Love Ballads

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

1Digitales Medium
Nr.TitelKünstlerBewertungLänge
1Take Me Home
drum machine-Programmierung:
Chris Laws (engineer, keyboardist & songwriter)
Techniker(in):
Dann Pursey (UK engineer), Geoff Foster (sound engineer), John Hanes (audio engineer, mixer) und Chris Laws (engineer, keyboardist & songwriter)
Produzent(in):
Steve Mac (British pop producer/songwriter Steve McCutcheon)
Mix:
Serban Ghenea
Bratsche / Viola:
Nick Barr (viola player), Reiad Chibah (violist), Helen Kamminga (violist), Bruce White (violist) und Katie Wilkinson (violist)
Cello:
Adrian Bradbury (British cellist), Nick Cooper (UK cellist), Frank Schaefer (cellist) und Will Schofield (cellist)
Geige / Violine:
Andy Parker (viola), Martin Burgess (violinist), Dai Emanuel (violinist), Alison Dods (violinist), Gaby Lester (orchestra leader and violinist), Peter Hanson (violinist), Ian Humphries (violinist), Oli Langford (violinist), Steve Morris (violinist), Everton Nelson (violinist), Tom Pigott‐Smith (violinist), Chris Tombling (violinist) und Debbie Widdup (violinist)
Gitarre:
Paul Gendler
Hammond-Orgel:
Dave Arch (pianist, conductor, arranger and composer)
Keyboard [keyboards] und Klavier:
Steve Mac (British pop producer/songwriter Steve McCutcheon)
Kontrabass:
Mark Scully (double bassist) und Richard Pryce (double bassist)
Perkussion:
Dann Pursey (UK engineer)
Sologesang:
Jess Glynne
Saiteninstrumente [string] arranger:
Dave Arch (pianist, conductor, arranger and composer) und Steve Mac (British pop producer/songwriter Steve McCutcheon)
phonographisches Urheberrecht (℗) von:
Atlantic Records UK Ltd (in 2015)
aufgenommen bei:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, Vereinigtes Königreich und Rokstone Studios in Parsons Green, Hammersmith and Fulham, London (Greater London), England, Vereinigtes Königreich
mixed at:
MixStar Studios in Virginia Beach, Virginia, Vereinigte Staaten
recording of:
Take Me Home
Verfasser(in):
Jess Glynne, Wayne Hector, Steve Mac (British pop producer/songwriter Steve McCutcheon) und Nick Tsang
Jess Glynne4.354:25
2The Scientist
recording engineer und Techniker(in):
Ken Nelson (UK record producer)
zusätzlich recording engineer und zusätzliche(r) Produzent(in):
Mark Phythian
zusätzliche(r) Techniker(in):
Rik Simpson
Produzent(in):
Coldplay und Ken Nelson (UK record producer)
Mix:
Coldplay, Ken Nelson (UK record producer) und Mark Phythian
Akustikgitarre:
Jonny Buckland und Chris Martin (lead singer of Coldplay)
E-Bass:
Guy Berryman
E-Gitarre:
Jonny Buckland
Klavier und Sologesang:
Chris Martin (lead singer of Coldplay)
Perkussion, Schlagzeug und Hintergrundgesang:
Will Champion
phonographisches Urheberrecht (℗) von:
Parlophone Records Ltd (not for release label use! a Warner Music Group company) (in 2002)
Musikvideos:
The Scientist von Coldplay
Teil von:
Indie 88: Top 500 Indie Rock Songs (Nummer: 172)
recording of:
The Scientist
Verfasser(in):
Guy Berryman, Jonny Buckland, Will Champion und Chris Martin (lead singer of Coldplay)
publisher:
BMG Music Publishing Ltd.
Coldplay4.255:09
3Skinny Love
Techniker(in) und Mix:
Paul ‘P Dub’ Walton
Produzent(in):
Alex H.N.Gilbert (A&R at UK label 14th Floor Records)
Klavier:
Birdy (UK singer Jasmine van den Bogaerde)
vocals:
Birdy (UK singer Jasmine van den Bogaerde)
aufgenommen bei:
Dean St. Studios in Soho, Westminster, London (Greater London), England, Vereinigtes Königreich
Musikvideos:
Skinny Love (music video) von Birdy (UK singer Jasmine van den Bogaerde)
cover recording of:
Skinny Love
Texter und Komponist(in):
Justin Vernon
publisher:
Chrysalis Music Ltd. (music publisher, affiliated with PRS)
Birdy3.553:21
4Last Request
zusätzliche Programmierung:
Matt Benbrook
assistierende(r) Techniker(in):
Darren Simpson (engineer)
Techniker(in):
Mark Phythian
zusätzliche(r) Techniker(in):
Richard Wilkinson (production music)
Produzent(in):
Matt Benbrook (Saiteninstrumente) und Ken Nelson (UK record producer)
Mix:
Tom Elmhirst (mixing engineer)
Akustikgitarre und Hintergrundgesang:
Donny Little (guitar player)
Bassgitarre:
Mike Hunter (UK producer & engineer)
Gitarre:
Eddie Harrison, Donny Little (guitar player) und Ken Nelson (UK record producer)
Keyboard, Perkussion und Schlagzeug:
Jim Duguid
Saiteninstrumente:
Matt Benbrook
Sologesang:
Paolo Nutini
recording of:
Last Request
Verfasser(in):
Matt Benbrook, Jim Duguid und Paolo Nutini
Paolo Nutini3.353:40
5The Power of Love
recording engineer:
David Kosten und Mike Spencer (UK producer)
Koproduzent(in):
Mike Spencer (UK producer)
Produzent(in):
David Kosten
Mix:
Mike Spencer (UK producer)
Bass, Gitarre, Klavier [additional piano], Perkussion und Schlagzeug:
Mike Spencer (UK producer)
Cello [cellos]:
Augusta Harris (cellist)
Keyboard [keyboards]:
David Kosten und Mike Spencer (UK producer)
Klavier [pianos], Hintergrundgesang und Sologesang:
Gabrielle Aplin
phonographisches Urheberrecht (℗) von:
Parlophone Records Ltd. (not for release label use! a Warner Music Group company) (in 2012)
cover recording of:
The Power of Love
Verfasser(in):
Peter Gill (UK drummer for Frankie Goes to Hollywood), Holly Johnson, Brian Nash (British guitarist (Frankie Goes to Hollywood) and songwriter) und Mark O’Toole (former bassist of Frankie Goes to Hollywood)
publisher:
Perfect Songs Ltd. (UK publisher, affiliated with PRS) und Rubet Music Publishing, Inc.
Gabrielle Aplin3.54:05
6Don’t Go
Rae Morris3:58
7Jar of HeartsChristina Perri44:06
8Stay
Lewis Watson4:15
9Somewhere Only We Know
recording of:
Somewhere Only We Know
Verfasser(in):
Cary Barlowe (American country music songwriter), Shay Mooney und Dan Smyers (American country music singer and songwriter, born 1987)
Dan + Shay23:06
10Lost & Found
Techniker(in):
Dan Cox (engineer)
Produzent(in) und Mix:
Matt Hales (English songwriter, musician & record producer Matt Hales)
Gitarre:
Lianne La Havas
vocals:
Lianne La Havas
recording of:
Lost & Found
Verfasser(in):
Lianne La Havas und Matt Hales (English songwriter, musician & record producer Matt Hales)
Lianne La Havas3.654:27
11What Can I DoThe Corrs4:14
12Never Ever
Produzent(in):
Magnus Fiennes und Cameron McVey
zusätzliche(r) Produzent(in):
Mystro (US DJ and producer Sean Mather) und Rickidy Raw
Mix:
Niven Garland
phonographisches Urheberrecht (℗) von:
London Records (UK, 1947–1999, re-launched 2011–present) (in 1997)
recording of:
Never Ever
Verfasser(in):
Robert Jazayeri (aka Esmail or Afshin Jazayeri), Shaznay Lewis und Sean Mather (US DJ and producer Sean Mather)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Rickidy Raw Productions Inc. und STL Songs Ltd.
All Saints3.86:27
13You Might Need Somebody
recording engineer und Techniker(in):
Ben ‘Jammin’ Robbins (UK producer, engineer, songwriter, arranger and keyboardist) und Ed Lover
membranophone-Programmierung:
Ed Baden Powell
Produzent(in):
D’Influence
Bassgitarre:
Ed Baden Powell
Horn:
D-I Horny Horns, Steve Marston und Kenny Wellington
Saiteninstrumente:
Stephen Hussey
zusätzlich Keyboard:
Kwame Kwaten
Hintergrundgesang und Sologesang:
Shola Ama
Interpret(in):
D-I Horny Horns
Saiteninstrumente arranger:
Ed Baden Powell
arranger:
D’Influence
phonographisches Urheberrecht (℗) von:
Warner Music UK Ltd. (not for release label use!) (in 1997)
aufgenommen bei:
R G Jones in Wimbledon, Merton, London (Greater London), England, Vereinigtes Königreich und The D Lab
cover recording of:
You Might Need Somebody
Komponist(in):
Nan O’Byrne (American songwriter and composer) und Tom Snow (US keyboardist/songwriter)
Shola Ama3.654:49
14I’ll Be Missing YouPuff Daddy & Faith Evans feat. 11235:01
15Baby, I Love Your Way
cover recording of:
Baby, I Love Your Way
Texter und Komponist(in):
Peter Frampton
publisher:
Almo Music Corp. (USA, affiliated with ASCAP), EMI U Catalog Inc. (publisher; do NOT use as release label), Nuages Artists Music Ltd., Rondor Music (London) Ltd., Universal Music Publishing, Synch Division und Yamaha Music EH(CM)
Big Mountain34:09
16I Don’t Want to Wait
recording engineer und Mix:
Roger Moutenot
Produzent(in):
Paula Cole
vocals:
Paula Cole
recording of:
I Don’t Want to Wait
Texter und Komponist(in):
Paula Cole
publisher:
Ensign Music Publishing (in 1996) und Hingface Music (in 1996)
Paula Cole3.25:20
17Can’t Help Falling in LoveSaint Claire2:42
18Everybody Here Wants You
Dahlia Sleeps4:29
19Baby Can I Hold You
Techniker(in) und Mix:
Kevin Smith (American DJ, producer and hip hop pioneer based in New York City)
Produzent(in):
David Kershenbaum
Bassgitarre:
Larry Klein
E-Geige:
David LaFlamme
E-Sitars und Hammond-Orgel:
Jack Holder
Gitarre [rhythm]:
Tracy Chapman (American singer‐songwriter)
Keyboard:
Bob Marlette
Perkussion und Schlagzeug:
Denny Fongheiser
vocals:
Tracy Chapman (American singer‐songwriter)
phonographisches Urheberrecht (℗) von:
Elektra/Asylum Records (not for release label use! copyrights holder, distributor within the US) (in 1988) und Elektra Entertainment (company, DO NOT USE as release label, for releases use “Elektra”) (in 2015)
aufgenommen bei und mixed at:
Powertrax Studio in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
Baby Can I Hold You
Texter und Komponist(in):
Tracy Chapman (American singer‐songwriter)
publisher:
EMI Songs Ltd., Kobalt Music Publishing Ltd. (UK), Purple Rabbit Music, Sony Music Publishing (Japan) Inc. (song publisher, never a release label) und ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
Tracy Chapman43:13
20Drive (symphonic version)
recording engineer und Mix:
Gavin Goldberg
Produzent(in):
Andy Wright (UK songwriter, producer and Simply Red keyboardist)
arranger und Orchestrator(in):
Sam Swallow
phonographisches Urheberrecht (℗) von:
Rhino Entertainment (company credits only; do NOT use as release label) (in 2018)
aufgenommen bei:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich
recording of:
Drive
publisher:
Ric Ocasek
Texter und Komponist(in):
Ric Ocasek
publisher:
Carlin Music Corp., Gallo Music Publishing, Lido Music, Inc., Universal Music Corp. (USA, affiliated with ASCAP), Universal Music Publishing, Inc., Universal‐MCA Music Publishing (US) und Warner/Chappell Music Ltd. (1996–2019)
The Cars3:57
21I Want to Know What Love Is (2008 remaster)
assistierende(r) Techniker(in):
Bobby Cohen (engineer), Tim Crich und Scott “Abada” Mabuchi
Techniker(in):
Frank Filipetti
zusätzliche(r) Techniker(in):
Josh Abbey, Larry Alexander (producer/engineer), Jason Corsaro (U.S. music engineer, and record producer), Joe Ferla und Howie Lindeman
Produzent(in):
Mick Jones (Foreigner/Spooky Tooth, worked in France) und Alex Sadkin
Bassgitarre:
Rick Wills
E-Gitarre:
Mick Jones (Foreigner/Spooky Tooth, worked in France)
Schlagzeug:
Dennis Elliott
zusätzlich Keyboard:
Tom Bailey (Thompson Twins)
Chorgesang:
The New Jersey Mass Choir
Hintergrundgesang:
Donnie Harper, Mick Jones (Foreigner/Spooky Tooth, worked in France) und Rick Wills
Sologesang:
Lou Gramm (American rock singer-songwriter; Black Sheep, Foreigner & Shadow King)
zusätzlich vocals:
Jennifer Holliday
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1984), Warner Music International (trademark of Warner Music International the company) (in 1984), WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1984, in 2018) und Rhino Entertainment Company (not for release label use!) (in 2009)
aufgenommen bei:
The Hit Factory in Manhattan, New York, New York, Vereinigte Staaten
zusätzlich aufgenommen bei:
Right Track Recording in Manhattan, New York, New York, Vereinigte Staaten
mixed at:
Right Track Recording in Manhattan, New York, New York, Vereinigte Staaten
Teil von:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (Nummer: 65), Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 205) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 476)
recording of:
I Want to Know What Love Is
Texter und Komponist(in):
Mick Jones (Foreigner/Spooky Tooth, worked in France)
publisher:
Evansongs Ltd. (publisher), Somerset Songs Publishing Inc., Warner Brothers Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23), Warner Chappell Music (publisher as Warner/Chappell Music), Fujipacific Music inc. (bis 2014-12-31) und Fujipacific Music, Inc. (vom 2015-01-01 bis heute)
Foreigner3.954:55
22I Swear
Produzent(in):
David Foster (Canadian music producer, arranger and composer)
Teil von:
The Downloader’s Music Source Book (Nummer: 389)
cover recording of:
I Swear
Verfasser(in):
Gary Baker (songwriter) und Frank J. Meyers (country music singer, songwriter, record producer)
publisher:
MorganActive Songs, Inc. und Rick Hall Music, Inc.
All‐4‐One44:19
23What’s Love Got to Do With It (symphonic version)
recording engineer und Mix:
Gavin Goldberg
Produzent(in):
Andy Wright (UK songwriter, producer and Simply Red keyboardist)
arranger und Orchestrator(in):
Sam Swallow
aufgenommen bei:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich
recording of:
What’s Love Got to Do With It
Verfasser(in):
Graham Lyle und Terence Ernest Britten
publisher:
Hornall Brothers Music Ltd. (limited company), Kobalt Music Publishing America, Inc., Mushroom Music Pty. Ltd., Warner/Chappell Music Australia Pty. Ltd., Warner/Chappell Music Ltd. (1996–2019), Goodsingle Limited (publisher) (in 1984), Irving Music, Inc. (in 1984), Rondor Music (London) Ltd. (in 1984), WB Music Corp. (1929–2019) (von 1984 bis 2019-05-28) und WC Music Corp. (vom 2019-05-28 bis heute)
Tina Turner4:16
24I’ll Stand by You
Techniker(in):
Steve Williams (UK recording engineer, aka Syco)
Produzent(in):
Ian Stanley
Gitarre:
Chrissie Hynde (rock singer-songwriter and founder of Pretenders) und Adam Seymour
Schlagzeug:
Jimmy Copley und J.F.T. Hood
vocals:
Chrissie Hynde (rock singer-songwriter and founder of Pretenders)
phonographisches Urheberrecht (℗) von:
Warner Music UK Ltd. (not for release label use!) (in 1994, in 2000) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1994)
recording of:
I’ll Stand by You
Verfasser(in):
Chrissie Hynde (rock singer-songwriter and founder of Pretenders), Tom Kelly (songwriter) und Billy Steinberg
publisher:
B. Steinbereg Music, Clive Banks Songs, D. Barry Music, EMI Music Publishing Australia Pty Ltd (not for release label use!), EMI Music Publishing Ltd. (PRS‐affiliated), Hynde House of Hits Music, Kobalt Music Publishing Australia P/L und Kobalt Publishing Ltd.
Pretenders3.553:59
25Glory of Love
Techniker(in) und Mix:
Terry Christian (US recording and mixing engineer) und John Guess
Produzent(in):
Michael Omartian
Gast Hintergrundgesang:
Kenny Cetera
Sologesang:
Peter Cetera
phonographisches Urheberrecht (℗) von:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1986) und Warner Music International (trademark of Warner Music International the company) (in 1986)
aufgenommen bei und mixed at:
Lion Share Studios in Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
Glory of Love
Verfasser(in):
Peter Cetera, David Foster (Canadian music producer, arranger and composer) und Diane Nini
publisher:
EMI Gold Horizon Music Corp., EMI Golden Torch Music Corp., Rondor Music Publishing, Universal Music–MGB Songs, Warner Chappell Music Ltd. (no slash; used 1988–1996), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ピアーミュージック (Peer Music Japan, Japan, subsidiary of Nichion), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division), コンソーシアム音楽出版 C・F事業部 (Consortium Music Publishing, CF Division) (bis 2021-06-30), Air Bear Music (in 1986), Fall Line Orange Music (in 1986), Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) (in 1986), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) (vom 2017-04-01 bis heute) und ソニー・ミュージックパブリッシング CMP外国事業部 (sub‐publisher for foreign (non‐Japanese) works) (vom 2021-07-01 bis heute)
Teil von:
The 59th Academy Award for Best Original Song (Nummer: 2) und Academy Award for Best Original Song (Nummer: 1986 nominee)
Peter Cetera4.24:18
26If You Don’t Know Me by Now (2008 remaster)
assistierende(r) Techniker(in):
Clark Germain und Karl Lever
Techniker(in) und Mix:
Daren Klein
Produzent(in):
Stewart Levine (record producer and saxophonist)
zusätzliche(r) Produzent(in):
Mick Hucknall (lead singer of Simply Red)
Bass:
Tony Bowers
Gitarre:
Heitor T. P.
Keyboard:
Tim Kellett und Fritz McIntyre
Perkussion:
Lennie Castro
Saxophon:
Ian Kirkham
Schlagzeug:
Chris Joyce (drummer for Simply Red)
Trompete:
Tim Kellett
Hintergrundgesang:
Fritz McIntyre und Stephanie Spruell (American soul/disco singer, songwriter, and percussionist)
Sologesang:
Mick Hucknall (lead singer of Simply Red)
Interpret(in):
Simply Red (English soul and pop band)
phonographisches Urheberrecht (℗) von:
Eastwest Records (for copyrights, manufacturing, distributing use only!) (in 1989), Warner Music UK Ltd. (not for release label use!) (in 1989) und WEA Records Ltd. (holding company based in the UK) (in 1989)
produced for:
Oliverea Productions Ltd
cover recording of:
If You Don’t Know Me by Now
Verfasser(in):
Kenneth Gamble (songwriter for Philadelphia International) und Leon Huff (Philly soul producer, of Gamble & Huff)
publisher:
Island Music Ltd., Mighty Three Music, Sony/ATV Music Publishing Australia Pty Ltd., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner Chappell North America und Warner/Chappell Music Australia Pty. Ltd.
recording of:
If You Don’t Know Me by Now
Verfasser(in):
Kenneth Gamble (songwriter for Philadelphia International) und Leon Huff (Philly soul producer, of Gamble & Huff)
publisher:
Island Music Ltd., Mighty Three Music, Sony/ATV Music Publishing Australia Pty Ltd., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner Chappell North America und Warner/Chappell Music Australia Pty. Ltd.
Simply Red3.43:26
27Always
Techniker(in):
Rory Young
Produzent(in):
David Lewis (member of Atlantic Starr) und Wayne Lewis (member of Atlantic Starr)
conductor:
Gene Page (conductor, composer, arranger and record producer)
arranger:
Gene Page (conductor, composer, arranger and record producer)
recording of:
Always
Verfasser(in):
David Lewis (member of Atlantic Starr), Jonathan Lewis (Member of Atlantic Starr) und Wayne Lewis (member of Atlantic Starr)
Atlantic Starr4:48
28True (single edit)
Produzent(in):
Steve Jolley, Spandau Ballet und Tony Swain (songwriter, producer)
Interpret(in):
Spandau Ballet
phonographisches Urheberrecht (℗) von:
Chrysalis (in 1983) und Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (in 1983)
Musikvideos:
True von Spandau Ballet
recording of:
True
Texter und Komponist(in):
Gary Kemp
publisher:
Native Tongue Music Publishing, Reformation Publishing Co. Ltd. und Reformation Publishing Inc.
Spandau Ballet3.655:28
29The Rose
Produzent(in):
Paul A. Rothchild
zusätzliche(r) Produzent(in):
Bill Gazecki
Sologesang:
Bette Midler (in 1979)
vocals:
Bette Midler (in 1979)
Saiteninstrumente arranger:
David Campbell (US‐based Canadian violinist, composer, conductor and arranger)
arranger:
Paul A. Rothchild
phonographisches Urheberrecht (℗) von:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US)
recording of:
The Rose (in 1979)
Texter und Komponist(in):
Amanda McBroom
publisher:
Cedos Music, Fox Fanfare Music Inc., Warner Chappell Music (publisher as Warner/Chappell Music), Warner Chappell North America, Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Bette Midler4.23:35
30Everywhere (2017 remaster)
Programmierung:
Lindsey Buckingham (guitarist, singer, songwriter and producer) (in 1987)
Produzent(in):
Lindsey Buckingham (guitarist, singer, songwriter and producer) und Richard Dashut
E-Bass:
John McVie (in 1987)
Gitarre und Sampler [Fairlight CMI]:
Lindsey Buckingham (guitarist, singer, songwriter and producer) (in 1987)
Keyboard:
Lindsey Buckingham (guitarist, singer, songwriter and producer) (in 1987) und Christine McVie (in 1987)
Perkussion und Schlagzeug:
Mick Fleetwood (in 1987)
Hintergrundgesang:
Lindsey Buckingham (guitarist, singer, songwriter and producer) (in 1987), Christine McVie (in 1987) und Stevie Nicks (in 1987)
Sologesang:
Christine McVie (in 1987)
phonographisches Urheberrecht (℗) von:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1987) und Warner Music International (trademark of Warner Music International the company) (in 1988)
recording of:
Everywhere (in 1987)
Texter und Komponist(in):
Christine McVie
publisher:
Bright Music Ltd. (publisher)
Fleetwood Mac43:46
31Nothing’s Gonna Change My Love for You
Produzent(in):
Michael Masser
Mix:
Bill Schnee
Bassgitarre:
Nathan East
Gitarre:
Dann Huff und Paul Jackson (jazz bassist)
Keyboard:
Robbie Buchanan (Canadian producer)
Schlagzeug:
Carlos Vega
Solo-Gitarre und Sologesang:
George Benson (jazz guitarist/singer)
Hintergrundgesang:
Richard Marx und Deborah Thomas (soul/disco singer)
arranger:
Robbie Buchanan (Canadian producer)
phonographisches Urheberrecht (℗) von:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1985) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1985)
mixed at:
Bill Schnee Studios in North Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
Nothing’s Gonna Change My Love for You
Texter:
Gerald Goffin und Michael Masser
Komponist(in):
Michael Masser
publisher:
Almo Music Corp. (USA, affiliated with ASCAP), EMI Music Publishing Germany (GmbH & Co. KG), Lauren Wesley Music (BMI-affiliated), Prince Street Music (Also known as "Prince St. Music"), Prince Street Productions, Inc., Rondor Music (London) Ltd., Rondor Music Inc., Rondor Musikverlag GmbH, Screen Gems–EMI Music Ltd., Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), Universal‐MCA Music Publishing (US), Universal/MCA Music Ltd. (not for release label use!), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division), イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (vom 2021-07-01 bis heute)
George Benson4:02
32Hard to Say I’m Sorry (2007 remaster)
Produzent(in):
David Foster (Canadian music producer, arranger and composer)
phonographisches Urheberrecht (℗) von:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 2010)
recording of:
Hard to Say I’m Sorry (Chicago song)
Verfasser(in):
Peter Cetera (in 1982) und David Foster (Canadian music producer, arranger and composer) (in 1982)
publisher:
Peermusic III, Ltd. (BMI), Universal Music Publishing MGB Ltd., Universal Music–MGB Songs, Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), Double Virgo Music (in 1982) und Foster Frees Music Inc. (in 1982)
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ピアーミュージック (Peer Music Japan, Japan, subsidiary of Nichion) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Chicago4.653:41
33Don’t Let Me Down (2008 remaster)
Techniker(in):
Mike Jarratt (recording, mixing and lacquer cutting engineer) und Alan Parsons (of The Alan Parsons Project)
Produzent(in):
The Hollies und Ron Richards
conductor:
Christopher Gunning (English composer)
aufgenommen bei:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich
recording of:
Don’t Let Me Down
Verfasser(in):
Tony Hicks und Colin Jennings
The Hollies24:22
34Hunting High and Low
Bass-Programmierung:
Magne Furuholmen
Produzent(in):
Tony Mansfield (producer & songwriter)
Mix:
John Ratcliff
drum machine und Gitarre:
Paul Waaktaar-Savoy (guitarist, songwriter and singer)
Keyboard:
Magne Furuholmen
Hintergrundgesang:
Magne Furuholmen und Paul Waaktaar-Savoy (guitarist, songwriter and singer)
Sologesang:
Morten Harket
phonographisches Urheberrecht (℗) von:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1985)
Teil von:
The Downloader’s Music Source Book (Nummer: 276)
recording of:
Hunting High and Low
Texter und Komponist(in):
Paul Waaktaar-Savoy (guitarist, songwriter and singer)
publisher:
ATV Music Ltd. (in 1984)
a‐ha3.453:48
35Come Undone (edit)
Produzent(in):
Duran Duran (English rock band)
Mix:
David Richards (Swiss-based producer and engineer)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1998)
recording of:
Come Undone
Texter und Komponist(in):
Warren Cuccurullo, Simon Le Bon (singer for Duran Duran), Nick Rhodes und John Taylor (UK bassist for Duran Duran)
Duran Duran54:17
36Iris
assistierende(r) Techniker(in):
Greg Burns (engineer) (Aufgabe: second engineer) und Rafa Sardina (Aufgabe: second engineer)
Techniker(in):
Allen Sides
Produzent(in):
Rob Cavallo und Goo Goo Dolls
Mix:
Jack Joseph‐Puig
Bass:
Robby Takac
Gitarre:
John Rzeznik
Klavier:
Jamie Muhoberac
Mandoline:
Tim Pierce (US session guitarist)
Schlagzeug und Perkussion:
Mike Malinin
vocals:
John Rzeznik
Saiteninstrumente [string] arranger:
David Campbell (US‐based Canadian violinist, composer, conductor and arranger)
Musikvideos:
Iris von Goo Goo Dolls
recording of:
Iris
Texter und Komponist(in):
John Rzeznik
publisher:
EMI Virgin Songs, Inc. und Scrap Metal Music
The Goo Goo Dolls4.14:49
37Black Velvet
Produzent(in):
David Tyson (Canadian producer/songwriter)
Mix:
Kevin Doyle (award-winning sound engineer, producer)
Sologesang:
Alannah Myles
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corp. (not for release label use! copyrights holder, distributor within the US) (in 1989) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1989)
Teil von:
RuPaul’s Drag Race Lip Sync Performances (season 2) (Nummer: 6)
recording of:
Black Velvet
Verfasser(in):
David Tyson (Canadian producer/songwriter) und Christopher Ward (Canadian songwriter & veejay)
publisher:
BMG Rights Management (see annotation), BMG Rights Management GmbH (not for release label use! file releases under its imprint “BMG” (2008–present)), David Tyson Music, EMI Songs Ltd., Into Wishin’, Kobalt Music Publishing Ltd. (UK), Ole Media Management LP und Zomba Music Publishing Ltd.
Alannah Myles4.54:49
38Feel Like Makin’ Love (2015 remaster)
recording engineer:
Ron Nevison (in 1974-09)
Produzent(in):
Bad Company (British blues-rock supergroup)
Mix:
Ron Nevison
E-Bass:
Boz Burrell (English musician) (in 1974-09)
Gitarre:
Mick Ralphs (in 1974-09) und Paul Rodgers (in 1974-09)
Keyboard:
Mick Ralphs (in 1974-09)
Klavier und Sologesang:
Paul Rodgers (in 1974-09)
Schlagzeug:
Simon Kirke (in 1974-09)
phonographisches Urheberrecht (℗) von:
Swan Song Inc. (in 1975)
aufgenommen bei:
Clearwell Castle in Gloucestershire, England, Vereinigtes Königreich (in 1974-09)
mixed at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, Vereinigtes Königreich
Teil von:
VH1: 100 Greatest Hard Rock Songs (2008-12-29) (Nummer: 78)
recording of:
Feel Like Makin’ Love (in 1974-09)
Verfasser(in):
Mick Ralphs und Paul Rodgers
publisher:
MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), MCA Music Ltd., WC Music Corp., ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division) und Badco Music, Inc. (vom 1974 bis heute)
Bad Company4.255:14
39Don’t Know Much
recording engineer und Mix:
George Massenburg
Koproduzent(in):
Steve Tyrell (American producer and vocalist)
Produzent(in):
Peter Asher
Bassgitarre [bass]:
Leland Sklar (bassist, session musician)
E-Gitarre:
Mike Landau
Klavier:
Don Grolnick
Perkussion:
Mike Fisher (Percussionist)
Gast vocals:
Aaron Neville
vocals:
Linda Ronstadt
Orchester:
Skywalker Symphony Orchestra
Interpret(in):
Aaron Neville und Linda Ronstadt
phonographisches Urheberrecht (℗) von:
Elektra Entertainment (company, DO NOT USE as release label, for releases use “Elektra”) (in 1989) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1989)
cover recording of:
Don’t Know Much
Verfasser(in):
Barry Mann, Tom Snow (US keyboardist/songwriter) und Cynthia Weil
publisher:
ATV Music, Brain Tree Music, EMI Blackwood Music Inc., Mann and Weil Songs, Inc., MCA Music Ltd. und Snow Music
Linda Ronstadt with Aaron Neville33:31
40Crying in the Rain
phonographisches Urheberrecht (℗) von:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1962)
recording of:
Crying in the Rain (Everly Brothers song) (am 1961-11-14)
Texter:
Howard Greenfield
Verfasser(in):
Carole King
publisher:
Screen Gems–EMI Music Ltd.
The Everly Brothers1:59
41When a Man Loves a Woman
recording of:
When a Man Loves a Woman
Verfasser(in):
Calvin Lewis, Percy Sledge und Andrew Wright (US keyboardist)
publisher:
Mijac Music, Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23), Warner Chappell, Warner Chappell Music (publisher as Warner/Chappell Music), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner Chappell North America, Warner/Chappell (Warner/Chappell Music, Inc.), Pronto Music, Inc. (publisher) (vom 1966 bis heute), Quinvy Music Publishing Company, Inc. (vom 1966 bis heute), Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) (vom 1966 bis heute), Pronto (BMI‐affiliated publishing company) (in 1972) und Quinvy (record company and publisher) (in 1972)
Percy Sledge2:51
42Go Your Own Way (2004 remaster)
assistierende(r) Techniker(in):
Chris Morris (LA engineer & producer (late ’70s))
Techniker(in):
Ken Caillat und Richard Dashut
Produzent(in):
Ken Caillat, Richard Dashut und Fleetwood Mac
zusätzliche(r) Produzent(in):
Ken Caillat und Richard Dashut
Bassgitarre:
John McVie
Gitarre:
Lindsey Buckingham (guitarist, singer, songwriter and producer)
Keyboard und Synthesizer:
Christine McVie
Schlagzeug und Perkussion:
Mick Fleetwood
vocals:
Lindsey Buckingham (guitarist, singer, songwriter and producer), Christine McVie und Stevie Nicks
phonographisches Urheberrecht (℗) von:
Warner Bros. (holding: file NO releases) (in 2004)
mixed at:
Producer’s Workshop in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
Teil von:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 119) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 401)
recording of:
Go Your Own Way
Texter und Komponist(in):
Lindsey Buckingham (guitarist, singer, songwriter and producer)
publisher:
Gentoo Music, Inc. und Now Sounds Music
Fleetwood Mac4.33:43
43Can You Feel the Love Tonight
Anson Seabra3:54

Nennungen

Veröffentlichung

phonographisches Urheberrecht (℗) von:Rhino UK (company credits only; do NOT use as release label) (in 2019)
zum Herunterladen kaufen:https://itunes.apple.com/gb/album/id1453716310 [Info]
kostenlos streamen:https://open.spotify.com/album/4Pbho0wHswcgb4ZAhH421i [Info]
https://www.deezer.com/album/88629702 [Info]