British Classics IV

~ Release by Ralph Vaughan Williams (see all versions of this release, 1 available)

Tracklist

1▼Medium
#TitleRatingLength
1Fantasia on Greensleeves
recording of:
Fantasia on “Greensleeves”
composer:
Ralph Vaughan Williams (English composer) (from 1924 until 1928)
arranger:
Ralph Greaves (in 1934)
publisher:
Oxford University Press (in 1936)
is based on:
Greensleeves (generic entry for traditional and unknown arrangements)
is based on:
Lovely Joan (traditional English folk song)
is based on:
Sir John in Love
4:24
2Fantasia on a theme by Thomas Tallis
recording of:
Fantasia on a Theme by Thomas Tallis
composer:
Ralph Vaughan Williams (English composer) (in 1910)
is based on:
Nine Psalm Tunes for Archbishop Parker’s Psalter: No. 3 “Why Fum’th in Fight” (Psalm 2)
15:12
3Oboe Concerto: I. Rondo Pastorale
producer:
Chris Hazell
oboe:
Celia Nicklin (oboist) (from 1977-06-14 until 1977-06-15)
orchestra:
Academy of St Martin in the Fields (from 1977-06-14 until 1977-06-15)
conductor:
Sir Neville Marriner (conductor) (from 1977-06-14 until 1977-06-15)
balance engineer:
Stanley Goodall (engineer) (in 1977-06)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (from 1977-06-14 until 1977-06-15)
recording of:
Concerto in A minor for Oboe and Strings: I. Rondo Pastorale. Allegro moderato (from 1977-06-14 until 1977-06-15)
composer:
Ralph Vaughan Williams (English composer) (in 1944)
part of:
Concerto in A minor for Oboe and Strings
7:33
4Oboe Concerto: II. Minuette and Musette
producer:
Chris Hazell
oboe:
Celia Nicklin (oboist) (from 1977-06-14 until 1977-06-15)
orchestra:
Academy of St Martin in the Fields (from 1977-06-14 until 1977-06-15)
conductor:
Sir Neville Marriner (conductor) (from 1977-06-14 until 1977-06-15)
balance engineer:
Stanley Goodall (engineer) (in 1977-06)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (from 1977-06-14 until 1977-06-15)
recording of:
Concerto in A minor for Oboe and Strings: II. Minuet and Musette. Allegro moderato (from 1977-06-14 until 1977-06-15)
composer:
Ralph Vaughan Williams (English composer) (in 1944)
part of:
Concerto in A minor for Oboe and Strings
2:48
5Oboe Concerto: III. Finale
producer:
Chris Hazell
oboe:
Celia Nicklin (oboist) (from 1977-06-14 until 1977-06-15)
orchestra:
Academy of St Martin in the Fields (from 1977-06-14 until 1977-06-15)
conductor:
Sir Neville Marriner (conductor) (from 1977-06-14 until 1977-06-15)
balance engineer:
Stanley Goodall (engineer) (in 1977-06)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (from 1977-06-14 until 1977-06-15)
recording of:
Concerto in A minor for Oboe and Strings: III. Finale (Scherzo). Presto - Doppio più lento - Lento - Presto (from 1977-06-14 until 1977-06-15)
composer:
Ralph Vaughan Williams (English composer) (in 1944)
part of:
Concerto in A minor for Oboe and Strings
8:07
6Concerto Grosso: I. Intrada
producer:
Chris Hazell
orchestra:
Academy of St Martin in the Fields (on 1977-01-29)
conductor:
Sir Neville Marriner (conductor) (on 1977-01-29)
balance engineer:
Martin Atkinson (engineer) and John Dunkerley (engineer) (in 1977-01)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (on 1977-01-29)
recording of:
Concerto Grosso: I. Intrada (on 1977-01-29)
composer:
Ralph Vaughan Williams (English composer)
part of:
Concerto Grosso
2:18
7Concerto Grosso: II. Burlesca ostinata
producer:
Chris Hazell
orchestra:
Academy of St Martin in the Fields (on 1977-01-29)
conductor:
Sir Neville Marriner (conductor) (on 1977-01-29)
balance engineer:
Martin Atkinson (engineer) and John Dunkerley (engineer) (in 1977-01)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (on 1977-01-29)
recording of:
Concerto Grosso: II. Burlesca ostinata (on 1977-01-29)
composer:
Ralph Vaughan Williams (English composer)
part of:
Concerto Grosso
2:37
8Concerto Grosso: III. Sarabande
producer:
Chris Hazell
orchestra:
Academy of St Martin in the Fields (on 1977-01-29)
conductor:
Sir Neville Marriner (conductor) (on 1977-01-29)
balance engineer:
Martin Atkinson (engineer) and John Dunkerley (engineer) (in 1977-01)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (on 1977-01-29)
recording of:
Concerto Grosso: III. Sarabande (on 1977-01-29)
composer:
Ralph Vaughan Williams (English composer)
part of:
Concerto Grosso
3:14
9Concerto Grosso: IV. Scherzo
producer:
Chris Hazell
orchestra:
Academy of St Martin in the Fields (on 1977-01-29)
conductor:
Sir Neville Marriner (conductor) (on 1977-01-29)
balance engineer:
Martin Atkinson (engineer) and John Dunkerley (engineer) (in 1977-01)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (on 1977-01-29)
recording of:
Concerto Grosso: IV. Scherzo (on 1977-01-29)
composer:
Ralph Vaughan Williams (English composer)
part of:
Concerto Grosso
2:07
10Concerto Grosso: V. March and Reprise
producer:
Chris Hazell
orchestra:
Academy of St Martin in the Fields (on 1977-01-29)
conductor:
Sir Neville Marriner (conductor) (on 1977-01-29)
balance engineer:
Martin Atkinson (engineer) and John Dunkerley (engineer) (in 1977-01)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (on 1977-01-29)
recording of:
Concerto Grosso: V. March and Reprise (on 1977-01-29)
composer:
Ralph Vaughan Williams (English composer)
part of:
Concerto Grosso
4:11
11Romance
producer:
Chris Hazell
harmonica:
Tommy Reilly (classical harmonica player) (from 1976-06-01 until 1976-06-02)
orchestra:
Academy of St Martin in the Fields (from 1976-06-01 until 1976-06-02)
conductor:
Sir Neville Marriner (conductor) (from 1976-06-01 until 1976-06-02)
balance engineer:
Danny Gosling (engineer) and Stanley Goodall (engineer) (in 1976-06)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (from 1976-06-01 until 1976-06-02)
recording of:
Romance for Harmonica (from 1976-06-01 until 1976-06-02)
composer:
Ralph Vaughan Williams (English composer) (in 1951)
dedicated to:
Larry Adler
6:42
12English Folk Song Suite: I. March "Seventeen come Sunday"
producer:
Chris Hazell
orchestra:
Academy of St Martin in the Fields (from 1980-02-12 until 1980-02-13)
conductor:
Neville Marriner (conductor) (from 1980-02-12 until 1980-02-13)
balance engineer:
Stanley Goodall (engineer) (in 1980-02)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1981)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1980-02-12 until 1980-02-13)
recording of:
English Folk Song Suite: I. March “Seventeen Come Sunday” (orchestrated by Jacob) (from 1980-02-12 until 1980-02-13)
orchestrator:
Gordon Jacob (composer) (in 1924)
composer:
Ralph Vaughan Williams (English composer) (in 1923)
publisher:
Boosey & Hawkes Music Publishers, Ltd
arrangement of:
English Folk Song Suite: I. March “Seventeen Come Sunday” (for military band)
part of:
English Folk Song Suite (orch. Jacob)
3:21
13English Folk Song Suite: II. Intermezzo "My Bonny Boy"
producer:
Chris Hazell
orchestra:
Academy of St Martin in the Fields (from 1980-02-12 until 1980-02-13)
conductor:
Neville Marriner (conductor) (from 1980-02-12 until 1980-02-13)
balance engineer:
Stanley Goodall (engineer) (in 1980-02)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1981)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1980-02-12 until 1980-02-13)
recording of:
English Folk Song Suite: II. Intermezzo “My Bonny Boy” (orchestrated by Jacob) (from 1980-02-12 until 1980-02-13)
orchestrator:
Gordon Jacob (composer) (in 1924)
composer:
Ralph Vaughan Williams (English composer) (in 1923)
publisher:
Boosey & Hawkes Music Publishers, Ltd
arrangement of:
English Folk Song Suite: II. Intermezzo “My Bonny Boy” (for military band)
part of:
English Folk Song Suite (orch. Jacob)
3:19
14English Folk Song Suite: III. "Folk songs from Somerset"
producer:
Chris Hazell
orchestra:
Academy of St Martin in the Fields (from 1980-02-12 until 1980-02-13)
conductor:
Neville Marriner (conductor) (from 1980-02-12 until 1980-02-13)
balance engineer:
Stanley Goodall (engineer) (in 1980-02)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1981)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1980-02-12 until 1980-02-13)
recording of:
English Folk Song Suite: III. March “Folk Songs From Somerset” (orchestrated by Jacob) (from 1980-02-12 until 1980-02-13)
orchestrator:
Gordon Jacob (composer) (in 1924)
composer:
Ralph Vaughan Williams (English composer) (in 1923)
publisher:
Boosey & Hawkes Music Publishers, Ltd
part of:
English Folk Song Suite (orch. Jacob)
3:55