Early Recordings on Deutsche Grammophon

~ Release by Dietrich Fischer‐Dieskau (see all versions of this release, 1 available)

Tracklist

1▼CD
#TitleArtistRatingLength
1Cantata "Ich will den Kreuzstab gerne tragen" BWV 56: Aria "Ich will den Kreuzstab gerne tragen"
producer:
Fred Hamel
oboe:
Hermann Töttcher (oboist) (in 1951-06)
baritone vocals:
Dietrich Fischer‐Dieskau (baritone) (from 1951-06-20 until 1951-06-22)
orchestra:
Kammerorchester Karl Ristenpart (from 1951-06-20 until 1951-06-22)
conductor:
Karl Ristenpart (conductor) (from 1951-06-20 until 1951-06-22)
balance engineer:
Heinrich Keilholz
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1951-06)
recording of:
Kantate, BWV 56 "Ich will den Kreuzstab gerne tragen": I. Aria "Ich will den Kreuzstab gerne tragen" (in 1951-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 56 "Ich will den Kreuzstab gerne tragen"
Johann Sebastian Bach8:36
2Cantata "Ich will den Kreuzstab gerne tragen" BWV 56: Recitative "Mein Wandel auf der Welt"
producer:
Fred Hamel
oboe:
Hermann Töttcher (oboist) (in 1951-06)
baritone vocals:
Dietrich Fischer‐Dieskau (baritone) (from 1951-06-20 until 1951-06-22)
orchestra:
Kammerorchester Karl Ristenpart (from 1951-06-20 until 1951-06-22)
conductor:
Karl Ristenpart (conductor) (from 1951-06-20 until 1951-06-22)
balance engineer:
Heinrich Keilholz
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1951-06)
recording of:
Kantate, BWV 56 "Ich will den Kreuzstab gerne tragen": II. Recitative "Mein Wandel auf der Welt" (in 1951-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 56 "Ich will den Kreuzstab gerne tragen"
Johann Sebastian Bach2:12
3Cantata "Ich will den Kreuzstab gerne tragen" BWV 56: Aria "Endlich, endlich wird mein Joch"
producer:
Fred Hamel
oboe:
Hermann Töttcher (oboist) (in 1951-06)
baritone vocals:
Dietrich Fischer‐Dieskau (baritone) (from 1951-06-20 until 1951-06-22)
orchestra:
Kammerorchester Karl Ristenpart (from 1951-06-20 until 1951-06-22)
conductor:
Karl Ristenpart (conductor) (from 1951-06-20 until 1951-06-22)
balance engineer:
Heinrich Keilholz
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1951-06)
recording of:
Kantate, BWV 56 "Ich will den Kreuzstab gerne tragen": III. Aria "Endlich, endlich wird mein Joch" (in 1951-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 56 "Ich will den Kreuzstab gerne tragen"
Johann Sebastian Bach6:41
4Cantata "Ich will den Kreuzstab gerne tragen" BWV 56: Recitative und Arioso "Ich stehe fertig und bereit"
producer:
Fred Hamel
oboe:
Hermann Töttcher (oboist) (in 1951-06)
baritone vocals:
Dietrich Fischer‐Dieskau (baritone) (from 1951-06-20 until 1951-06-22)
orchestra:
Kammerorchester Karl Ristenpart (from 1951-06-20 until 1951-06-22)
conductor:
Karl Ristenpart (conductor) (from 1951-06-20 until 1951-06-22)
balance engineer:
Heinrich Keilholz
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1951-06)
recording of:
Kantate, BWV 56 "Ich will den Kreuzstab gerne tragen": IV. Recitative and Arioso "Ich stehe fertig und bereit" (in 1951)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 56 "Ich will den Kreuzstab gerne tragen"
Johann Sebastian Bach1:56
5Cantata "Ich will den Kreuzstab gerne tragen" BWV 56: Chorale "Komm, o Tod, du Schlafes Bruder"
producer:
Fred Hamel
oboe:
Hermann Töttcher (oboist) (in 1951-06)
baritone vocals:
Dietrich Fischer‐Dieskau (baritone)
choir vocals:
Berlin Motet Choir (in 1951-06)
orchestra:
Kammerorchester Karl Ristenpart (from 1951-06-20 until 1951-06-22)
conductor:
Karl Ristenpart (conductor) (from 1951-06-20 until 1951-06-22)
balance engineer:
Heinrich Keilholz
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1951-06)
recording of:
Kantate, BWV 56 "Ich will den Kreuzstab gerne tragen": V. Chorale "Komm, o Tod, du Schlafes Bruder" (in 1951)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
John Franck (in 1653)
part of:
Breitkopf 389 Choralgesänge (number: 72)
part of:
Kantate, BWV 56 "Ich will den Kreuzstab gerne tragen"
Johann Sebastian Bach1:48
6Cantata "Ich habe genug" BWV 82: Aria "Ich habe genug"
producer:
Fred Hamel
oboe:
Hermann Töttcher (oboist) (from 1951-06-20 until 1951-06-22)
baritone vocals:
Dietrich Fischer‐Dieskau (baritone) (from 1951-06-20 until 1951-06-22)
orchestra:
Kammerorchester Karl Ristenpart (from 1951-06-20 until 1951-06-22) and RIAS Kammerorchester (from 1951-06-20 until 1951-06-22)
conductor:
Karl Ristenpart (conductor) (from 1951-06-20 until 1951-06-22)
balance engineer:
Heinrich Keilholz
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1951-06-20 until 1951-06-22)
recording of:
Kantate, BWV 82 “Ich habe genung”: I. Aria (Bass) “Ich habe genung, ich habe den Heiland” (from 1951-06-20 until 1951-06-22)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1727)
part of:
Kantate, BWV 82 “Ich habe genung” (for bass)
Johann Sebastian Bach7:27
7Cantata "Ich habe genug" BWV 82: Recitative "Ich habe genug! Mein Trost ist nur allein"
producer:
Fred Hamel
oboe:
Hermann Töttcher (oboist)
baritone vocals:
Dietrich Fischer‐Dieskau (baritone) (from 1951-06-20 until 1951-06-22)
orchestra:
Kammerorchester Karl Ristenpart (from 1951-06-20 until 1951-06-22)
conductor:
Karl Ristenpart (conductor) (from 1951-06-20 until 1951-06-22)
balance engineer:
Heinrich Keilholz
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1951-06)
recording of:
Kantate, BWV 82 "Ich habe genung": II. Recitativo (Bass) "Ich habe genung! Mein Trost ist nur allein" (in 1951)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1727)
part of:
Kantate, BWV 82 “Ich habe genung” (for bass)
Johann Sebastian Bach1:26
8Cantata "Ich habe genug" BWV 82: Aria "Schlummert ein, ihr matten Augen"
producer:
Fred Hamel
oboe:
Hermann Töttcher (oboist)
baritone vocals:
Dietrich Fischer‐Dieskau (baritone) (from 1951-06-20 until 1951-06-22)
orchestra:
Kammerorchester Karl Ristenpart (from 1951-06-20 until 1951-06-22)
conductor:
Karl Ristenpart (conductor) (from 1951-06-20 until 1951-06-22)
balance engineer:
Heinrich Keilholz
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1951-06)
recording of:
Kantate, BWV 82 "Ich habe genung": III. Aria (Bass) "Schlummert ein, ihr matten Augen" (in 1951)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1727)
part of:
Kantate, BWV 82 “Ich habe genung” (for bass)
Johann Sebastian Bach7:19
9Cantata "Ich habe genug" BWV 82: Recitative "Mein Gott! wann kommt das schöne: Nun!"
producer:
Fred Hamel
oboe:
Hermann Töttcher (oboist)
baritone vocals:
Dietrich Fischer‐Dieskau (baritone) (from 1951-06-20 until 1951-06-22)
orchestra:
Kammerorchester Karl Ristenpart (from 1951-06-20 until 1951-06-22)
conductor:
Karl Ristenpart (conductor) (from 1951-06-20 until 1951-06-22)
balance engineer:
Heinrich Keilholz
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1951-06)
recording of:
Kantate, BWV 82 "Ich habe genung": IV. Recitativo (Bass) "Mein Gott! wenn kömmt das schöne: Nun!" (in 1951)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1727)
part of:
Kantate, BWV 82 “Ich habe genung” (for bass)
Johann Sebastian Bach0:59
10Cantata "Ich habe genug" BWV 82: Aria "Ich freue mich auf meinen Tod"
producer:
Fred Hamel
oboe:
Hermann Töttcher (oboist)
baritone vocals:
Dietrich Fischer‐Dieskau (baritone) (from 1951-06-20 until 1951-06-22)
orchestra:
Kammerorchester Karl Ristenpart (from 1951-06-20 until 1951-06-22)
conductor:
Karl Ristenpart (conductor) (from 1951-06-20 until 1951-06-22)
balance engineer:
Heinrich Keilholz
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1951-06)
recording of:
Kantate, BWV 82 "Ich habe genung": V. Aria (Bass) "Ich freue mich auf meinen Tod" (in 1951)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1727)
part of:
Kantate, BWV 82 “Ich habe genung” (for bass)
Johann Sebastian Bach3:59
11Cantata "Christ lag in Todes Banden" BWV 4: Versus 5. "Hier ist das rechte Osterlamm"
organ:
Maria Jung (in 1950-08)
baritone vocals:
Dietrich Fischer‐Dieskau (baritone) (in 1950-08)
orchestra:
Bach Festival Orchestra 1950 (in 1950-08)
conductor:
Fritz Lehmann (conductor) (in 1950-08)
recorded at:
Johanniskirche in Göttingen, Niedersachsen (Lower Saxony), Germany (in 1950-08)
recording of:
Kantate, BWV 4 „Christ lag in Todesbanden“: VI. Arie (Bass) Versus V „Hier ist das rechte Osterlamm“ (in 1950-08)
composed in:
Mühlhausen, Thüringen (Thuringia), Germany (from 1707 until 1708)
revised in:
Leipzig, Sachsen (Saxony), Germany (from 1724 until 1725)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1707)
librettist:
Martin Luther (German theologian of the Reformation) (in 1524)
part of:
Kantate, BWV 4 „Christ lag in Todesbanden“ (Leipzig version, commonly recorded)
Johann Sebastian Bach4:31
12Giulio Cesare in Egitto, HWV 17: Act I, No. 2. Aria "Presti omai l'egizia terra" (Cesare)
recording engineer:
Harald Baudis (sound engineer)
executive producer:
Prof. Elsa Schiller (Deutsche Grammophon's head of production 1952-1965)
producer:
Wolfgang Lohse
baritone vocals [Cesare]:
Dietrich Fischer‐Dieskau (baritone) (in 1960-04)
orchestra:
Radio-Symphonie-Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) (in 1960-04)
conductor:
Karl Böhm (Austrian conductor) (in 1960-04)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1960-04)
recording of:
Giulio Cesare in Egitto, HWV 17: Atto I, Scena I, 2. Aria “Presti omai l’egizia terra” (Cesare) (in 1960-04)
composer:
George Frideric Handel (German‐British baroque composer) (in 1724)
librettist:
Nicola Francesco Haym
part of:
Giulio Cesare in Egitto, HWV 17: Atto I
part of:
Giulio Cesare: Atto I
Georg Friedrich Händel2:12
13Giulio Cesare in Egitto, HWV 17: Act I, No. 9. Aria "Non è sì vago e bello" (Cesare)
recording engineer:
Harald Baudis (sound engineer)
executive producer:
Prof. Elsa Schiller (Deutsche Grammophon's head of production 1952-1965)
producer:
Wolfgang Lohse
baritone vocals [Cesare]:
Dietrich Fischer‐Dieskau (baritone) (in 1960-04)
orchestra:
Radio-Symphonie-Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) (in 1960-04)
conductor:
Karl Böhm (Austrian conductor) (in 1960-04)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1960-04)
recording of:
Giulio Cesare in Egitto, HWV 17: Atto I, Scena VII, 9. Aria “Non è sì vago e bello” (Cesare) (in 1960-04)
composer:
George Frideric Handel (German‐British baroque composer)
librettist:
Nicola Francesco Haym
part of:
Giulio Cesare in Egitto, HWV 17: Atto I
Georg Friedrich Händel3:58
14Giulio Cesare in Egitto, HWV 17: Act I, No. 14. Aria "Va tacito e nascosto" (Cesare)
recording engineer:
Harald Baudis (sound engineer)
executive producer:
Prof. Elsa Schiller (Deutsche Grammophon's head of production 1952-1965)
producer:
Wolfgang Lohse
baritone vocals [Cesare]:
Dietrich Fischer‐Dieskau (baritone) (in 1960-04)
orchestra:
Radio-Symphonie-Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) (in 1960-04)
conductor:
Karl Böhm (Austrian conductor) (in 1960-04)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1960-04)
recording of:
Giulio Cesare in Egitto, HWV 17: Atto I, Scena IX, 14. Aria “Va tacito e nascosto” (Cesare) (in 1960-04)
composer:
George Frideric Handel (German‐British baroque composer) (in 1724)
librettist:
Nicola Francesco Haym
part of:
Giulio Cesare in Egitto, HWV 17: Atto I
part of:
Giulio Cesare: Atto I
Georg Friedrich Händel2:27
15Giulio Cesare in Egitto, HWV 17: Act III, No. 33. Accompagnato and Aria: "Dall'ondoso periglio" - "Aure, deh, per pietà" (Cesare)
recording engineer:
Harald Baudis (sound engineer)
executive producer:
Prof. Elsa Schiller (Deutsche Grammophon's head of production 1952-1965)
producer:
Wolfgang Lohse
baritone vocals [Cesare]:
Dietrich Fischer‐Dieskau (baritone) (in 1960-04)
orchestra:
Radio-Symphonie-Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) (in 1960-04)
conductor:
Karl Böhm (Austrian conductor) (in 1960-04)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1960-04)
recording of:
Giulio Cesare in Egitto, HWV 17: Atto III, Scena IV, 36. Recitativo accompagnato “Dall’ondoso periglio” (Cesare) (in 1960-04)
composer:
George Frideric Handel (German‐British baroque composer) (in 1724)
librettist:
Nicola Francesco Haym
part of:
Giulio Cesare in Egitto, HWV 17: Atto III
part of:
Giulio Cesare: Atto III
Georg Friedrich Händel9:31
16Giulio Cesare in Egitto, HWV 17: Act III, No. 34. Aria "Quel torrente che dal monte" (Cesare)
recording engineer:
Harald Baudis (sound engineer)
executive producer:
Prof. Elsa Schiller (Deutsche Grammophon's head of production 1952-1965)
producer:
Wolfgang Lohse
baritone vocals [Cesare]:
Dietrich Fischer‐Dieskau (baritone) (in 1960-04)
orchestra:
Radio-Symphonie-Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) (in 1960-04)
conductor:
Karl Böhm (Austrian conductor) (in 1960-04)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1960-04)
recording of:
Giulio Cesare in Egitto, HWV 17: Atto III, Scena IV, 37. Aria “Quel torrente” (Cesare) (in 1960-04)
composer:
George Frideric Handel (German‐British baroque composer) (in 1724)
librettist:
Nicola Francesco Haym
part of:
Giulio Cesare in Egitto, HWV 17: Atto III
Georg Friedrich Händel4:23
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Credits

Release

ASIN:US: B0008064XO [info]