The Complete 1951 Storyville Club Sessions

~ Release by Billie Holiday (see all versions of this release, 1 available)

Tracklist

1▼CD
#TitleRatingLength
1You’re Driving Me Crazy
double bass:
John Fields (Jazz bassist) (in 1951-10)
drums (drum set):
Marquis Foster (in 1951-10)
piano:
Buster Harding (in 1951-10)
tenor saxophone:
Stan Getz (in 1951-10)
vocals:
Billie Holiday (in 1951-10)
live recording of:
You’re Driving Me Crazy (in 1951-10)
lyricist:
Walter Donaldson
composer:
Walter Donaldson (in 1930)
publisher:
Anne-Rachel Music Corp., Donaldson Publishing Co., Larry Spier Music LLC and Tobago Music Co.
1:29
2Lover Come Back to Me
double bass:
John Fields (Jazz bassist) (in 1951-10)
drums (drum set):
Marquis Foster (in 1951-10)
piano:
Buster Harding (in 1951-10)
tenor saxophone:
Stan Getz (in 1951-10)
vocals:
Billie Holiday (in 1951-10)
live recording of:
Lover, Come Back to Me (from "The New Moon") (in 1951-10)
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein) (in 1928)
writer:
Sigmund Romberg
composer:
Sigmund Romberg (in 1928)
publisher:
Bambalina Music Publishing Company, Redwood Music, Warner Bros., Inc. (Warner Bros. Music Division), Warner/Chappell (Warner/Chappell Music, Inc.) and Warner Bros., Inc. (not for release label use!) (in 1928)
sub-publisher:
ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), ヤマハミュージックパブリッシング (Yamaha Music Publishing) (until 2017-03-31) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) (from 2017-04-01 to present)
part of:
The New Moon: Act II
2:19
3Ain’t Nobody’s Bizz‐Ness If I Do
double bass:
John Fields (Jazz bassist) (in 1951-10)
drums (drum set):
Marquis Foster (in 1951-10)
piano:
Buster Harding (in 1951-10)
tenor saxophone:
Stan Getz (in 1951-10)
vocals:
Billie Holiday (in 1951-10)
live recording of:
T’ain’t Nobody’s Bizness If I Do (in 1951-10)
lyricist:
Porter Grainger
composer:
Porter Grainger and Everett Robbins
publisher:
MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated) and MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group)
part of:
American Splendor
2:19
4He’s Funny That Way
double bass:
John Fields (Jazz bassist) (in 1951-10)
drums (drum set):
Marquis Foster (in 1951-10)
piano:
Buster Harding (in 1951-10)
vocals:
Billie Holiday (in 1951-10)
live recording of:
She’s Funny That Way (in 1951-10)
lyricist:
Richard A. Whiting (composer) (in 1928)
writer:
Neil Moret and Richard A. Whiting (composer)
composer:
Neil Moret (in 1928)
publisher:
Chappell & Co., EMI April Music Inc., Francis, Day & Hunter Ltd., Robbins Music Corp. and Ross Jungnickel, Inc.
2:52
5Billie’s Blues (I Love My Man)
double bass:
John Fields (Jazz bassist) (in 1951-10)
drums (drum set):
Marquis Foster (in 1951-10)
piano:
Buster Harding (in 1951-10)
vocals:
Billie Holiday (in 1951-10)
live recording of:
Billie’s Blues (in 1951-10)
lyricist:
Billie Holiday
composer:
Billie Holiday (until 1936-08-01)
publisher:
Basart Editions
3:05
6Miss Brown to You
double bass:
John Fields (Jazz bassist) (in 1951-10)
drums (drum set):
Marquis Foster (in 1951-10)
piano:
Buster Harding (in 1951-10)
vocals:
Billie Holiday (in 1951-10)
live recording of:
Miss Brown to You (in 1951-10)
lyricist:
Leo Robin (US composer, lyricist & songwriter)
composer:
Ralph Rainger and Richard A. Whiting (composer)
1:47
7Detour Ahead
double bass:
John Fields (Jazz bassist) (in 1951-10)
drums (drum set):
Marquis Foster (in 1951-10)
piano:
Buster Harding (in 1951-10)
vocals:
Billie Holiday (in 1951-10)
live recording of:
Detour Ahead (in 1951-10)
composer:
Lou Carter (in 1947), Herb Ellis (jazz guitarist) (in 1947) and Johnny Frigo (US jazz musician) (in 1947)
publisher:
Woodrow Music
2:19
8Strange Fruit
double bass:
John Fields (Jazz bassist) (in 1951-10)
drums (drum set):
Marquis Foster (in 1951-10)
piano:
Buster Harding (in 1951-10)
vocals:
Billie Holiday (in 1951-10)
live recording of:
Strange Fruit (in 1951-10)
lyricist and composer:
Lewis Allan
publisher:
Basart Editions, Carlin Music Corporation, Edward B. Marks Music Co. (founded originally as J. Stern & Co. in 1894, renamed in 1919) and Music Sales Corporation (American copyright holder in both popular and classical music)
version of:
Bitter Fruit
3:22
9Ain’t Nobody’s Bizz‐Ness If I Do
bass:
John Fields (Jazz bassist)
double bass:
John Fields (Jazz bassist) (in 1951-10)
drums (drum set):
Marquis Foster (in 1951-10)
piano:
Buster Harding (in 1951-10)
vocals:
Billie Holiday (in 1951-10)
live recording of:
T’ain’t Nobody’s Bizness If I Do (in 1951-10)
lyricist:
Porter Grainger
composer:
Porter Grainger and Everett Robbins
publisher:
MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated) and MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group)
part of:
American Splendor
2:55
10All of Me
double bass:
John Fields (Jazz bassist) (in 1951-10)
drums (drum set):
Marquis Foster (in 1951-10)
piano:
Buster Harding (in 1951-10)
vocals:
Billie Holiday (in 1951-10)
live recording of:
All of Me (in 1951-10)
writer:
Gerald Marks (in 1932) and Seymour Simons (in 1932)
publisher:
Bourne Co. (not for release label use, this is a music publisher), Bourne, Inc., Francis, Day & Hunter Ltd., Marlong Music Corp., Round Hill Songs and Sony/ATV Tunes LLC (ASCAP)
sub-publisher:
Peermusic and 日音 Synch事業部 (NICHION, INC. Synch Division)
1:39
11I Love You, Porgy
double bass:
John Fields (Jazz bassist) (in 1951-10)
drums (drum set):
Marquis Foster (in 1951-10)
piano:
Buster Harding (in 1951-10)
vocals:
Billie Holiday (in 1951-10)
live recording of:
I Loves You, Porgy (use this for non-operatic performances) (in 1951-10)
lyricist:
Ira Gershwin and DuBose Heyward
composer:
George Gershwin (composer)
publisher:
Chappell & Co., New Dawn Music, Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell Music Holland BV, Warner/Chappell North America and Gershwin Publishing Corp (in 1935)
version of:
Porgy and Bess: Act II, Scene III. “I loves you, Porgy”
3:05
12Miss Brown to You
double bass:
John Fields (Jazz bassist) (in 1951-10)
drums (drum set):
Marquis Foster (in 1951-10)
piano:
Buster Harding (in 1951-10)
vocals:
Billie Holiday (in 1951-10)
live recording of:
Miss Brown to You (in 1951-10)
lyricist:
Leo Robin (US composer, lyricist & songwriter)
composer:
Ralph Rainger and Richard A. Whiting (composer)
1:52
13Billie’s Blues (I Love My Man)
double bass:
John Fields (Jazz bassist) (in 1951-10)
drums (drum set):
Marquis Foster (in 1951-10)
piano:
Buster Harding (in 1951-10)
vocals:
Billie Holiday (in 1951-10)
live recording of:
Billie’s Blues (in 1951-10)
lyricist:
Billie Holiday
composer:
Billie Holiday (until 1936-08-01)
publisher:
Basart Editions
2:51
14Lover Man
double bass:
John Fields (Jazz bassist) (in 1951-10)
drums (drum set):
Marquis Foster (in 1951-10)
piano:
Buster Harding (in 1951-10)
vocals:
Billie Holiday (in 1951-10)
live recording of:
Lover Man (in 1951-10)
lyricist:
Jimmy Davis (US songwriter, wrote “Lover Man”) (in 1942), Roger “Ram” Ramirez (Puerto Rican jazz pianist) (in 1942) and Jimmy Sherman (pianist, arranger and songwriter) (in 1942)
composer:
Roger “Ram” Ramirez (Puerto Rican jazz pianist), Jimmy Davis (US songwriter, wrote “Lover Man”) (in 1942) and Jimmy Sherman (pianist, arranger and songwriter) (in 1942)
publisher:
MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated) (ended), MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group) (ended) and Universal Music Corp. (USA, affiliated with ASCAP)
2:23
15Them There Eyes
double bass:
John Fields (Jazz bassist) (in 1951-10)
drums (drum set):
Marquis Foster (in 1951-10)
piano:
Buster Harding (in 1951-10)
vocals:
Billie Holiday (in 1951-10)
live recording of:
Them There Eyes (in 1951-10)
lyricist:
William Tracey (in 1930)
composer:
Maceo Pinkard (in 1930) and Doris Tauber (in 1930)
publisher:
Bourne Co. (not for release label use, this is a music publisher), Redwood Music Ltd. (Carlin) and Warner Chappell Music Limited (2019–present)
1:39
16My Man
double bass:
John Fields (Jazz bassist) (in 1951-10)
drums (drum set):
Marquis Foster (in 1951-10)
piano:
Buster Harding (in 1951-10)
vocals:
Billie Holiday (in 1951-10)
live recording of:
My Man (Mon homme) (Channing Pollock lyrics) (in 1951-10)
lyricist:
Jacques Charles (French librettist and theatre producer) and Albert Willemetz
composer:
Maurice Yvain
translator:
Channing Pollock
publisher:
CBS Feist Catalog, Inc. (ended) and Éditions Salabert France
translated version of:
Mon homme
3:22
17I Cover the Waterfront
double bass:
John Fields (Jazz bassist) (in 1951-10)
drums (drum set):
Marquis Foster (in 1951-10)
piano:
Buster Harding (in 1951-10)
vocals:
Billie Holiday (in 1951-10)
live recording of:
I Cover the Waterfront (in 1951-10)
lyricist:
Edward Heyman
composer:
Johnny Green (composer and conductor, often credited as John Green) and Edward Heyman
publisher:
Harms, Inc., Warner Bros., Inc. (not for release label use!) and Warner/Chappell Music, Inc.
3:32
18Crazy He Calls Me
double bass:
John Fields (Jazz bassist) (in 1951-10)
drums (drum set):
Marquis Foster (in 1951-10)
piano:
Buster Harding (in 1951-10)
vocals:
Billie Holiday (in 1951-10)
live recording of:
Crazy He Calls Me (in 1951-10)
lyricist:
Sidney Keith Russell (US songwriter/lyricist Sidney Keith “Bob” Russell)
composer:
Carl Sigman
publisher:
Harrison Music Corp., Major Songs, Music Sales Corporation (American copyright holder in both popular and classical music) and ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
2:10
19Lover Come Back to Me
double bass:
John Fields (Jazz bassist) (in 1951-10)
drums (drum set):
Marquis Foster (in 1951-10)
piano:
Buster Harding (in 1951-10)
vocals:
Billie Holiday (in 1951-10)
live recording of:
Lover, Come Back to Me (from "The New Moon") (in 1951-10)
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein) (in 1928)
writer:
Sigmund Romberg
composer:
Sigmund Romberg (in 1928)
publisher:
Bambalina Music Publishing Company, Redwood Music, Warner Bros., Inc. (Warner Bros. Music Division), Warner/Chappell (Warner/Chappell Music, Inc.) and Warner Bros., Inc. (not for release label use!) (in 1928)
sub-publisher:
ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), ヤマハミュージックパブリッシング (Yamaha Music Publishing) (until 2017-03-31) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) (from 2017-04-01 to present)
part of:
The New Moon: Act II
2:40