Classical Music: 50 of the Best

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

1▼Digital Media
#TitleArtistRatingLength
1Symphony no. 5 in C-sharp minor: IV. Adagietto: Sehr langsam
engineer:
Wolf‐Dieter Karwatky (from 2005-04-29 until 2005-04-30)
assistant producer:
Tamra Saylor Fine
producer and editor:
Michael Fine (producer)
mixer:
Michael Fine (producer) and Wolf‐Dieter Karwatky
orchestra:
London Symphony Orchestra (from 2005-04-29 until 2005-04-30)
conductor:
James DePreist (conductor) (from 2005-04-29 until 2005-04-30)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 2005-04-29 until 2005-04-30)
mixed at:
BKL Recording Group in Lüneburg, Niedersachsen (Lower Saxony), Germany
recording of:
Symphony no. 5 in C-sharp minor: IV. Adagietto. Sehr langsam (from 2005-04-29 until 2005-04-30)
composer:
Gustav Mahler (composer) (from 1901 until 1902)
part of:
Symphony no. 5
Gustav Mahler10:39
2Die Zauberflote (The Magic Flute), K. 620: Act II: Der Holle Rache… (Queen of the Night)
producer:
Hubert Geschwandtner (producer/engineer) (in 1990) and Karol Kopernický (producer) (in 1990)
soprano vocals:
Donna Robin (soprano) (from 1990-02-09 until 1990-02-13)
vocals:
Andrea Martin (singer/songwriter for various dance/soul artists)
orchestra:
Vienna Mozart Orchestra (from 1990-02-09 until 1990-02-13)
conductor:
Konrad Leitner (conductor) (from 1990-02-09 until 1990-02-13)
recorded at:
Konzerthaus: Mozart‐Saal in Landstraße, Wien (Vienna), Austria (from 1990-02-09 until 1990-02-13)
recording of:
Die Zauberflöte: Akt II. No. 14 Arie „Der Hölle Rache kocht in meinem Herzen” (Die Königin der Nacht) (from 1990-02-09 until 1990-02-13)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart2:58
3Peer Gynt Suite no. 1, op. 46: IV. In the Hall of the Mountain King
engineer:
Tony Kime (from 1993-06-24 until 1993-06-25)
producer:
Martin Dalby (from 1993-06-24 until 1993-06-25)
orchestra:
BBC Scottish Symphony Orchestra (from 1993-06-24 until 1993-06-25)
conductor:
Jerzy Maksymiuk (conductor) (from 1993-06-24 until 1993-06-25)
phonographic copyright (℗) by:
HNH International Ltd. (not for release label use!) (in 1993)
recorded at:
Broadcasting House: Studio One (Glasgow) in Glasgow, Scotland, United Kingdom (from 1993-06-24 until 1993-06-25)
recording of:
Peer Gynt Suite no. 1, op. 46: IV. I Dovregubbens hall (Peer Gynt Suite no. 1, op. 46: IV. In the Hall of the Mountain King) (from 1993-06-24 until 1993-06-25)
composer:
Edvard Grieg (composer) (in 1875)
revised by:
Edvard Grieg (composer) (in 1888)
version of:
Peer Gynt, op. 23: 2. akt: I Dovregubbens hall
part of:
Peer Gynt Suite no. 1, op. 46
recording of:
Peer Gynt, op. 23: 2. akt: I Dovregubbens hall
composer:
Edvard Grieg (composer) (in 1875)
librettist:
Henrik Ibsen (in 1867)
part of:
Peer Gynt, op. 23
Edvard Grieg2:40
4Orchestral Suite no. 2 in B minor, BWV 1067: VII. Badinerie
engineer:
Bodo Heinemann (engineer)
producer:
Uwe Walter (classical engineer)
editor:
Christoph Herr (engineer) and Uwe Walter (classical engineer)
flute:
Karl Kaiser (flautist) (from 1988-02 until 1988-08)
orchestra:
Cologne Chamber Orchestra (from 1988-02 until 1988-08)
conductor:
Helmut Müller‐Brühl (conductor) (from 1988-02 until 1988-08)
recorded at:
Deutschlandradio Studios in Köln (Cologne), Nordrhein-Westfalen (North Rhine-Westphalia), Germany (from 1988-02 until 1988-08)
recording of:
Orchestersuite Nr. 2 h-Moll, BWV 1067: VII. Badinerie (Orchestral Suite no. 2 in B minor, BWV 1067: VII. Badinerie) (from 1988-02 until 1988-08)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Orchestersuite Nr. 2 h-Moll, BWV 1067 (Orchestral Suite no. 2 in B minor, BWV 1067)
Johann Sebastian Bach1:25
5The Four Seasons: Violin Concerto in E major, op. 8 no. 1, RV 269, "Spring": I. Allegro
producer:
Günter Appenheimer (producer/engineer)
violin:
Takako Nishizaki (violinist) (from 1987-07-12 until 1987-07-22)
orchestra:
Capella Istropolitana (from 1987-07-12 until 1987-07-22)
conductor:
Stephen Gunzenhauser (conductor) (from 1987-07-12 until 1987-07-22)
phonographic copyright (℗) by:
HNH International Ltd. (not for release label use!) (in 1987)
recorded at:
Concert Hall of the Slovak Philharmonic in Bratislava, Bratislavský kraj (Bratislava Region), Slovakia (from 1987-07-12 until 1987-07-22)
recording of:
Concerto in E major, op. 8 no. 1, RV 269 “La primavera”: I. Allegro (from 1987-07-12 until 1987-07-22)
composer:
Antonio Vivaldi (Italian baroque composer and violinist) (in 1723)
part of:
Concerto in E major, op. 8 no. 1, RV 269 “La primavera” (Concerto in E major, op. 8 no. 1, RV 269 “Spring”)
Antonio Vivaldi3:35
6Swan Lake, op. 20: Act II: No. 10. Scene, "Swan Theme"
engineer:
Aleksander Karasev (engineer) (in 2001-07)
producer:
Doronini Lubov
orchestra:
Russian State Symphony Orchestra (State Academic Symphony Orchestra of Russia “Evgeny Svetlanov”, “Evgeny Svetlanov” / GASO) (in 2001-07)
conductor:
Dmitry Yablonsky (Russian cellist and conductor) (in 2001-07)
recorded at:
Государственный дом радиовещания и звукозаписи: студия 5 (The State House of Broadcasting and Audio-Recording: Studio 5) in Moscow, Russia (in 2001-07)
recording of:
Swan Lake, op. 20: Act II, no. 10: Scene: Moderato (in 2001-07)
composer:
Pyotr Ilyich Tchaikovsky (Russian romantic composer)
part of:
Swan Lake, op. 20: Act II
part of:
Swan Lake, op. 20: Act II (ed. Drigo)
Pyotr Ilyich Tchaikovsky2:18
7Violin Partita no. 3 in E major, BWV 1006: I. Preludio
engineer and producer:
Johann Ketelaar (producer and engineer) (in 1996-04) and Lien van de Poel (producer and engineer) (in 1996-04)
editor:
Stephan Schellmann (classical music engineer, co-founded Tritonus Musikproduktion) (in 1996-04) and Trionus (editor) (in 1996-04)
violin [baroque violin]:
Lucy van Dael (violinist) (from 1996-04-02 until 1996-04-16)
recorded at:
Maria Minor in Utrecht, Utrecht, Netherlands, Kingdom of the Netherlands (from 1996-04-02 until 1996-04-16)
recording of:
Violin Partita no. 3 in E major, BWV 1006.1/1006: I. Preludio (from 1996-04-02 until 1996-04-16)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1720)
part of:
Violin Partita No. 3 in E major, BWV 1006.1/1006
Johann Sebastian Bach4:01
8Canon and Gigue: Canon
producer:
Günter Appenheimer (producer/engineer) (in 1988-08)
orchestra:
Capella Istropolitana (in 1988-08)
conductor:
Richard Edlinger (conductor and composer) (in 1988-08)
phonographic copyright (℗) by:
HNH International Ltd. (not for release label use!) (in 1987)
recorded at:
Moyzesova sieň (Moyzes Hall) in Bratislava, Bratislavský kraj (Bratislava Region), Slovakia and Concert Hall of the Slovak Philharmonic in Bratislava, Bratislavský kraj (Bratislava Region), Slovakia (in 1988-08)
cover recording of:
Canon and Gigue in D major, P. 37, T. 337: I. Canon (in 1988-08)
composer:
Johann Pachelbel (composer)
part of:
Canon and Gigue in D major, P. 37, T. 337
recording of:
Canon and Gigue in D major, P. 37, T. 337: I. Canon
composer:
Johann Pachelbel (composer)
part of:
Canon and Gigue in D major, P. 37, T. 337
Johann Pachelbel4:45
9An der schonen, blauen Donau (The Beautiful Blue Danube), op. 314
producer:
Günter Appenheimer (producer/engineer) (in 1988-01)
orchestra:
Bratislava Radio Symphony Orchestra (Slovak Radio Symphony Orchestra) (from 1988-01-11 until 1988-01-21)
conductor:
Ondrej Lenárd (conductor) (from 1988-01-11 until 1988-01-21)
phonographic copyright (℗) by:
HNH International Ltd. (not for release label use!) (in 1988)
recorded at:
Concert Hall of the Slovak Radio in Bratislava, Bratislavský kraj (Bratislava Region), Slovakia (from 1988-01-11 until 1988-01-21)
recording of:
An der schönen blauen Donau, op. 314 (On the Beautiful Blue Danube, op. 314) (from 1988-01-11 until 1988-01-21)
premiered in:
Wien (Vienna), Austria (on 1867-02-15)
composer:
Johann Strauss (Johann Strauss II, Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son) (in 1866)
part of:
Works of Johann Strauss Jr. by opus number (number: op. 314)
Johann Strauss9:28
10Symphony no. 5 in C minor, op. 67: I. Allegro con brio
orchestra:
Nicolaus Esterházy Sinfonia
conductor:
Béla Drahos (flutist and conductor)
recording of:
Symphony no. 5 in C minor, op. 67: I. Allegro con brio
composer:
Ludwig van Beethoven (German composer) (from 1804 until 1808)
part of:
Symphony no. 5 in C minor, op. 67
Ludwig van Beethoven5:34
113 Liebestraume, S541 / R211: No. 3. Nocturne in A-flat major
recording engineer:
Harald Schrank (in 1995-09)
producer:
Günter Appenheimer (producer/engineer)
piano:
Jenő Jandó (pianist) (in 1995-09)
phonographic copyright (℗) by:
HNH International Ltd. (not for release label use!) (in 1998)
recorded at:
Clara-Wieck-Auditorium (Sandhausen/Heidelberg) in Sandhausen, Baden-Württemberg, Germany (in 1995-09)
recording of:
Liebesträume, S. 541: No. 3 Liebestraum As‐Dur “Oh Lieb, so lang du lieben kannst” (Liebesträume, S. 541: No. 3 Liebestraum in A flat major “Dream of Love”, for piano) (in 1995-09)
composer:
Franz Liszt (Hungarian composer, pianist and conductor) (in 1850)
piano arranger:
Franz Liszt (Hungarian composer, pianist and conductor)
arrangement of:
O lieb, so lang du lieben kannst, S. 298/2 (second version)
part of:
Liebesträume, S. 541
Franz Liszt4:22
12Für Elise (Bagatelle in A minor, WoO 59)
engineer:
Radányi Endre (Endre Radányi, engineer) (in 1988-01)
producer:
Dóra Antal (in 1988-01)
piano:
Balázs Szokolay (pianist) (from 1988-01-20 until 1988-01-28)
recording of:
Bagatelle for Piano in A minor, WoO 59 “Für Elise”: Poco moto (Bagatelle for Piano in A minor “Für Elise”, WoO 59) (from 1988-01-20 until 1988-01-28)
composer:
Ludwig van Beethoven (German composer) (from 1808 until 1810)
part of:
Classic 100: Piano (2004) (number: 15), Classic 100: Piano (2025) (number: 17) and Kinsky catalogue (Beethoven WoO works) (number: WoO 59)
Ludwig van Beethoven3:07
13Brandenburg Concerto no. 3 in G major, BWV 1048: III. Allegro
recording engineer:
Uwe Walter (classical engineer)
producer:
Ludwig Rink
cello [cello I]:
Gerhard Anders (classical cellist)
cello [cello II]:
Allan Bergius (boy soprano, classical cellist and conductor)
cello [cello III]:
Daniel Petrovich (classical cellist)
double bass [basso continuo]:
Thomas Falke
harpsichord [basso continuo]:
Robert Hill (American harpsichordist)
viola [viola I]:
須藤真琴 (classical violinist)
viola [viola II]:
Marco Genero (classical violist)
viola [viola III]:
Maria Scheid (classical violist)
violin [violin I]:
Christine Pichlmeier (violinist)
violin [violin II]:
Corinne Chapelle (violinist)
violin [violin III]:
Lucas Barr (violinist)
orchestra:
Cologne Chamber Orchestra (from 1999-03 until 1999-04)
conductor:
Helmut Müller‐Brühl (conductor) (from 1999-03 until 1999-04)
phonographic copyright (℗) by:
HNH International Ltd. (not for release label use!) (in 1999)
recorded at:
Deutschlandradio Studios in Köln (Cologne), Nordrhein-Westfalen (North Rhine-Westphalia), Germany (from 1999-03 until 1999-04)
recording of:
Brandenburgisches Konzert Nr. 3 G-Dur, BWV 1048: I. Allegro (from 1999-03 until 1999-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Brandenburgisches Konzert Nr. 3 G-Dur, BWV 1048 (Brandenburg Concerto No. 3 in G major, BWV 1048)
part of:
Brandenburgisches Konzert Nr. 3 G-Dur, BWV 1048 (Brandenburg Concerto No. 3 in G major, BWV 1048, Hillborg version with new 2nd mvt)
Johann Sebastian Bach5:04
14Piano Concerto no. 21 in C major, "Elvira Madigan": II. Andante
engineer:
Horváth János (János Horváth, engineer) (in 1989-06)
producer:
Ibolya Tóth (in 1989-06)
piano:
Jenő Jandó (pianist) (from 1989-06-10 until 1989-06-12)
orchestra:
Concentus Hungaricus (Hungarian chamber orchestra) (from 1989-06-10 until 1989-06-12)
conductor:
András Ligeti (violinist and conductor) (from 1989-06-10 until 1989-06-12)
recorded at:
Instituto Italiano di Cultura (Italian Institute of Culture) in Budapest, Hungary (from 1989-06-10 until 1989-06-12)
recording of:
Concerto for Piano no. 21 in C major, K. 467: II. Andante (from 1989-06-10 until 1989-06-12)
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1785 until 1785-03-09)
part of:
Concerto for Piano no. 21 in C major, K. 467
Wolfgang Amadeus Mozart6:46
15Mandolin Concerto in C major, RV 425: I. Allegro
lute:
Paul O’Dette (American conductor and lute player specialising in early music)
orchestra:
The Parley of Instruments
conductor:
Peter Holman (conductor and organist)
recording of:
Concerto for Mandolin in C major, RV 425: I. Allegro
composer:
Antonio Vivaldi (Italian baroque composer and violinist)
part of:
Concerto for Mandolin in C major, RV 425
Antonio Vivaldi2:55
16Symphony no. 41 in C major, K. 551 "Jupiter": IV. Molto allegro
producer:
Teije van Geest (engineer/producer)
orchestra:
Capella Istropolitana (in 1988-03)
conductor:
Barry Wordsworth (conductor) (in 1988-03)
recorded at:
Concert Hall of the Slovak Philharmonic in Bratislava, Bratislavský kraj (Bratislava Region), Slovakia (in 1988-03)
recording of:
Symphony no. 41 in C major, K. 551 “Jupiter”: IV. Molto allegro (in 1988-03)
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1788 until 1788-08-10)
part of:
Symphony no. 41 in C major, K. 551 “Jupiter”
Wolfgang Amadeus Mozart9:30
17The Albinoni Adagio
engineer:
Jozef Hanak (engineer) (in 1986-03) and Ladislav Krajkovic (engineer) (in 1986-03)
producer:
Leoš Komárek (in 1986-03)
violin:
Pavel Bogacz (violinist) (in 1986-03)
orchestra:
Capella Istropolitana (in 1986-03)
conductor:
Richard Edlinger (conductor and composer) (in 1986-03)
phonographic copyright (℗) by:
HNH International Ltd. (not for release label use!) and Pacific Music Co., Ltd. (in 1987)
recorded at:
Concert Hall of the Slovak Philharmonic in Bratislava, Bratislavský kraj (Bratislava Region), Slovakia (in 1986-03)
recording of:
Adagio for Strings and Organ in G minor (in 1986-03)
composer:
Remo Giazotto
previously attributed to:
Tomaso Giovanni Albinoni (Italian Baroque composer)
publisher:
Ricordi London (Casa Ricordi sublabel for Classical music) and Zomba Music Publishers Ltd. (UK subsidiary of Zomba Music Publishing)
recording of:
Adagio for Strings and Organ in G minor (catch-all for arrangements)
composer:
Remo Giazotto
previously attributed to:
Tomaso Giovanni Albinoni (Italian Baroque composer)
arrangement of:
Adagio for Strings and Organ in G minor
Remo Giazotto411:35
18Egmont Overture, op. 84
producer:
Günter Appenheimer (producer/engineer) (in 1987-07)
orchestra:
Slovak Philharmonic Orchestra (Slovak Philharmonic) (from 1987-07-04 until 1987-07-09)
conductor:
Stephen Gunzenhauser (conductor) (from 1987-07-04 until 1987-07-09)
recorded at:
Concert Hall of the Slovak Philharmonic in Bratislava, Bratislavský kraj (Bratislava Region), Slovakia (from 1987-07-04 until 1987-07-09)
recording of:
Egmont, op. 84: Ouvertüre. Sostenuto, ma non troppo – Allegro (from 1987-07-04 until 1987-07-09)
premiered in:
Wien (Vienna), Austria (on 1810-06-15)
composer:
Ludwig van Beethoven (German composer) (from 1809-10 until 1810-06)
part of:
Egmont, op. 84
Ludwig van Beethoven8:24
19Die Walkure: Act III: Ride of the Valkyries
producer:
Günter Appenheimer (producer/engineer) (in 1988-10)
orchestra:
Slovak Radio Symphony Orchestra (in 1988-10)
conductor:
Uwe Mund (in 1988-10)
phonographic copyright (℗) by:
HNH International Ltd. (not for release label use!) (in 1989)
recorded at:
Concert Hall of the Slovak Radio in Bratislava, Bratislavský kraj (Bratislava Region), Slovakia (in 1988-10)
recording of:
Excerpt from Die Walküre, WWV 86B: Akt III, Scene I, Walkürenritt (The Valkyrie: Ride of the Valkyries) (in 1988-10)
composer:
Richard Wagner (composer) (from 1854 until 1856)
publisher:
Schott Music International (publisher; do not use as label)
part of:
Die Walküre, WWV 86B: Akt III, Scene I "Hojotoho! Hojotoho!"
Richard Wagner35:29
20Toccata and Fugue in D minor, BWV 565: Toccata
producer:
Teije van Geest (engineer/producer) (in 1988-08)
solo pipe organ:
Wolfgang Rübsam (organist) (in 1988-08)
recorded at:
Oberlin Conservatory of Music Warner Hall (in 1988-08)
recording of:
Toccata und Fuge d-Moll, BWV 565 (Toccata and Fugue in D minor, BWV 565) (in 1988-08)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (first edition, 1950, BWV¹) (number: BWV 565) and Bach Compendium (number: BC J 37)
Johann Sebastian Bach10:03
21Symphony no. 94 in G major, Hob. I:94 "The Surprise": II. Andante
producer:
Hubert Geschwandtner (producer/engineer) (in 1988-09) and Karol Kopernický (producer) (in 1988-09)
instruments:
Capella Istropolitana
orchestra:
Capella Istropolitana (in 1988-09)
conductor:
Barry Wordsworth (conductor) (in 1988-09)
recorded at:
Concert Hall of the Slovak Radio in Bratislava, Bratislavský kraj (Bratislava Region), Slovakia (in 1988-09)
recording of:
Symphony no. 94 in G major, Hob. I:94 “Surprise”: II. Andante (in 1988-09)
composer:
Joseph Haydn (composer) (in 1791)
part of:
Symphony no. 94 in G major, Hob. I:94 “Surprise”
Joseph Haydn5:37
221812 Overture, op. 49
engineer:
Andrij Mokrytsky
producer:
Alexander Hornostai
orchestra:
National Symphony Orchestra of Ukraine (from 2001-08-19 until 2001-08-22)
conductor:
Theodore Kuchar (conductor) (from 2001-08-19 until 2001-08-22)
recorded at:
Grand Concert Studio, National Radio Company of Ukraine in Kyïv (Kiev), Ukraine (from 2001-08-19 until 2001-08-22)
recording of:
The Year 1812, Festival Overture in E-flat major, op. 49 (from 2001-08-19 until 2001-08-22)
premiered in:
Moscow, Russia (on 1882-08-20)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer) (from 1880-09 until 1880-11)
part of:
The Tchaikovsky Handbook (number: TH 49), Thematic and Bibliographical Catalogue of P. I. Čajkovskij's Works (number: ČW 46) and Works of Pyotr Ilyich Tchaikovsky by opus number (number: op. 49)
is based on:
Боже, Царя храни! (God Save the Tsar!)
quotes music from:
Troparion of the Holy Cross
quotes music from:
La Marseillaise (national anthem of France)
quotes music from:
Боже, Царя храни! (God Save the Tsar!)
Pyotr Ilyich Tchaikovsky15:34
23Nocturne no. 2 in E-flat major, op. 9 no. 2
producer:
Martin Sauer (engineer/producer)
piano:
İdil Biret (pianist) (from 1991-07 until 1991-09)
phonographic copyright (℗) by:
HNH International Ltd. (not for release label use!) (in 1991)
recorded at:
Tonstudio van Geest in Sandhausen, Baden-Württemberg, Germany (from 1991-07 until 1991-09)
recording of:
Nocturne no. 2 in E‐flat major, op. 9 no. 2: Andante (from 1991-07 until 1991-09)
composer:
Fryderyk Chopin (Frédéric Chopin, composer) (from 1830 until 1832)
part of:
Classic 100: Piano (2025) (number: 3), Classic 100: Piano (2004) (number: 18) and Katalog Dzieł Fryderyka Chopina (Catalogue of the Works of Frédéric Chopin, Chomiński Catalogue) (number: C. 109)
part of:
Nocturnes, op. 9 (original for piano)
Fryderyk Chopin4:26
24Requiem in D minor, K. 626: Sequence: V. Confutatis maledictis - Sequence: VI. Lacrimosa dies illa
engineer and producer:
Tim Handley (engineer/editor/producer) (in 2004-11)
choir vocals:
Immortal Bach Ensemble (from 2004-11-10 until 2004-11-12)
orchestra:
Leipziger Kammerorchester (Leipzig Chamber Orchestra) (from 2004-11-10 until 2004-11-12)
conductor:
Morten Schuldt‐Jensen (choir master) (from 2004-11-10 until 2004-11-12)
recorded at:
Gewandhaus (1981-) in Leipzig, Sachsen (Saxony), Germany (from 2004-11-10 until 2004-11-12)
compilation of:
Requiem, K. 626 (completed by Süßmayr): IIIe. Sequenz: “Confutatis maledictis” by Gewandhaus‐Kammerchor, Leipziger Kammerorchester (Leipzig Chamber Orchestra), Morten Schuldt‐Jensen (choir master) and Requiem, K. 626 (completed by Süßmayr): IVa. Offertorium: “Domine Jesu Christe” by Miriam Allan (soprano), Anne Buter (mezzo-soprano), Marcus Ullmann, Martin Snell (operatic bass), Gewandhaus‐Kammerchor, Leipziger Kammerorchester (Leipzig Chamber Orchestra), Morten Schuldt‐Jensen (choir master)
recording of:
Requiem in D minor, K. 626: III. Sequenz: e. Confutatis (catch-all for unknown editions) (from 2004-11-10 until 2004-11-12)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
part of:
Requiem in D minor, K. 626 (catch-all for unknown editions)
recording of:
Requiem in D minor, K. 626: III. Sequenz: f. Lacrimosa dies illa (Süßmayr Edition; choir) (from 2004-11-10 until 2004-11-12)
orchestrator:
Franz Xaver Süßmayr
additional composer:
Joseph Leopold Eybler (Austrian composer) and Franz Xaver Süßmayr (from 1791 until 1792)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
part of:
Requiem in D minor, K. 626: III. Sequenz (Süßmayr Edition)
Wolfgang Amadeus Mozart4:34
25The Planets, op. 32: IV. Jupiter, the Bringer of Jollity
orchestra:
Czecho-Slovak Radio Symphony Orchestra (Slovak Radio Symphony Orchestra) (from 1988-11-26 until 1988-11-30)
conductor:
Adrian Leaper (conductor) (from 1988-11-26 until 1988-11-30)
recording of:
The Planets, op. 32: IV. Jupiter, the Bringer of Jollity (from 1988-11-26 until 1988-11-30)
composer:
Gustav Holst (composer) (from 1914 until 1916)
orchestration of:
The Planets, op. 32: IV. Jupiter, the Bringer of Jollity (for two pianos)
part of:
The Planets, op. 32 (Suite for Large Orchestra)
Gustav Holst8:00
26Concerto, TWV 51:G9 in G major for Viola, Strings & B.c.: II. Allegro
producer:
Günter Appenheimer (producer/engineer)
viola:
Ladislav Kyselák (from 1988-06-02 until 1988-06-03)
orchestra:
Capella Istropolitana (from 1988-06-02 until 1988-06-03)
conductor:
Richard Edlinger (conductor and composer) (from 1988-06-02 until 1988-06-03)
recorded at:
Moyzesova sieň (Moyzes Hall) in Bratislava, Bratislavský kraj (Bratislava Region), Slovakia (from 1988-06-02 until 1988-06-03)
recording of:
Viola Concerto, TWV 51:G9: II. Allegro (from 1988-06-02 until 1988-06-03)
composer:
Georg Philipp Telemann (composer)
part of:
Viola Concerto, TWV 51:G9
Georg Philipp Telemann2:55
27Music for the Royal Fireworks, HWV 351: IV. Le rejouissance
engineer:
Norbert Kraft (classical guitarist and producer) (in 2005-01)
producer:
Norbert Kraft (classical guitarist and producer) (in 2005-01) and Bonnie Silver (producer/engineer) (in 2005-01)
editor:
Bonnie Silver (producer/engineer) (in 2005-01)
orchestra:
Aradia Ensemble (from 2005-01-05 until 2005-01-08)
conductor:
Kevin Mallon (conductor) (from 2005-01-05 until 2005-01-08)
recorded at:
St. Anne's Anglican Church in Toronto, Ontario, Canada (from 2005-01-05 until 2005-01-08)
recording of:
Music for the Royal Fireworks, HWV 351: IV. La Réjouissance (from 2005-01-05 until 2005-01-08)
composer:
George Frideric Handel (German‐British baroque composer) (in 1749)
part of:
Music for the Royal Fireworks, HWV 351
George Frideric Handel3:06
28Mass in B minor, BWV 232: Agnus dei
engineer:
Hubert Geschwandtner (producer/engineer) (in 1992-02) and Ladislav Krajkovic (engineer) (in 1992-02)
producer:
Karol Kopernický (producer) (in 1992-02)
contralto vocals:
Martina Koppelstetter (soprano) (from 1992-02-09 until 1992-02-19)
orchestra:
Capella Istropolitana (from 1992-02-09 until 1992-02-19)
conductor:
Christian Brembeck (German organist, harpsichordist and conductor) (from 1992-02-09 until 1992-02-19)
recorded at:
Moyzesova sieň (Moyzes Hall) in Bratislava, Bratislavský kraj (Bratislava Region), Slovakia (from 1992-02-09 until 1992-02-19)
recording of:
h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: IV. Agnus Dei (Mass in B minor, BWV 232: IVe. Aria "Agnus Dei") (from 1992-02-09 until 1992-02-19)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach5:47
29Symphony no. 9 in E minor, op. 95 "From the New World": II. Largo
orchestra:
Slovak Philharmonic
conductor:
Stephen Gunzenhauser (conductor)
recording of:
Symfonie č. 9 e moll, op. 95 „Z Nového světa“: II. Largo (Symphony No. 9 in E minor, Op. 95 “From the New World”: II. Largo)
composer:
Antonín Dvořák (composer) (from 1893-01-10 until 1893-05-24)
part of:
Symfonie č. 9 e moll, op. 95 „Z Nového světa“ (Symphony no. 9 in E minor, op. 95 “From the New World”)
Antonín Dvořák12:03
30Piano Sonata no. 11 in A major, K. 331: III. Rondo alla turca: Allegretto
engineer:
István Berényi (engineer) (in 1989-03)
producer:
Mónika Feszler (producer) (in 1989-03)
piano:
Jenő Jandó (pianist) (from 1989-03-03 until 1989-03-05)
recorded at:
Instituto Italiano di Cultura (Italian Institute of Culture) in Budapest, Hungary (from 1989-03-03 until 1989-03-05)
recording of:
Sonata for Piano no. 11 in A major, K. 300i/331 “Alla Turca”: III. Rondo alla Turca. Allegretto (from 1989-03-03 until 1989-03-05)
composed in:
Paris, Île-de-France, France (in 1778)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1783)
part of:
Classic 100: Piano (2025) (number: 32)
part of:
Sonata for Piano no. 11 in A major, K. 300i/331 “Alla Turca”
Wolfgang Amadeus Mozart33:44
31Boléro
orchestra:
Royal Philharmonic Orchestra
conductor:
Adrian Leaper (conductor)
recording of:
Boléro
composer:
Maurice Ravel (French composer) (in 1928)
publisher:
Ed. Durand & Cie (1909–1947) and Soc. Arima (rights society?)
premiered at:
Palais Garnier in Paris, Île-de-France, France (on 1928-11-22)
part of:
Classic 100: Music of France (2012) (number: 9) and Catalogue Marcel Marnat des œuvres de Maurice Ravel (number: M. 81)
Maurice Ravel13:36
323 Gymnopedies: No. 1. Lent et douloureux
engineer and editor:
Andrew Groves (engineer)
producer:
Paul Myers (classical record producer)
orchestra:
Orchestre symphonique et lyrique de Nancy (Nancy Symphony Orchestra) (in 1997-09)
conductor:
Jérôme Kaltenbach (in 1997-09)
phonographic copyright (℗) by:
HNH International Ltd. (not for release label use!) (in 1999)
recorded at:
Salle Poirel in Nancy, Meurthe-et-Moselle, Grand Est (Great East), France (in 1997-09)
recording of:
Gymnopédies: II. Lent et douloureux (Satie’s Gymnopédie no. 1 orchestrated by Debussy) (in 1997-09)
orchestrator:
Claude Debussy (French composer) (in 1897)
composer:
Erik Satie (French composer) (in 1888)
orchestration of:
Première Gymnopédie : Lent et douloureux (Gymnopédie no. 1)
part of:
Gymnopédies (orchestrated by Debussy)
Erik Satie4:04
33Serenade no. 13 in G major, K. 525, "Eine kleine Nachtmusik": I. Allegro
engineer, producer and editor:
Sean Lewis (producer/engineer) (in 2004-06)
orchestra:
Swedish Chamber Orchestra (from 2004-06-04 until 2004-06-07)
conductor:
Petter Sundkvist (conductor) (from 2004-06-04 until 2004-06-07)
recorded at:
Örebro Konserthus (Örebro Concert Hall) in Örebro Municipality, Örebro (Örebro County), Sweden (from 2004-06-04 until 2004-06-07)
recording of:
Serenade no. 13 for Strings in G major, K. 525 „Eine kleine Nachtmusik“: I. Allegro (Serenade No. 13 for Strings in G major, K. 525 "Eine kleine Nachtmusik": I. Allegro) (from 2004-06-04 until 2004-06-07)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1787)
part of:
Serenade no. 13 for Strings in G major, K. 525 „Eine kleine Nachtmusik“
Wolfgang Amadeus Mozart6:07
34Piano Concerto in A minor, op. 16: I. Allegro moderato
Edvard Grieg12:53
35Water Music: Suite no. 1 in F major, HWV 348: VI. Air
engineer:
Norbert Kraft (classical guitarist and producer) (in 2005-01)
producer:
Norbert Kraft (classical guitarist and producer) (in 2005-01) and Bonnie Silver (producer/engineer) (in 2005-01)
editor:
Bonnie Silver (producer/engineer) (in 2005-01)
orchestra:
Aradia Ensemble (from 2005-01-05 until 2005-01-08)
conductor:
Kevin Mallon (conductor) (from 2005-01-05 until 2005-01-08)
recorded at:
St. Anne's Anglican Church in Toronto, Ontario, Canada (from 2005-01-05 until 2005-01-08)
recording of:
Water Music, Suite no. 1 in F major, HWV 348: V. Air. Presto (from 2005-01-05 until 2005-01-08)
composer:
George Frideric Handel (German‐British baroque composer) (in 1717)
part of:
Water Music Suite no. 1 in F major, HWV 348
George Frideric Handel2:32
36Well-Tempered Clavier, Book I: Prelude and Fugue no. 1 in C major, BWV 846
engineer:
János Bohus (Hungarian sound engineer.) (in 1995-12)
producer:
Ibolya Tóth (in 1995-12)
editor:
István Berényi (engineer) (in 1995-12)
piano:
Jenő Jandó (pianist) (from 1995-12-02 until 1995-12-10)
recorded at:
Unitarian Church in Budapest, Hungary (from 1995-12-02 until 1995-12-10)
recording of:
The Well-Tempered Clavier, Book I: Prelude and Fugue no. 1 in C major, BWV 846 (from 1995-12-02 until 1995-12-10)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1722)
part of:
Bach Compendium (number: BC L 80) and Bach-Werke-Verzeichnis (number: BWV 846)
part of:
The Well-Tempered Clavier, Book I
Johann Sebastian Bach4:25
37The 4 Seasons: Violin Concerto in F minor, op. 8 no. 4, RV 297, "L'inverno" (Winter): II. Largo
producer:
Günter Appenheimer (producer/engineer)
violin:
Takako Nishizaki (violinist) (from 1987-07-12 until 1987-07-22)
orchestra:
Capella Istropolitana (from 1987-07-12 until 1987-07-22)
conductor:
Stephen Gunzenhauser (conductor) (from 1987-07-12 until 1987-07-22)
phonographic copyright (℗) by:
HNH International Ltd. (not for release label use!) (in 1987)
recorded at:
Concert Hall of the Slovak Philharmonic in Bratislava, Bratislavský kraj (Bratislava Region), Slovakia (from 1987-07-12 until 1987-07-22)
recording of:
Concerto in F minor, op. 8 no. 4, RV 297 “L’inverno”: II. Largo (from 1987-07-12 until 1987-07-22)
composer:
Antonio Vivaldi (Italian baroque composer and violinist) (in 1723)
part of:
Concerto in F minor, op. 8 no. 4, RV 297 “L’inverno” (Concerto in F minor, op. 8 no. 4, RV 297 “Winter”)
Antonio Vivaldi2:25
38Rinaldo, HWV 7a: Lascia ch'io pianga (Let me lament)
soprano vocals:
Susanne Rydén (soprano)
orchestra:
London Baroque (founded 1978 by Charles Medlam)
conductor:
Charles Medlam (cellist, viol player and conductor)
recording of:
Rinaldo, HWV 7a: Atto II, Scene IV, no. 22. Aria “Lascia ch’io pianga mia cruda sorte” (Almirena)
composer:
George Frideric Handel (German‐British baroque composer) (in 1711)
librettist:
Giacomo Rossi
part of:
Rinaldo, HWV 7a: Atto II
George Frideric Handel3:39
39Piano Sonata no. 14 in C-sharp minor, op. 27 no. 2, "Moonlight": I. Adagio sostenuto
engineer:
Mónika Feszler (producer)
producer:
Horváth János (János Horváth, engineer)
piano:
Jenő Jandó (pianist) (from 1987-04-21 until 1987-04-23)
phonographic copyright (℗) by:
Naxos International and HNH International Ltd. (not for release label use!) (in 1987)
recorded at:
Instituto Italiano di Cultura (Italian Institute of Culture) in Budapest, Hungary (from 1987-04-21 until 1987-04-23)
cover recording of:
Sonata for Piano no. 14 in C‐sharp minor, op. 27 no. 2 “Moonlight”: I. Adagio sostenuto (from 1987-04-21 until 1987-04-23)
composer:
Ludwig van Beethoven (German composer) (in 1801)
part of:
Sonata for Piano no. 14 in C‐sharp minor, op. 27 no. 2 “Moonlight”
recording of:
Sonata for Piano no. 14 in C‐sharp minor, op. 27 no. 2 “Moonlight”: I. Adagio sostenuto
composer:
Ludwig van Beethoven (German composer) (in 1801)
part of:
Sonata for Piano no. 14 in C‐sharp minor, op. 27 no. 2 “Moonlight”
Ludwig van Beethoven35:20
40Suite bergamasque: III. Clair de lune
orchestra:
Deutsche Staatsphilharmonie Rheinland‐Pfalz
conductor:
Leif Segerstam (Finnish composer and conductor)
recorded at:
Theater im Pfalzbau in Ludwigshafen, Rheinland-Pfalz (Rhineland-Palatinate), Germany
recording of:
Clair de lune from Suite bergamasque (orch. Caplet)
orchestrator:
André Caplet (French composer) (in 1922)
composer:
Claude Debussy (French composer) (from 1890 until 1905)
orchestration of:
Suite bergamasque, L. 75, CD 82 : III. Clair de lune (for piano)
Claude Debussy4:28
41The Nutcracker Suite, op. 71a: III. Dance of the Sugar Plum Fairies
producer:
Günter Appenheimer (producer/engineer) (in 1987-06)
orchestra:
Slovak Philharmonic (from 1987-06-20 until 1987-06-25)
conductor:
Michael Halász (conductor) (from 1987-06-20 until 1987-06-25)
phonographic copyright (℗) by:
HNH International Ltd. (not for release label use!)
recorded at:
Concert Hall of the Slovak Philharmonic in Bratislava, Bratislavský kraj (Bratislava Region), Slovakia (from 1987-06-20 until 1987-06-25)
recording of:
The Nutcracker (suite from the ballet), op. 71a: II. Danses caractéristiques: b) Danse de la Fée-Dragée. Andante ma non troppo (from 1987-06-20 until 1987-06-25)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer)
part of:
The Nutcracker (suite from the ballet), op. 71a: II. Danses caractéristiques
revision of:
Щелкунчик, op. 71: Действие II, Картина III, no. 14c. Па-де-де: Вариация II: Танец Феи Драже (The Nutcracker, Op. 71: Act II, Scene III. Pas de Deux: Variation II: Dance of the sugar-plum fairy, Variation II: Dance of the Sugar Plum Fairy)
recording of:
Щелкунчик, op. 71: Действие II, Картина III, no. 14c. Па-де-де: Вариация II: Танец Феи Драже (The Nutcracker, Op. 71: Act II, Scene III. Pas de Deux: Variation II: Dance of the sugar-plum fairy, Variation II: Dance of the Sugar Plum Fairy)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer)
part of:
Щелкунчик, op. 71: Действие II (The Nutcracker, op. 71: Act 2)
Pyotr Ilyich Tchaikovsky1:49
42Also sprach Zarathustra, op. 30, TrV 176: I. Einleitung
producer:
Martin Sauer (engineer/producer) (on 1989-09-26)
orchestra:
Slovak Philharmonic (from 1988-10-18 until 1988-10-20)
conductor:
Zdeněk Košler (conductor) (from 1988-10-18 until 1988-10-20)
recorded at:
Concert Hall of the Slovak Philharmonic in Bratislava, Bratislavský kraj (Bratislava Region), Slovakia (from 1988-10-18 until 1988-10-20)
recording of:
Also sprach Zarathustra, op. 30: I. Einleitung (Sonnenaufgang) (from 1988-10-18 until 1988-10-20)
composer:
Richard Strauss (German composer) (in 1896)
publisher:
Peters Edition Ltd.
part of:
Also sprach Zarathustra, op. 30 (TrV 176)
Richard Strauss1:49
43Goldberg Variations, BWV 988: I. Aria
engineer:
János Bohus (Hungarian sound engineer.)
producer:
Ibolya Tóth
editor:
Mária Falvay (editor/engineer) and Veronika Vincze (engineer)
fortepiano:
Jenő Jandó (pianist) (from 2003-02-10 until 2003-02-13)
piano:
Jenő Jandó (pianist)
recorded at:
Phoenix Studios in Budapest, Hungary (from 2003-02-10 until 2003-02-13)
recording of:
Goldberg-Variationen, BWV 988: Aria (opening) (from 2003-02-10 until 2003-02-13)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Notebook for Anna Magdalena Bach (1725) (number: 26)
part of:
Goldberg-Variationen, BWV 988 (Goldberg Variations, BWV 988)
Johann Sebastian Bach3:54
44Panis Angelicus
choir vocals:
Magyar Állami Operaház Énekkara (Hungarian State Opera Chorus, Hungarian State Opera Chorus)
soprano vocals:
Ingrid Kertesi (soprano)
tenor vocals:
Josef Mukk (tenor)
orchestra:
Budapest Camerata
conductor:
Laszlo Hovaks (conductor)
phonographic copyright (℗) by:
Naxos Rights International Ltd. (for copyrights/licensing use only!)
recording of:
Messe solennelle en la majeur, op. 12 : V. Panis Angelicus
lyricist:
St. Thomas Aquinas
composer:
César Franck (Belgian‐born French composer) (in 1860)
part of:
Messe solennelle en la majeur, op. 12
César Franck3:59
45Gianni Schicchi: O mio babbino caro (Lauretta)
soprano vocals:
Miriam Gauci (soprano) (from 1992-01-14 until 1992-01-17)
soprano vocals [Lauretta]:
Miriam Gauci (soprano) (in 1993)
orchestra:
BRT Philharmonic Orchestra (Brussels Philharmonic) (from 1992-01-14 until 1992-01-17) and BRTN Philharmonic Orchestra Brussels (Brussels Philharmonic) (in 1993)
conductor:
Alexander Rahbari (Ali Rahbari, often credited as “Alexander” Rahbari) (from 1992-01-14 until 1992-01-17, in 1993)
phonographic copyright (℗) by:
HNH International Ltd. (not for release label use!) (in 1992)
recorded at:
Concert Hall of the Belgian Radio and Television in Brussels (Brussels-Capital Region), Belgium (from 1992-01-14 until 1992-01-17)
recording of:
Gianni Schicchi: “O mio babbino caro” (Lauretta) (from 1992-01-14 until 1992-01-17)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giovacchino Forzano
publisher:
Casa Ricordi BMG S.p.A. and G. Ricordi & Co. (London) Ltd. (UK division)
part of:
Gianni Schicchi
recording of:
Gianni Schicchi: “O mio babbino caro” (Lauretta) (in 1993)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giovacchino Forzano
publisher:
Casa Ricordi BMG S.p.A. and G. Ricordi & Co. (London) Ltd. (UK division)
part of:
Gianni Schicchi
Giacomo Puccini2:27
46Serse (Xerxes): HWV 40: Act I: Ombra mai fu: Largo (Serse)
tenor vocals:
József Mukk (tenor)
orchestra:
Camerata Budapest
conductor:
Kovács László (conductor)
recording of:
Serse, HWV 40: Atto I, no. 2. Arioso “Ombra mai fù” (Serse)
composer:
George Frideric Handel (German‐British baroque composer) (from 1737-12-26 until 1738-01-09)
librettist:
[anonymous] (special purpose artist)
part of:
Serse, HWV 40: Atto I
George Frideric Handel3:27
47Nabucco: Act III: Va, pensiero, "Chorus of Hebrew Slaves"
choir vocals:
Slovak Philharmonic Chorus (Slovak Philharmonic Choir) (from 1990-03-27 until 1990-04-01)
orchestra:
Slovak Radio Symphony Orchestra (from 1990-03-27 until 1990-04-01)
conductor:
Oliver Dohnányi (conductor) (from 1990-03-27 until 1990-04-01)
phonographic copyright (℗) by:
Naxos and HNH International Ltd. (not for release label use!) (in 1991)
recording of:
Nabucco: Parte III, scena 2. Coro “Va, pensiero, sull’ali dorate” (Coro) (Chorus of the Hebrew Slaves) (from 1990-03-27 until 1990-04-01)
composer:
Giuseppe Verdi (Italian opera composer) (in 1841)
librettist:
Temistocle Solera
part of:
Nabucco: Parte III. La profezia
Giuseppe Verdi4:44
48Prelude a l'apres-midi d'un faune
engineer:
Jo Tavernier (Belgian sound engineer) (from 1989-11-16 until 1989-11-18)
producer:
Günter Appenheimer (producer/engineer)
orchestra:
BRT Philharmonic Orchestra, Brussels (Brussels Philharmonic) (from 1989-11-16 until 1989-11-18)
conductor:
Alexander Rahbari (Ali Rahbari, often credited as “Alexander” Rahbari) (from 1989-11-16 until 1989-11-18)
phonographic copyright (℗) by:
HNH International Ltd. (not for release label use!) (in 1993)
recorded at:
Concert Hall of the Belgian Radio and Television in Brussels (Brussels-Capital Region), Belgium (from 1989-11-16 until 1989-11-18)
recording of:
Prélude à l’après‐midi d’un faune, L. 86, CD 87 (Prelude to the Afternoon of a Faun, L. 86, CD 87, original version for orchestra) (from 1989-11-16 until 1989-11-18)
composer:
Claude Debussy (French composer) (from 1891 until 1894-09)
dedicated to:
Raymond Bonheur (composer, 1861-1939)
premiered at:
[concert] (1894-12-22)
publisher:
Eugène Fromont (in 1895-10)
part of:
Classic 100: Music of France (2012) (number: 6), Catalogue François Lesure des œuvres de Claude Debussy (Version de 1977 “L.”) (number: L. 86) and Catalogue François Lesure des œuvres de Claude Debussy (Version révisée en 2001 “CD”) (number: CD 87)
Claude Debussy10:32
49Le nozze di Figaro, K. 492: Act I: Overture
engineer:
János Bohus (Hungarian sound engineer.) (from 2002-10 until 2002-11)
producer:
Ibolya Tóth (from 2002-10 until 2002-11)
editor:
Mária Falvay (editor/engineer) (from 2002-10 until 2002-11) and Veronika Vincze (engineer) (from 2002-10 until 2002-11)
orchestra:
Nicolaus Esterházy Sinfonia (from 2002-10-26 until 2002-11-04)
conductor:
Michael Halász (conductor) (from 2002-10-26 until 2002-11-04)
recorded at:
Phoenix Studios in Budapest, Hungary (from 2002-10-26 until 2002-11-04)
recording of:
Le nozze di Figaro, K. 492: Sinfonia (from 2002-10-26 until 2002-11-04)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1786)
part of:
Die Hochzeit des Figaro (German translation)
part of:
Le nozze di Figaro, K. 492 (The Marriage of Figaro, K 492)
Wolfgang Amadeus Mozart4:12
50Messiah, HWV 56: Part II: Hallelujah
engineer:
Mike Skeet (recording engineer) (in 1992-07)
producer:
Murray Khouri (clarinettist and producer) (in 1992-07)
choir vocals:
Scholars Baroque Ensemble (UK vocal & instrumental ensemble) and Tallis Chamber Choir (from 1992-07-06 until 1992-07-09)
vocals:
Scholars Baroque Ensemble (UK vocal & instrumental ensemble)
orchestra:
The Scholars Baroque Ensemble and Soloists (UK vocal & instrumental ensemble)
conductor:
Kevin Mallon (conductor) (from 1992-07-06 until 1992-07-09)
performer:
Scholars Baroque Ensemble (UK vocal & instrumental ensemble) (from 1992-07-06 until 1992-07-09)
recorded at:
Rosslyn Hill Unitarian Chapel in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1992-07-06 until 1992-07-09)
recording of:
Messiah, HWV 56: Part II, no. 44. Chorus “Hallelujah” (from 1992-07-06 until 1992-07-09)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
librettist:
Charles Jennens
part of:
Messiah, HWV 56: Part II
George Frideric Handel3:38