Mass in B Minor

~ Release by J.S. Bach; The Sixteen (see all versions of this release, 1 available)

Tracklist

1▼CD
#TitleArtistRatingLength
1BWV 232 Kyrie / Chorus - Kyrie eleison
engineer:
Mike Hatch (engineer/editor)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
choir vocals:
The Sixteen (UK choir)
orchestra:
Orchestra of The Sixteen
conductor:
Harry Christophers (conductor)
recorded at:
St. Augustine’s Church (Kilburn, London) in London (Greater London), England, United Kingdom
recording of:
h-Moll-Messe, BWV 232: I. Missa: I. Kyrie eleison (Mass in B minor, BWV 232: Ia. Kyrie: Chorus "Kyrie eleison") (in 1994-04)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach9:00
2BWV 232 Kyrie / Duet (soprano) - Christe eleison
engineer:
Mike Hatch (engineer/editor)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
soprano vocals:
Catherine Denley (contralto, mezzo‐soprano) and Catherine Dubosc (soprano)
orchestra:
Orchestra of The Sixteen
conductor:
Harry Christophers (conductor)
recorded at:
St. Augustine’s Church (Kilburn, London) in London (Greater London), England, United Kingdom
recording of:
h-Moll-Messe, BWV 232: I. Missa: II. Christe eleison (Mass in B minor, BWV 232: Ib. Kyrie: Duet "Christe eleison") (in 1994-04)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach4:48
3BWV 232 Kyrie / Chorus - Kyrie Eleison
engineer:
Mike Hatch (engineer/editor)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
choir vocals:
The Sixteen (UK choir)
orchestra:
Orchestra of The Sixteen
conductor:
Harry Christophers (conductor)
recorded at:
St. Augustine’s Church (Kilburn, London) in London (Greater London), England, United Kingdom
recording of:
h-Moll-Messe, BWV 232: I. Missa: III. Kyrie eleison (Mass in B minor, BWV 232: Ic. Kyrie: Chorus "Kyrie eleison") (in 1994-04)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach3:34
4BWV 232 Gloria / Chorus - Gloria in excelsis Deo
engineer:
Mike Hatch (engineer/editor)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
choir vocals:
The Sixteen (UK choir)
orchestra:
Orchestra of The Sixteen
conductor:
Harry Christophers (conductor)
recorded at:
St. Augustine’s Church (Kilburn, London) in London (Greater London), England, United Kingdom
recording of:
h-Moll-Messe, BWV 232: I. Missa: IV. Gloria in excelsis Deo (Mass in B minor, BWV 232: IIa. Gloria: Chorus "Gloria in excelsis Deo") (in 1994-04)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach1:52
5BWV 232 Gloria / Chorus - Et in terra pax hominibus
engineer:
Mike Hatch (engineer/editor)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
choir vocals:
The Sixteen (UK choir)
orchestra:
Orchestra of The Sixteen
conductor:
Harry Christophers (conductor)
recorded at:
St. Augustine’s Church (Kilburn, London) in London (Greater London), England, United Kingdom
recording of:
h-Moll-Messe, BWV 232: I. Missa: V. Et in terra pax (Mass in B minor, BWV 232: IIb. Gloria: Chorus "Et in terra pax") (in 1994-04)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach4:07
6BWV 232 Gloria / Aria (soprano II) - Laudamus te
engineer:
Mike Hatch (engineer/editor)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
soprano vocals:
Catherine Denley (contralto, mezzo‐soprano)
orchestra:
Orchestra of The Sixteen
conductor:
Harry Christophers (conductor)
recorded at:
St. Augustine’s Church (Kilburn, London) in London (Greater London), England, United Kingdom
recording of:
h-Moll-Messe, BWV 232: I. Missa: VI. Laudamus te (Mass in B minor, BWV 232: IIc. Gloria: Aria "Laudamus te") (in 1994-04)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach4:23
7BWV 232 Gloria / Chorus - Gratias agimus
engineer:
Mike Hatch (engineer/editor)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
choir vocals:
The Sixteen (UK choir)
orchestra:
Orchestra of The Sixteen
conductor:
Harry Christophers (conductor)
recorded at:
St. Augustine’s Church (Kilburn, London) in London (Greater London), England, United Kingdom
recording of:
h-Moll-Messe, BWV 232: I. Missa: VII. Gratias agimus tibi (Mass in B minor, BWV 232: IId. Gloria: Chorus "Gratias agimus tibi") (in 1994-04)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 29 "Wir danken dir, Gott, wir danken dir": II. Coro "Wir danken dir, Gott, wir danken dir"
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach2:22
8BWV 232 Gloria / Duet (soprano I, tenor) - Domine Deus
engineer:
Mike Hatch (engineer/editor)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
soprano vocals:
Catherine Dubosc (soprano)
tenor vocals:
John Mark Ainsley (tenor)
orchestra:
Orchestra of The Sixteen
conductor:
Harry Christophers (conductor)
recorded at:
St. Augustine’s Church (Kilburn, London) in London (Greater London), England, United Kingdom
recording of:
h-Moll-Messe, BWV 232: I. Missa: VIII. Domine Deus (Mass in B minor, BWV 232: IIe. Gloria: Duet "Domine Deus") (in 1994-04)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach5:28
9BWV 232 Gloria / Chorus - Qui tollis
engineer:
Mike Hatch (engineer/editor)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
choir vocals:
The Sixteen (UK choir)
orchestra:
Orchestra of The Sixteen
conductor:
Harry Christophers (conductor)
recorded at:
St. Augustine’s Church (Kilburn, London) in London (Greater London), England, United Kingdom
recording of:
h-Moll-Messe, BWV 232: I. Missa: IX. Qui tollis peccata mundi (Mass in B minor, BWV 232: IIf. Gloria: Chorus "Qui tollis peccata mundi") (in 1994-04)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 46 "Schauet doch und sehet, ob irgendein Schmerz sei": I. Coro "Schauet doch und sehet, ob irgendein Schmerz sei"
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach3:12
10BWV 232 Gloria / Aria (alto) - Qui sedes at dexteram Patris
engineer:
Mike Hatch (engineer/editor)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
alto vocals:
James Bowman (UK countertenor)
orchestra:
Orchestra of The Sixteen
conductor:
Harry Christophers (conductor)
recorded at:
St. Augustine’s Church (Kilburn, London) in London (Greater London), England, United Kingdom
recording of:
h-Moll-Messe, BWV 232: I. Missa: X. Qui sedes ad dextram Patris (Mass in B minor, BWV 232: IIg. Gloria: Aria "Qui sedes ad dextram Patris") (in 1994-04)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach4:17
11BWV 232 Gloria / Aria (bass) - Quoniam to solus Sanctus
engineer:
Mike Hatch (engineer/editor)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
horn:
Roger Montgomery (horn player)
bass vocals:
Michael George (operatic bass)
orchestra:
Orchestra of The Sixteen
conductor:
Harry Christophers (conductor)
recorded at:
St. Augustine’s Church (Kilburn, London) in London (Greater London), England, United Kingdom
recording of:
h-Moll-Messe, BWV 232: I. Missa: XI. Quoniam tu solus Sanctus (Mass in B minor, BWV 232: IIh. Gloria: Aria "Quoniam tu solus Sanctus") (in 1994-04)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach4:30
12BWV 232 Gloria / Chorus - Cum Sancto Sprirtu
engineer:
Mike Hatch (engineer/editor)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
choir vocals:
The Sixteen (UK choir)
orchestra:
Orchestra of The Sixteen
conductor:
Harry Christophers (conductor)
recorded at:
St. Augustine’s Church (Kilburn, London) in London (Greater London), England, United Kingdom
recording of:
h-Moll-Messe, BWV 232: I. Missa: XII. Cum Sancto Spiritu (Mass in B minor, BWV 232: IIi. Gloria: Chorus "Cum Sancto Spiritu") (in 1994-04)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach3:51
2▶CD