| Nr. | Titel | Künstler | Bewertung | Länge |
|---|
| 1 | Love at First Sight (From the Film “Totally Blonde”) | Michael Bublé | 2.5 | 3:19 |
| 2 | Cry Me a River- Techniker(in):
- John Kraus (in 1955-08)
- Produzent(in):
- Bobby Troup
- Gitarre:
- Barney Kessel
- Kontrabass [bass]:
- Ray Leatherwood
- vocals:
- Julie London (in 1955-08)
- phonographisches Urheberrecht (℗) von:
- Capitol Records, LLC (in 1957)
- aufgenommen bei und mixed at:
- AIR Studios in Hampstead, Camden , London , England, Vereinigtes Königreich
- Teil von:
- Dave Marsh: The Best of the Top 40 Singles: 1955 (Nummer: 15)
- recording of:
- Cry Me a River (in 1955-08)
- Texter und Komponist(in):
- Arthur Hamilton
- publisher:
- Chappell & Co., Inc. , Chappell Music Co. Inc., Harmony Grace Publishing, Saunders Publications Inc., Warner Chappell Music Ltd. , Warner/Chappell North America Limited , Daksel Music Corp. (in 1982) und Song and Dance Music Co. (in 1982)
- sub-publisher:
- Warner/Chappell Music Japan, Synch division und Yamaha Music Entertainment Holdings, Inc.
| Julie London | 4.65 | 2:48 |
| 3 | Dream a Little Dream of Me- recorded in:
- New York, New York, Vereinigte Staaten (am 1947-10-28)
- Gitarre:
- Irving Ashby (am 1947-10-28)
- Instrumente und Interpret(in):
- The Nat King Cole Trio (am 1947-10-28)
- Klavier:
- Nat King Cole (am 1947-10-28)
- Kontrabass:
- Johnny Miller (am 1947-10-28)
- vocals:
- Nat King Cole (am 1947-10-28)
- cover recording of:
- Dream a Little Dream of Me (am 1947-10-28)
- Texter:
- Gus Kahn (in 1931)
- Komponist(in):
- Fabian André (in 1931) und Wilbur Schwandt (in 1931)
- publisher:
- EMI Music Publishing Ltd. , Essex Music, Inc., Étienne Marrix Music, Francis, Day & Hunter Ltd., Gilbert Keyes Music Company, Infoswan Publications, One Less Car Music und Words & Music, Inc.
- sub-publisher:
- ティー・アール・オー・エセックス・ジャパン A事業部
- Teil von:
- The Real Book
| The Nat King Cole Trio | | 2:49 |
| 4 | All of Me | Frank Sinatra | 2 | 2:07 |
| 5 | Mr. Bojangles | Robbie Williams | 3.4 | 3:19 |
| 6 | Sway | Dean Martin | 4 | 2:41 |
| 7 | Fine Brown Frame | Nellie Lutcher | | 2:54 |
| 8 | Whatever Lola Wants (Lola Gets) | Alma Cogan | | 2:46 |
| 9 | Come Fly With Me- Produzent(in):
- Voyle Gilmore
- Bratsche / Viola:
- Alvin Dinkin, Alexander Neiman , Paul Robyn und Dave Sterkin
- Cello:
- Elizabeth Greenschpoon, Armand Kaproff, Edgar Lustgarten und Eleanor Slatkin
- Geige / Violine:
- Harold Dicterow, David Frisina, Jacques Gasselin, Ben Gill, Dan Lube, Alex Murray , Paul Nero , Lou Raderman, Mischa Russell , Paul Shure, Felix Slatkin und Marshall Sosson
- Gitarre:
- Al Hendrickson
- Harfe:
- Verlye Mills
- Holzblasinstrumente:
- Buddy Collette, Fred Falensby, Jules Jacob , Harry Klee und Wilbur Schwartz
- Klavier:
- Bill Miller
- Kontrabass:
- Joe Mondragon
- Perkussion:
- Frank Flynn
- Posaune:
- Joe Howard , Ed Kusby, Murray McEachern und Si Zentner
- Schlagzeug:
- Alvin Stoller
- Trompete:
- Conrad Gozzo, Manny Klein, Vito N. Mangano und Shorty Sherock
- Tuba:
- Joe Washburne
- vocals:
- Frank Sinatra (am 1957-10-08)
- Orchester:
- The Billy May Orchestra (am 1957-10-08)
- conductor:
- Billy May (am 1957-10-08)
- arranger:
- Billy May
- aufgenommen bei:
- Capitol Studios, Studio A in Hollywood, Los Angeles, California , Vereinigte Staaten (am 1957-10-08)
- recording of:
- Come Fly With Me (am 1957-10-08)
- Texter:
- Sammy Cahn (in 1957)
- Komponist(in):
- Jimmy Van Heusen (in 1957)
- publisher:
- Cahn Music Company, Maraville Music Corp., PW Arrangements, The International Music Network, Universal Music Corp. , Van Heusen Music Corp. und WB Music Corp. (bis 2019-05-28)
- sub-publisher:
- Sony Music Publishing (Japan) Inc. , Warner Chappell Music Ltd. und フジパシフィックミュージック
| Frank Sinatra | 4.65 | 3:16 |
| 10 | Call Me Irresponsible | Sarah Vaughan | | 2:39 |
| 11 | Summer Wind | Shirley Bassey | | 2:46 |
| 12 | Fever- Fingerschnippen:
- Peggy Lee (am 1958-05-19) und Howard Roberts (am 1958-05-19)
- Kontrabass [bass]:
- Joe Mondragon (am 1958-05-19)
- Schlagzeug:
- Shelly Manne (am 1958-05-19)
- vocals:
- Peggy Lee (am 1958-05-19)
- conductor:
- Jack Marshall (am 1958-05-19)
- phonographisches Urheberrecht (℗) von:
- Capitol Records, Inc. (in 1958)
- cover recording of:
- Fever (am 1958-05-19)
- Verfasser(in):
- Eddie Cooley und John Davenport
- publisher:
- Carlin Music Corp., Chrysalis Songs, Fort Knox Music, Fort Knox Music Co, Fort Knox Music Inc., Jay & Cee Music, Lark Music Ltd., Trio Music , Trio Music Co., Inc. und Trio Music Company
- Teil von:
- The Adjustment Bureau
| Peggy Lee | 4.25 | 3:21 |
| 13 | We Have All the Time in the World | Louis Armstrong | 3.5 | 3:12 |
| 14 | The Man That Got Away | Judy Garland | | 4:08 |
| 15 | It Ain’t Necessarily So | Paul Robeson | | 2:29 |
| 16 | Wild Is the Wind- Produzent(in):
- Bob Blake und Jack Gold
- Bass:
- Jimmy Bond (in 1959-10)
- Klavier und Sologesang:
- Nina Simone (in 1959-10)
- Schlagzeug:
- Albert “Tootie” Heath (in 1959-10)
- phonographisches Urheberrecht (℗) von:
- EMI Records Ltd. (in 1959)
- cover recording of:
- Wild Is the Wind (in 1959-10)
- Texter:
- Ned Washington
- Komponist(in):
- Dimitri Tiomkin
- publisher:
- BMG Music Publishing Ltd., Carlin Music Corporation, Shapiro, Bernstein & Co., Inc., Universal Music Publishing MGB Ltd., Anne-Rachel Music Corp. (in 1957, in 1985), Catharine Hinen Music (in 1957, in 1985), Chappell & Co., Inc. (in 1957), Largo Music Inc. (in 1957, in 1985) und Patti Washington Music (in 1957, in 1985)
- Teil von:
- The 30th Academy Award for Best Original Song (Nummer: 2)
| Nina Simone | | 3:26 |
| 17 | I Wish I Knew How It Would Feel to Be Free | Billy Taylor Trio | | 3:39 |
| 18 | Take 5 | The Dave Brubeck Quartet | | 2:56 |
| 19 | The Sidewinder | Lee Morgan | | 5:07 |
| 20 | The Beat Goes On (“Live”) | The Buddy Rich Big Band | | 4:54 |
| 21 | So What | Miles Davis | 4.75 | 9:03 |
| 22 | Everytime We Say Goodbye | Marc Jordan | | 5:45 |
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