The Ultimate Headphone & Hi‐Fi Album

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Anmerkung

℗ & © «2019 UMG Recordings, Inc.»
℗ «FP»

Countries where available (Spotify + Deezer)

(As of 2020-03-16).

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Anmerkung zuletzt geändert am 2020-03-16 08:31 UTC.

Titelliste

1▼Digitales Medium
Nr.TitelKünstlerBewertungLänge
1Better Things
Produzent(in):
Nellee Hooper und Massive Attack
Mix:
Mark “Spike” Stent (producer, engineer)
Gast-Gitarre:
Chester Kamen
Gast Sologesang:
Tracey Thorn (of Everything but the Girl)
Samples:
Never Can Say Goodbye von James Brown (The Godfather of Soul)
recording of:
Better Things
Verfasser(in):
James Brown (The Godfather of Soul), Robert Del Naja, Grant Marshall, Tracey Thorn (of Everything but the Girl), Andrew Vowles und Ben Watt
Massive Attack3.054:17
2’round Midnight
Klavier:
Red Garland (am 1956-10-26)
Kontrabass:
Paul Chambers (US jazz bassist) (am 1956-10-26)
Schlagzeug:
Philly Joe Jones (US jazz drummer) (am 1956-10-26)
Tenorsaxophon:
John Coltrane (am 1956-10-26)
Trompete:
Miles Davis (jazz trumpeter, bandleader, songwriter) (am 1956-10-26)
instrumental cover recording of:
’Round Midnight (am 1956-10-26)
Texter:
Bernie Hanighen
Komponist(in):
Thelonious Monk und Cootie Williams
publisher:
Advanced Music, Advanced Music corp., Productions et Éditions Cinématographiques Françaises, Thelonious Music, Thelonious Music Corporation (publisher, affiliated to BMI), Ultra Empire Music, Warner Bros. Music (publisher; do NOT use as release label), Warner Bros., Inc. (not for release label use!), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell Music Ltd. (1996–2019) und Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
basiert auf:
I Need You So
Miles Davis45:23
3Glory Box (live)
Produzent(in):
Portishead
vocals:
Beth Gibbons
conductor:
Nick Ingman
aufgenommen bei:
Roseland Ballroom (3rd location, 1956–2014) in Theater District, New York, New York, Vereinigte Staaten (am 1997-07-24)
live recording of:
Glory Box (am 1997-07-24)
Verfasser(in):
Geoff Barrow, Beth Gibbons, Isaac Hayes und Adrian Utley
publisher:
Chrysalis Music Ltd. (music publisher, affiliated with PRS), Chrysalis Songs und Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
basiert auf:
Ike’s Rap II
Portishead45:37
4A Case of You (live)
Diana Krall6:50
5Tubular Bells, Pt. I
recording engineer:
Tom Newman (producer, guitarist)
Techniker(in):
Simon Heyworth (UK record engineer and producer)
remixer:
Mike Oldfield
phonographisches Urheberrecht (℗) von:
Mercury Records Ltd. (not for release label use!) (in 2009)
aufgenommen bei:
The Manor in Oxfordshire, England, Vereinigtes Königreich (in 1973)
Remix von:
Tubular Bells, Part One von Mike Oldfield
recording of:
Tubular Bells, Part One
Komponist(in):
Mike Oldfield
Mike Oldfield3.525:59
6Too High
Produzent(in):
Stevie Wonder
Hintergrundgesang:
Jim Gilstrap, Lani Groves und Tasha Thomas
arranger:
Stevie Wonder
recording of:
Too High
Texter und Komponist(in):
Stevie Wonder
publisher:
Black Bull Music, Inc., Jobete Music Co., Inc., Stein & Van Stock, Inc. und 大洋音楽 (Taiyō Music)
Stevie Wonder44:36
7Messaien’s Gumbo
John Patitucci5:29
8Hurt
Produzent(in) und Mix:
Trent Reznor
E-Bass, Gitarre, Klavier, Synthesizer und Sologesang:
Trent Reznor
Schlagzeug:
Chris Vrenna (member of Tweaker)
arranger:
Trent Reznor
phonographisches Urheberrecht (℗) von:
Interscope Records (part of UMG Recordings, Inc.) (in 1994, in 2004) und TVT (copyright holder, no releases here please) (in 1994)
Teil von:
Indie 88: Top 500 Indie Rock Songs (Nummer: 167) und Indie 88: Top 500 Indie Rock Songs (Nummer: 227)
recording of:
Hurt
Texter und Komponist(in):
Trent Reznor
publisher:
Leaving Hope Music Inc. und TVT Music, Inc.
Nine Inch Nails4.256:14
9Bye Bye Blackbird
recording engineer:
Jim Anderson (engineer) (am 2006-02-18)
Mix:
Jim Anderson (engineer)
Klavier:
Stephen Scott (jazz pianist) (am 2006-02-18)
Kontrabass:
Ron Carter (US jazz double-bassist) (am 2006-02-18)
Perkussion:
Roger Squitero (am 2006-02-18)
Schlagzeug:
Payton Crossley (am 2006-02-18)
arranger:
Robert Freedman
aufgenommen bei:
Avatar Studios (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, Vereinigte Staaten (am 2006-02-18)
mixed at:
Avatar Studios (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, Vereinigte Staaten
instrumental recording of:
Bye Bye Blackbird (am 2006-02-18)
Texter:
Mort Dixon (in 1926)
Komponist(in):
Ray Henderson (in 1926)
publisher:
Francis, Day & Hunter, Olde Clover Leaf Music, Ray Henderson Music, Redwood Music Ltd. (Carlin) und Warner Bros., Inc. (not for release label use!)
Ron Carter5:27
10Bad Man’s Song
Bassgitarre:
Pino Palladino
Gitarre und Slide-Gitarre:
Robbie McIntosh (English guitarist for The Pretenders)
Hammond-Orgel und Synthesizer:
Simon Clark (UK keyboard and synthesizer player)
Klavier und Gast Sologesang:
Oleta Adams
membranophone:
Manu Katché
zusätzlich vocals:
Nicky Holland, Carol Kenyon und Tessa Niles
recording of:
Badman’s Song
Verfasser(in):
Nicky Holland und Roland Orzabal (UK musician, songwriter and producer)
Tears for Fears38:33
11I Love You… I’ll Kill You
Assistent recording engineer:
E-Magic (Italian Italodance project also known as "E-Magic") und Euphonix
aufgenommen bei:
A.R.T. Studios (Enigma) in Ibiza, Illes Balears (Balearische Inseln), Spanien
Samples:
Fading Lights von Genesis (English rock band) und The Wizard von Black Sabbath (English heavy metal band)
recording of:
I Love You… I’ll Kill You
Texter:
Curly M.C. und David Fairstein
Komponist(in):
Curly M.C.
Enigma48:53
12Leave
recording engineer:
Joe O’Herlihy, Jo Ravitch und Jeff Wooding
zusätzlich recording engineer:
John Keane (US indie rock producer/engineer) und Patrick McCarthy
assistierende(r) Techniker(in):
William “Billy” Field (engineer)
zusätzliche(r) assistierende(r) Techniker(in):
Victor Janacua
Produzent(in):
Scott Litt (producer and engineer) und R.E.M. (American rock band)
Mix:
John Keane (US indie rock producer/engineer) und Scott Litt (producer and engineer)
Editing:
Eric Stolz
Akustikgitarre, Schlagzeug, Perkussion und Synthesizer:
Bill Berry (R.E.M. drummer)
Bassgitarre und Keyboard:
Mike Mills (R.E.M. bass player)
Gitarre:
Peter Buck (R.E.M. guitarist) und Nathan December
Synthesizer [ARP Odyssey]:
Scott McCaughey
Sologesang:
Michael Stipe
phonographisches Urheberrecht (℗) von:
R.E.M./Athens, Ltd. (in 1996)
aufgenommen bei:
Omni Theater in Atlanta, Georgia, Vereinigte Staaten (von 1995-11-18 bis 1995-11-21)
zusätzlich aufgenommen bei:
John Keane Studios in Athens, Georgia, Vereinigte Staaten und Louie’s Clubhouse in Los Angeles, California (Kalifornien), Vereinigte Staaten
mixed at:
John Keane Studios in Athens, Georgia, Vereinigte Staaten und Louie’s Clubhouse in Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
Leave
Verfasser(in):
Bill Berry (R.E.M. drummer), Peter Buck (R.E.M. guitarist), Mike Mills (R.E.M. bass player) und Michael Stipe
publisher:
Universal Tunes, Warner-Tamerlane (publisher; do NOT use as release label) und Night Garden Music (in 1996)
R.E.M.3.757:18
13Take the Veil Cerpin Taxt
recording engineer:
Dave Schiffman (American producer/audio engineer)
zusätzlich recording engineer:
Andrew Scheps
assistierende(r) Techniker(in):
Phillip Broussard und Darren Mora
Koproduzent(in):
Omar Rodríguez‐López
Produzent(in):
Rick Rubin (US record producer, former co‐president of Columbia Records)
Mix:
Rich Costey
Bassgitarre:
Flea (US bassist)
Effektgerät:
Jeremy Michael Ward
Gitarre:
Omar A Rodriguez-Lopez
Keyboard:
Ikey Isaiah Owens
Schlagzeug:
Jon Theodore
vocals:
Cedric Bixler Zavala
phonographisches Urheberrecht (℗) von:
The Mars Volta (in 2003)
aufgenommen bei:
The Mansion in Los Angeles, California (Kalifornien), Vereinigte Staaten
mixed at:
Cello Studios in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
Take the Veil Cerpin Taxt (von 2002-10 bis 2003-01)
Texter:
Cedric Bixler‐Zavala
zusätzlicher Texter:
Jeremy Michael Ward
Komponist(in):
Omar Rodríguez‐López
publisher:
Dystopia, Hija de lola, Lopsided und Music Sales Corp Publishers
The Mars Volta4.18:42
14Aja
recording engineer:
Bill Schnee
leitende(r) Techniker(in):
Roger Nichols (US mastering, recording engineer and producer)
Produzent(in):
Gary Katz
Bassgitarre:
Chuck Rainey (American bassist)
Gitarre:
Walter Becker, Larry Carlton und Denny Dias
Klavier:
Michael Omartian
Perkussion:
Victor Feldman (jazz musician)
Rhodes Piano [Fender Rhodes]:
Joe Sample
Schlagzeug:
Steve Gadd (drummer)
Synthesizer, Trillerpfeife [police whistle] und Sologesang:
Donald Fagen
Tenorsaxophon:
Wayne Shorter (US jazz saxophonist and composer)
Hintergrundgesang:
Donald Fagen und Tim Schmit
conductor:
Tom Scott (saxophonist, Blues Brothers, LA Express, Starsky & Hutch) (Horn)
Horn arranger:
Tom Scott (saxophonist, Blues Brothers, LA Express, Starsky & Hutch)
phonographisches Urheberrecht (℗) von:
UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1977)
aufgenommen bei:
Producer’s Workshop in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
Aja
Texter und Komponist(in):
Walter Becker und Donald Fagen
publisher:
ABC/Dunhill Music, Inc. (, in 1977), MCA Music Ltd., MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group) und Anchor Music Ltd. (in 1977)
Steely Dan37:56
15Clap Hands
Assistent recording engineer:
Dennis Ferrante
Techniker(in) und Mix:
Robert Musso (musician, producer and engineer)
Produzent(in):
Tom Waits
assistierende(r) Mix:
Tony Gonzales und Jeff Lippay
Gitarre:
Marc Ribot (US guitarist) und Tom Waits
Kontrabass:
Tony Garnier (American bassist)
Marimba und Perkussion:
Michael Blair (American drummer/producer/songwriter based in Sweden) und Bobby Previte
Schlagzeug:
Stephen Taylor Arvizu Hodges
Sologesang:
Tom Waits
arranger:
Tom Waits
aufgenommen bei:
RCA Studios (New York, later noted as RCA Recording Studios) in New York, New York, Vereinigte Staaten
mixed at:
Quadrafonic Sound Studio in Nashville, Tennessee, Vereinigte Staaten und RPM Studios in New York, New York, Vereinigte Staaten
recording of:
Clap Hands
Texter und Komponist(in):
Tom Waits
Tom Waits3.753:47
16Headshots
Assistent recording engineer:
Joe Warda
recording engineer und Mix:
Tchad Blake
Produzent(in):
Mitchell Froom
assistierende(r) Mix:
S. “Husky” Höskulds und John Paterno
Bassgitarre:
Bruce Thomas
E-Gitarre:
Steve Donnelly
Keyboard:
Mitchell Froom
Sampler:
Tchad Blake
Schlagzeug:
Pete Thomas (drummer)
Sologesang:
Suzanne Vega (American singer-songwriter)
recording of:
Headshots
Texter:
Suzanne Vega (American singer-songwriter)
Komponist(in):
Mitchell Froom und Suzanne Vega (American singer-songwriter)
Suzanne Vega2.53:08
17The Long Honeymoon
Produzent(in):
Geoff Emerick (British recording engineer)
aufgenommen bei:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, Vereinigtes Königreich
recording of:
The Long Honeymoon
Texter und Komponist(in):
Elvis Costello
Elvis Costello & The Attractions34:16
18Welcome to the Pleasuredome
Produzent(in):
Trevor Horn
phonographisches Urheberrecht (℗) von:
Zang Tuum Tumb (for copyrights use only; aka Zang Tuum Tumb or Zang Tumb Tuum prior to incorporation ca. 1988) (in 1984)
recording of:
Welcome to the Pleasuredome
Komponist(in):
Peter Gill (UK drummer for Frankie Goes to Hollywood), Holly Johnson, Brian Nash (British guitarist (Frankie Goes to Hollywood) and songwriter) und Mark O’Toole (former bassist of Frankie Goes to Hollywood)
Frankie Goes to Hollywood13:41
19Right On
Produzent(in):
Marvin Gaye
Mix:
Lawrence Miles (am 1971-05-06)
conductor:
David Van dePitte
recording of:
Right On
Komponist(in):
Earl DeRouen (percussionist, composer) und Marvin Gaye
Marvin Gaye4.27:32
20You Keep Me Hangin’ On (stereo version)
Produzent(in):
Lamont Dozier und Brian Holland (Motown producer & songwriter)
cover recording of:
You Keep Me Hangin’ On (in 1966)
Texter:
Eddie Holland (Motown songwriter, lyricist of Holland–Dozier–Holland songwriting team)
Komponist(in):
Lamont Dozier und Brian Holland (Motown producer & songwriter)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), Sony/ATV Music Publishing (UK) Ltd., Stone Agate Music Division und Jobete Music Co., Inc. (in 1986)
sub-publisher:
EMI Music Publishing Japan C.F. division (bis 2021-06-30) und ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (vom 2021-07-01 bis heute)
recording of:
You Keep Me Hangin’ On
Texter:
Eddie Holland (Motown songwriter, lyricist of Holland–Dozier–Holland songwriting team)
Komponist(in):
Lamont Dozier und Brian Holland (Motown producer & songwriter)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), Sony/ATV Music Publishing (UK) Ltd., Stone Agate Music Division und Jobete Music Co., Inc. (in 1986)
sub-publisher:
EMI Music Publishing Japan C.F. division (bis 2021-06-30) und ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (vom 2021-07-01 bis heute)
The Supremes3.42:42
21Spirits in the Material World
Techniker(in):
Hugh Padgham
Koproduzent(in):
Hugh Padgham
Produzent(in):
Hugh Padgham und The Police (British rock band)
E-Bass:
Sting (singer, songwriter & member of The Police)
E-Gitarre:
Andy Summers
Schlagzeug:
Stewart Copeland (drummer, percussionist, pianist and composer)
vocals:
Sting (singer, songwriter & member of The Police)
phonographisches Urheberrecht (℗) von:
A&M Records (in 1981)
aufgenommen bei:
AIR Studios Montserrat in Saint Peter, Montserrat
recording of:
Spirits in the Material World
Texter und Komponist(in):
Sting (singer, songwriter & member of The Police)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated) und Magnetic Publishing Ltd.
Teil von:
Ace Ventura: When Nature Calls
The Police3.62:59
22Into the Void
drum machine-Programmierung:
Charlie Clouser
Techniker(in):
Alan Moulder (producer and engineer)
Gast Hintergrundgesang:
Kim Prevost
vocals:
Trent Reznor
recording of:
Into the Void
Texter und Komponist(in):
Trent Reznor
publisher:
Leaving Hope Music Inc. und TVT Music, Inc.
Nine Inch Nails3.954:49
23Love’s in Need of Love Today
Produzent(in):
Stevie Wonder
Bass-Synthesizer, Clavinet, Rhodes Piano, Schlagzeug, Synthesizer, Hintergrundgesang und Sologesang:
Stevie Wonder
Perkussion:
Eddie “Bongo” Brown
arranger:
Stevie Wonder
phonographisches Urheberrecht (℗) von:
Motown Records (not for label use; use “Motown” instead) (in 1976)
recording of:
Love’s in Need of Love Today
Texter und Komponist(in):
Stevie Wonder
publisher:
Black Bull Music, Inc. und Jobete Music Co., Inc.
Stevie Wonder37:06
24The Logical Song
Sound-Engineering:
Russel Pope
assistierende(r) Techniker(in):
Lenise Bent und Jeff Harris (recording engineer)
Techniker(in):
Peter Henderson (English sound engineer)
Produzent(in):
Peter Henderson (English sound engineer) und Supertramp
Bassgitarre:
Dougie Thomson
Gitarre und Keyboard:
Roger Hodgson
Holzblasinstrumente:
John Helliwell
Keyboard:
Rick Davies (UK keyboardist, member of Supertramp)
Schlagzeug:
Bob Siebenberg
vocals:
Rick Davies (UK keyboardist, member of Supertramp) und Roger Hodgson
phonographisches Urheberrecht (℗) von:
A&M Records (in 2010)
aufgenommen bei:
The Village Recorder (Village Studios, aka The Village Recorder) in Los Angeles, California (Kalifornien), Vereinigte Staaten
mixed at:
Crystal Sound in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
The Logical Song
Verfasser(in):
Rick Davies (UK keyboardist, member of Supertramp) und Roger Hodgson
publisher:
Almo Music Corp. (USA, affiliated with ASCAP), Delicate Music und Rondor Music
Supertramp4.154:11
25Wish You Were Here
Alice Cooper5:01
26Now We Are Free (from “Gladiator” soundtrack)
recording engineer und Mix:
Alan Meyerson
assistierende(r) Techniker(in):
Jake Jackson (recording engineer) und Nick Wollage
Produzent(in):
Klaus Badelt (German score composer) und Hans Zimmer (German score composer)
Orchester:
The Lyndhurst Orchestra
conductor:
Gavin Greenaway
phonographisches Urheberrecht (℗) von:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 2000), Dreamworks Productions LLC (in 2000) und Universal Classics Group (not for release label use, a division of UMG Recordings, Inc.) (in 2000)
aufgenommen bei:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, Vereinigtes Königreich
recording of:
Now We Are Free (Gladiator)
Texter:
Lisa Gerrard
Komponist(in):
Klaus Badelt (German score composer), Lisa Gerrard und Hans Zimmer (German score composer)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), SKG Songs und Universal‐MCA Music Publishing (US)
Teil von:
Gladiator
medley including a cover recording of:
Now We Are Free (Gladiator)
Texter:
Niloofar Rafiei
basiert auf:
Now We Are Free (Gladiator)
Medley von:
Now We Are Free (Gladiator)
Lisa Gerrard44:17
27True to Life
Produzent(in):
Rhett Davies und Roxy Music
Mix:
Bob Clearmountain
Bassgitarre:
Alan Spenner
Gitarre:
Neil Hubbard und Phil Manzanera
Keyboard:
Bryan Ferry
Perkussion:
Jimmy Maelen (percussion)
Saxophon:
Andy Mackay (of Roxy Music)
Schlagzeug:
Andy Newmark
Hintergrundgesang:
Fonzi Thornton
vocals:
Bryan Ferry
phonographisches Urheberrecht (℗) von:
E.G. Records Ltd. (company credits only; do NOT use as release label) (in 1982)
recording of:
True to Life
Texter und Komponist(in):
Bryan Ferry
publisher:
E.G. Music Inc.
Roxy Music3.654:25
28Drive
Techniker(in):
Clif Norrell
zusätzliche(r) Techniker(in):
George Cowan (US engineer), Mark Howard (producer/recording engineer, New Orleans/Los Angeles based), John Keane (US indie rock producer/engineer), Ted Malia und Andrew Roshberg
Produzent(in):
Scott Litt (producer and engineer) und R.E.M. (American rock band)
assistierende(r) Mix:
Tod Lemkuhl
Mix:
Scott Litt (producer and engineer) und Clif Norrell
zusätzliche(r) Mix:
Ed Brooks (audio engineer at RFI Mastering in Seattle)
Gast-Bratsche / Viola:
Reid Harris, Paul Murphy (viola) und Heidi Nitchie (violist)
Gast-Cello:
Kathleen Kee, Daniel Laufer (cellist) und Elizabeth Proctor Murphy
Gast-Geige / Violine:
Denise Berginson-Smith (violinist), Patti Gouvas, Lonnie Ottzen (violinist), Sandy Salzinger (violinist), Sou-Chun Su (violinist) und Jody Taylor (violin)
Gast-Oboe:
Deborah Workman (oboist)
vocals:
Michael Stipe
conductor:
George Hanson
Orchestrator(in):
John Paul Jones (UK rock musician of Led Zeppelin & Them Crooked Vultures)
phonographisches Urheberrecht (℗) von:
R.E.M./Athens, Ltd. (in 1992) und R.E.M./Athens L.L.C. (in 2017)
aufgenommen bei:
Bearsville Studios in Bearsville, New York, Vereinigte Staaten und Criteria Studios in Miami, Florida, Vereinigte Staaten
zusätzlich aufgenommen bei:
Bosstown Recording Studios in Atlanta, Georgia, Vereinigte Staaten, John Keane Studios in Athens, Georgia, Vereinigte Staaten und Kingsway Studios (New Orleans) in New Orleans, Louisiana, Vereinigte Staaten
mixed at:
Bad Animals Studio in Seattle, Washington, Vereinigte Staaten
Musikvideos:
Drive (music video) von R.E.M. (American rock band)
recording of:
Drive
Verfasser(in):
Bill Berry (R.E.M. drummer), Peter Buck (R.E.M. guitarist), Mike Mills (R.E.M. bass player) und Michael Stipe
publisher:
Night Garden Music
R.E.M.3.954:28
29Unfinished Sympathy (2012 mix/master)
Techniker(in):
Hayden (producer and engineer) (Saiteninstrumente)
Produzent(in):
Jonny Dollar (UK producer & songwriter) und Massive Attack
Mix:
Jeremy Allom
vocals:
Shara Nelson
conductor:
Wil Malone
remixer:
Bruno Ellingham
Saiteninstrumente arranger:
Wil Malone
concertmaster:
Gavin Wright (UK saxophonist)
aufgenommen bei:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich und Coach House Studios in Bristol, England, Vereinigtes Königreich
mixed at:
Matrix Studios in Soho, Westminster, London (Greater London), England, Vereinigtes Königreich
recording of:
Unfinished Sympathy
Verfasser(in):
Robert Del Naja, Grant Marshall, Shara Nelson, Jonathan Sharp (UK producer aka Jonny Dollar) und Andrew Vowles
Massive Attack55:08
30Night School
recording of:
Night School
Komponist(in):
Frank Zappa (US musician, composer, activist & filmmaker)
Frank Zappa4:51
31Nightclubbing
recording of:
Nightclubbing
Verfasser(in):
David Bowie (English singer‐songwriter) und Iggy Pop
Grace Jones4:29
32Axel F (from “Beverly Hills Cop” soundtrack)
Produzent(in):
Harold Faltermeyer
phonographisches Urheberrecht (℗) von:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) und Geffen Records (in 1984)
mixed at:
The Record Plant (aka “Record Plant” Los Angeles) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
Teil von:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (Nummer: 70)
recording of:
Axel F (Beverly Hills Cop)
Komponist(in):
Harold Faltermeyer
Harold Faltermeyer4.153:03
332/1
Techniker(in):
Brian Eno und Dave Hutchins (UK engineer)
Produzent(in):
Brian Eno
vocals:
Christa Fast (German actress and longtime companion of Conny Plank), Christine Gomez und Inge Zeininger
phonographisches Urheberrecht (℗) von:
E.G. Records Ltd. (company credits only; do NOT use as release label) (in 1978)
recording of:
2/1
Komponist(in):
Brian Eno
Teil von:
Music for Airports
Brian Eno3.58:54