100 Best Sacred Works

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

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#TitleArtistRatingLength
1Requiem in D minor K626: Introit: Requiem aeternam
recording engineer:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work) (in 1989-04)
producer:
Andrew Keener (engineer/editor/producer)
choir vocals:
London Philharmonic Choir (in 1989-04)
soprano vocals:
Felicity Lott (soprano) (in 1989-04)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (in 1989-04)
conductor:
Franz Welser‐Möst (conductor) (in 1989-04)
chorus master:
Richard Cooke (chorus master/conductor)
arranger:
Franz Beyer (violist)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1990)
recorded at:
St. Augustine’s Church (Kilburn, London) in London (Greater London), England, United Kingdom (in 1989-04)
recording of:
Requiem in D minor, K. 626: I. Introitus: “Requiem aeternam” (Beyer/Kunzelmann Edition) (in 1989-04)
additional orchestrator:
Franz Beyer (violist)
additional composer:
Franz Xaver Süßmayr
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
part of:
Requiem in D minor, K. 626 (Beyer/Kunzelmann Edition)
Wolfgang Amadeus Mozart4:27
2Requiem in D minor K626: Kyrie
recording engineer:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work) (in 1989-04)
producer:
Andrew Keener (engineer/editor/producer)
choir vocals:
London Philharmonic Choir (in 1989-04)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (in 1989-04)
conductor:
Franz Welser‐Möst (conductor) (in 1989-04)
arranger:
Franz Beyer (violist)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1990)
recorded at:
St. Augustine’s Church (Kilburn, London) in London (Greater London), England, United Kingdom (in 1989-04)
recording of:
Requiem in D minor, K. 626: II. “Kyrie eleison” (Beyer/Kunzelmann Edition) (in 1989-04)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
part of:
Requiem in D minor, K. 626 (Beyer/Kunzelmann Edition)
Wolfgang Amadeus Mozart2:35
3Requiem in D minor K626: Lacrimosa dies illa
recording engineer:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work) (in 1989-04)
producer:
Andrew Keener (engineer/editor/producer)
organ:
David Bell (organist) (in 1989-04)
choir vocals:
London Philharmonic Choir (in 1989-04)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (in 1989-04)
conductor:
Franz Welser‐Möst (conductor) (in 1989-04)
arranger:
Franz Beyer (violist)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1990)
recorded at:
St. Augustine’s Church (Kilburn, London) in London (Greater London), England, United Kingdom (in 1989-04)
recording of:
Requiem in D minor, K. 626: IIIf. Sequenz: “Lacrimosa” (Beyer/Kunzelmann Edition) (in 1989-04)
additional orchestrator:
Franz Beyer (violist)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
part of:
Requiem in D minor, K. 626: III. Sequenz (Beyer/Kunzelmann Edition)
Wolfgang Amadeus Mozart2:59
4Laudate Dominum
producer:
David Groves (classical music producer at EMI)
organ:
Justin Sillman (from 1987-04-24 until 1987-04-28)
choir vocals:
Academy of St Martin in the Fields Chorus (from 1987-04-24 until 1987-04-28)
soprano vocals:
Barbara Hendricks (soprano) (from 1987-04-24 until 1987-04-28)
orchestra:
Academy of St Martin in the Fields (from 1987-04-24 until 1987-04-28)
conductor:
Sir Neville Marriner (conductor) (from 1987-04-24 until 1987-04-28)
chorus master:
László Heltay (British/Hungarian conductor and composer) (from 1987-04-24 until 1987-04-28)
balance engineer:
Stuart Eltham (engineer) (from 1987-04-24 until 1987-04-28)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1987-04-24 until 1987-04-28)
recording of:
Vesperae solennes de confessore, K. 339: V. Laudate dominum (from 1987-04-24 until 1987-04-28)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1780)
part of:
Vesperae solennes de confessore, K. 339
Wolfgang Amadeus Mozart5:30
5Regina coeli
choir vocals:
Cologne Chamber Choir (Cologne Chamber Orchestra)
soprano vocals:
Patrizia Kwella (soprano)
orchestra:
Collegium Cartusianum
conductor:
Peter Neumann (conductor)
recording of:
Antiphon for Soprano, Chorus & Orchestra in B-flat major, K. 127 "Regina coeli"
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1772)
part of:
Köchelverzeichnis (Köchel catalogue, ninth edition, 2024, K⁹) (number: K. 127), Köchelverzeichnis (Köchel catalogue, original numbering) (number: 127) and Köchelverzeichnis (Köchel catalogue, sixth edition, 1964, K⁶) (number: K. 127)
Wolfgang Amadeus Mozart4:04
6Mass in Cm - Laudatamus te
producer:
Suvi Raj Grubb
soprano vocals:
Kiri Te Kanawa (soprano) (in 1973-02)
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1973-02)
conductor:
Raymond Leppard (conductor and harpsichordist) (in 1973-02)
balance engineer:
Neville Boyling (engineer) (in 1973-02)
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (in 1973-02)
recording of:
Missa in c-Moll, K.427/417a ('Große Messe'): IIb. Gloria: “Laudamus te” (in 1973-02)
composer:
Wolfgang Amadeus Mozart (classical composer)
part of:
Missa in c-Moll, K.427/417a ('Große Messe'): II. Gloria
Wolfgang Amadeus Mozart4:57
7Coronation Mass - Benedictus
producer:
Friedrich Welz (engineer/producer) and John Willan (producer)
alto vocals and mezzo-soprano vocals:
Júlia Hamari (Hungarian mezzo-soprano) (from 1976-07-07 until 1976-07-09)
baritone vocals:
Dietrich Fischer‐Dieskau (baritone) (from 1976-07-07 until 1976-07-09)
choir vocals:
Bavarian Radio Chorus (Bavarian Radio Choir) (from 1976-07-07 until 1976-07-09)
soprano vocals:
Edda Moser (soprano) (from 1976-07-07 until 1976-07-09)
tenor vocals:
Nicolai Gedda (tenor) (from 1976-07-07 until 1976-07-09)
orchestra:
Bavarian Radio Symphony Orchestra (from 1976-07-07 until 1976-07-09)
conductor:
Eugen Jochum (conductor) (from 1976-07-07 until 1976-07-09)
chorus master:
Josef Schmidhuber (chorus master) (from 1976-07-07 until 1976-07-09)
balance engineer:
Neville Boyling (engineer) and Martin Wöhr
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) and Warner Music UK Ltd. (not for release label use!) (in 1977)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (from 1976-07-07 until 1976-07-09)
recording of:
Missa in C, K. 317 “Krönungs-Messe”: V. Benedictus (Mass in C, K. 317 "Coronation Mass": V. Benedictus) (from 1976-07-07 until 1976-07-09)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1779)
part of:
Missa in C, K. 317 “Krönungs-Messe” (Mass in C, K. 317 "Coronation Mass")
Wolfgang Amadeus Mozart3:17
8Exsultate, Jubilate -- Alleluia
soprano vocals:
Lucia Popp (soprano)
orchestra:
English Chamber Orchestra
conductor:
György Fischer (pianist and conductor)
recording of:
Exsultate, jubilate, K. 158a/165: I. Exsultate, jubilate (Salzburg revision)
composer and revised by:
Wolfgang Amadeus Mozart (classical composer)
part of:
Exsultate, jubilate, K. 158a/165 (Salzburg revision)
revision of:
Exsultate, jubilate, K. 158a/165: I. Exsultate, jubilate
recording of:
Exsultate, jubilate, K. 158a/165: IV. Alleluia
composer:
Wolfgang Amadeus Mozart (classical composer)
part of:
Exsultate, jubilate, K. 158a/165
Wolfgang Amadeus Mozart2:57
9Ave Verum Corpus
producer:
James Mallinson (producer)
choir vocals:
Stockholmer Kammerchor (Stockholm Chamber Choir) (from 1987-02-14 until 1987-02-15) and Swedish Radio Choir (from 1987-02-14 until 1987-02-15)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1987-02-14 until 1987-02-15)
conductor:
Riccardo Muti (conductor) (from 1987-02-14 until 1987-02-15)
chorus master:
Eric Ericson (from 1987-02-14 until 1987-02-15)
balance engineer:
John Kurlander (engineer)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1987)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 1987-02-14 until 1987-02-15)
recording of:
Ave verum corpus, K. 618 (for chorus, string and organ) (from 1987-02-14 until 1987-02-15)
composer:
Wolfgang Amadeus Mozart (classical composer) (until 1791-06-18)
part of:
Köchelverzeichnis (Köchel catalogue, first edition, 1862, K¹) (number: K. 618), Köchelverzeichnis (Köchel catalogue, third edition, 1937, K³) (number: K. 618), Köchelverzeichnis (Köchel catalogue, ninth edition, 2024, K⁹) (number: K. 618), Köchelverzeichnis (Köchel catalogue, original numbering) (number: 618) and Köchelverzeichnis (Köchel catalogue, sixth edition, 1964, K⁶) (number: K. 618)
Wolfgang Amadeus Mozart3:27
10The Creation: With Verdure Clad
producer:
David R. Murray
orchestra:
City of Birmingham Symphony Orchestra (from 1990-03-24 until 1990-04-29)
conductor:
Simon Rattle (conductor) (from 1990-03-24 until 1990-04-29)
balance engineer:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work) (from 1990-03-24 until 1990-04-29) and Michael Sheady (engineer) (from 1990-03-24 until 1990-04-29)
recorded at:
Warwick Arts Centre in Coventry, West Midlands, England, United Kingdom (from 1990-03-24 until 1990-04-29)
recording of:
Die Schöpfung, Hob XXI:2: Part I: IX. Arie: Nun beut die Flur das frische Grün (from 1990-03-24 until 1990-04-29)
composer:
Joseph Haydn (composer)
part of:
Die Schöpfung, Hob. XXI:2: Part I (The Creation, Hob. XXI:2: Part I)
Joseph Haydn4:54
11The Creation: The Heavens Are Telling
Joseph Haydn3:38
12Mass No.11 in D minor ‘Nelson’: Kyrie
Joseph Haydn4:25
13Mass No.11 in D minor ‘Nelson’: Gloria in excelsis Deo
Joseph Haydn3:26
14Mass in C - Kyrie
producer:
Suvi Raj Grubb
bass vocals:
Marius Rintzler (Romanian operatic bass) (from 1970-09-15 until 1970-09-18)
choir vocals:
New Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977) (from 1970-09-15 until 1970-09-18)
mezzo-soprano vocals:
Janet Baker (mezzo‐soprano and alto) (from 1970-09-15 until 1970-09-18)
soprano vocals:
Elly Ameling (soprano) (from 1970-09-15 until 1970-09-18)
tenor vocals:
Theo Altmeyer (German tenor) (from 1970-09-15 until 1970-09-18)
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1970-09-15 until 1970-09-18)
conductor:
Carlo Maria Giulini (conductor) (from 1970-09-15 until 1970-09-18)
chorus master:
Wilhelm Pitz (chorus master) (from 1970-09-15 until 1970-09-18)
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (from 1970-09-15 until 1970-09-18)
recording of:
Mass for 4 Solo Voices, Chorus, and Orchestra in C major, op. 86: I. Kyrie. Andante con moto assai vivace quasi Allegretto ma non troppo (from 1970-09-15 until 1970-09-18)
composer:
Ludwig van Beethoven (German composer) (in 1807)
part of:
Mass for 4 Solo Voices, Chorus, and Orchestra in C major, op. 86
Ludwig van Beethoven5:34
15Die ehre gottes aus der natur
choir vocals:
New Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977)
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Wilhelm Pitz (chorus master)
recording of:
Song for Voice and Piano, op. 48 no. 4 in C major: Majestätisch und erhaben "Die Ehre Gottes in der Natur: Die Himmel rühmen des Ewigen Ehre"
lyricist:
Christian Fürchtegott Gellert
composer:
Ludwig van Beethoven (German composer) (in 1802-03)
part of:
6 Lieder, op. 48
Ludwig van Beethoven2:32
16Missa Solemnis - Gloria
Ludwig van Beethoven17:13
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