The 100 Best Jazz Tunes of the 1950’s

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 1 disponibile)

Elenco tracce

1▶CD: 1950–1954
2▶CD: 1955–1956
3▶CD: 1956–1957
4▶CD: 1957
5▶CD: 1957–1958
6▼CD: 1958–1959
#TitoloArtistaValutazioneDurata
1Moanin’
registrazione di:
Moanin’
compositore:
Bobby Timmons
editore:
Orphum Music Inc.
Art Blakey & The Jazz Messengers9:32
2Hip Strut
basso :
Paul Chambers (US jazz bassist) (il 1959-05-02)
batteria :
Pete La Roca (il 1959-05-02)
pianoforte :
Walter Davis Jr. (American hard bop pianist) (il 1959-05-02)
sassofono contralto :
Jackie McLean (jazz saxophonist) (il 1959-05-02)
tromba :
Donald Byrd (American jazz trumpeter) (il 1959-05-02)
registrata presso:
Van Gelder Studio (Hackensack – July 1, 1959) in Hackensack, New Jersey, Stati Uniti (il 1959-05-02)
Jackie McLean11:16
3Do It the Hard Way
registrazione di:
Do It the Hard Way (Pal Joey)
paroliere:
Lorenz Hart
compositore:
Richard Rodgers (composer)
versione tradotta di:
På vranga
parte di:
Pal Joey
Chet Baker3:02
4Cherokee
Johnny Griffin6:46
5Let’s Face the Music & Dance
registrazione cover di:
Let’s Face the Music and Dance (from “Follow the Fleet”)
paroliere e compositore:
Irving Berlin (nel 1936)
editore:
Irving Berlin Music Company, Irving Berlin Music Corp. e Williamson Music Company
parte di:
Follow the Fleet (1936 film)
Ella Fitzgerald2:57
6Ginza Samba
Cal Tjader & Stan Getz11:00
7In the Wee Small Hours
Ben Webster3:12
8You’ve Changed
registrazione di:
You’ve Changed
paroliere:
Bill Carey (US songwriter)
compositore:
Carl T. Fischer (Native American jazz pianist and composer)
editore:
Peer International (BMI; Peer Int'l or Peer-International) e Southern Music Publishing Company
Billie Holiday3:19
9The Night We Called It a Day
registrazione cover di:
The Night We Called It a Day
paroliere:
Tom Adair
compositore:
Matt Dennis (American singer, pianist, band leader)
editore:
BMI/Embassy Music Corp. e Dorsey Brothers Music
Chris Connor3:24
10Along Came Betty
Art Blakey & The Jazz Messengers6:11
11Cheek to Cheek
registrazione cover di:
Cheek to Cheek (from “Top Hat”)
paroliere e compositore:
Irving Berlin (nel 1935)
editore:
Irving Berlin (England) Music Ltd., Irving Berlin Music Company, Irving Berlin Music Corp., シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) e ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
parte di:
Academy Award for Best Original Song (numero: 1935 nominee)
parte di:
Top Hat (1935 film)
Ella Fitzgerald3:47
12Peace Piece
tecnico di registrazione:
Jack Higgins (recording engineer) (il 1958-12-15)
produttore:
Orrin Keepnews
pianoforte :
Bill Evans (pianist) (il 1958-12-15)
diritti fonografici (℗) detenuti da:
Milestone Records (holding company for jazz label Milestone; do NOT use as label) (nel 1975)
registrata presso:
Reeves Sound Studios in New York, New York, Stati Uniti (il 1956-12-15)
registrazione di:
Peace Piece (il 1958-12-15)
compositore:
Bill Evans (pianist)
editore:
Acorn Music Corp., Folkways Music e TRO-Acorn Music
Bill Evans4.56:43
13It Ain’t Necessary So
basso :
Ray Brown (jazz bassist) (dal 1959-07-14 al 1959-08-09)
batteria :
Ed Thigpen (dal 1959-07-14 al 1959-08-09)
pianoforte :
Oscar Peterson (Canadian jazz pianist and composer) (dal 1959-07-14 al 1959-08-09)
registrata presso:
Universal Recording Studios (Chicago, IL, USA) in Chicago, Illinois, Stati Uniti (dal 1959-07-14 al 1959-08-09)
registrazione strumentale di:
It Ain’t Necessarily So (jazz standard originally from Porgy and Bess; catch-all for unspecified pop and jazz arrangements) (dal 1959-07-14 al 1959-08-09)
paroliere:
Ira Gershwin, Dorothy Heyward (playwright) e DuBose Heyward
compositore:
George Gershwin (composer)
editore:
Chappell Music (ASCAP), Gershwin Publishing Corp, Warner Chappell Music (publisher as Warner/Chappell Music), Warner/Chappell Music Australia Pty. Ltd. e Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
è stata commissionata da:
Gershwin Publishing Corp (nel 1935)
versione di:
Porgy and Bess: Act II, Scene II. “It ain’t necessarily so” (Sportin’ Life)
registrazione di:
It Ain’t Necessarily So (jazz standard originally from Porgy and Bess; catch-all for unspecified pop and jazz arrangements)
paroliere:
Ira Gershwin, Dorothy Heyward (playwright) e DuBose Heyward
compositore:
George Gershwin (composer)
editore:
Chappell Music (ASCAP), Gershwin Publishing Corp, Warner Chappell Music (publisher as Warner/Chappell Music), Warner/Chappell Music Australia Pty. Ltd. e Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
è stata commissionata da:
Gershwin Publishing Corp (nel 1935)
versione di:
Porgy and Bess: Act II, Scene II. “It ain’t necessarily so” (Sportin’ Life)
Oscar Peterson2:46
7▶CD: 1958–1959
8▶CD: 1959

Accreditamenti

Pubblicazione

ASIN:US: B004NTVMLA [info]

Gruppo di pubblicazioni

Allmusic:https://www.allmusic.com/album/mw0002114823 [info]