70s Pop: 101 Original Hits

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

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#TitleArtistRatingLength
1Oh Boy
cover recording of:
Oh, Boy!
writer:
Norman Petty, Bill Tilghman (songwriter) and Sonny West (American songwriter and musician Joseph “Sonny” West)
publisher:
Melody Lane Publications Inc., Southern Music (publisher), Southern Music Publishing Co., Inc. ((ASCAP) tradename Peermusic) and Wren Music Co.
Mud?:??
2Here Comes the Sun
recording of:
Here Comes the Sun
lyricist and composer:
George Harrison (The Beatles)
publisher:
Harrisongs Ltd. and Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group)
part of:
Reprise
Steve Harley?:??
3The ‘In’ Crowd (1999 Remaster)
cover recording of:
The “In” Crowd
orchestrator:
Gene Page (conductor, composer, arranger and record producer)
lyricist and composer:
Billy Page (US soul/pop songwriter & producer)
publisher:
Cross Music Ltd., American Music, Inc. (in 1964), Elvis Presley Music Inc. (in 1964) and Unichappell Music, Inc. (in 1964)
Bryan Ferry?:??
4Hanging On the Telephone
assistant engineer:
Grey Russell and Peter Coleman (British engineer & producer)
engineer:
Peter Coleman (British engineer & producer)
assistant producer:
Peter Coleman (British engineer & producer)
producer:
Mike Chapman (Australian producer and songwriter)
bass guitar:
Nigel Harrison (from 1978-06 until 1978-07)
drums (drum set):
Clem Burke (from 1978-06 until 1978-07)
guitar:
Frank Infante (from 1978-06 until 1978-07) and Chris Stein (from 1978-06 until 1978-07)
keyboard:
Jimmy Destri (from 1978-06 until 1978-07)
lead vocals:
Deborah Harry (from 1978-06 until 1978-07)
phonographic copyright (℗) by:
Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007), Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1978, in 2001), Chrysalis Records (don’t use as an imprint; please use “Chrysalis” instead) (in 1978), Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (in 1978), Chrysalis Records, Inc. (not for release label use!) (in 1978, in 2001) and Capitol Records (imprint of Capitol Records, Inc.) (in 2001)
recorded at:
The Record Plant (New York) in Midtown Manhattan, New York, New York, United States (from 1978-06 until 1978-07)
mixed at:
Forum Studio (recording and mixing studio, located in Covington, Kentucky, USA) in Covington, Kentucky, United States
cover recording of:
Hanging On the Telephone (from 1978-06 until 1978-07)
lyricist and composer:
Jack Lee (US songwriter and musician)
publisher:
BMG Blue, Chrysalis Music Ltd. (music publisher, affiliated with PRS), Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint), Chrysalis Songs, EMI Music Publishing Ltd. (PRS‐affiliated), Red Admiral Music Inc. (publisher) and Rare Blue Music Inc (in 1978)
Blondie4.3?:??
5Madness
producer:
Clive Langer & Alan Winstanley
baritone saxophone and tenor saxophone:
Lee “Kix” Thompson (Madness)
bass guitar:
Mark Bedford
drums (drum set) and percussion:
Daniel Woodgate
guitar:
Chris Foreman (UK musician, aka “Chrissy Boy”)
keyboard:
Mike Barson
background vocals:
Chas Smash
vocals:
Suggs and Lee “Kix” Thompson (Madness)
cover recording of:
Madness
lyricist and composer:
Cecil Bustamente Campbell (until 1962)
Madness2.5?:??
6Too Much Pressure
recording of:
Too Much Pressure
lyricist and composer:
Neol Davies (British musician and founder of The Selecter)
The Selecter?:??
7Gangsters
producer:
The Specials AKA (ska band)
recording of:
Gangsters
writer:
John Bradbury (UK drummer for The Specials/General Public), Roderick James Byers, Jerry Dammers, Lynval Golding, Terry Hall, Horace Panter and Neville Staple
arranger:
Jerry Dammers
quotes music from:
Al Capone
The Special A.K.A.4.25?:??
8Duchess
producer:
Alan Winstanley (English record producer)
recording of:
Duchess
lyricist and composer:
Jet Black (UK drummer Brian Duffy, member of The Stranglers), Jean‐Jacques Burnel, Hugh Cornwell (English rock musician) and Dave Greenfield
The Stranglers4?:??
9(Shake Shake Shake) Shake Your Booty
producer:
Harry Wayne Casey and Richard Finch
phonographic copyright (℗) by:
T.K. Records (Miami‐based disco label) (from 1976 to present) and EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1976)
recording of:
(Shake, Shake, Shake) Shake Your Booty
writer:
Harry Wayne Casey and Richard Finch
publisher:
EMI Music Publishing Australia Pty Ltd (not for release label use!), EMI Songs, Harrick Music, Inc. (BMI) and Longitude Music Co.
KC and the Sunshine Band4.6?:??
10Walking
CCS?:??
11Got My Beer in the Sideboard Here
Chas & Dave?:??
12I Am a Cider Drinker (Paloma Blanca)
recording of:
I Am a Cider Drinker
lyricist:
Tommy Banner, Tony Baylis and Pete Budd
writer:
Hans Bouwens
parody version of:
Paloma blanca
The Wurzels?:??
13Cotton Fields (The Cotton Song) (single version)
cover recording of:
Cotton Fields
lyricist and composer:
Huddie William Ledbetter
The Beach Boys?:??
14Storm in a Teacup
recording of:
Storm in a Teacup
writer:
Lynsey Rubin and Ron Roker
publisher:
ATV Kirshner (publisher) (in 1972)
The Fortunes?:??
15More Like the Movies
recording of:
More Like the Movies
composer:
Shel Silverstein
publisher:
Evil Eye Music Inc.
Dr. Hook?:??
16Brother Louie
producer:
Mickie Most (English record producer)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1973) and RAK Records Ltd. (in 1973)
recording of:
Brother Louie
writer:
Errol Brown (British‐Jamaican singer and songwriter, in Hot Chocolate) and Tony Wilson (bassist/songwriter, member of Hot Chocolate)
publisher:
EMI Music Publishing (PRS‐affiliated), Finchley Music and RAK Publishing Ltd.
Hot Chocolate5?:??
17Wow
recording of:
Wow
lyricist and composer:
Kate Bush
publisher:
Ed. Itaipu, EMI Music Publishing Ltd. (PRS‐affiliated) and Kate Bush Music Ltd.
Kate Bush?:??