Greatest Ever! Electric Eighties

~ Release by Various Artists (see all versions of this release, 1 available)

Annotation

Variants

CD ONE

Matrix: |GTSTCD076/A|*059755|
Mould SID code: IFPI 5Q92
Mastering SID code: IFPI LD11
DiscID: VZRHwCuY0SOjCIMz0G8s051QQJ8-

CD TWO

Matrix: |GTSTCD076/B|*059205|
Mould SID code: IFPI 5Q92
Mastering SID code: IFPI LD11
DiscID: I7tlook4oiHDilPmY1UF8aRRgus-

CD THREE

Matrix: |GTSTCD076/C|*059206|
Mould SID code: IFPI 5Q84
Mastering SID code: IFPI LD11
DiscID: x2YGSzUB_3Rn3YAUYli9D445oyg-

Annotation last modified on 2022-02-27 13:35 UTC.

Tracklist

1▶CD
2▼CD
#TitleArtistRatingLength
1The Look of Love, Pt. 1
engineer:
Gary Langan
producer:
Trevor Horn
bass guitar:
Mark Lickley
keyboard:
Mark White (ABC/Vice Versa)
lead vocals:
Martin Fry
strings arranger:
Anne Dudley (English score composer)
phonographic copyright (℗) by:
Mercury Records Ltd. (not for release label use!) (in 1982), Mercury Records Ltd. (London) (for copyrights use only) (in 1982), Phonogram Ltd. (not for release label use!) (in 1982) and Phonogram Ltd. (London) (company name, NOT a label!) (in 1982)
mixed at:
Sarm Studios (1973–2013, fka Sarm Studios from 1973–1982) in Aldgate, Tower Hamlets, London (Greater London), England, United Kingdom (in 1982)
part of:
TV Cream: Real 100 Best Singles Ever (number: 4), The Downloader’s Music Source Book (number: 73) and VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (number: 43)
partial recording of:
The Look of Love
writer:
Martin Fry, David Palmer (drummer (ABC/The The)), Stephen Singleton and Mark White (ABC/Vice Versa)
publisher:
10 Music Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Neutron Music, Neutron Music Ltd., Virgin Music (Publishers) Ltd. and Virgin Music, Inc. (US arm of Virgin’s publishing company)
part of:
Mantrap (ABC long-form film)
ABC3.93:31
2Everything She Wants
assistant engineer:
Paul Gomersau
engineer:
Chris Porter (engineer and producer)
producer:
George Michael
electric guitar:
Andrew Ridgeley (in 1984)
keyboard:
George Michael
saxophone:
David Baptiste (U.K. Saxophonist, flutist, percussionist, vocalist, & backing vocalist)
background vocals and lead vocals:
George Michael (in 1984)
performer:
Wham! (British pop-duo) (in 1984)
arranger:
George Michael
phonographic copyright (℗) by:
Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (in 1984)
recording of:
Everything She Wants
lyricist and composer:
George Michael
publisher:
Chappell Music (UK)
Wham!4.45:04
3Only You
engineer:
John Fryer (British producer and engineer) and Eric Radcliffe (UK producer / engineer / musician)
additional producer:
Daniel Miller (British music producer and founder of Mute Records)
producer:
Eric Radcliffe (UK producer / engineer / musician) and Yazoo (80s British synthpop duo, aka Yaz)
keyboard and synthesizer:
Vince Clarke (member of Erasure, Depeche Mode, Yazoo,…)
vocals:
Alison Moyet
phonographic copyright (℗) by:
Mute Records Ltd. (not for release label use! original company behind the Mute label) (in 1982)
recording of:
Only You
lyricist and composer:
Vince Clarke (member of Erasure, Depeche Mode, Yazoo,…)
publisher:
Musical Moments Ltd., SM Publishing (UK) Limited (Sony Music, 2009–2020), Sonet Publishing and Sony/ATV Music Publishing (UK) Ltd.
Yazoo4.43:11
4Wouldn't It Be Good
recording engineer:
Julian Mendelsohn (Australian record producer and engineer) (in 1983)
assistant engineer:
Roger Howorth
producer:
Peter Collins (producer)
mixer:
Julian Mendelsohn (Australian record producer and engineer)
lead vocals:
Nik Kershaw (in 1983)
horn arranger:
Jerry Hey and Nik Kershaw
arranger:
Nik Kershaw
phonographic copyright (℗) by:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1983, in 1984) and MCA Records Ltd. (do not use as an imprint; UK subsidiary of MCA Records) (in 1984)
mixed at:
Sarm East Studios (1973–2013, fka Sarm Studios from 1973–1982) in Aldgate, Tower Hamlets, London (Greater London), England, United Kingdom
part of:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (number: 88)
recording of:
Wouldn’t It Be Good (in 1983)
lyricist and composer:
Nik Kershaw
publisher:
Arctic King, Imagem Music GmbH (subsidiary of Dutch music publishers Imagem), Imagem Music UK, Imagem Songs Ltd., Irving Music, Inc., Mamal, Rondor Music, Rondor Music (London) Ltd., Universal Music Publishing (use ONLY if no country‐specific information is available), Universal Music Publishing, Synch Division and Yamaha Music EH(CM)
part of:
Gotcha! (1985 film soundtrack)
Nik Kershaw44:32
5Mad World
programming:
Manny Elias, Chris Hughes (producer, aka “Merrick”), Roland Orzabal (UK musician, songwriter and producer) and Ian Stanley
producer:
Ross Cullum and Chris Hughes (producer, aka “Merrick”)
bass guitar:
Curt Smith
drums (drum set):
Manny Elias
guitar:
Roland Orzabal (UK musician, songwriter and producer)
keyboard:
Roland Orzabal (UK musician, songwriter and producer), Curt Smith and Ian Stanley
percussion:
Chris Hughes (producer, aka “Merrick”)
vocals:
Curt Smith
conductor:
Chris Hughes (producer, aka “Merrick”)
performer:
Ross Cullum and Phil Palmer (guitarist)
phonographic copyright (℗) by:
Phonogram Ltd. (London) (company name, NOT a label!) (in 1985)
music videos:
Mad World by Tears for Fears
recording of:
Mad World
lyricist and composer:
Roland Orzabal (UK musician, songwriter and producer)
publisher:
BMG Blue, BMG Rights Management (UK) Ltd. (not for release label use! see annotation), Chrysalis Music (music publisher, ASCAP-affiliated), Chrysalis Music Publishing and Virgin Music Ltd.
Tears for Fears43:32
6Crockett's Theme
recording of:
Crockett’s Theme (Miami Vice)
composer:
Jan Hammer
publisher:
Involved Publishing Ltd, MCA Music Inc. (Universal Music Philippines’ legal name) and Universal/MCA Music Ltd. (not for release label use!)
Jan Hammer3.53:33
7You Spin Me Round (Like a Record)
producer:
Pete Waterman
performer:
Dead or Alive (UK new wave band) (in 1984)
phonographic copyright (℗) by:
Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (in 1985)
music videos:
You Spin Me Round (Like a Record) (On 'Blue Peter') (TX 10/01/2003) by Dead or Alive (UK new wave band)
part of:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (number: 52)
recording of:
You Spin Me Round (Like a Record)
writer:
Pete Burns, Steve Coy, Tim Lever and Mike Percy
publisher:
Burning Music Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Métisse Music, Warner Chappell Music France, Warner Chappell Music Ltd. (no slash; used 1988–1996) and Westbury Music Ltd.
part of:
American Psycho
Dead or Alive4.153:16
8Wishing (If I Had a Photograph of You)
engineer:
Dave Hutchins (UK engineer)
producer:
Mike Howlett
bass guitar:
Frank Maudsley
drums (drum set):
Ali Score
guitar:
Paul Reynolds (UK guitarist, in A Flock of Seagulls)
keyboard and lead vocals:
Mike Score
phonographic copyright (℗) by:
Zomba Productions Limited (in 1983) and Zomba Records Limited (not strictly a label - avoid adding releases here) (in 1986)
recorded at:
Conny Plank's Studio in Neunkirchen, Nordrhein-Westfalen (North Rhine-Westphalia), Germany
mixed at:
Union Studios (Established in 1963 as 'Studio Allach') in München (Munich), Bayern (Bavaria), Germany
recording of:
Wishing (If I Had a Photograph of You)
writer:
Frank Maudsley, Paul Reynolds (UK guitarist, in A Flock of Seagulls), Ali Score and Mike Score
publisher:
Zomba Enterprises, Inc. and Zomba Management Ltd. (Don’t confuse with Zomba Management and Publishers Ltd.)
A Flock of Seagulls4.25:32
9Wonderful Life
producer:
Dave Dix (Dave Dix)
phonographic copyright (℗) by:
A&M Records, Ltd. (in 1987)
music videos:
Wonderful Life by Black (UK indie pop musician Colin Vearncombe)
recording of:
Wonderful Life
lyricist and composer:
Colin Vearncombe
publisher:
Rondor Music Ltd. (publisher)
Black4.354:49
10I Know What Boys Like
co-producer:
Chris Butler (US musician, writer and artist, led The Waitresses) and Kurt Munkacsi
producer:
Chris Butler (US musician, writer and artist, led The Waitresses) and Kurt Munkacsi
phonographic copyright (℗) by:
Universal Records (UMG subsidiary, “RECORDS” must be a part of the logo; read annotation) (in 1980)
part of:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (number: 34)
recording of:
I Know What Boys Like
lyricist and composer:
Chris Butler (US musician, writer and artist, led The Waitresses)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
version of:
Wait Here I’ll Be Right Back…
The Waitresses3:12
11Da Da Da (I Don't Love You You Don't Love Me Aha Aha Aha)
engineer:
Jim Duncombe (Swiss musician / engineer) (in 1982-01)
producer:
Klaus Voormann (in 1982-01)
castanets:
Hans‐Joachim Behrendt (in 1982-01)
drums (drum set):
Peter Behrens (in 1982-01)
electric bass guitar:
Klaus Voormann (in 1982-01)
electric guitar:
Kralle Krawinkel (in 1982-01)
keyboard:
Stephan Remmler (in 1982-01)
background vocals:
Annette Humpe (in 1982-01)
lead vocals:
Stephan Remmler (in 1982)
engineered at:
Audio Studios in Berlin, Germany (in 1982-01) and Powerplay Studios in Maur, Zürich (Canton of Zürich), Switzerland (in 1982-01)
edit of:
Da Da Da I Don’t Love You You Don’t Love Me Aha Aha Aha by Trio (80s German band)
music videos:
Da Da Da (I Don't Love You) by Trio (80s German band)
recording of:
Da Da Da I Don’t Love You You Don’t Love Me Aha Aha Aha (in 1982-01)
lyricist and composer:
Kralle (in 1981) and Stephan Remmler (in 1981)
translator:
Kralle and Stephan Remmler
publisher:
Just Us Music Production GmbH
translated version of:
Da da da ich lieb dich nicht du liebst mich nicht aha aha aha
Trio3.353:21
12Obsession
recording engineer:
Jeff Harris (recording engineer)
programming:
Jeff Harris (recording engineer) and Holly Knight
producer:
John Ryan (producer a/k/a “The Chicago Kid”)
bass guitar:
Charles Ottavio
guitar:
Bill Wadhams
keyboard:
Paul Antonelli
membranophone:
Frenchy O'Brien
part of:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (number: 12)
cover recording of:
Obsession
writer:
Michael Des Barres and Holly Knight
publisher:
Melodie der Welt GmbH & Co. KG (fka Melodie der Welt J. Michel GmbH & Co. KG; this name since 2011-04-07) and The Makiki Publishing Co. Ltd.
recording of:
Obsession
writer:
Michael Des Barres and Holly Knight
publisher:
Melodie der Welt GmbH & Co. KG (fka Melodie der Welt J. Michel GmbH & Co. KG; this name since 2011-04-07) and The Makiki Publishing Co. Ltd.
Animotion5:37
13Welcome to the Pleasuredome
recording of:
Welcome to the Pleasuredome
composer:
Peter Gill (UK drummer for Frankie Goes to Hollywood), Holly Johnson, Brian Nash (British guitarist (Frankie Goes to Hollywood) and songwriter) and Mark O’Toole (former bassist of Frankie Goes to Hollywood)
Frankie Goes to Hollywood3:41
14Yellow Pearl
recording of:
Yellow Pearl
writer:
Phil Lynott and Midge Ure
publisher:
Chappell Music (UK)
Phil Lynott32:53
15The Word Girl
recording engineer and mixer:
Howard Gray (UK producer, engineer, and electronic musician)
producer:
David Gamson, Green Gartside and Fred Maher
drums (drum set):
Fred Maher
guitar:
Nick Moroch (US guitarist)
keyboard:
David Gamson
background vocals:
B.J. Nelson (backing singer)
vocals:
Green
phonographic copyright (℗) by:
Virgin Records Ltd. (not for release label use! for company relationships only) (in 1985)
recording of:
The Word Girl
writer:
David Gamson and Green Gartside
publisher:
Jouissance Music, Warner Chappell Music Ltd. (no slash; used 1988–1996), WB Music Corp. (1929–2019), Chrysalis Music Ltd. (music publisher, affiliated with PRS) (in 1985), Copyright Control (not for release label use! this is only for copyrights and publishing relationships) (in 1985) and Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23) (in 1985)
Scritti Politti4:25
16Moments in Love
producer:
Trevor Horn
guest vocals:
Camilla Pilkington
vocals:
Camilla Pilkington
arranger:
Trevor Horn
phonographic copyright (℗) by:
ZTT Records Ltd. (for copyrights use only; aka Zang Tuum Tumb or Zang Tumb Tuum prior to incorporation ca. 1988) (in 1984)
samples:
Boogie Woogie Bugle Boy by The Andrews Sisters
recording of:
Moments in Love
composer:
Anne Dudley (English score composer), Trevor Horn, J.J. Jeczalik, Gary Langan and Paul Morley
publisher:
Perfect Songs Ltd. (UK publisher, affiliated with PRS), SPZ Music, Inc. (BMI affiliated) and Unforgettable Songs Ltd.
Art of Noise4.654:38
17In the Year 2525
producer:
Midge Ure
remixer:
John Hudson (producer, recording and mixing engineer)
cover recording of:
In the Year 2525 (Exordium and Terminus)
lyricist and composer:
Rick Evans (US singer, songwriter and guitarist)
publisher:
ATV Music, Chelsea Music Publishing, Zelad Music and Zerlad Music Enterprises Ltd.
Visage3:47
18Puttin' On the Ritz
tap dance:
Taco (Dutch singer)
music videos:
Puttin’ On the Ritz by Taco (Dutch singer)
cover recording of:
Puttin’ On the Ritz
lyricist and composer:
Irving Berlin (in 1929)
publisher:
Berlin Irving Music Corp and Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
part of:
Idiot’s Delight (film)
Taco44:38
19Europe After the Rain
John Foxx3:38
3▶CD

Credits

Release group

part of:Greatest Ever! The Definitive Collection (order: 21)