| # | Title | Artist | Rating | Length |
|---|
| 1 | Strange Way | Firefall | | 4:46 |
| 2 | Shakedown Street- assistant engineer:
- Betty Cantor-Jackson, Jeffrey Boden, Bill Candelario, Brett Cohen, John Hagen , Steve Parish , Harry Popick, Ram Rod , Sue Stephens and Robbie Taylor
- engineer:
- Bob Matthews
- associate producer and executive producer:
- John Kahn
- co-producer:
- Dan Healy
- producer:
- Lowell George
- harp:
- Matt Kelly
- percussion:
- Jordan Amarantha
- phonographic copyright (℗) by:
- Grateful Dead Productions (in 1978)
- recorded at:
- Club Le Front in San Rafael, California, United States (from 1978-07-31 until 1978-08-18)
- mixed at:
- Club Le Front in San Rafael, California, United States
- recording of:
- Shakedown Street (from 1978-07-31 until 1978-08-18)
- lyricist:
- Robert Hunter
- composer:
- Jerry Garcia
- publisher:
- Ice Nine Publishing Company, Inc.
| Grateful Dead | 4 | 5:00 |
| 3 | Dreams | Fleetwood Mac | 4.3 | 4:17 |
| 4 | Right Down the Line- recording engineer:
- Barry Hammond
- producer:
- Hugh Murphy and Gerry Rafferty
- mixer:
- Declan O’Doherty
- bass:
- Gary Taylor
- drums (drum set):
- Henry Spinetti
- guitar family:
- Hugh Burns
- organ and piano:
- Tommy Eyre
- percussion:
- Glen LeFleur
- steel guitar:
- Brian Cole
- lead vocals:
- Gerry Rafferty
- phonographic copyright (℗) by:
- EMI Records Ltd. (in 1977), Parlophone Records Ltd. (in 1978) and United Artists Music and Records Group, Inc. (in 1978)
- recorded at:
- Chipping Norton Recording Studios in Chipping Norton, Oxfordshire, England, United Kingdom
- mixed at:
- Advision Studios in Fitzrovia, Camden , Westminster, London , England, United Kingdom
- part of:
- Paste: The 25 Greatest Yacht Rock Songs of All Time (number: 1)
- recording of:
- Right Down the Line
- lyricist and composer:
- Gerry Rafferty
- publisher:
- Stage Three Music Publishing Limited, Universal–Songs of PolyGram International, Inc. and Music of Stage Three (in 1978)
| Gerry Rafferty | 3.5 | 4:28 |
| 5 | If You Love Me (Let Me Know) | Tina Turner | 4 | 3:07 |
| 6 | Is That the Thanks I Get? | Rod Stewart | | 4:33 |
| 7 | You’re So Vain- recording engineer:
- Robin Geoffrey Cable (from 1972-09 until 1972-10)
- engineer:
- Robin Geoffrey Cable
- producer:
- Richard Perry
- bass:
- Klaus Voorman (from 1972-09 until 1972-10)
- drums (drum set):
- Jim Gordon (from 1972-09 until 1972-10)
- guitar:
- Jimmy Ryan (from 1972-09 until 1972-10)
- percussion:
- Richard Perry (from 1972-09 until 1972-10)
- piano and lead vocals:
- Carly Simon (from 1972-09 until 1972-10)
- additional background vocals:
- Carly Simon (from 1972-09 until 1972-10) and Doris Troy (from 1972-09 until 1972-10)
- background vocals:
- Mick Jagger (from 1972-09 until 1972-10)
- strings arranger:
- Carly Simon
- orchestrator:
- Paul Buckmaster
- phonographic copyright (℗) by:
- Elektra Records (in 1972), Elektra/Asylum Records (in 1972), Elektra Entertainment (in 1978), WEA International Inc. (in 1984) and Rhino Entertainment Company (in 2015)
- recorded at:
- Trident Studios in Soho, Westminster, London , England, United Kingdom (from 1972-09 until 1972-10)
- part of:
- Billboard: Greatest of All Time Hot 100 Songs (number: 100), Billboard: The 500 Best Pop Songs (number: 140) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 495)
- recording of:
- You’re So Vain (from 1972-09 until 1972-10)
- lyricist and composer:
- Carly Simon
- publisher:
- C’est Music, Quackenbush Music, Ltd. , Universal Music Corporation and Universal Music Publishing Group
| Carly Simon | 4.55 | 4:18 |
| 8 | Lonely Boy | Andrew Gold | 4 | 4:25 |
| 9 | Undercover Angel | Alan O’Day | | 3:31 |
| 10 | It’s Your Love | Richie Furay | | 3:53 |
| 11 | If You Leave Me Now- recording engineer:
- Armin Steiner (from 1976-03 until 1976-04: strings)
- assistant engineer:
- Tom Likes
- engineer:
- Wayne Tarnowski
- producer:
- James William Guercio
- acoustic guitar and bass:
- James William Guercio (from 1976-03 until 1976-04)
- lead vocals:
- Peter Cetera (from 1976-03 until 1976-04)
- French horn arranger and strings arranger:
- Jimmie Haskell
- phonographic copyright (℗) by:
- CBS, Inc. (in 1976), Rhino Entertainment Company (in 1976, in 2002), Warner Strategic Marketing Inc. (in 1976) and WEA International Inc. (in 1976)
- recorded at:
- Sound Labs, Inc. in Hollywood, Los Angeles, California, United States, Sound Labs, Inc. in Hollywood, Los Angeles, California, United States (strings) and Caribou Ranch Recording Studio in Nederland, Colorado, United States (from 1976-03 until 1976-04)
- mixed at:
- Caribou Ranch Recording Studio in Nederland, Colorado, United States (from 1976-03 until 1976-04)
- recording of:
- If You Leave Me Now (from 1976-03 until 1976-04)
- lyricist:
- Peter Cetera
- composer:
- Peter Cetera (in 1976)
- publisher:
- Big Elk Music, BMG Music Publishing Ltd., Copyright Control , Fairwood Music Ltd., Island Music Ltd., Polish Prince Music and Spirit Music Publishing Ltd.
| Chicago | 4.2 | 3:54 |
| 12 | Keepin’ Up With the Joneses- assistant engineer:
- Kent Nebergall
- engineer:
- Donn Landee
- producer:
- Ted Templeman
- solo alto saxophone [alto sax]:
- Lenny Pickett
- phonographic copyright (℗) by:
- Warner Bros. Records Inc. (in 1977)
- recorded at:
- Sunset Sound in Hollywood, Los Angeles, California, United States, The Record Plant in Sausalito, California, United States, Warner Bros. Recording Studios in North Hollywood, Los Angeles, California, United States and Western Recorders in Los Angeles, California, United States
- recording of:
- Keepin’ Up With the Joneses
- lyricist and composer:
- Paul Barrère
| Little Feat | | 3:48 |
| 13 | Walk Away Renee | Terry Reid | | 4:18 |
| 14 | I’d Really Love to See You Tonight | England Dan & John Ford Coley | 5 | 2:39 |
| 15 | Lotta Love | Nicolette Larson | 5 | 3:06 |
| 16 | Where’s the Weekend? | Deaf School | | 3:12 |
| 17 | The Last Waltz Suite: The Last Waltz Refrain | The Band | 2 | 1:32 |
| 18 | Welcome to the Music | Bread | | 2:57 |
| 19 | American Dreams Suite: Can We Carry On the Dream | Jesse Colin Young | | 2:50 |
| 20 | I Never Wrote Those Songs | Alice Cooper | 4 | 4:33 |
| 21 | Jane | Jefferson Starship | 3.75 | 4:12 |
| 22 | Crazy Ol’ Rock ’n’ Roll Man | Bill Chinnock | | 3:18 |
| 23 | I Saw the Light | Todd Rundgren | 5 | 3:00 |
| 24 | Shine On | Badfinger | | 2:52 |
| 25 | Dance With Me | Orleans | 5 | 3:01 |
| 26 | Get Used to It | Roger Voudouris | | 3:00 |
| 27 | Lightning | Fotomaker | | 4:52 |
| 28 | Love Is the Answer | Utopia | | 4:18 |
| 29 | Down | Labi Siffre | 4 | 5:48 |
| 30 | Back in Baby’s Arms | Allen Toussaint | | 4:49 |
| 31 | Fool (If You Think It’s Over) | Chris Rea | 5 | 4:03 |
| 32 | Must of Got Lost | The J. Geils Band | 5 | 2:58 |
| 33 | Shadow Captain | Crosby, Stills & Nash | | 4:34 |
| 34 | She’s Gone | Daryl Hall & John Oates | 3.65 | 5:13 |
| 35 | Stay With Me | Foghat | | 4:24 |
| 36 | You and I (Belong Together) | Faze‐O | | 5:22 |
| 37 | Ventura Highway | America | 4 | 3:32 |
| 38 | Open Your Eyes | Maria Muldaur | | 3:29 |
| 39 | You’re All I Am | Foreigner | 3 | 3:23 |
| 40 | Grateful | Blue Magic | | 4:22 |
| 41 | Magic | Pilot | 4.75 | 3:06 |
| 42 | What Do You Want the Girl to Do | Lowell George | 5 | 4:49 |
| 43 | Romeo | Mr. Big | 1 | 2:34 |
| 44 | Judy, Judy | Bloodstone | | 2:44 |
| 45 | Just When I Needed You Most | Randy VanWarmer | | 4:02 |
| 46 | We’re All Alone | Frankie Valli | | 4:08 |
| 47 | Last of the Singing Cowboys | The Marshall Tucker Band | | 4:16 |
| 48 | Thunder Island | Jay Ferguson | | 3:59 |
| 49 | Playing the Fool | Chris Hillman | | 3:57 |
| 50 | Touch and Gone | Gary Wright | | 3:56 |
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