This Is the Day… This Is the Hour… This Is This!

~ Release by Pop Will Eat Itself (see all versions of this release, 8 available)

Tracklist

1▼CD
#TitleRatingLength
1PWEI Is a Four Letter Word
assistant engineer:
Karl Broadie
engineer:
Dave Pine
producer:
Flood (British producer Mark Ellis)
turntable:
Mastermix (UK turntablist) (in 1989)
phonographic copyright (℗) by:
BMG Records (UK) Limited (1987–1996) (in 1989)
recorded at:
Compass Point Studios in Nassau, Bahamas (in 1989)
recording of:
PWEI Is a Four Letter Word (in 1989)
writer:
Vestan Pance
publisher:
BMG Music Publishing Ltd.
21:13
2Preaching to the Perverted
assistant engineer:
Karl Broadie
engineer:
Dave Pine
producer:
Flood (British producer Mark Ellis)
guitar [stun guitar]:
Frank Booth (UK guitarist) (in 1989)
turntable:
Mastermix (UK turntablist) (in 1989)
phonographic copyright (℗) by:
BMG Records (UK) Limited (1987–1996) (in 1989)
recorded at:
Compass Point Studios in Nassau, Bahamas (in 1989)
recording of:
Preaching to the Perverted (in 1989)
writer:
Graham Crabb, Clint Mansell (English singer and score composer), Richard March and Adam Mole
publisher:
BMG Music Publishing Ltd.
54:25
3Wise Up! Sucker
engineer:
Robin Goodfellow
additional producer:
Mark Dodson (UK producer) and Flood (British producer Mark Ellis)
producer:
Mr. X & Mr. Y
mixer:
Flood (British producer Mark Ellis)
guitar [wild guitar]:
The Buzzard from "Yeah God!" (UK guitarist Kerry Hammond) (in 1989)
turntable:
Mastermix (UK turntablist) (in 1989)
background vocals:
Twig the Wonder Kid (in 1989)
phonographic copyright (℗) by:
BMG Records (UK) Limited (1987–1996) (in 1989)
recorded at:
Compass Point Studios in Nassau, Bahamas (in 1989)
recording of:
Wise Up Sucker (in 1989)
writer:
Graham Crabb, Clint Mansell (English singer and score composer), Richard March and Adam Mole
publisher:
BMG Music Publishing Ltd. and Universal Music Publishing International MGB Ltd.
53:16
4Sixteen Different Flavours of Hell
assistant engineer:
Karl Broadie
engineer:
Dave Pine
producer:
Flood (British producer Mark Ellis)
turntable:
Mastermix (UK turntablist) (in 1989)
phonographic copyright (℗) by:
BMG Records (UK) Limited (1987–1996) (in 1989)
recorded at:
Compass Point Studios in Nassau, Bahamas (in 1989)
samples:
She’s Surreal by Pop Will Eat Itself (lead vocals)
recording of:
Sixteen Different Flavours of Hell (in 1989)
writer:
Vestan Pance
publisher:
BMG Music Publishing Ltd.
31:24
5Inject Me
assistant engineer:
Karl Broadie
engineer:
Dave Pine
producer:
Flood (British producer Mark Ellis)
turntable:
Mastermix (UK turntablist) (in 1989)
phonographic copyright (℗) by:
BMG Records (UK) Limited (1987–1996) (in 1989)
recorded at:
Compass Point Studios in Nassau, Bahamas (in 1989)
samples:
Good Old Music by Funkadelic (original funk band)
recording of:
Inject Me (in 1989)
lyricist and composer:
Graham Crabb
publisher:
BMG Music Publishing Ltd. and Universal Music Publishing International MGB Ltd.
3.353:51
6Can U Dig It?
engineer:
Robin Goodfellow
producer:
A. Cox (of The Beat) and D. Steele (UK musician, member of The Beat and Fine Young Cannibals)
guitar [wild guitar]:
The Buzzard from "Yeah God!" (UK guitarist Kerry Hammond) (in 1989)
turntable:
Mastermix (UK turntablist) (in 1989)
phonographic copyright (℗) by:
BMG Records (UK) Limited (1987–1996) (in 1989)
recorded at:
Compass Point Studios in Nassau, Bahamas (in 1989)
part of:
TV Cream: Real 100 Best Singles Ever (number: 33)
recording of:
Can U Dig It? (in 1989)
lyricist and composer:
Clint Mansell (English singer and score composer)
publisher:
BMG Music Publishing Ltd. and Universal Music Publishing International MGB Ltd.
4.54:32
7The Fuses Have Been Lit
assistant engineer:
Karl Broadie
engineer:
Dave Pine
producer:
Flood (British producer Mark Ellis)
turntable:
Mastermix (UK turntablist) (in 1989)
phonographic copyright (℗) by:
BMG Records (UK) Limited (1987–1996) (in 1989)
recorded at:
Compass Point Studios in Nassau, Bahamas (in 1989)
recording of:
The Fuses Have Been Lit (in 1989)
writer:
Vestan Pance
publisher:
BMG Music Publishing Ltd.
34:02
8Poison to the Mind
assistant engineer:
Karl Broadie
engineer:
Dave Pine
producer:
Flood (British producer Mark Ellis)
turntable:
Mastermix (UK turntablist) (in 1989)
phonographic copyright (℗) by:
BMG Records (UK) Limited (1987–1996) (in 1989)
recorded at:
Compass Point Studios in Nassau, Bahamas (in 1989)
recording of:
Poison to the Mind (in 1989)
lyricist and composer:
Graham Crabb
publisher:
BMG Music Publishing Ltd. and Bucks Music Group Ltd. (Bucks Music Group)
3.50:57
9Def.Con.One
engineer:
Cenzo Townshend (engineer)
producer:
Robert Gordon (producer from Sheffield, UK)
mixer:
Flood (British producer Mark Ellis)
turntable:
DJ Winston (in 1989)
phonographic copyright (℗) by:
BMG Records (UK) Limited (1987–1996) (in 1989)
produced for:
The FON Force
recorded at:
Compass Point Studios in Nassau, Bahamas (in 1989)
samples:
Crazy Horses (original version) by Osmonds, Funkytown by Lipps, Inc., I Wanna Be Your Dog by The Stooges and Right Now by The Creatures (Siouxsie and the Banshees side project)
recording of:
Def.Con.One (in 1989)
writer:
Graham Crabb, Clint Mansell (English singer and score composer), Richard March and Adam Mole
additional composer:
Marius Constant (Romanian-born French composer and conductor)
publisher:
BMG Music Publishing Ltd. and SBK Songs Ltd.
4.354:00
10Radio PWEI
assistant engineer:
Karl Broadie
engineer:
Dave Pine
producer:
Flood (British producer Mark Ellis)
turntable:
DJ Winston (in 1989)
phonographic copyright (℗) by:
BMG Records (UK) Limited (1987–1996) (in 1989)
recorded at:
Compass Point Studios in Nassau, Bahamas (in 1989)
samples:
I Can’t Live Without My Radio by LL Cool J
recording of:
Radio PWEI (in 1989)
writer:
Vestan Pance
publisher:
BMG Music Publishing Ltd.
3.53:37
11Shortwave Transmission on "Up to the Minuteman Nine"
assistant engineer:
Karl Broadie
engineer:
Dave Pine
producer:
Flood (British producer Mark Ellis)
turntable:
Mastermix (UK turntablist) (in 1989)
phonographic copyright (℗) by:
BMG Records (UK) Limited (1987–1996) (in 1989)
recorded at:
Compass Point Studios in Nassau, Bahamas (in 1989)
recording of:
Shortwave Transmission on ‘Up to the Minuteman Nine’ (in 1989)
writer:
Vestan Pance
publisher:
BMG Music Publishing Ltd.
31:03
12Satellite Ecstatica
assistant engineer:
Karl Broadie
engineer:
Dave Pine
producer:
Flood (British producer Mark Ellis)
turntable:
Mastermix (UK turntablist) (in 1989)
phonographic copyright (℗) by:
BMG Records (UK) Limited (1987–1996) (in 1989)
recorded at:
Compass Point Studios in Nassau, Bahamas (in 1989)
recording of:
Satellite Ecstatica (in 1989)
writer:
Vestan Pance
publisher:
BMG Music Publishing Ltd.
43:32
13Not Now James, We're Busy...
assistant engineer:
Karl Broadie
engineer:
Dave Pine
producer:
Flood (British producer Mark Ellis)
guitar [wild guitar]:
The Buzzard from "Yeah God!" (UK guitarist Kerry Hammond) (in 1989)
turntable:
Mastermix (UK turntablist) (in 1989)
phonographic copyright (℗) by:
BMG Records (UK) Limited (1987–1996) (in 1989)
recorded at:
Compass Point Studios in Nassau, Bahamas (in 1989)
samples:
Funky Drummer (remix) by James Brown (The Godfather of Soul)
recording of:
Not Now James, We're Busy… (in 1989)
writer:
Vestan Pance
publisher:
BMG Music Publishing Ltd.
43:09
14Wake Up! Time to Die...
assistant engineer:
Karl Broadie
engineer:
Dave Pine
producer:
Flood (British producer Mark Ellis)
turntable:
Mastermix (UK turntablist) (in 1989)
phonographic copyright (℗) by:
BMG Records (UK) Limited (1987–1996) (in 1989)
recorded at:
Compass Point Studios in Nassau, Bahamas (in 1989)
recording of:
Wake Up! Time to Die (in 1989)
lyricist and composer:
Graham Crabb
publisher:
BMG Music Publishing Ltd., Bucks Music Group Ltd. (Bucks Music Group) and Universal Music Publishing MGB Ltd.
4.56:44
15Orgyone Stimulator
3:04
16PWEI-Zation
recording engineer:
Danny Hyde (British musician, engineer, and producer) and Pop Will Eat Itself
mixer:
Robin Goodfellow, Danny Hyde (British musician, engineer, and producer) and Pop Will Eat Itself
phonographic copyright (℗) by:
BMG Records (UK) Limited (1987–1996) (from 1989 to present)
recording of:
PWEI-zation
lyricist and composer:
Vestan Pance
publisher:
BMG Music Publishing Ltd.
43:10
1792°F
recording engineer and mixer:
Danny Hyde (British musician, engineer, and producer) and Pop Will Eat Itself
phonographic copyright (℗) by:
BMG Records (UK) Limited (1987–1996) (from 1989 to present)
recording of:
92°F
writer:
Graham Crabb, Clint Mansell (English singer and score composer), Richard March and Adam Mole
publisher:
BMG Songs and Universal Music Publishing International MGB Ltd.
3:38
18Can U Dig It (Riffsmix)
3:17
2▶CD