
32Orchestral Suite no. 3 in D major, BWV 1068: III. Gavottes I & II
producer:
John Fraser (UK producer)
cello [cello continuo]:
Denis Vigay (cellist) (on 1984-11-03, from 1984-11-05 until 1984-11-06, on 1984-11-08)
harpsichord [harpsichord continuo] and organ [organ continuo]:
Alastair Ross (organist and harpsichordist) (on 1984-11-03, from 1984-11-05 until 1984-11-06, on 1984-11-08)
oboe:
Barry Davis (classical oboist) (on 1984-11-03, from 1984-11-05 until 1984-11-06, on 1984-11-08) and Celia Nicklin (oboist) (on 1984-11-03, from 1984-11-05 until 1984-11-06, on 1984-11-08)
trumpet:
Simon Ferguson (on 1984-11-03, from 1984-11-05 until 1984-11-06, on 1984-11-08), William Houghton (classical trumpet player) (on 1984-11-03, from 1984-11-05 until 1984-11-06, on 1984-11-08) and Michael Laird (classical trumpeter) (on 1984-11-03, from 1984-11-05 until 1984-11-06, on 1984-11-08)
violin:
Iona Brown (violinist and director of the Academy of St Martin in the Fields) (on 1984-11-03, from 1984-11-05 until 1984-11-06, on 1984-11-08)
orchestra:
Academy of St Martin in the Fields (on 1984-11-03, from 1984-11-05 until 1984-11-06, on 1984-11-08)
conductor:
Sir Neville Marriner (conductor) (on 1984-11-03, from 1984-11-05 until 1984-11-06, on 1984-11-08)
balance engineer:
Stuart Eltham (engineer)
phonographic copyright (℗) by:
Warner Classics UK (not for release label use! for copyrights use only) (in 1985)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1984-11-03, from 1984-11-05 until 1984-11-06, on 1984-11-08)
recording of:
Orchestersuite Nr. 3 D-Dur, BWV 1068: III. Gavotte I & II (on 1984-11-03)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Orchestersuite Nr. 3 D-Dur, BWV 1068 (Orchestral Suite no. 3 in D major, BWV 1068)
recording of:
Orchestersuite Nr. 3 D-Dur, BWV 1068: III. Gavotte I & II (from 1984-11-05 until 1984-11-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Orchestersuite Nr. 3 D-Dur, BWV 1068 (Orchestral Suite no. 3 in D major, BWV 1068)
recording of:
Orchestersuite Nr. 3 D-Dur, BWV 1068: III. Gavotte I & II (on 1984-11-08)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Orchestersuite Nr. 3 D-Dur, BWV 1068 (Orchestral Suite no. 3 in D major, BWV 1068)
Johann Sebastian Bach4:20
33Orchestral Suite no. 3 in D major, BWV 1068: IV. Bourrée
producer:
John Fraser (UK producer)
cello [cello continuo]:
Denis Vigay (cellist) (on 1984-11-03, from 1984-11-05 until 1984-11-06, on 1984-11-08)
harpsichord [harpsichord continuo] and organ [organ continuo]:
Alastair Ross (organist and harpsichordist) (on 1984-11-03, from 1984-11-05 until 1984-11-06, on 1984-11-08)
oboe:
Barry Davis (classical oboist) (on 1984-11-03, from 1984-11-05 until 1984-11-06, on 1984-11-08) and Celia Nicklin (oboist) (on 1984-11-03, from 1984-11-05 until 1984-11-06, on 1984-11-08)
trumpet:
Simon Ferguson (on 1984-11-03, from 1984-11-05 until 1984-11-06, on 1984-11-08), William Houghton (classical trumpet player) (on 1984-11-03, from 1984-11-05 until 1984-11-06, on 1984-11-08) and Michael Laird (classical trumpeter) (on 1984-11-03, from 1984-11-05 until 1984-11-06, on 1984-11-08)
violin:
Iona Brown (violinist and director of the Academy of St Martin in the Fields) (on 1984-11-03, from 1984-11-05 until 1984-11-06, on 1984-11-08)
orchestra:
Academy of St Martin in the Fields (on 1984-11-03, from 1984-11-05 until 1984-11-06, on 1984-11-08)
conductor:
Sir Neville Marriner (conductor) (on 1984-11-03, from 1984-11-05 until 1984-11-06, on 1984-11-08)
balance engineer:
Stuart Eltham (engineer)
phonographic copyright (℗) by:
Warner Classics UK (not for release label use! for copyrights use only) (in 1985)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1984-11-03, from 1984-11-05 until 1984-11-06, on 1984-11-08)
recording of:
Orchestersuite Nr. 3 D-Dur, BWV 1068: IV. Bourrée (on 1984-11-03)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Orchestersuite Nr. 3 D-Dur, BWV 1068 (Orchestral Suite no. 3 in D major, BWV 1068)
recording of:
Orchestersuite Nr. 3 D-Dur, BWV 1068: IV. Bourrée (from 1984-11-05 until 1984-11-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Orchestersuite Nr. 3 D-Dur, BWV 1068 (Orchestral Suite no. 3 in D major, BWV 1068)
recording of:
Orchestersuite Nr. 3 D-Dur, BWV 1068: IV. Bourrée (on 1984-11-08)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Orchestersuite Nr. 3 D-Dur, BWV 1068 (Orchestral Suite no. 3 in D major, BWV 1068)
Johann Sebastian Bach1:20
34Orchestral Suite no. 3 in D major, BWV 1068: V. Gigue
producer:
John Fraser (UK producer)
cello [cello continuo]:
Denis Vigay (cellist) (on 1984-11-03, from 1984-11-05 until 1984-11-06, on 1984-11-08)
harpsichord [harpsichord continuo] and organ [organ continuo]:
Alastair Ross (organist and harpsichordist) (on 1984-11-03, from 1984-11-05 until 1984-11-06, on 1984-11-08)
oboe:
Barry Davis (classical oboist) (on 1984-11-03, from 1984-11-05 until 1984-11-06, on 1984-11-08) and Celia Nicklin (oboist) (on 1984-11-03, from 1984-11-05 until 1984-11-06, on 1984-11-08)
trumpet:
Simon Ferguson (on 1984-11-03, from 1984-11-05 until 1984-11-06, on 1984-11-08), William Houghton (classical trumpet player) (on 1984-11-03, from 1984-11-05 until 1984-11-06, on 1984-11-08) and Michael Laird (classical trumpeter) (on 1984-11-03, from 1984-11-05 until 1984-11-06, on 1984-11-08)
violin:
Iona Brown (violinist and director of the Academy of St Martin in the Fields) (on 1984-11-03, from 1984-11-05 until 1984-11-06, on 1984-11-08)
orchestra:
Academy of St Martin in the Fields (on 1984-11-03, from 1984-11-05 until 1984-11-06, on 1984-11-08)
conductor:
Sir Neville Marriner (conductor) (on 1984-11-03, from 1984-11-05 until 1984-11-06, on 1984-11-08)
balance engineer:
Stuart Eltham (engineer)
phonographic copyright (℗) by:
Warner Classics UK (not for release label use! for copyrights use only) (in 1985)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1984-11-03, from 1984-11-05 until 1984-11-06, on 1984-11-08)
recording of:
Orchestersuite Nr. 3 D-Dur, BWV 1068: V. Gigue (on 1984-11-03)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Orchestersuite Nr. 3 D-Dur, BWV 1068 (Orchestral Suite no. 3 in D major, BWV 1068)
recording of:
Orchestersuite Nr. 3 D-Dur, BWV 1068: V. Gigue (from 1984-11-05 until 1984-11-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Orchestersuite Nr. 3 D-Dur, BWV 1068 (Orchestral Suite no. 3 in D major, BWV 1068)
recording of:
Orchestersuite Nr. 3 D-Dur, BWV 1068: V. Gigue (on 1984-11-08)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Orchestersuite Nr. 3 D-Dur, BWV 1068 (Orchestral Suite no. 3 in D major, BWV 1068)
Johann Sebastian Bach2:59
35Mass in D Minor, Hob. XXII:11 "Nelson Mass": Kyrie
producer:
John Fraser (UK producer) and Bernd Runge
organ:
Hansjürgen Scholze (organist) (from 1985-04-20 until 1985-04-21)
choir vocals:
Rundfunkchor Leipzig (from 1985-04-20 until 1985-04-21)
soprano vocals:
Margaret Marshall (Scots soprano active in late 20th century) (from 1985-04-20 until 1985-04-21)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (from 1985-04-20 until 1985-04-21)
conductor:
Sir Neville Marriner (conductor) (from 1985-04-20 until 1985-04-21)
chorus master:
Jörge‐Peter Weigle (chorus master) (from 1985-04-20 until 1985-04-21)
balance engineer:
Claus Strüben (german sound engineer)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (from 1985-04-20 until 1985-04-21)
recording of:
Missa angustiis, Hob. XXII:11 "Nelsonmesse": I. Kyrie (soprano solo) (from 1985-04-20 until 1985-04-21)
composer:
Joseph Haydn (composer)
part of:
Missa angustiis, Hob. XXII:11 "Nelsonmesse"
Joseph Haydn4:26
36Mass in B-flat major, Hob. XXII:12 "Theresa Mass": Gloria
organ:
Hansjürgen Scholze (organist)
choir vocals:
MDR Rundfunkchor Leipzig
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra)
conductor:
Sir Neville Marriner (conductor)
recording of:
Mass in E-flat major, Hob. XXII:4 "Große Orgelmesse": II. Gloria
composer:
Joseph Haydn (composer)
part of:
Mass in E-flat major, Hob. XXII:4 "Große Orgelmesse"
Joseph Haydn2:41
37Don Giovanni, K. 527: Overture
orchestra:
Academy of St Martin in the Fields
conductor:
Sir Neville Marriner (conductor)
recording of:
Don Giovanni: Ouvertura
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1787)
part of:
Il dissoluto punito, ossia il Don Giovanni, K. 527 (Don Giovanni)
Wolfgang Amadeus Mozart6:30
38Horn Concerto no. 2 in E-flat major, K. 417: II. Andante
engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
producer:
Christopher Bishop (conductor/producer)
horn:
Barry Tuckwell (hornist / conductor) (in 1971-05)
orchestra:
Academy of St Martin in the Fields (in 1971-05)
conductor:
Sir Neville Marriner (conductor) (in 1971-05)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1971-05-17 until 1971-05-21)
recording of:
Concerto for Horn no. 2 in E-flat major, K. 417: II. Andante (in 1971-05)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1783)
part of:
Concerto for Horn no. 2 in E-flat major, K. 417
Wolfgang Amadeus Mozart3:30
39Horn Concerto no. 2 in E-flat major, K. 417: III. Rondo
engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
producer:
Christopher Bishop (conductor/producer)
horn:
Barry Tuckwell (hornist / conductor) (in 1971-05)
orchestra:
Academy of St Martin in the Fields (in 1971-05)
conductor:
Sir Neville Marriner (conductor) (in 1971-05)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1971-05-17 until 1971-05-21)
recording of:
Concerto for Horn no. 2 in E-flat major, K. 417: III. Rondo. Allegro - Più allegro (in 1971-05)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1783)
part of:
Concerto for Horn no. 2 in E-flat major, K. 417
Wolfgang Amadeus Mozart3:16
40Horn Concerto no. 3 in E-flat Major, K. 447: II. Romance. Larghetto
engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
producer:
Christopher Bishop (conductor/producer)
horn:
Barry Tuckwell (hornist / conductor) (in 1971-05)
orchestra:
Academy of St Martin in the Fields (in 1971-05)
conductor:
Sir Neville Marriner (conductor) (in 1971-05)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1971-05-17 until 1971-05-21)
recording of:
Concerto for Horn no. 3 in E-flat major, K. 447: II. Romance. Larghetto (in 1971-05)
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1784 until 1787)
part of:
Concerto for Horn no. 3 in E-flat major, K. 447
Wolfgang Amadeus Mozart4:34
41Horn Concerto no. 3 in E-flat Major, K. 447: III. Rondo. Allegro vivace
engineer and balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
executive producer:
Christopher Bishop (conductor/producer)
producer:
Christopher Bishop (conductor/producer)
horn:
Barry Tuckwell (hornist / conductor) (from 1971-05-17 until 1971-05-21)
orchestra:
Academy of St Martin in the Fields (from 1971-05-17 until 1971-05-21)
conductor:
Neville Marriner (conductor) (from 1971-05-17 until 1971-05-21)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1971-05-17 until 1971-05-21)
recording of:
Concerto for Horn no. 4 in E-flat major, K. 495: III. Rondo. Allegro vivace (from 1971-05-17 until 1971-05-21)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1786)
part of:
Concerto for Horn no. 4 in E-flat major, K. 495
Wolfgang Amadeus Mozart3:36
42Dichter und Bauer: Overture
orchestra:
Academy of St Martin in the Fields
conductor:
Sir Neville Marriner (conductor)
recording of:
Dichter und Bauer: Ouvertüre (Poet and Peasant: Overture)
composer:
Franz von Suppé (Franz von Suppè, composer)
part of:
Dichter und Bauer (Poet and Peasant)
Franz von Suppè5:25
43St. Paul's Suite, op. 29 no. 2: II. Ostinato
producer:
Christopher Bishop (conductor/producer)
orchestra:
Academy of St Martin in the Fields (from 1971-07-21 until 1971-07-22)
conductor:
Sir Neville Marriner (conductor) (from 1971-07-21 until 1971-07-22)
balance engineer:
Neville Boyling (engineer)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1971-07-21 until 1971-07-22)
recording of:
St. Paul’s Suite for String Orchestra, op. 29 no. 2: II. Ostinato. Presto (from 1971-07-21 until 1971-07-22)
composer:
Gustav Holst (composer) (in 1912)
part of:
St. Paul’s Suite for String Orchestra, op. 29 no. 2
Gustav Holst1:51
442 Aquarelles: No. 1, Slow (Arr. Fenby for String Orchestra)
producer:
Christopher Bishop (conductor/producer)
orchestra:
Academy of St Martin in the Fields (from 1971-07-21 until 1971-07-22)
conductor:
Sir Neville Marriner (conductor) (from 1971-07-21 until 1971-07-22)
balance engineer:
Neville Boyling (engineer)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1971-07-21 until 1971-07-22)
recording of:
Two Aquarelles: I. Lento, ma non troppo (from 1971-07-21 until 1971-07-22)
composer:
Frederick Delius (English composer)
arranger:
Eric Fenby (in 1932)
version of:
To Be Sung of a Summer Night on the Water, RT iv/5: I. Slow, but not dragging
part of:
Two Aquarelles
Frederick Delius2:13
452 Aquarelles: No. 2, Gaily, But Not Quick (Arr. Fenby for String Orchestra)
producer:
Christopher Bishop (conductor/producer)
orchestra:
Academy of St Martin in the Fields (from 1971-07-21 until 1971-07-22)
conductor:
Sir Neville Marriner (conductor) (from 1971-07-21 until 1971-07-22)
balance engineer:
Neville Boyling (engineer)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1971-07-21 until 1971-07-22)
recording of:
Two Aquarelles: II. Gaily, but not quick (from 1971-07-21 until 1971-07-22)
composer:
Frederick Delius (English composer)
arranger:
Eric Fenby (in 1932)
version of:
To Be Sung of a Summer Night on the Water, RT iv/5: II. Gaily but not quick
part of:
Two Aquarelles
Frederick Delius2:04
463 Preludes Founded on Welsh Hymn Tunes: No. 2, Rhosymedre (Arr. Foster for String Orchestra)
producer:
Christopher Bishop (conductor/producer)
orchestra:
Academy of St Martin in the Fields (from 1971-07-21 until 1971-07-22)
conductor:
Sir Neville Marriner (conductor) (from 1971-07-21 until 1971-07-22)
balance engineer:
Neville Boyling (engineer)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1971-07-21 until 1971-07-22)
recording of:
Rhosymedre (orchestrated by Foster) (from 1971-07-21 until 1971-07-22)
orchestrator:
Arnold Foster
composer:
Ralph Vaughan Williams (English composer)
orchestration of:
Organ Prelude on Rhosymedre
Ralph Vaughan Williams3:59
47Henry V: Touch Her Soft Lips and Part
producer:
Christopher Bishop (conductor/producer)
orchestra:
Academy of St Martin in the Fields (from 1971-07-21 until 1971-07-22)
conductor:
Sir Neville Marriner (conductor) (from 1971-07-21 until 1971-07-22)
balance engineer:
Neville Boyling (engineer)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1971-07-21 until 1971-07-22)
recording of:
Two Pieces for Strings from “Henry V”: Touch her soft lips and part (for string orchestra, Walton) (from 1971-07-21 until 1971-07-22)
composer:
William Walton (British composer and conductor)
part of:
Two Pieces for Strings from “Henry V” (for string orchestra, Walton)
William Walton1:47
48Simple Symphony, op. 4: II. Playful Pizzicato
producer:
Christopher Bishop (conductor/producer)
orchestra:
Academy of St Martin in the Fields (from 1971-07-21 until 1971-07-22)
conductor:
Sir Neville Marriner (conductor) (from 1971-07-21 until 1971-07-22)
balance engineer:
Neville Boyling (engineer)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1971-07-21 until 1971-07-22)
recording of:
Simple Symphony, op. 4: II. Playful Pizzicato (from 1971-07-21 until 1971-07-22)
composer:
Benjamin Britten (English composer, conductor, and pianist) (from 1933-12 until 1934-02)
part of:
Simple Symphony, op. 4
Benjamin Britten3:10
49Suite no. 1 de L'Arlésienne, op. 23bis, WD 40: III. Adagietto
orchestra:
Academy of St Martin in the Fields
conductor:
Sir Neville Marriner (conductor)
recording of:
L’Arlésienne Suite no. 1: III. Adagietto (for orchestra)
composer:
Georges Bizet (French composer) (in 1872)
part of:
L’Arlésienne Suite no. 1, op. 23bis (for orchestra)
Georges Bizet3:00
50Suite no. 2 de L'Arlésienne: IV. Farandole
orchestra:
Academy of St Martin in the Fields
conductor:
Sir Neville Marriner (conductor)
recording of:
L’Arlésienne Suite no. 2: IV. Farandole (for orchestra)
composer:
Georges Bizet (French composer) (in 1872)
arranger:
Ernest Guiraud (French composer)
part of:
L’Arlésienne Suite no. 2 (for orchestra)
Georges Bizet3:43
51Minuet, op. 21
orchestra:
Northern Sinfonia Orchestra (Royal Northern Sinfonia)
conductor:
Sir Neville Marriner (conductor)
recording of:
Minuet, op. 21
composer:
Edward Elgar (composer)
part of:
Works of Edward Elgar by opus number (number: op. 21)
Edward Elgar4:38
52Pulcinella: I. Ouverture
orchestra:
Academy of St Martin in the Fields
conductor:
Sir Neville Marriner (conductor)
recording of:
Pulcinella (Suite): I. Sinfonia (Ouverture)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer)
part of:
Pulcinella Suite
Игорь Фёдорович Стравинский2:01
53Pulcinella: VIII. Gavotta
orchestra:
Academy of St Martin in the Fields
conductor:
Sir Neville Marriner (conductor)
partial recording of:
Pulcinella (Suite): VI. Gavotta con due variazioni
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer)
part of:
Pulcinella Suite
Игорь Фёдорович Стравинский1:37
54Alma grande e nobil core, K. 578
producer:
Simon Woods (producer)
soprano vocals:
Amanda Roocroft (soprano) (from 1995-06-12 until 1995-06-15)
orchestra:
Academy of St Martin in the Fields (from 1995-06-12 until 1995-06-15)
conductor:
Sir Neville Marriner (conductor) (from 1995-06-12 until 1995-06-15)
balance engineer:
Simon Rhodes (senior recording engineer at Abbey Road Studios)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (from 1995-06-12 until 1995-06-15)
recording of:
Aria for Soprano and Orchestra in B-flat major, K. 578: Allegro "Alma grande e nobil core" (from 1995-06-12 until 1995-06-15)
composer:
Wolfgang Amadeus Mozart (classical composer)
part of:
Köchelverzeichnis (Köchel catalogue, original numbering) (number: 578) and Köchelverzeichnis (Köchel catalogue, sixth edition, 1964, K⁶) (number: K. 578)
Wolfgang Amadeus Mozart4:44
55Basta, vincesti… Ah, non lasciarmi, K. 486a
producer:
Simon Woods (producer)
soprano vocals:
Amanda Roocroft (soprano) (from 1995-06-12 until 1995-06-15)
orchestra:
Academy of St Martin in the Fields (from 1995-06-12 until 1995-06-15)
conductor:
Sir Neville Marriner (conductor) (from 1995-06-12 until 1995-06-15)
balance engineer:
Simon Rhodes (senior recording engineer at Abbey Road Studios)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (from 1995-06-12 until 1995-06-15)
recording of:
Aria for Soprano & Orchestra in E-flat major, K. 295a/K(2) 486a: "Basta, vincesti… Ah, non lasciarmi" (from 1995-06-12 until 1995-06-15)
composed in:
Mannheim, Baden-Württemberg, Germany (until 1778-02-27)
lyricist:
Pietro Metastasio
composer:
Wolfgang Amadeus Mozart (classical composer) (until 1778-02-27)
part of:
Köchelverzeichnis (Köchel catalogue, sixth edition, 1964, K⁶) (number: K. 295a) and Köchelverzeichnis (Köchel catalogue, original numbering) (number: 486a)
Wolfgang Amadeus Mozart7:28
56Don Giovanni, K. 527, Act 2: "In quali eccessi" - "Mi tradì quell'alma ingrata" (Donna Elvira)
producer:
Simon Woods (producer)
soprano vocals [Donna Elvira]:
Amanda Roocroft (soprano) (from 1995-06-12 until 1995-06-15)
orchestra:
Academy of St Martin in the Fields (from 1995-06-12 until 1995-06-15)
conductor:
Sir Neville Marriner (conductor) (from 1995-06-12 until 1995-06-15)
balance engineer:
Simon Rhodes (senior recording engineer at Abbey Road Studios)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (from 1995-06-12 until 1995-06-15)
recording of:
Don Giovanni: Atto II. Anhang. No. 21b Aria “Mi tradi quell’alma ingrata” (Donna Elvira) [540c/2] (from 1995-06-12 until 1995-06-15)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto II
part of:
Don Giovanni: Recitative and Aria, K. 540c
Wolfgang Amadeus Mozart6:20
57Idomeneo, K. 366, Act 2: "Se il padre perdei" (Ilia)
producer:
Simon Woods (producer)
soprano vocals [Ilia]:
Amanda Roocroft (soprano) (from 1995-06-12 until 1995-06-15)
orchestra:
Academy of St Martin in the Fields (from 1995-06-12 until 1995-06-15)
conductor:
Sir Neville Marriner (conductor) (from 1995-06-12 until 1995-06-15)
balance engineer:
Simon Rhodes (senior recording engineer at Abbey Road Studios)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (from 1995-06-12 until 1995-06-15)
recording of:
Idomeneo, rè di Creta, K. 366: Act II, Scene II. No. 11 Aria "Se il padre perdei" (Ilia) (from 1995-06-12 until 1995-06-15)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Giambattista Varesco
part of:
Idomeneo, rè di Creta, K. 366: Act II
Wolfgang Amadeus Mozart6:32
58Così fan tutte, K. 588, Act 2: " Ei parte!" - "Per pietà, ben mio" (Fiordiligi)
producer:
Simon Woods (producer)
soprano vocals [Fiordiligi]:
Amanda Roocroft (soprano) (from 1995-06-12 until 1995-06-15)
orchestra:
Academy of St Martin in the Fields (from 1995-06-12 until 1995-06-15)
conductor:
Sir Neville Marriner (conductor) (from 1995-06-12 until 1995-06-15)
balance engineer:
Simon Rhodes (senior recording engineer at Abbey Road Studios)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (from 1995-06-12 until 1995-06-15)
recording of:
Così fan tutte: Atto II. No. 25 Rondò “Per pietà, ben mio, perdona” (Fiordiligi) (from 1995-06-12 until 1995-06-15)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Così fan tutte: Atto II
Wolfgang Amadeus Mozart9:33
59Artemisia, Act 2: "Entro quest'anima" (Artemisia)
producer:
Simon Woods (producer)
soprano vocals:
Amanda Roocroft (soprano) (from 1995-06-12 until 1995-06-15)
orchestra:
Academy of St Martin in the Fields (from 1995-06-12 until 1995-06-15)
conductor:
Sir Neville Marriner (conductor) (from 1995-06-12 until 1995-06-15)
balance engineer:
Simon Rhodes (senior recording engineer at Abbey Road Studios)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (from 1995-06-12 until 1995-06-15)
recording of:
Artemisia: Atto 2. "Entro quest’anima" (from 1995-06-12 until 1995-06-15)
composer:
Domenico Cimarosa (composer)
part of:
Artemisia: Atto II
Domenico Cimarosa5:42
60Il sacrificio d’Abramo: "Chi per pietà mi dice" - "Deh, parlate" (Sara)
producer:
Simon Woods (producer)
soprano vocals:
Amanda Roocroft (soprano) (from 1995-06-12 until 1995-06-15)
orchestra:
Academy of St Martin in the Fields (from 1995-06-12 until 1995-06-15)
conductor:
Sir Neville Marriner (conductor) (from 1995-06-12 until 1995-06-15)
balance engineer:
Simon Rhodes (senior recording engineer at Abbey Road Studios)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (from 1995-06-12 until 1995-06-15)
recording of:
Il sacrificio d’Abramo: Deh, parlate (from 1995-06-12 until 1995-06-15)
composer:
Domenico Cimarosa (composer)
Domenico Cimarosa10:26
61Berenice, che fai, Hob. XXIVa:10
producer:
Simon Woods (producer)
soprano vocals:
Amanda Roocroft (soprano) (from 1995-06-12 until 1995-06-15)
orchestra:
Academy of St Martin in the Fields (from 1995-06-12 until 1995-06-15)
conductor:
Sir Neville Marriner (conductor) (from 1995-06-12 until 1995-06-15)
balance engineer:
Simon Rhodes (senior recording engineer at Abbey Road Studios)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (from 1995-06-12 until 1995-06-15)
recording of:
Scena di Berenice, Hob. XXIVa:10 (from 1995-06-12 until 1995-06-15)
composer:
Joseph Haydn (composer)
part of:
Hoboken-Verzeichnis (number: Hob. XXIVa:10)
Joseph Haydn12:48
62Te Deum, H. 146: I. Prélude
producer:
John Fraser (UK producer)
orchestra:
Academy of St Martin in the Fields (in 1990-11)
conductor:
Sir Neville Marriner (conductor) (in 1990-11)
balance engineer:
Mark Vigars (engineer)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1990-11)
recording of:
Te Deum, H. 146: Prélude (in 1990-11)
composer:
Marc‐Antoine Charpentier (composer)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
part of:
Te Deum, H. 146
Marc‐Antoine Charpentier1:53
63Magnificat, H. 74: I. Sinfonia
producer:
John Fraser (UK producer)
orchestra:
Academy of St Martin in the Fields (in 1990-11)
conductor:
Sir Neville Marriner (conductor) (in 1990-11)
balance engineer:
Mark Vigars (engineer)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1990-11)
recording of:
Magnificat, H. 74: I. Sinfonia (in 1990-11)
composer:
Marc‐Antoine Charpentier (composer)
part of:
Magnificat, H. 74
Marc‐Antoine Charpentier1:05
64Magnificat in D major, BWV 243: I. Chorus. "Magnificat anima mea Dominum"
producer:
David Groves (classical music producer at EMI)
choir vocals:
Academy of St Martin in the Fields Chorus (from 1990-10-05 until 1990-10-07)
orchestra:
Academy of St Martin in the Fields (from 1990-10-05 until 1990-10-07)
conductor:
Sir Neville Marriner (conductor) (from 1990-10-05 until 1990-10-07)
chorus master:
László Heltay (British/Hungarian conductor and composer) (from 1990-10-05 until 1990-10-07)
performer:
Academy of St Martin in the Fields and Sir Neville Marriner (conductor)
balance engineer:
Mark Vigars (engineer)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1990-10-05 until 1990-10-07)
recording of:
Magnificat D-Dur, BWV 243: I. Coro "Magnificat anima mea" (from 1990-10-05 until 1990-10-07)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1733-07-02)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1728 until 1731)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Magnificat D-Dur, BWV 243
recording of:
Magnificat Es-Dur, BWV 243a: I. Coro "Magnificat anima mea Dominum"
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1723-12-25)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1723)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Magnificat Es-Dur, BWV 243a
Johann Sebastian Bach2:42
65Magnificat in D major, BWV 243: II. Aria. "Et exsultavit spiritus meus in Deo"
producer:
David Groves (classical music producer at EMI)
mezzo-soprano vocals:
Ann Murray (Irish mezzo-soprano) (from 1990-10-05 until 1990-10-07)
vocals:
Ann Murray (Irish mezzo-soprano)
orchestra:
Academy of St Martin in the Fields (from 1990-10-05 until 1990-10-07)
conductor:
Sir Neville Marriner (conductor) (from 1990-10-05 until 1990-10-07)
balance engineer:
Mark Vigars (engineer)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1990-10-05 until 1990-10-07)
recording of:
Magnificat D-Dur, BWV 243: II. Aria (Sopran II) "Et exsultavit spiritus meus" (from 1990-10-05 until 1990-10-07)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1733-07-02)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1728 until 1731)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Magnificat D-Dur, BWV 243
Johann Sebastian Bach2:19
66Brandenburg Concerto no. 3 in G major, BWV 1048: I. —
producer:
John Fraser (UK producer)
harpsichord [harpsichord continuo]:
John Constable (pianist) and George Malcolm (English harpsichordist, conductor) (from 1985-11-01 until 1985-11-04, on 1985-11-13)
recorder:
Catherine Latham (Classical oboe and recorder player) and Philip Pickett (musician)
violin:
Iona Brown (violinist and director of the Academy of St Martin in the Fields)
orchestra:
Academy of St Martin in the Fields (from 1985-11-01 until 1985-11-04, on 1985-11-13)
conductor:
Sir Neville Marriner (conductor) (from 1985-11-01 until 1985-11-04, on 1985-11-13)
balance engineer:
Stuart Eltham (engineer)
phonographic copyright (℗) by:
Warner Classics UK (not for release label use! for copyrights use only)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1985-11-01 until 1985-11-04, on 1985-11-13)
recording of:
Brandenburgisches Konzert Nr. 3 G-Dur, BWV 1048: I. Allegro (from 1985-11-01 until 1985-11-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Brandenburgisches Konzert Nr. 3 G-Dur, BWV 1048 (Brandenburg Concerto No. 3 in G major, BWV 1048)
part of:
Brandenburgisches Konzert Nr. 3 G-Dur, BWV 1048 (Brandenburg Concerto No. 3 in G major, BWV 1048, Hillborg version with new 2nd mvt)
recording of:
Brandenburgisches Konzert Nr. 3 G-Dur, BWV 1048: I. Allegro (on 1985-11-13)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Brandenburgisches Konzert Nr. 3 G-Dur, BWV 1048 (Brandenburg Concerto No. 3 in G major, BWV 1048)
part of:
Brandenburgisches Konzert Nr. 3 G-Dur, BWV 1048 (Brandenburg Concerto No. 3 in G major, BWV 1048, Hillborg version with new 2nd mvt)
Johann Sebastian Bach6:26
67Brandenburg Concerto no. 3 in G major, BWV 1048: II. Adagio
producer:
John Fraser (UK producer)
solo harpsichord:
George Malcolm (English harpsichordist, conductor) (from 1985-11-01 until 1985-11-04, on 1985-11-13)
orchestra:
Academy of St Martin in the Fields (from 1985-11-01 until 1985-11-04, on 1985-11-13)
conductor:
Sir Neville Marriner (conductor) (from 1985-11-01 until 1985-11-04, on 1985-11-13)
balance engineer:
Stuart Eltham (engineer)
phonographic copyright (℗) by:
Warner Classics UK (not for release label use! for copyrights use only)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1985-11-01 until 1985-11-04, on 1985-11-13)
recording of:
Brandenburgisches Konzert Nr. 3 G-Dur, BWV 1048: II. Adagio (catch-all for longer versions (i.e. not just the original one-measure cadence)) (from 1985-11-01 until 1985-11-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Brandenburgisches Konzert Nr. 3 G-Dur, BWV 1048: II. Adagio (original 1-measure, ~15s Bach part)
recording of:
Brandenburgisches Konzert Nr. 3 G-Dur, BWV 1048: II. Adagio (catch-all for longer versions (i.e. not just the original one-measure cadence)) (on 1985-11-13)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Brandenburgisches Konzert Nr. 3 G-Dur, BWV 1048: II. Adagio (original 1-measure, ~15s Bach part)
Johann Sebastian Bach1:29
68Brandenburg Concerto no. 3 in G major, BWV 1048: III. Allegro
producer:
John Fraser (UK producer)
harpsichord [harpsichord continuo]:
George Malcolm (English harpsichordist, conductor) (from 1985-11-01 until 1985-11-04, on 1985-11-13)
orchestra:
Academy of St Martin in the Fields (from 1985-11-01 until 1985-11-04, on 1985-11-13)
conductor:
Sir Neville Marriner (conductor) (from 1985-11-01 until 1985-11-04, on 1985-11-13)
balance engineer:
Stuart Eltham (engineer)
phonographic copyright (℗) by:
Warner Classics UK (not for release label use! for copyrights use only)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1985-11-01 until 1985-11-04, on 1985-11-13)
recording of:
Brandenburgisches Konzert Nr. 3 G-Dur, BWV 1048: III. Allegro (from 1985-11-01 until 1985-11-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Brandenburgisches Konzert Nr. 3 G-Dur, BWV 1048 (Brandenburg Concerto No. 3 in G major, BWV 1048)
part of:
Brandenburgisches Konzert Nr. 3 G-Dur, BWV 1048 (Brandenburg Concerto No. 3 in G major, BWV 1048, Hillborg version with new 2nd mvt)
recording of:
Brandenburgisches Konzert Nr. 3 G-Dur, BWV 1048: III. Allegro (on 1985-11-13)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Brandenburgisches Konzert Nr. 3 G-Dur, BWV 1048 (Brandenburg Concerto No. 3 in G major, BWV 1048)
part of:
Brandenburgisches Konzert Nr. 3 G-Dur, BWV 1048 (Brandenburg Concerto No. 3 in G major, BWV 1048, Hillborg version with new 2nd mvt)
Johann Sebastian Bach5:46
69Brandenburg Concerto no. 6 in B-flat major, BWV 1051: I. —
producer:
John Fraser (UK producer)
cello:
Denis Vigay (cellist) (from 1985-11-01 until 1985-11-04, on 1985-11-13)
double bass:
Raymund Koster (violist) (from 1985-11-01 until 1985-11-04, on 1985-11-13)
harpsichord [harpsichord continuo]:
John Constable (pianist) (from 1985-11-01 until 1985-11-04, on 1985-11-13)
viola:
Anthony Jenkins (viola, Academy of St. Martin in the Fields' Chamber Ensemble) (from 1985-11-01 until 1985-11-04, on 1985-11-13) and Stephen Shingles (from 1985-11-01 until 1985-11-04, on 1985-11-13)
viola da gamba:
Charles Mediam, William Hunt (UK string musician, (viol, double bass, etc.)) (from 1985-11-01 until 1985-11-04, on 1985-11-13) and Charles Medlam (cellist, viol player and conductor) (from 1985-11-01 until 1985-11-04, on 1985-11-13)
orchestra:
Academy of St Martin in the Fields (from 1985-11-01 until 1985-11-04, on 1985-11-13)
conductor:
Sir Neville Marriner (conductor) (from 1985-11-01 until 1985-11-04, on 1985-11-13)
balance engineer:
Stuart Eltham (engineer)
phonographic copyright (℗) by:
Warner Classics UK (not for release label use! for copyrights use only)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1985-11-01 until 1985-11-04, on 1985-11-13)
recording of:
Brandenburgisches Konzert Nr. 6 B-Dur, BWV 1051: I. (from 1985-11-01 until 1985-11-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Brandenburgisches Konzert Nr. 6 B-Dur, BWV 1051 (Brandenburg Concerto No. 6 in B flat major, BWV 1051)
recording of:
Brandenburgisches Konzert Nr. 6 B-Dur, BWV 1051: I. (on 1985-11-13)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Brandenburgisches Konzert Nr. 6 B-Dur, BWV 1051 (Brandenburg Concerto No. 6 in B flat major, BWV 1051)
Johann Sebastian Bach6:22
70Brandenburg Concerto no. 6 in B-flat major, BWV 1051: II. Adagio ma non tanto
producer:
John Fraser (UK producer)
cello:
Denis Vigay (cellist) (from 1985-11-01 until 1985-11-04, on 1985-11-13)
double bass:
Raymund Koster (violist) (from 1985-11-01 until 1985-11-04, on 1985-11-13)
harpsichord [harpsichord continuo]:
John Constable (pianist) (from 1985-11-01 until 1985-11-04, on 1985-11-13)
viola:
Anthony Jenkins (viola, Academy of St. Martin in the Fields' Chamber Ensemble) (from 1985-11-01 until 1985-11-04, on 1985-11-13) and Stephen Shingles (from 1985-11-01 until 1985-11-04, on 1985-11-13)
viola da gamba:
Charles Mediam, William Hunt (UK string musician, (viol, double bass, etc.)) (from 1985-11-01 until 1985-11-04, on 1985-11-13) and Charles Medlam (cellist, viol player and conductor) (from 1985-11-01 until 1985-11-04, on 1985-11-13)
orchestra:
Academy of St Martin in the Fields (from 1985-11-01 until 1985-11-04, on 1985-11-13)
conductor:
Sir Neville Marriner (conductor) (from 1985-11-01 until 1985-11-04, on 1985-11-13)
balance engineer:
Stuart Eltham (engineer)
phonographic copyright (℗) by:
Warner Classics UK (not for release label use! for copyrights use only)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1985-11-01 until 1985-11-04, on 1985-11-13)
recording of:
Brandenburgisches Konzert Nr. 6 B-Dur, BWV 1051: II. Adagio ma non tanto (from 1985-11-01 until 1985-11-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Brandenburgisches Konzert Nr. 6 B-Dur, BWV 1051 (Brandenburg Concerto No. 6 in B flat major, BWV 1051)
recording of:
Brandenburgisches Konzert Nr. 6 B-Dur, BWV 1051: II. Adagio ma non tanto (on 1985-11-13)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Brandenburgisches Konzert Nr. 6 B-Dur, BWV 1051 (Brandenburg Concerto No. 6 in B flat major, BWV 1051)
Johann Sebastian Bach6:03
71Brandenburg Concerto no. 6 in B-flat major, BWV 1051: III. Allegro
producer:
John Fraser (UK producer)
cello:
Denis Vigay (cellist) (from 1985-11-01 until 1985-11-04, on 1985-11-13)
double bass:
Raymund Koster (violist) (from 1985-11-01 until 1985-11-04, on 1985-11-13)
harpsichord [harpsichord continuo]:
John Constable (pianist) (from 1985-11-01 until 1985-11-04, on 1985-11-13)
viola:
Anthony Jenkins (viola, Academy of St. Martin in the Fields' Chamber Ensemble) (from 1985-11-01 until 1985-11-04, on 1985-11-13) and Stephen Shingles (from 1985-11-01 until 1985-11-04, on 1985-11-13)
viola da gamba:
Charles Mediam, William Hunt (UK string musician, (viol, double bass, etc.)) (from 1985-11-01 until 1985-11-04, on 1985-11-13) and Charles Medlam (cellist, viol player and conductor) (from 1985-11-01 until 1985-11-04, on 1985-11-13)
orchestra:
Academy of St Martin in the Fields (from 1985-11-01 until 1985-11-04, on 1985-11-13)
conductor:
Sir Neville Marriner (conductor) (from 1985-11-01 until 1985-11-04, on 1985-11-13)
balance engineer:
Stuart Eltham (engineer)
phonographic copyright (℗) by:
Warner Classics UK (not for release label use! for copyrights use only)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1985-11-01 until 1985-11-04, on 1985-11-13)
recording of:
Brandenburgisches Konzert Nr. 6 B-Dur, BWV 1051: III. Allegro (from 1985-11-01 until 1985-11-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Brandenburgisches Konzert Nr. 6 B-Dur, BWV 1051 (Brandenburg Concerto No. 6 in B flat major, BWV 1051)
recording of:
Brandenburgisches Konzert Nr. 6 B-Dur, BWV 1051: III. Allegro (on 1985-11-13)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Brandenburgisches Konzert Nr. 6 B-Dur, BWV 1051 (Brandenburg Concerto No. 6 in B flat major, BWV 1051)
Johann Sebastian Bach6:10
72Orchestral Suite no. 2 in B minor, BWV 1067: VII. Badinerie
producer:
John Fraser (UK producer)
cello [cello continuo]:
Denis Vigay (cellist) (on 1984-11-03, from 1984-11-05 until 1984-11-06, on 1984-11-08)
flute:
William Bennett (flautist) (on 1984-11-03, from 1984-11-05 until 1984-11-06, on 1984-11-08)
harpsichord [harpsichord continuo]:
Alastair Ross (organist and harpsichordist) (on 1984-11-03, from 1984-11-05 until 1984-11-06, on 1984-11-08)
orchestra:
Academy of St Martin in the Fields (on 1984-11-03, from 1984-11-05 until 1984-11-06, on 1984-11-08)
conductor:
Sir Neville Marriner (conductor) (on 1984-11-03, from 1984-11-05 until 1984-11-06, on 1984-11-08)
balance engineer:
Stuart Eltham (engineer)
phonographic copyright (℗) by:
Warner Classics UK (not for release label use! for copyrights use only) (in 1985)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1984-11-03, from 1984-11-05 until 1984-11-06, on 1984-11-08)
recording of:
Orchestersuite Nr. 2 h-Moll, BWV 1067: VII. Badinerie (Orchestral Suite no. 2 in B minor, BWV 1067: VII. Badinerie) (on 1984-11-03)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Orchestersuite Nr. 2 h-Moll, BWV 1067 (Orchestral Suite no. 2 in B minor, BWV 1067)
recording of:
Orchestersuite Nr. 2 h-Moll, BWV 1067: VII. Badinerie (Orchestral Suite no. 2 in B minor, BWV 1067: VII. Badinerie) (from 1984-11-05 until 1984-11-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Orchestersuite Nr. 2 h-Moll, BWV 1067 (Orchestral Suite no. 2 in B minor, BWV 1067)
recording of:
Orchestersuite Nr. 2 h-Moll, BWV 1067: VII. Badinerie (Orchestral Suite no. 2 in B minor, BWV 1067: VII. Badinerie) (on 1984-11-08)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Orchestersuite Nr. 2 h-Moll, BWV 1067 (Orchestral Suite no. 2 in B minor, BWV 1067)
Johann Sebastian Bach1:26
73Water Music, Suite no. 2 in D major, HWV 349: I. Allegro
producer:
John Fraser (UK producer) and Simon Woods (producer)
orchestra:
Academy of St Martin in the Fields (from 1988-06 until 1988-07)
conductor:
Sir Neville Marriner (conductor) (from 1988-06 until 1988-07)
balance engineer:
Mark Vigars (engineer)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1988-06 until 1988-07)
recording of:
Water Music, Suite no. 2 in D major, HWV 349: 11. Allegro (from 1988-06 until 1988-07)
composer:
George Frideric Handel (German‐British baroque composer) (in 1717)
part of:
Water Music Suite no. 2 in D major, HWV 349
George Frideric Handel2:07
74Water Music, Suite no. 2 in D major, HWV 349: II. Alla Hornpipe
producer:
John Fraser (UK producer) and Simon Woods (producer)
orchestra:
Academy of St Martin in the Fields (from 1988-06 until 1988-07, from 1988-06-27 until 1988-07-01)
conductor:
Sir Neville Marriner (conductor) (from 1988-06 until 1988-07, from 1988-06-27 until 1988-07-01)
balance engineer:
Mark Vigars (engineer)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1988-06 until 1988-07, from 1988-06-27 until 1988-07-01)
recording of:
Water Music, Suite no. 2 in D major, HWV 349: 12. Alla hornpipe (from 1988-06-27 until 1988-07-01)
composer:
George Frideric Handel (German‐British baroque composer) (in 1717)
part of:
Water Music Suite no. 2 in D major, HWV 349
recording of:
Water Music, Suite no. 2 in D major, HWV 349: 12. Alla hornpipe (from 1988-06 until 1988-07)
composer:
George Frideric Handel (German‐British baroque composer) (in 1717)
part of:
Water Music Suite no. 2 in D major, HWV 349
Sir Neville Marriner4:10
75Water Music, Suite no. 2 in D major, HWV 349: III. Menuet
producer:
John Fraser (UK producer) and Simon Woods (producer)
orchestra:
Academy of St Martin in the Fields (from 1988-06 until 1988-07)
conductor:
Sir Neville Marriner (conductor) (from 1988-06 until 1988-07)
balance engineer:
Mark Vigars (engineer)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1988-06 until 1988-07)
recording of:
Water Music, Suite no. 2 in D major, HWV 349: 13. Minuet (from 1988-06 until 1988-07)
composer:
George Frideric Handel (German‐British baroque composer) (in 1717)
part of:
Water Music Suite no. 2 in D major, HWV 349
Sir Neville Marriner1:47
76Water Music, Suite no. 2 in D major, HWV 349: IV. Lentement
producer:
John Fraser (UK producer) and Simon Woods (producer)
orchestra:
Academy of St Martin in the Fields (from 1988-06 until 1988-07)
conductor:
Sir Neville Marriner (conductor) (from 1988-06 until 1988-07)
balance engineer:
Mark Vigars (engineer)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1988-06 until 1988-07)
recording of:
Water Music, Suite no. 2 in D major, HWV 349: 14. Lentement (from 1988-06 until 1988-07)
composer:
George Frideric Handel (German‐British baroque composer) (in 1717)
part of:
Water Music Suite no. 2 in D major, HWV 349
Sir Neville Marriner1:46
77Water Music, Suite no. 2 in D major, HWV 349: V. Bourrée
producer:
John Fraser (UK producer) and Simon Woods (producer)
orchestra:
Academy of St Martin in the Fields (from 1988-06 until 1988-07)
conductor:
Sir Neville Marriner (conductor) (from 1988-06 until 1988-07)
balance engineer:
Mark Vigars (engineer)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1988-06 until 1988-07)
recording of:
Water Music, Suite no. 2 in D major, HWV 349: 15. Bourrée (from 1988-06 until 1988-07)
composer:
George Frideric Handel (German‐British baroque composer) (in 1717)
part of:
Water Music Suite no. 2 in D major, HWV 349
Sir Neville Marriner1:11
78Concerto for Two Trumpets in C major, RV 537: I. Allegro
producer:
John Fraser (UK producer)
trumpet:
Maurice André (French trumpeter) (from 1982-12-17 until 1982-12-20) and Bernard Soustrot (trumpeter) (from 1982-12-17 until 1982-12-20)
orchestra:
Academy of St Martin in the Fields (from 1982-12-17 until 1982-12-20)
conductor:
Sir Neville Marriner (conductor) (from 1982-12-17 until 1982-12-20)
balance engineer:
Stuart Eltham (engineer)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1982-12-17 until 1982-12-20)
recording of:
Concerto for Two Trumpets in C major, RV 537: I. Allegro (from 1982-12-17 until 1982-12-20)
composer:
Antonio Vivaldi (Italian baroque composer and violinist)
part of:
Concerto for Two Trumpets in C major, RV 537
Antonio Vivaldi2:57
79Concerto for Two Trumpets in C major, RV 537: II. Largo
producer:
John Fraser (UK producer)
trumpet:
Maurice André (French trumpeter) (from 1982-12-17 until 1982-12-20) and Bernard Soustrot (trumpeter) (from 1982-12-17 until 1982-12-20)
orchestra:
Academy of St Martin in the Fields (from 1982-12-17 until 1982-12-20)
conductor:
Sir Neville Marriner (conductor) (from 1982-12-17 until 1982-12-20)
balance engineer:
Stuart Eltham (engineer)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1982-12-17 until 1982-12-20)
recording of:
Concerto for Two Trumpets in C major, RV 537: II. Largo (from 1982-12-17 until 1982-12-20)
composer:
Antonio Vivaldi (Italian baroque composer and violinist)
part of:
Concerto for Two Trumpets in C major, RV 537
Antonio Vivaldi1:03
80Concerto for Two Trumpets in C major, RV 537: III. Allegro
producer:
John Fraser (UK producer)
trumpet:
Maurice André (French trumpeter) (from 1982-12-17 until 1982-12-20) and Bernard Soustrot (trumpeter) (from 1982-12-17 until 1982-12-20)
orchestra:
Academy of St Martin in the Fields (from 1982-12-17 until 1982-12-20)
conductor:
Sir Neville Marriner (conductor) (from 1982-12-17 until 1982-12-20)
balance engineer:
Stuart Eltham (engineer)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1982-12-17 until 1982-12-20)
recording of:
Concerto for Two Trumpets in C major, RV 537: III. Allegro (from 1982-12-17 until 1982-12-20)
composer:
Antonio Vivaldi (Italian baroque composer and violinist)
part of:
Concerto for Two Trumpets in C major, RV 537
Antonio Vivaldi3:23
81Cello Concerto no. 1 in C major, Hob. VIIb:1: I. Moderato
producer:
John Willan (producer)
cello:
Lynn Harrell (cellist) (in 1981-11)
orchestra:
Academy of St Martin in the Fields (in 1981-11)
conductor:
Sir Neville Marriner (conductor) (in 1981-11)
balance engineer:
Michael Sheady (engineer)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1981-11)
recording of:
Cello Concerto no. 1 in C major, Hob. VIIb:1: I. Moderato (in 1981-11)
composer:
Joseph Haydn (composer)
part of:
Cello Concerto no. 1 in C major, Hob. VIIb:1
Joseph Haydn511:22
82Cello Concerto no. 2 in D major, Hob. VIIb:2: III. Rondo. Allegro
producer:
John Willan (producer)
cello:
Lynn Harrell (cellist) (in 1981-11)
orchestra:
Academy of St Martin in the Fields (in 1981-11)
conductor:
Sir Neville Marriner (conductor) (in 1981-11)
balance engineer:
Michael Sheady (engineer)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1981-11)
recording of:
Cello Concerto no. 2 in D major, Hob. VIIb:2, op. 101: III. Rondo: Allegro (in 1981-11)
composer:
Joseph Haydn (composer) (in 1783)
part of:
Cello Concerto no. 2 in D major, Hob. VIIb:2, op. 101
Joseph Haydn56:01
83Così fan tutte, K. 588: Overture
orchestra:
Academy of St Martin in the Fields
conductor:
Sir Neville Marriner (conductor)
recording of:
Così fan tutte: Ouvertura
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1790)
part of:
Così fan tutte ossia La scuola degli amanti, K. 588
Wolfgang Amadeus Mozart4:54
84Symphony no. 41 in C major, K. 551 "Jupiter": I. Allegro vivace
producer:
John Fraser (UK producer)
orchestra:
Academy of St Martin in the Fields (from 1984-11-17 until 1984-11-18)
conductor:
Sir Neville Marriner (conductor) (from 1984-11-17 until 1984-11-18)
balance engineer:
Stuart Eltham (engineer)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1984-11-17 until 1984-11-18)
recording of:
Symphony no. 41 in C major, K. 551 “Jupiter”: I. Allegro vivace (from 1984-11-17 until 1984-11-18)
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1788 until 1788-08-10)
part of:
Symphony no. 41 in C major, K. 551 “Jupiter”
Wolfgang Amadeus Mozart11:27
85Symphony no. 41 in C major, K. 551 "Jupiter": II. Andante cantabile
producer:
John Fraser (UK producer)
orchestra:
Academy of St Martin in the Fields (from 1984-11-17 until 1984-11-18)
conductor:
Sir Neville Marriner (conductor) (from 1984-11-17 until 1984-11-18)
balance engineer:
Stuart Eltham (engineer)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1984-11-17 until 1984-11-18)
recording of:
Symphony no. 41 in C major, K. 551 “Jupiter”: II. Andante cantabile (from 1984-11-17 until 1984-11-18)
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1788 until 1788-08-10)
part of:
Symphony no. 41 in C major, K. 551 “Jupiter”
Wolfgang Amadeus Mozart8:17
86Symphony no. 41 in C major, K. 551 "Jupiter": III. Menuetto. Allegretto
producer:
John Fraser (UK producer)
orchestra:
Academy of St Martin in the Fields (from 1984-11-17 until 1984-11-18)
conductor:
Sir Neville Marriner (conductor) (from 1984-11-17 until 1984-11-18)
balance engineer:
Stuart Eltham (engineer)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1984-11-17 until 1984-11-18)
recording of:
Symphony no. 41 in C major, K. 551 “Jupiter”: III. Minuetto. Allegretto – Trio (from 1984-11-17 until 1984-11-18)
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1788 until 1788-08-10)
part of:
Symphony no. 41 in C major, K. 551 “Jupiter”
Wolfgang Amadeus Mozart4:29
87Symphony no. 41 in C major, K. 551 "Jupiter": IV. Molto allegro
producer:
John Fraser (UK producer)
orchestra:
Academy of St Martin in the Fields (from 1984-11-17 until 1984-11-18)
conductor:
Sir Neville Marriner (conductor) (from 1984-11-17 until 1984-11-18)
balance engineer:
Stuart Eltham (engineer)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1984-11-17 until 1984-11-18)
recording of:
Symphony no. 41 in C major, K. 551 “Jupiter”: IV. Molto allegro (from 1984-11-17 until 1984-11-18)
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1788 until 1788-08-10)
part of:
Symphony no. 41 in C major, K. 551 “Jupiter”
Wolfgang Amadeus Mozart8:26
88Piano Concerto no. 19 in F major, K. 459: I. Allegro
producer:
Gerd Berg (producer) and Dietmar Wolf (Classical Music Producer)
piano:
Christian Zacharias (pianist and conductor) (from 1989-06-12 until 1989-06-13, from 1989-10-02 until 1989-10-03)
orchestra:
Radio‐Sinfonieorchester Stuttgart (Stuttgart Radio Symphony Orchestra) (from 1989-06-12 until 1989-06-13, from 1989-10-02 until 1989-10-03)
conductor:
Sir Neville Marriner (conductor) (from 1989-06-12 until 1989-06-13, from 1989-10-02 until 1989-10-03)
balance engineer:
Frank Richter (sound engineer)
recorded at:
Studio Villa Berg in Stuttgart, Baden-Württemberg, Germany (from 1989-06-12 until 1989-06-13, from 1989-10-02 until 1989-10-03)
recording of:
Concerto for Piano and Orchestra no. 19 in F major, K. 459: I. Allegro (from 1989-06-12 until 1989-06-13)
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1784 until 1784-12-11)
part of:
Concerto for Piano and Orchestra no. 19 in F major, K. 459
recording of:
Concerto for Piano and Orchestra no. 19 in F major, K. 459: I. Allegro (from 1989-10-02 until 1989-10-03)
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1784 until 1784-12-11)
part of:
Concerto for Piano and Orchestra no. 19 in F major, K. 459
Wolfgang Amadeus Mozart12:08
89Piano Concerto no. 19 in F major, K. 459: III. Allegro assai
producer:
Gerd Berg (producer) and Dietmar Wolf (Classical Music Producer)
piano:
Christian Zacharias (pianist and conductor) (from 1989-06-12 until 1989-06-13, from 1989-10-02 until 1989-10-03)
orchestra:
Radio‐Sinfonieorchester Stuttgart (Stuttgart Radio Symphony Orchestra) (from 1989-06-12 until 1989-06-13, from 1989-10-02 until 1989-10-03)
conductor:
Sir Neville Marriner (conductor) (from 1989-06-12 until 1989-06-13, from 1989-10-02 until 1989-10-03)
balance engineer:
Frank Richter (sound engineer)
recorded at:
Studio Villa Berg in Stuttgart, Baden-Württemberg, Germany (from 1989-06-12 until 1989-06-13, from 1989-10-02 until 1989-10-03)
recording of:
Concerto for Piano and Orchestra no. 19 in F major, K. 459: III. Allegro assai (from 1989-06-12 until 1989-06-13)
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1784 until 1784-12-11)
part of:
Concerto for Piano and Orchestra no. 19 in F major, K. 459
recording of:
Concerto for Piano and Orchestra no. 19 in F major, K. 459: III. Allegro assai (from 1989-10-02 until 1989-10-03)
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1784 until 1784-12-11)
part of:
Concerto for Piano and Orchestra no. 19 in F major, K. 459
Wolfgang Amadeus Mozart7:45
90Piano Concerto no. 3 in C minor, op. 37: II. Largo
sound engineer:
Jean Chatauret (from 1994-11-04 until 1994-11-05)
producer:
Tim Oldham (editor / producer)
piano:
Till Fellner (pianist) (from 1944-11-04 until 1944-11-05)
piano [Steinway piano]:
Till Fellner (pianist) (from 1994-11-04 until 1994-11-05)
orchestra:
Academy of St Martin in the Fields (from 1944-11-04 until 1944-11-05, from 1994-11-04 until 1994-11-05)
conductor:
Sir Neville Marriner (conductor) (from 1944-11-04 until 1944-11-05, from 1994-11-04 until 1994-11-05)
assistant balance engineer:
Geoff Foster (sound engineer) and Bernard O'Reilly
balance engineer:
Jean Chatauret
phonographic copyright (℗) by:
Erato Disques S.A. (not for release label use, for copyrights use only) (in 1995)
recorded at:
Air Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1944-11-04 until 1944-11-05) and AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1994-11-04 until 1994-11-05)
recording of:
Concerto for Piano and Orchestra no. 3 in C minor, op. 37: II. Largo (from 1944-11-04 until 1944-11-05)
composer:
Ludwig van Beethoven (German composer) (from 1800 until 1803)
part of:
Concerto for Piano and Orchestra no. 3 in C minor, op. 37
recording of:
Concerto for Piano and Orchestra no. 3 in C minor, op. 37: II. Largo (from 1994-11-04 until 1994-11-05)
composer:
Ludwig van Beethoven (German composer) (from 1800 until 1803)
part of:
Concerto for Piano and Orchestra no. 3 in C minor, op. 37
Ludwig van Beethoven9:54
91Piano Concerto no. 3 in C minor, op. 37: III. Rondo. Allegro
sound engineer:
Jean Chatauret (from 1994-11-04 until 1994-11-05)
producer:
Tim Oldham (editor / producer)
piano:
Till Fellner (pianist) (from 1944-11-04 until 1944-11-05)
piano [Steinway piano]:
Till Fellner (pianist) (from 1994-11-04 until 1994-11-05)
orchestra:
Academy of St Martin in the Fields (from 1944-11-04 until 1944-11-05, from 1994-11-04 until 1994-11-05)
conductor:
Sir Neville Marriner (conductor) (from 1944-11-04 until 1944-11-05, from 1994-11-04 until 1994-11-05)
assistant balance engineer:
Geoff Foster (sound engineer) and Bernard O'Reilly
balance engineer:
Jean Chatauret
phonographic copyright (℗) by:
Erato Disques S.A. (not for release label use, for copyrights use only) (in 1995)
recorded at:
Air Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1944-11-04 until 1944-11-05) and AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1994-11-04 until 1994-11-05)
recording of:
Concerto for Piano and Orchestra no. 3 in C minor, op. 37: III. Rondo. Allegro (from 1944-11-04 until 1944-11-05)
composer:
Ludwig van Beethoven (German composer) (from 1800 until 1803)
part of:
Concerto for Piano and Orchestra no. 3 in C minor, op. 37
recording of:
Concerto for Piano and Orchestra no. 3 in C minor, op. 37: III. Rondo. Allegro (from 1994-11-04 until 1994-11-05)
composer:
Ludwig van Beethoven (German composer) (from 1800 until 1803)
part of:
Concerto for Piano and Orchestra no. 3 in C minor, op. 37
Ludwig van Beethoven9:08
92Romance for Violin and Orchestra no. 1 in G major, op. 40
producer:
Tony Harrison (producer and sound engineer for classical music)
violin:
Dmitry Sitkovetsky (violinist) (in 1991-01)
orchestra:
Academy of St Martin in the Fields (in 1991-01)
conductor:
Sir Neville Marriner (conductor) (in 1991-01)
balance engineer:
Sean Lewis (producer/engineer)
recorded at:
Watford Town Hall (municipal building, ordinarily should not be used as a concert or recording venue; please refer to Watford Colosseum instead) in Watford, Hertfordshire, England, United Kingdom (in 1991-01)
recording of:
Romance for Violin and Orchestra no. 1 in G major, op. 40 (in 1991-01)
composer:
Ludwig van Beethoven (German composer) (from 1800 until 1802)
part of:
Works of Ludwig van Beethoven by opus number (number: op. 40)
Ludwig van Beethoven7:54
93Sinfonia concertante for Violin and Viola in E-flat major, K. 364: I. Allegro maestoso
producer:
David Groves (classical music producer at EMI) (in 1991)
editor:
David Bell (engineer) (in 1991)
viola:
Bruno Giuranna (violist) (in 1991-06)
violin:
Anne‐Sophie Mutter (violinist) (in 1991-06)
orchestra:
Academy of St Martin in the Fields (in 1991-06)
conductor:
Sir Neville Marriner (conductor) (in 1991-06)
balance engineer:
Michael Sheady (engineer) (in 1991-06)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1991)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1991-06)
recording of:
Sinfonia concertante for Violin, Viola and Orchestra in E-flat major, K. 364/320d: I. Allegro maestoso (in 1991-06)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1779)
part of:
Sinfonia concertante for Violin, Viola and Orchestra in E-flat major, K. 364/320d
Wolfgang Amadeus Mozart13:06
94Sinfonia concertante for Violin and Viola in E-flat major, K. 364: II. Andante
producer:
David Groves (classical music producer at EMI) (in 1991)
editor:
David Bell (engineer) (in 1991)
viola:
Bruno Giuranna (violist) (in 1991-06)
violin:
Anne‐Sophie Mutter (violinist) (in 1991-06)
orchestra:
Academy of St Martin in the Fields (in 1991-06)
conductor:
Sir Neville Marriner (conductor) (in 1991-06)
balance engineer:
Michael Sheady (engineer) (in 1991-06)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1991)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1991-06)
recording of:
Sinfonia concertante for Violin, Viola and Orchestra in E-flat major, K. 364/320d: II. Andante (in 1991-06)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1779)
part of:
Sinfonia concertante for Violin, Viola and Orchestra in E-flat major, K. 364/320d
Wolfgang Amadeus Mozart11:36
95Sinfonia concertante for Violin and Viola in E-flat major, K. 364: III. Presto
producer:
David Groves (classical music producer at EMI) (in 1991)
editor:
David Bell (engineer) (in 1991)
viola:
Bruno Giuranna (violist) (in 1991-06)
violin:
Anne‐Sophie Mutter (violinist) (in 1991-06)
orchestra:
Academy of St Martin in the Fields (in 1991-06)
conductor:
Sir Neville Marriner (conductor) (in 1991-06)
balance engineer:
Michael Sheady (engineer) (in 1991-06)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1991)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1991-06)
recording of:
Sinfonia concertante for Violin, Viola and Orchestra in E-flat major, K. 364/320d: III. Presto (in 1991-06)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1779)
part of:
Sinfonia concertante for Violin, Viola and Orchestra in E-flat major, K. 364/320d
Wolfgang Amadeus Mozart6:09
96Vesperae solennes de confessore, K. 339: V. Laudate Dominum
producer:
David Groves (classical music producer at EMI)
organ:
Justin Sillman (from 1987-04-24 until 1987-04-28)
choir vocals:
Academy of St Martin in the Fields Chorus (from 1987-04-24 until 1987-04-28)
soprano vocals:
Barbara Hendricks (soprano) (from 1987-04-24 until 1987-04-28)
orchestra:
Academy of St Martin in the Fields (from 1987-04-24 until 1987-04-28)
conductor:
Sir Neville Marriner (conductor) (from 1987-04-24 until 1987-04-28)
chorus master:
László Heltay (British/Hungarian conductor and composer) (from 1987-04-24 until 1987-04-28)
balance engineer:
Stuart Eltham (engineer) (from 1987-04-24 until 1987-04-28)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1987-04-24 until 1987-04-28)
recording of:
Vesperae solennes de confessore, K. 339: V. Laudate dominum (from 1987-04-24 until 1987-04-28)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1780)
part of:
Vesperae solennes de confessore, K. 339
Wolfgang Amadeus Mozart5:24
97Mass no. 15 in C major, K. 317 "Coronation": VI. Agnus Dei
producer:
David Groves (classical music producer at EMI)
bass vocals:
Edward Caswell (from 1987-04-24 until 1987-04-28)
choir vocals:
Academy of St Martin in the Fields Chorus (from 1987-04-24 until 1987-04-28)
contralto vocals:
Hilary Brooks (alto) (from 1987-04-24 until 1987-04-28)
soprano vocals:
Barbara Hendricks (soprano) (from 1987-04-24 until 1987-04-28)
tenor vocals:
Andrew Fowler-Watt (tenor) (from 1987-04-24 until 1987-04-28)
orchestra:
Academy of St Martin in the Fields (from 1987-04-24 until 1987-04-28)
conductor:
Sir Neville Marriner (conductor) (from 1987-04-24 until 1987-04-28)
chorus master:
László Heltay (British/Hungarian conductor and composer) (from 1987-04-24 until 1987-04-28)
balance engineer:
Stuart Eltham (engineer) (from 1987-04-24 until 1987-04-28)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1987-04-24 until 1987-04-28)
recording of:
Missa in C, K. 317 “Krönungs-Messe”: VI. Agnus Dei (Mass in C, K. 317 "Coronation Mass": VI. Agnus Dei) (from 1987-04-24 until 1987-04-28)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1779)
part of:
Missa in C, K. 317 “Krönungs-Messe” (Mass in C, K. 317 "Coronation Mass")
Wolfgang Amadeus Mozart6:08
98Guillaume Tell: Overture
producer:
John Fraser (UK producer)
orchestra:
Academy of St Martin in the Fields (in 1987-11)
conductor:
Sir Neville Marriner (conductor) (in 1987-11)
balance engineer:
Stuart Eltham (engineer)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1987-11)
recording of:
Guillaume Tell : Ouverture (William Tell: Overture) (in 1987-11)
composer:
Gioachino Rossini (composer)
librettist:
Hippolyte Louis-Florent Bis (librettist) and Étienne de Jouy
part of:
Guglielmo Tell (italian version by Calisto Bassi)
part of:
Guillaume Tell
Gioachino Rossini11:22
99Il barbiere di Siviglia: Overture
producer:
John Fraser (UK producer)
orchestra:
Academy of St Martin in the Fields (in 1987-11)
conductor:
Sir Neville Marriner (conductor) (in 1987-11)
balance engineer:
Stuart Eltham (engineer)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1987-11)
recording of:
Il barbiere di Siviglia: Sinfonia (in 1987-11)
composer:
Gioachino Rossini (composer)
librettist:
Cesare Sterbini
part of:
Der Barbier von Sevilla (german lyrics)
part of:
Il barbiere di Siviglia
part of:
Le Barbier de Séville (french lyrics)
part of:
The Barber of Seville (english lyrics)
Gioachino Rossini7:28
100Leichte Kavallerie: Overture
producer:
John Fraser (UK producer)
orchestra:
Academy of St Martin in the Fields (from 1986-10 until 1986-11)
conductor:
Sir Neville Marriner (conductor) (from 1986-10 until 1986-11)
balance engineer:
Stuart Eltham (engineer)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1986-10 until 1986-11)
recording of:
Leichte Kavallerie: Ouvertüre (Light Cavalry: Overture) (from 1986-10 until 1986-11)
composer:
Franz von Suppé (Franz von Suppè, composer)
part of:
Leichte Kavallerie (Light Cavalry)
Franz von Suppè7:07
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