Tiefland

~ Release by Eugen d’Albert; Marianne Schech, Bernd Aldenhoff, Alexander Welitsch, Max Proebstl, Rudolf Albert (see all versions of this release, 1 available)

Tracklist

1▶CD
2▼CD
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1Tiefland: Aufzug I. „Das Fest ist vorbei“ (Pedro, Marta)
recorded in:
München (Munich), Bayern (Bavaria), Germany (in 1953)
soprano vocals [Marta]:
Marianne Schech (soprano) (in 1953)
tenor vocals [Pedro]:
Bernd Aldenhoff (tenor) (in 1953)
orchestra:
Symphonieorchester des Bayerischen Rundfunks (Bavarian Radio Symphony Orchestra) (in 1953)
conductor:
Rudolf Albert (conductor) (in 1953)
recording of:
Tiefland: Aufzug I. „Das Fest ist vorbei“ (Pedro, Marta) (in 1953)
composer:
Eugen d’Albert (Scottish-German composer)
part of:
Tiefland, op. 34: Akt I
Eugen d’Albert3:49
2Tiefland: Aufzug I. „Schau her, das ist ein Taler“ (Pedro, Marta)
recorded in:
München (Munich), Bayern (Bavaria), Germany (in 1953)
soprano vocals [Marta]:
Marianne Schech (soprano) (in 1953)
tenor vocals [Pedro]:
Bernd Aldenhoff (tenor) (in 1953)
orchestra:
Symphonieorchester des Bayerischen Rundfunks (Bavarian Radio Symphony Orchestra) (in 1953)
conductor:
Rudolf Albert (conductor) (in 1953)
recording of:
Tiefland: Aufzug I. „Schau her, das ist ein Taler“ (Pedro, Marta) (in 1953)
composer:
Eugen d’Albert (Scottish-German composer)
part of:
Tiefland, op. 34: Akt I
Eugen d’Albert1:01
3Tiefland: Aufzug I. „Es kam in jeder Nacht ein Wolf in unser’n Stall“ (Pedro, Marta)
recorded in:
München (Munich), Bayern (Bavaria), Germany (in 1953)
soprano vocals [Marta]:
Marianne Schech (soprano) (in 1953)
tenor vocals [Pedro]:
Bernd Aldenhoff (tenor) (in 1953)
orchestra:
Symphonieorchester des Bayerischen Rundfunks (Bavarian Radio Symphony Orchestra) (in 1953)
conductor:
Rudolf Albert (conductor) (in 1953)
recording of:
Tiefland: Aufzug I. Wolfserzählung „Mein Leben wagt' ich drum” … „Es kam in jeder Nacht ein Wolf…” (Pedro) (in 1953)
composer:
Eugen d’Albert (Scottish-German composer)
part of:
Tiefland, op. 34: Akt I
Eugen d’Albert4:12
4Tiefland: Aufzug I. „Zum Reden zwing mich nicht“ (Marta, Pedro)
recorded in:
München (Munich), Bayern (Bavaria), Germany (in 1953)
soprano vocals [Marta]:
Marianne Schech (soprano) (in 1953)
tenor vocals [Pedro]:
Bernd Aldenhoff (tenor) (in 1953)
orchestra:
Symphonieorchester des Bayerischen Rundfunks (Bavarian Radio Symphony Orchestra) (in 1953)
conductor:
Rudolf Albert (conductor) (in 1953)
recording of:
Tiefland: Aufzug I. „Zum Reden zwing mich nicht“ (Marta, Pedro) (in 1953)
composer:
Eugen d’Albert (Scottish-German composer)
part of:
Tiefland, op. 34: Akt I
Eugen d’Albert6:04
5Tiefland: Aufzug II. „Die Sterne gingen zur Ruh“ (Nuri, Pedro)
recorded in:
München (Munich), Bayern (Bavaria), Germany (in 1953)
soprano vocals [Nuri]:
Rosl Schwaiger (soprano) (in 1953)
tenor vocals [Pedro]:
Bernd Aldenhoff (tenor) (in 1953)
orchestra:
Symphonieorchester des Bayerischen Rundfunks (Bavarian Radio Symphony Orchestra) (in 1953)
conductor:
Rudolf Albert (conductor) (in 1953)
recording of:
Tiefland: Aufzug II. „Die Sterne gingen zur Ruh“ (Nuri, Pedro) (Nuris Lied) (in 1953)
composer:
Eugen d’Albert (Scottish-German composer)
part of:
Tiefland, op. 34: Akt II
Eugen d’Albert4:42
6Tiefland: Aufzug II. „Da ist Marta. Nun will ich geh’n“ (Nuri, Pedro, Marta)
recorded in:
München (Munich), Bayern (Bavaria), Germany (in 1953)
soprano vocals [Marta]:
Marianne Schech (soprano) (in 1953)
soprano vocals [Nuri]:
Rosl Schwaiger (soprano) (in 1953)
tenor vocals [Pedro]:
Bernd Aldenhoff (tenor) (in 1953)
orchestra:
Symphonieorchester des Bayerischen Rundfunks (Bavarian Radio Symphony Orchestra) (in 1953)
conductor:
Rudolf Albert (conductor) (in 1953)
recording of:
Tiefland: Aufzug II. „Da ist Marta. Nun will ich geh’n“ (Nuri, Pedro, Marta) (in 1953)
composer:
Eugen d’Albert (Scottish-German composer)
part of:
Tiefland, op. 34: Akt II
Eugen d’Albert2:49
7Tiefland: Aufzug II. „Wo willst du hin?“ (Tommaso, Marta)
recorded in:
München (Munich), Bayern (Bavaria), Germany (in 1953)
bass vocals [Tommaso]:
Max Proebstl (operatic bass) (in 1953)
soprano vocals [Marta]:
Marianne Schech (soprano) (in 1953)
orchestra:
Symphonieorchester des Bayerischen Rundfunks (Bavarian Radio Symphony Orchestra) (in 1953)
conductor:
Rudolf Albert (conductor) (in 1953)
recording of:
Tiefland: Aufzug II. „Wo willst du hin?“ (Tommaso, Marta) (in 1953)
composer:
Eugen d’Albert (Scottish-German composer)
part of:
Tiefland, op. 34: Akt II
Eugen d’Albert2:51
8Tiefland: Aufzug II. „Ich weiß nicht, wer mein Vater war“ (Marta, Tommaso)
recorded in:
München (Munich), Bayern (Bavaria), Germany (in 1953)
bass vocals [Tommaso]:
Max Proebstl (operatic bass) (in 1953)
soprano vocals [Marta]:
Marianne Schech (soprano) (in 1953)
orchestra:
Symphonieorchester des Bayerischen Rundfunks (Bavarian Radio Symphony Orchestra) (in 1953)
conductor:
Rudolf Albert (conductor) (in 1953)
recording of:
Tiefland: Aufzug II. „Ich weiß nicht, wer mein Vater war“ (Marta, Tommaso) (in 1953)
composer:
Eugen d’Albert (Scottish-German composer)
part of:
Tiefland, op. 34: Akt II
Eugen d’Albert2:35
9Tiefland: Aufzug II. „Du armes Kind“ (Tommaso, Marta)
recorded in:
München (Munich), Bayern (Bavaria), Germany (in 1953)
bass vocals [Tommaso]:
Max Proebstl (operatic bass) (in 1953)
soprano vocals [Marta]:
Marianne Schech (soprano) (in 1953)
orchestra:
Symphonieorchester des Bayerischen Rundfunks (Bavarian Radio Symphony Orchestra) (in 1953)
conductor:
Rudolf Albert (conductor) (in 1953)
recording of:
Tiefland: Aufzug II. „Du armes Kind“ (Tommaso, Marta) (in 1953)
composer:
Eugen d’Albert (Scottish-German composer)
part of:
Tiefland, op. 34: Akt II
Eugen d’Albert6:04
10Tiefland: Aufzug II. „Ich will von Himmel Stärke dir erflehn“ (Tommaso, Marta)
recorded in:
München (Munich), Bayern (Bavaria), Germany (in 1953)
bass vocals [Tommaso]:
Max Proebstl (operatic bass) (in 1953)
soprano vocals [Marta]:
Marianne Schech (soprano) (in 1953)
orchestra:
Symphonieorchester des Bayerischen Rundfunks (Bavarian Radio Symphony Orchestra) (in 1953)
conductor:
Rudolf Albert (conductor) (in 1953)
recording of:
Tiefland: Aufzug II. „Ich will von Himmel Stärke dir erflehn“ (Tommaso, Marta) (in 1953)
composer:
Eugen d’Albert (Scottish-German composer)
part of:
Tiefland, op. 34: Akt II
Eugen d’Albert2:21
11Tiefland: Aufzug II. „Ei, so mürrisch, so verdrießlich!“ (Pepa, Rosalia, Antonia, Nuri, Tommaso, Pedro)
recorded in:
München (Munich), Bayern (Bavaria), Germany (in 1953)
bass vocals [Tommaso]:
Max Proebstl (operatic bass) (in 1953)
contralto vocals [Rosalia]:
Lilian Benningsen (austrian operatic mezzo-soprano and contralto) (in 1953)
mezzo-soprano vocals [Antonia]:
Ruth Michaelis (alto) (in 1953)
soprano vocals [Nuri]:
Rosl Schwaiger (soprano) (in 1953)
soprano vocals [Pepa]:
Hanna Scholl (in 1953)
tenor vocals [Pedro]:
Bernd Aldenhoff (tenor) (in 1953)
orchestra:
Symphonieorchester des Bayerischen Rundfunks (Bavarian Radio Symphony Orchestra) (in 1953)
conductor:
Rudolf Albert (conductor) (in 1953)
recording of:
Tiefland: Aufzug II. „Ei, so mürrisch, so verdrießlich!“ (Pepa, Rosalia, Antonia, Nuri, Tommaso, Pedro) (in 1953)
composer:
Eugen d’Albert (Scottish-German composer)
part of:
Tiefland, op. 34: Akt II
Eugen d’Albert2:37
12Tiefland: Aufzug II. „Das Essen ist da!“ (Marta, Pedro)
recorded in:
München (Munich), Bayern (Bavaria), Germany (in 1953)
soprano vocals [Marta]:
Marianne Schech (soprano) (in 1953)
tenor vocals [Pedro]:
Bernd Aldenhoff (tenor) (in 1953)
orchestra:
Symphonieorchester des Bayerischen Rundfunks (Bavarian Radio Symphony Orchestra) (in 1953)
conductor:
Rudolf Albert (conductor) (in 1953)
recording of:
Tiefland: Aufzug II. „Das Essen ist da!“ (Marta, Pedro) (in 1953)
composer:
Eugen d’Albert (Scottish-German composer)
part of:
Tiefland, op. 34: Akt II
Eugen d’Albert7:33
13Tiefland: Aufzug II. „Ich sollt dich töten“ (Pedro, Marta)
recorded in:
München (Munich), Bayern (Bavaria), Germany (in 1953)
soprano vocals [Marta]:
Marianne Schech (soprano) (in 1953)
tenor vocals [Pedro]:
Bernd Aldenhoff (tenor) (in 1953)
orchestra:
Symphonieorchester des Bayerischen Rundfunks (Bavarian Radio Symphony Orchestra) (in 1953)
conductor:
Rudolf Albert (conductor) (in 1953)
recording of:
Tiefland: Aufzug II. „Ich sollt dich töten“ (Pedro, Marta) (in 1953)
composer:
Eugen d’Albert (Scottish-German composer)
part of:
Tiefland, op. 34: Akt II
Eugen d’Albert2:52
14Tiefland: Aufzug II. „Recht guten Tag!“ (Sebastiano, Pedro)
recorded in:
München (Munich), Bayern (Bavaria), Germany (in 1953)
baritone vocals [Sebastiano]:
Alexander Welitsch (bass-baritone) (in 1953)
tenor vocals [Pedro]:
Bernd Aldenhoff (tenor) (in 1953)
orchestra:
Symphonieorchester des Bayerischen Rundfunks (Bavarian Radio Symphony Orchestra) (in 1953)
conductor:
Rudolf Albert (conductor) (in 1953)
recording of:
Tiefland: Aufzug II. „Recht guten Tag!“ (Sebastiano, Pedro) (in 1953)
composer:
Eugen d’Albert (Scottish-German composer)
part of:
Tiefland, op. 34: Akt II
Eugen d’Albert0:35
15Tiefland: Aufzug II. „Hüll in die Mantille fester dich ein“ (Sebastiano, Pedro, Marta, Tommaso, Chor)
recorded in:
München (Munich), Bayern (Bavaria), Germany (in 1953)
baritone vocals [Sebastiano]:
Alexander Welitsch (bass-baritone) (in 1953)
bass vocals [Tommaso]:
Max Proebstl (operatic bass) (in 1953)
choir vocals:
Chor des Bayerischen Rundfunks (Bavarian Radio Choir) (in 1953)
soprano vocals [Marta]:
Marianne Schech (soprano) (in 1953)
tenor vocals [Pedro]:
Bernd Aldenhoff (tenor) (in 1953)
orchestra:
Symphonieorchester des Bayerischen Rundfunks (Bavarian Radio Symphony Orchestra) (in 1953)
conductor:
Rudolf Albert (conductor) (in 1953)
recording of:
Tiefland: Aufzug II. „Hüll in die Mantille fester dich ein“ (Sebastiano, Pedro, Marta, Tommaso, Chor) (in 1953)
composer:
Eugen d’Albert (Scottish-German composer)
part of:
Tiefland, op. 34: Akt II
Eugen d’Albert3:34
16Tiefland: Aufzug II. „Nun hab ich nichts als dich mehr auf der Welt“ (Sebastiano, Marta)
recorded in:
München (Munich), Bayern (Bavaria), Germany (in 1953)
baritone vocals [Sebastiano]:
Alexander Welitsch (bass-baritone) (in 1953)
soprano vocals [Marta]:
Marianne Schech (soprano) (in 1953)
orchestra:
Symphonieorchester des Bayerischen Rundfunks (Bavarian Radio Symphony Orchestra) (in 1953)
conductor:
Rudolf Albert (conductor) (in 1953)
recording of:
Tiefland: Aufzug II. „Nun hab ich nichts als dich mehr auf der Welt“ (Sebastiano, Marta) (in 1953)
composer:
Eugen d’Albert (Scottish-German composer)
part of:
Tiefland, op. 34: Akt II
Eugen d’Albert3:19
17Tiefland: Aufzug II. „Da bin ich, und ich entreiss’ sie dir!“ (Pedro, Sebastiano, Marta)
recorded in:
München (Munich), Bayern (Bavaria), Germany (in 1953)
baritone vocals [Sebastiano]:
Alexander Welitsch (bass-baritone) (in 1953)
soprano vocals [Marta]:
Marianne Schech (soprano) (in 1953)
tenor vocals [Pedro]:
Bernd Aldenhoff (tenor) (in 1953)
orchestra:
Symphonieorchester des Bayerischen Rundfunks (Bavarian Radio Symphony Orchestra) (in 1953)
conductor:
Rudolf Albert (conductor) (in 1953)
recording of:
Tiefland: Aufzug II. „Da bin ich, und ich entreiss’ sie dir!“ (Pedro, Sebastiano, Marta) (in 1953)
composer:
Eugen d’Albert (Scottish-German composer)
part of:
Tiefland, op. 34: Akt II
Eugen d’Albert1:55
18Tiefland: Aufzug II. „He, Burschen, her! ihr Weiber kommt!“ (Pedro, Pepa, Rosalia, Tommaso, Marta, Chor)
recorded in:
München (Munich), Bayern (Bavaria), Germany (in 1953)
bass vocals [Tommaso]:
Max Proebstl (operatic bass) (in 1953)
choir vocals:
Chor des Bayerischen Rundfunks (Bavarian Radio Choir) (in 1953)
contralto vocals [Rosalia]:
Lilian Benningsen (austrian operatic mezzo-soprano and contralto) (in 1953)
soprano vocals [Marta]:
Marianne Schech (soprano) (in 1953)
soprano vocals [Pepa]:
Hanna Scholl (in 1953)
tenor vocals [Pedro]:
Bernd Aldenhoff (tenor) (in 1953)
orchestra:
Symphonieorchester des Bayerischen Rundfunks (Bavarian Radio Symphony Orchestra) (in 1953)
conductor:
Rudolf Albert (conductor) (in 1953)
recording of:
Tiefland: Aufzug II. „He, Burschen, her! ihr Weiber kommt!“ (Pedro, Pepa, Rosalia, Tommaso, Marta, Chor) (in 1953)
composer:
Eugen d’Albert (Scottish-German composer)
part of:
Tiefland, op. 34: Akt II
Eugen d’Albert1:57
19Tiefland: Aufzug I. „Schau her, das ist ein Taler“ (Pedro)
tenor vocals [Pedro]:
Wolfgang Windgassen (tenor) (from 1950 until 1951)
orchestra:
Südfunk-Sinfonieorchester (Stuttgart Radio Symphony Orchestra) (from 1950 until 1951)
conductor:
Bertil Wetzelsberger (from 1950 until 1951)
recording of:
Tiefland: Aufzug I. „Schau her, das ist ein Taler“ (Pedro, Marta) (from 1950 until 1951)
composer:
Eugen d’Albert (Scottish-German composer)
part of:
Tiefland, op. 34: Akt I
Eugen d’Albert1:03
20Tiefland: Aufzug I. „Es kam in jeder Nacht ein Wolf in unser’n Stall“ (Pedro)
tenor vocals [Pedro]:
Wolfgang Windgassen (tenor) (from 1950 until 1951)
orchestra:
Südfunk-Sinfonieorchester (Stuttgart Radio Symphony Orchestra) (from 1950 until 1951)
conductor:
Bertil Wetzelsberger (from 1950 until 1951)
recording of:
Tiefland: Aufzug I. Wolfserzählung „Mein Leben wagt' ich drum” … „Es kam in jeder Nacht ein Wolf…” (Pedro) (from 1950 until 1951)
composer:
Eugen d’Albert (Scottish-German composer)
part of:
Tiefland, op. 34: Akt I
Eugen d’Albert3:41