Blade Runner 2049: Original Motion Picture Soundtrack

~ Release by Hans Zimmer & Benjamin Wallfisch (see all versions of this release, 7 available)

Annotation

Double clear jewel case, hinge on right
(Does not have "2CD" in the corner like US editions)
12 page booklet

Matrix (CD 1): Sony Music 56847324/19075803092-2 21
Mastering SID (CD): IFPI LB47
Mould SID (CD): IFPI 077Y
DiscID (CD1): OBMpOSondy56gn8sfXiaXSHPrpM-
Matrix (CD2): Sony Music 56847347/19075803092-2 21
Mastering SID (CD): IFPI LB47
Mould SID (CD): IFPI 077Y
DiscID (CD2): oXMOtRevFN62PPVxJPjA.JwxIuM-

Annotation last modified on 2023-11-03 16:05 UTC.

Tracklist

1▶CD
2▼CD
#TitleArtistRatingLength
1Pilot
programming:
Hans Zimmer (German score composer)
sound engineer:
Howard Scarr and Mark Wherry
engineer:
Chuck Choi
producer:
Ashley Culp (producer), Michael Hodges (music producer, heavily involved in works for film and television) and Kayla Morrison
editor:
Clint Bennett (engineer) and Ryan Rubin
cello:
Tristan Schulze and Simone Vitucci (cellist)
guitar:
Owen Gurry (guitarist)
instruments:
Chas Smith
vocals:
Avi Kaplan and Tristan Schulze
mixed at:
Remote Control Productions in Santa Monica, California, United States
recording of:
Pilot
composer:
Benjamin Wallfisch (English score composer) and Hans Zimmer (German score composer)
is based on:
Pilotfish
part of:
Blade Runner 2049
Hans Zimmer & Benjamin Wallfisch2:17
2Suspicious Minds
engineer:
Al Pachucki
producer:
Felton Jarvis and Chips Moman
bass:
Tommy Cogbill (on 1969-01-23) and Mike Leech (on 1969-01-23)
drums (drum set):
Gene Chrisman (on 1969-01-23)
guitar:
Elvis Presley (“The King of Rock and Roll”) (on 1969-01-23) and Reggie Young (guitarist and songwriter) (on 1969-01-23)
organ:
Bobby Emmons (on 1969-01-23)
piano:
Bobby Wood (American pianist, keyboard player and songwriter) (on 1969-01-23)
steel guitar:
John Hughey (on 1969-01-23)
lead vocals:
Elvis Presley (“The King of Rock and Roll”) (on 1969-01-22)
vocals:
J.D. Sumner & The Stamps, The Sweet Inspirations and Kathy Westmoreland
arranger:
Mike Leech and Glen Spreen (Arranger, keyboardist, producer, conductor, and songwriter)
phonographic copyright (℗) by:
BMG Entertainment (in 1969), BMG Music (in 1969, in 1973), RCA Corporation (formerly Radio Corporation of America till late 1960s, became BMG Music in 1986) (in 1969), RCA Records (not for release label use! for the imprint, please use “RCA” instead) (in 1973) and Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 2002)
recorded at:
American Sound Studio ((Defunct) Memphis, TN - American North) in Memphis, Tennessee, United States (on 1969-01-23) and United Recording Studios (Las Vegas) in Las Vegas, Nevada, United States (on 1969-08-07)
part of:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 91) and Billboard: The 500 Best Pop Songs (as of October 2023) (number: 363)
cover recording of:
Suspicious Minds (from 1969-01-23 until 1969-08-07)
lyricist and composer:
Mark James (Francis Zambon, composer of “Suspicious Minds”)
publisher:
Laetrec Music, Press Music Co., Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), Sony/ATV Music Publishing (UK) Ltd. and Sony/ATV Songs LLC
Elvis Presley4.14:23
3Can’t Help Falling in Love
bass:
Bob Moore (U.S. bassist and bandleader) (on 1961-03-23)
celesta [celeste]:
Dudley Brooks (on 1961-03-23)
drums (drum set):
Hal Blaine (U.S. studio drummer and percussionist) (on 1961-03-23), D.J. Fontana (on 1961-03-23) and Bernie Mattinson (on 1961-03-23)
guitar:
Hank Garland (on 1961-03-23), Scotty Moore (American guitarist and recording engineer) (on 1961-03-23) and Tiny Timbrell (on 1961-03-23)
harmonica:
George Fields (on 1961-03-23)
piano:
Dudley Brooks (on 1961-03-23) and Floyd Cramer (on 1961-03-23)
saxophone:
Boots Randolph (on 1961-03-23)
steel guitar:
Alvino Rey (on 1961-03-23)
ukulele:
Bernie Lewis (on 1961-03-23) and Fred Tavares (on 1961-03-23)
lead vocals:
Elvis Presley (“The King of Rock and Roll”) (on 1961-03-23)
vocals:
The Jordanaires (southern gospel group) (on 1961-03-23) and The Surfers (a.k.a. The Hawaiian Surfers) (on 1961-03-23)
additional performer:
The Jordanaires (southern gospel group) (on 1961-03-23)
phonographic copyright (℗) by:
BMG Entertainment (in 1961), BMG Music (in 1961), RCA Corporation (formerly Radio Corporation of America till late 1960s, became BMG Music in 1986) (in 1961) and Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 2002)
part of:
Billboard: The 500 Best Pop Songs (as of October 2023) (number: 137)
recording of:
Can’t Help Falling in Love (on 1961-03-23)
writer:
Luigi Creatore, Hugo Peretti and George David Weiss
publisher:
Aberbach Musikverlag (German publisher), ABG EPE Gladys Music, Carlin Music Corporation, Cherry Lane Music, Chrysalis Music (music publisher, ASCAP-affiliated), Gladys Music, Gladys Music (Joachim Jean Aberbach), Gladys Music Elvis Presley Enterprises LLC, Gladys Music Inc., INTERSONG International Musikverlag G.m.b.H. (German publisher), Luigi Creatore Music (ASCAP) and The Manor Music Co. Ltd.
sub-publisher:
日音 (NICHION INC.) (ended), フジパシフィックミュージック (Fujipacific Music, Inc.), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) and 日音 Synch事業部 (NICHION, INC. Synch Division)
is based on:
Plaisir d’amour (Romance du chevrier)
Elvis Presley & The Jordanaires4.13:03
4One for My Baby (And One More for the Road)
producer:
Voyle Gilmore
bassoon:
Don Christlieb (on 1958-06-25) and Norman Herzberg (bassoon) (on 1958-06-25)
cello:
James Arkatov (American cellist and photographer) (on 1958-06-25), Armand Kaproff (on 1958-06-25), Joseph Saxon (on 1958-06-25) and Eleanor Slatkin (US cellist, b. Aller) (on 1958-06-25)
clarinet:
Gus Bivona (on 1958-06-25), Sal Franzella (on 1958-06-25), Chuck Gentry (on 1958-06-25) and Morris Bercov (on 1958-06-25)
double bass:
Joe Comfort (on 1958-06-25) and Eddie Gilbert (on 1958-06-25)
drums (drum set) and percussion:
Frank Flynn (on 1958-06-25) and Bill Richmond (on 1958-06-25)
flute:
Arthur Gleghorn (on 1958-06-25) and Harry Klee (on 1958-06-25)
French horn:
James Decker (French hornist) (on 1958-06-25), James McGee (on 1958-06-25) and George Price (on 1958-06-25)
guitar:
Al Hendrickson (on 1958-06-25) and Al Viola (on 1958-06-25)
harp:
Kathryn Julye (on 1958-06-25)
oboe:
Arnold Koblentz (Oboe player) (on 1958-06-25) and Champ Webb (on 1958-06-25)
piano:
Bill Miller (pianist) (on 1958-06-25)
trombone:
Milt Bernhart (on 1958-06-25), Russell Brown (Swing trombonist) (on 1958-06-25), Ray Sims (on 1958-06-25) and Tommy Pederson (on 1958-06-25)
trumpet:
Cappy Lewis (on 1958-06-25)
viola:
Alvin Dinkin (on 1958-06-25), Stanley Harris (US big band viola player) (on 1958-06-25), Paul Robyn (on 1958-06-25) and Dave Sterkin (on 1958-06-25)
violin:
Israel Baker (American violinist) (on 1958-06-25), Victor Bay (on 1958-06-25), Alex Beller (on 1958-06-25), Arnold Belnick (on 1958-06-25), Daniel Karpilowsky (on 1958-06-25), Emo Neufeld (on 1958-06-25), Ben Gill (on 1958-06-25), Paul Shure (on 1958-06-25), Felix Slatkin (on 1958-06-25), Marshall Sosson (on 1958-06-25), Victor Amo (on 1958-06-25) and Gerald Vinci (American violinist and strings conductor) (on 1958-06-25)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1958-06-25)
orchestra:
The Nelson Riddle Orchestra (on 1958-06-25)
conductor:
Nelson Riddle (on 1958-06-26)
arranger:
Nelson Riddle
recorded at:
Capitol Tower in Hollywood, Los Angeles, California, United States (on 1958-06-25)
cover recording of:
One for My Baby (and One More for the Road) (on 1958-06-26)
lyricist:
Johnny Mercer (in 1943)
composer:
Harold Arlen (in 1943)
publisher:
Chappell/Morris Ltd. and Harwin Music
part of:
The Sky’s the Limit (1943 film)
Frank Sinatra2.54:25
5Hijack
programming:
Hans Zimmer (German score composer)
sound engineer:
Howard Scarr and Mark Wherry
engineer:
Chuck Choi
producer:
Ashley Culp (producer), Michael Hodges (music producer, heavily involved in works for film and television) and Kayla Morrison
editor:
Clint Bennett (engineer) and Ryan Rubin
cello:
Tristan Schulze and Simone Vitucci (cellist)
guitar:
Owen Gurry (guitarist)
instruments:
Chas Smith
vocals:
Avi Kaplan and Tristan Schulze
mixed at:
Remote Control Productions in Santa Monica, California, United States
recording of:
Hijack
composer:
Benjamin Wallfisch (English score composer) and Hans Zimmer (German score composer)
is based on:
Crushing Joi
is based on:
K Rescued
part of:
Blade Runner 2049
Hans Zimmer & Benjamin Wallfisch5:32
6That’s Why We Believe
programming:
Hans Zimmer (German score composer)
sound engineer:
Howard Scarr and Mark Wherry
engineer:
Chuck Choi
producer:
Ashley Culp (producer), Michael Hodges (music producer, heavily involved in works for film and television) and Kayla Morrison
editor:
Clint Bennett (engineer) and Ryan Rubin
cello:
Tristan Schulze and Simone Vitucci (cellist)
guitar:
Owen Gurry (guitarist)
instruments:
Chas Smith
vocals:
Avi Kaplan and Tristan Schulze
mixed at:
Remote Control Productions in Santa Monica, California, United States
recording of:
That’s Why We Believe
composer:
Benjamin Wallfisch (English score composer) and Hans Zimmer (German score composer)
is based on:
Must Protect the Child
is based on:
You Imagined It Was You
part of:
Blade Runner 2049
Hans Zimmer & Benjamin Wallfisch3:36
7Her Eyes Were Green
programming:
Hans Zimmer (German score composer)
sound engineer:
Howard Scarr and Mark Wherry
engineer:
Chuck Choi
producer:
Ashley Culp (producer), Michael Hodges (music producer, heavily involved in works for film and television) and Kayla Morrison
editor:
Clint Bennett (engineer) and Ryan Rubin
cello:
Tristan Schulze and Simone Vitucci (cellist)
guitar:
Owen Gurry (guitarist)
instruments:
Chas Smith
vocals:
Avi Kaplan and Tristan Schulze
mixed at:
Remote Control Productions in Santa Monica, California, United States
recording of:
Her Eyes Were Green
composer:
Benjamin Wallfisch (English score composer) and Hans Zimmer (German score composer)
part of:
Blade Runner 2049
Hans Zimmer & Benjamin Wallfisch6:11
8Sea Wall
programming:
Hans Zimmer (German score composer)
sound engineer:
Howard Scarr and Mark Wherry
engineer:
Chuck Choi
producer:
Ashley Culp (producer), Michael Hodges (music producer, heavily involved in works for film and television) and Kayla Morrison
editor:
Clint Bennett (engineer) and Ryan Rubin
cello:
Tristan Schulze and Simone Vitucci (cellist)
guitar:
Owen Gurry (guitarist)
instruments:
Chas Smith
vocals:
Avi Kaplan and Tristan Schulze
mixed at:
Remote Control Productions in Santa Monica, California, United States
recording of:
Sea Wall
composer:
Benjamin Wallfisch (English score composer) and Hans Zimmer (German score composer)
part of:
Blade Runner 2049
Hans Zimmer & Benjamin Wallfisch9:52
9All the Best Memories Are Hers
programming:
Hans Zimmer (German score composer)
sound engineer:
Howard Scarr and Mark Wherry
engineer:
Chuck Choi
producer:
Ashley Culp (producer), Michael Hodges (music producer, heavily involved in works for film and television) and Kayla Morrison
editor:
Clint Bennett (engineer) and Ryan Rubin
cello:
Tristan Schulze and Simone Vitucci (cellist)
guitar:
Owen Gurry (guitarist)
instruments:
Chas Smith
vocals:
Avi Kaplan and Tristan Schulze
mixed at:
Remote Control Productions in Santa Monica, California, United States
recording of:
All the Best Memories Are Hers
composer:
Benjamin Wallfisch (English score composer) and Hans Zimmer (German score composer)
part of:
Blade Runner 2049
Hans Zimmer & Benjamin Wallfisch3:22
10Tears in the Rain
programming:
Hans Zimmer (German score composer)
sound engineer:
Howard Scarr and Mark Wherry
engineer:
Chuck Choi
producer:
Ashley Culp (producer), Michael Hodges (music producer, heavily involved in works for film and television) and Kayla Morrison
editor:
Clint Bennett (engineer) and Ryan Rubin
cello:
Tristan Schulze and Simone Vitucci (cellist)
guitar:
Owen Gurry (guitarist)
instruments:
Chas Smith
vocals:
Avi Kaplan and Tristan Schulze
mixed at:
Remote Control Productions in Santa Monica, California, United States
cover recording of:
Farewell (Tears in Rain)
composer:
Vangelis (Greek composer of electronic, new age and classical)
publisher:
Spheric B.V. and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
part of:
Blade Runner
part of:
Blade Runner 2049
Hans Zimmer & Benjamin Wallfisch2:10
11Blade Runner
programming:
Hans Zimmer (German score composer)
sound engineer:
Howard Scarr and Mark Wherry
engineer:
Chuck Choi
producer:
Ashley Culp (producer), Michael Hodges (music producer, heavily involved in works for film and television) and Kayla Morrison
editor:
Clint Bennett (engineer) and Ryan Rubin
cello:
Tristan Schulze and Simone Vitucci (cellist)
guitar:
Owen Gurry (guitarist)
instruments:
Chas Smith
vocals:
Avi Kaplan and Tristan Schulze
mixed at:
Remote Control Productions in Santa Monica, California, United States
recording of:
Blade Runner
composer:
Benjamin Wallfisch (English score composer) and Hans Zimmer (German score composer)
is based on:
Blade Runner
is based on:
Main on Ends
part of:
Blade Runner 2049
Hans Zimmer & Benjamin Wallfisch10:05
12Almost Human
additional programming:
Michael Hodges (music producer, heavily involved in works for film and television) and Ghian Wright
programming:
Scott “Fritzy” Fritz (engineer) and Gerald Trottman
producer:
Michael Hodges (music producer, heavily involved in works for film and television) and Kayla Morrison
mixer:
Ghian Wright
grand piano and keyboard:
Gerald Trottman (in 2017)
background vocals:
Lauren Daigle (in 2017) and Michael Hodges (music producer, heavily involved in works for film and television) (in 2017)
vocals:
Lauren Daigle (in 2017)
recording of:
Almost Human (in 2017)
writer:
Lauren Daigle, Michael Hodges (music producer, heavily involved in works for film and television), Kayla Morrison, Gerald Trottman and Ghian Wright
publisher:
Alcon Sleeping Giant
part of:
Blade Runner 2049
Lauren Daigle3:22

Credits

Release

manufactured in:EU (Europe)
mastering:Eric Boulanger (violinist and mastering engineer)
Ghian Wright
distributed by:Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP)
copyrighted (©) by and phonographic copyright (℗) by:Alcon Sleeping Giant (ASG) Records (in 2017)
glass mastered by:arvato
mastered at:Sleeping Giant Studios (mastering) in Los Angeles, California, United States
The Bakery (mastering studio) in Culver City, California, United States
Discogs:https://www.discogs.com/release/11158378 [info]