By Request

~ Release by The Monkees (see all versions of this release, 1 available)

Tracklist

1▼CD
#TitleRatingLength
1(Theme From) The Monkees
producer:
Tommy Boyce (US songwriter of Boyce and Hart), Bobby Hart and Jack Keller
bass:
Larry Taylor (US bassist) (from 1966-07-05 until 1966-07-19)
drums (drum set):
Billy Lewis (drummer) (from 1966-07-05 until 1966-07-19)
guitar:
Wayne Erwin (from 1966-07-05 until 1966-07-19), Gerry McGee (from 1966-07-05 until 1966-07-19) and Louie Shelton (from 1966-07-05 until 1966-07-19)
organ:
Bobby Hart (from 1966-07-05 until 1966-07-19)
percussion:
Gene Estes (from 1966-07-05 until 1966-07-19)
background vocals:
Tommy Boyce (US songwriter of Boyce and Hart) (from 1966-07-05 until 1966-07-19), Wayne Erwin (from 1966-07-05 until 1966-07-19), Bobby Hart (from 1966-07-05 until 1966-07-19) and Ron Hicklin (from 1966-07-05 until 1966-07-19)
lead vocals:
Micky Dolenz (from 1966-07-05 until 1966-07-19)
recorded at:
RCA Victor Studio A (Hollywood) in Hollywood, Los Angeles, California, United States (on 1966-07-05, on 1966-07-19)
recording of:
(Theme From) The Monkees (from 1966-07-05 until 1966-07-19)
written in:
Los Angeles, California, United States
writer:
Tommy Boyce (US songwriter of Boyce and Hart) and Bobby Hart
publisher:
Screen Gems–Columbia Music, Inc. and Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
4.352:21
2Last Train to Clarksville
producer:
Tommy Boyce (US songwriter of Boyce and Hart) and Bobby Hart
acoustic guitar:
Tommy Boyce (US songwriter of Boyce and Hart) (on 1966-07-25)
bass:
Larry Taylor (US bassist) (on 1966-07-25)
drums (drum set):
Billy Lewis (drummer) (on 1966-07-25)
electric guitar:
Wayne Erwin (on 1966-07-25), Gerry McGee (on 1966-07-25) and Louie Shelton (on 1966-07-25)
percussion:
Gene Estes (on 1966-07-25) and David Walters (session musician for The Monkees) (on 1966-07-25)
tambourine:
Gene Estes (on 1966-07-25)
background vocals:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.) (on 1966-07-25)
lead vocals:
Micky Dolenz (on 1966-07-25)
recorded at:
RCA Studio A (Hollywood) in Hollywood, Los Angeles, California, United States (on 1966-07-25)
recording of:
Last Train to Clarksville (on 1966-07-25)
writer:
Tommy Boyce (US songwriter of Boyce and Hart) and Bobby Hart
publisher:
Screen Gems–Columbia Music, Inc. and Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
4.62:46
3I Wanna Be Free
producer:
Tommy Boyce (US songwriter of Boyce and Hart) and Bobby Hart
acoustic guitar:
Wayne Erwin (from 1966-07-19 until 1966-07-24), Gerry McGee (from 1966-07-19 until 1966-07-24) and Louie Shelton (from 1966-07-19 until 1966-07-24)
cello:
Frederick Seykora (from 1966-07-19 until 1966-07-24)
harpsichord:
Michel Rubini (from 1966-07-19 until 1966-07-24)
viola:
Myra Kestenbaum (from 1966-07-19 until 1966-07-24)
violin:
Bonnie Douglas (from 1966-07-19 until 1966-07-24) and Paul Shure (from 1966-07-19 until 1966-07-24)
lead vocals:
Davy Jones (The Monkees member) (from 1966-07-19 until 1966-07-24)
recorded at:
RCA Victor Studio A (Hollywood) in Hollywood, Los Angeles, California, United States (on 1966-07-19, on 1966-07-24)
recording of:
I Wanna Be Free (from 1966-07-19 until 1966-07-24)
writer:
Tommy Boyce (US songwriter of Boyce and Hart) and Bobby Hart
publisher:
Screen Gems–Columbia Music, Inc., Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (from 2021-07-01 to present)
4.52:25
4Saturday’s Child
producer:
Tommy Boyce (US songwriter of Boyce and Hart), Bobby Hart and Jack Keller
bass:
Larry Taylor (US bassist) (on 1966-07-09)
drums (drum set):
Billy Lewis (drummer) (on 1966-07-09)
guitar:
Wayne Erwin (on 1966-07-09), Gerry McGee (on 1966-07-09) and Louie Shelton (on 1966-07-09)
organ:
Bobby Hart (on 1966-07-09)
tambourine:
Gene Estes (on 1966-07-09)
background vocals:
Tommy Boyce (US songwriter of Boyce and Hart) (on 1966-07-09), Wayne Erwin (on 1966-07-09), Bobby Hart (on 1966-07-09) and Ron Hicklin (on 1966-07-09)
lead vocals:
Micky Dolenz (on 1966-07-09)
recorded at:
RCA Victor Studio A (Hollywood) in Hollywood, Los Angeles, California, United States (on 1966-07-09)
recording of:
Saturday’s Child (on 1966-07-09)
lyricist and composer:
David Gates (singer/songwriter, lead singer of Bread)
publisher:
Screen Gems–Columbia Music, Inc. and Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
42:46
5Tomorrow’s Gonna Be Another Day
producer:
Tommy Boyce (US songwriter of Boyce and Hart) and Bobby Hart
acoustic guitar:
Tommy Boyce (US songwriter of Boyce and Hart) (on 1966-07-23)
drums (drum set):
Billy Lewis (drummer) (on 1966-07-23)
electric bass guitar:
Larry Taylor (US bassist) (on 1966-07-23)
electric guitar:
Wayne Erwin (on 1966-07-23), Gerry McGee (on 1966-07-23) and Louie Shelton (on 1966-07-23)
harmonica:
Keith Allison (on 1966-07-23)
lead vocals:
Micky Dolenz (on 1966-07-23)
recorded at:
RCA Studio 1 in Hollywood, Los Angeles, California, United States (on 1966-07-23)
recording of:
Tomorrow’s Gonna Be Another Day (on 1966-07-23)
writer:
Tommy Boyce (US songwriter of Boyce and Hart) and Steve Venet (arranger, songwriter, producer and musician)
publisher:
Screen Gems–Columbia Music, Inc. and Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
2:36
6Pap Gene’s Blues
recording of:
Papa Gene’s Blues
lyricist and composer:
Michael Nesmith
publisher:
Screen Gems–Columbia Music, Inc. and Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
2:00
7Take a Giant Step
producer:
Tommy Boyce (US songwriter of Boyce and Hart), Tommy Boyce & Bobby Hart and Bobby Hart
acoustic guitar:
Tommy Boyce (US songwriter of Boyce and Hart) (on 1966-07-09)
bass and electric bass guitar:
Larry Taylor (US bassist) (on 1966-07-09)
drums (drum set):
Billy Lewis (drummer) (on 1966-07-09)
electric guitar:
Wayne Erwin (on 1966-07-09), Gerry McGee (on 1966-07-09) and Louie Shelton (on 1966-07-09)
glockenspiel:
Bobby Hart (on 1966-07-09)
harpsichord:
Michael Rubini (on 1966-07-09)
oboe:
Bob Cooper (US jazz saxophonist) (on 1966-07-09)
percussion:
Gene Estes (on 1966-07-09)
piano:
Jack Keller (on 1966-07-09)
background vocals:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.) (on 1966-07-09) and Micky Dolenz (on 1966-07-09)
lead vocals:
Micky Dolenz (on 1966-07-09)
recorded at:
RCA Victor, Studio C in Hollywood, Los Angeles, California, United States (on 1966-07-09)
recording of:
Take a Giant Step (on 1966-07-09)
lyricist:
Gerry Goffin
composer:
Carole King
publisher:
Screen Gems–Columbia Music, Inc. and Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
4.52:36
8This Just Doesn’t Seem to Be My Day
recording of:
This Just Doesn’t Seem to Be My Day
writer:
Tommy Boyce (US songwriter of Boyce and Hart) and Bobby Hart
publisher:
Screen Gems–Columbia Music, Inc. and Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
2:19
9Let’s Dance On
producer:
Tommy Boyce (US songwriter of Boyce and Hart), Bobby Hart and Jack Keller
bass:
Larry Taylor (US bassist) (from 1966-07-05 until 1966-07-16)
drums (drum set):
Billy Lewis (drummer) (from 1966-07-05 until 1966-07-16)
guitar:
Wayne Erwin (from 1966-07-05 until 1966-07-16), Gerry McGee (from 1966-07-05 until 1966-07-16) and Louie Shelton (from 1966-07-05 until 1966-07-16)
maracas, percussion and tambourine:
Gene Estes (from 1966-07-05 until 1966-07-16)
organ:
Bobby Hart (from 1966-07-05 until 1966-07-16)
background vocals:
Tommy Boyce (US songwriter of Boyce and Hart) (from 1966-07-05 until 1966-07-16), Micky Dolenz (from 1966-07-05 until 1966-07-16), Wayne Erwin (from 1966-07-05 until 1966-07-16), Bobby Hart (from 1966-07-05 until 1966-07-16), Ron Hicklin (from 1966-07-05 until 1966-07-16) and Peter Tork (from 1966-07-05 until 1966-07-16)
lead vocals:
Micky Dolenz (from 1966-07-05 until 1966-07-16)
recorded at:
RCA Victor Studio A (Hollywood) in Hollywood, Los Angeles, California, United States (on 1966-07-05, on 1966-07-09, on 1966-07-16)
recording of:
Let’s Dance On (from 1966-07-05 until 1966-07-16)
writer:
Tommy Boyce (US songwriter of Boyce and Hart) and Bobby Hart
publisher:
Screen Gems–Columbia Music, Inc. and Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
42:32
10I’ll Be True to You
producer:
Tommy Boyce (US songwriter of Boyce and Hart), Bobby Hart and Jack Keller
bass and electric bass guitar:
Larry Taylor (US bassist) (from 1966-07-09 until 1966-07-16)
drums (drum set):
Billy Lewis (drummer) (from 1966-07-09 until 1966-07-16)
glockenspiel:
Bobby Hart (from 1966-07-09 until 1966-07-16)
guitar:
Wayne Erwin (from 1966-07-09 until 1966-07-16), Gerry McGee (from 1966-07-09 until 1966-07-16) and Louie Shelton (from 1966-07-09 until 1966-07-16)
percussion:
Gene Estes (from 1966-07-09 until 1966-07-16)
background vocals:
Tommy Boyce (US songwriter of Boyce and Hart) (from 1966-07-09 until 1966-07-16), Bobby Hart (from 1966-07-09 until 1966-07-16) and Ron Hicklin (from 1966-07-09 until 1966-07-16)
lead vocals:
Davy Jones (The Monkees member) (from 1966-07-09 until 1966-07-16)
recorded at:
RCA Victor Studio A (Hollywood) in Hollywood, Los Angeles, California, United States (on 1966-07-09, on 1966-07-13, on 1966-07-16)
cover recording of:
Yes I Will (from 1966-07-09 until 1966-07-16)
lyricist:
Gerry Goffin
composer:
Russ Titelman
publisher:
Screen Gems–Columbia Music, Inc. and Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
52:49
11Gonna Buy Me a Dog
producer:
Tommy Boyce (US songwriter of Boyce and Hart), Tommy Boyce & Bobby Hart and Bobby Hart
bass and electric bass guitar:
Larry Taylor (US bassist) (on 1966-07-23)
drums (drum set):
Billy Lewis (drummer) (on 1966-07-23)
guitar:
Wayne Erwin (on 1966-07-23), Gerry McGee (on 1966-07-23) and Louie Shelton (on 1966-07-23)
organ:
Bobby Hart (on 1966-07-23)
lead vocals:
Micky Dolenz (on 1966-07-23) and Davy Jones (The Monkees member) (on 1966-07-23)
vocals:
Micky Dolenz (on 1966-07-23) and Davy Jones (The Monkees member) (on 1966-07-23)
recorded at:
RCA Studio 1 in Hollywood, Los Angeles, California, United States (on 1966-07-23)
recording of:
Gonna Buy Me a Dog (on 1966-07-23)
writer:
Tommy Boyce (US songwriter of Boyce and Hart) and Bobby Hart
publisher:
Screen Gems–Columbia Music, Inc. and Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
12:42
12A Little Bit Me, a Little Bit You
producer:
Jeff Barry
bass:
Louis Mauro (on 1967-01-21) and James Tyrrell (on 1967-01-21)
drums (drum set):
Herb Lovelle (on 1967-01-21)
guitar:
Al Gorgoni (guitarist, composer, arranger, and producer) (on 1967-01-21), Hugh McCracken (on 1967-01-21) and Don Thomas (US guitarist, singer songwriter) (on 1967-01-21)
organ:
Artie Butler (on 1967-01-21)
piano:
Stan Free (on 1967-01-21)
tambourine:
Thomas Cerone (on 1967-01-21)
lead vocals:
Davy Jones (The Monkees member) (on 1967-01-21)
arranger:
Jeff Barry
recording of:
A Little Bit Me, a Little Bit You (on 1967-01-21)
lyricist and composer:
Neil Diamond
4.52:52
13The Girl I Knew Somewhere
recording of:
The Girl I Knew Somewhere
lyricist and composer:
Michael Nesmith
2:39
14She
producer:
Tommy Boyce (US songwriter of Boyce and Hart) and Bobby Hart
bass:
Larry Taylor (US bassist) (on 1966-08-15)
drums (drum set):
Billy Lewis (drummer) (on 1966-08-15)
guitar:
Wayne Erwin (on 1966-08-15), Gerry McGee (on 1966-08-15) and Louie Shelton (on 1966-08-15)
organ:
Bobby Hart (on 1966-08-15)
percussion:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.) (on 1966-08-15) and Norm Jefferies (on 1966-08-15)
background vocals:
Tommy Boyce (US songwriter of Boyce and Hart) (on 1966-08-15), Micky Dolenz (on 1966-08-15), Wayne Erwin (on 1966-08-15), Bobby Hart (on 1966-08-15), Ron Hicklin (on 1966-08-15), Davy Jones (The Monkees member) (on 1966-08-15) and Peter Tork (on 1966-08-15)
lead vocals:
Micky Dolenz (on 1966-08-15)
recorded at:
RCA Studio A (Hollywood) in Hollywood, Los Angeles, California, United States (on 1966-08-15)
recording of:
She (on 1966-08-15)
writer:
Tommy Boyce (US songwriter of Boyce and Hart) and Bobby Hart
42:39
15When Love Comes Knockin’
1:48
16Mary, Mary
producer:
Michael Nesmith
bass:
Bob West (US session bassist, producer & songwriter) (on 1966-07-25)
drums (drum set):
Hal Blaine (U.S. studio drummer and percussionist) (on 1966-07-25, from 1966-07-25 until 1966-10-18) and Jim Gordon (US drummer with Derek and the Dominos) (from 1966-07-25 until 1966-10-18)
guitar:
James Burton (guitarist) (on 1966-07-25), Glen Campbell (US country singer, guitarist & actor) (on 1966-07-25, from 1966-07-25 until 1966-10-18), Al Casey (US rock & roll/rockabilly/surf guitarist/session musician) (on 1966-07-25), Michael Deasy (on 1966-07-25), Peter Tork (on 1966-07-25) and Mike Deasy (from 1966-07-25 until 1966-10-18)
keyboard:
Larry Knechtel (from 1966-07-25 until 1966-10-18)
percussion:
Gary Coleman (US percussionist) (on 1966-07-25) and Jim Gordon (US drummer with Derek and the Dominos) (on 1966-07-25)
piano:
Michael Cohen (on 1966-07-25) and Larry Knechtel (on 1966-07-25)
background vocals:
Micky Dolenz (on 1966-07-25)
lead vocals:
Micky Dolenz (on 1966-07-25, from 1966-07-25 until 1966-10-18)
arranger:
Don Peake
recorded at:
Western Recorders (@ 6000 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California, United States (on 1966-07-25) and RCA Studios in Hollywood, Los Angeles, California, United States (on 1966-10-18)
recording of:
Mary, Mary (on 1966-07-25)
lyricist and composer:
Michael Nesmith
recording of:
Mary, Mary (from 1966-07-25 until 1966-10-18)
lyricist and composer:
Michael Nesmith
2:25
17Hold on Girl
producer:
Jeff Barry and Jack Keller
background vocals:
Micky Dolenz (from 1966-09-10 until 1966-10-23)
lead vocals:
Davy Jones (The Monkees member) (from 1966-09-10 until 1966-10-23)
recorded at:
RCA Studios in Hollywood, Los Angeles, California, United States (on 1966-09-10), RCA Victor Studios (Hollywood) in Hollywood, Los Angeles, California, United States (on 1966-09-10) and American Studios in Studio City, Los Angeles, California, United States (on 1966-10-23)
recording of:
Hold On Girl (from 1966-09-10 until 1966-10-23)
writer:
Billy Carr, Jack Keller and Ben Raleigh
2:28
18Your Auntie Grizelda
engineer:
Richard Podolor
producer:
Jeff Barry and Jack Keller
lead vocals:
Peter Tork (on 1966-10-23)
recorded at:
American Studio in Studio City, Los Angeles, California, United States (on 1966-10-23)
recording of:
Your Auntie Grizelda (on 1966-10-23)
writer:
Diane Hildebrand (singer and songwriter) and Jack Keller
2:29
19(I’m Not Your) Steppin’ Stone
producer:
Tommy Boyce (US songwriter of Boyce and Hart) and Bobby Hart
bass:
Larry Taylor (US bassist) (on 1966-07-26)
drums (drum set):
Billy Lewis (drummer) (on 1966-07-26)
guitar:
Wayne Erwin (on 1966-07-26), Gerry McGee (on 1966-07-26) and Louie Shelton (on 1966-07-26)
organ:
Bobby Hart (on 1966-07-26)
percussion:
Henry Levy (on 1966-07-26)
background vocals:
Tommy Boyce (US songwriter of Boyce and Hart) (on 1966-07-26) and Bobby Hart (on 1966-07-26)
lead vocals:
Micky Dolenz (on 1966-07-26)
arranger:
Tommy Boyce (US songwriter of Boyce and Hart) and Bobby Hart
recorded at:
Western Recorders, Studio 1 in Hollywood, Los Angeles, California, United States (on 1966-07-26)
cover recording of:
(I’m Not Your) Steppin’ Stone (on 1966-07-26)
writer:
Tommy Boyce (US songwriter of Boyce and Hart) and Bobby Hart
4.352:25
20Look Out Here Comes Tomorrow
recorded in:
New York, New York, United States (on 1966-10-15, on 1966-10-23)
producer:
Jeff Barry
acoustic guitar:
Neil Diamond (from 1966-10-15 until 1966-10-23)
drums (drum set):
Buddy Salzman (from 1966-10-15 until 1966-10-23)
organ:
Maurgan Cheff (from 1966-10-15 until 1966-10-23)
percussion:
Kauren Seguer (from 1966-10-15 until 1966-10-23)
background vocals:
Micky Dolenz (from 1966-10-15 until 1966-10-23), Davy Jones (The Monkees member) (from 1966-10-15 until 1966-10-23) and Peter Tork (from 1966-10-15 until 1966-10-23)
lead vocals:
Davy Jones (The Monkees member) (from 1966-10-15 until 1966-10-23)
recording of:
Look Out (Here Comes Tomorrow) (from 1966-10-15 until 1966-10-23)
lyricist and composer:
Neil Diamond
52:19
21The Kind of Girl I Could Love
producer:
Michael Nesmith
drums (drum set):
Hal Blaine (U.S. studio drummer and percussionist) (on 1966-06-25) and Jim Gordon (US drummer with Derek and the Dominos) (on 1966-06-25)
electric bass guitar:
Larry Knechtel (on 1966-06-25) and Bob West (US session bassist, producer & songwriter) (on 1966-06-25)
guitar:
James Burton (guitarist) (on 1966-06-25), Glen Campbell (US country singer, guitarist & actor) (on 1966-06-25), Al Casey (US rock & roll/rockabilly/surf guitarist/session musician) (on 1966-06-25) and Don Peake (on 1966-06-25)
percussion:
Gary Coleman (US percussionist) (on 1966-06-25)
lead vocals:
Michael Nesmith (on 1966-06-25)
arranger:
Don Peake
recorded at:
RCA Victor Studios (Hollywood) in Hollywood, Los Angeles, California, United States (on 1966-06-25)
recording of:
The Kind of Girl I Could Love (on 1966-06-25)
writer:
Roger Atkins and Michael Nesmith
1:55
22The Day We Fall in Love
engineer:
Ray Hall (engineer) (on 1966-11-23)
producer:
Jeff Barry
bass and electric bass guitar:
Carol Kaye and Ray Pohlman
cello:
Seymour Barab
drums (drum set):
Hal Blaine (U.S. studio drummer and percussionist)
guitar:
Al Casey (US rock & roll/rockabilly/surf guitarist/session musician)
harpsichord and organ:
Don Randi and Michel Rubini
percussion:
Frank Capp and Julius Wechter
viola:
David Sackson and Murray Sandry
violin:
Louis Haber, Irving Spice (violinist, concertmaster and strings) and Louis Stone
lead vocals:
Davy Jones (The Monkees member)
conductor:
Arthur Butler
arranger:
Jeff Barry
recorded at:
RCA Studios in Hollywood, Los Angeles, California, United States (on 1966-10-28), RCA Victor Studios (Hollywood) in Hollywood, Los Angeles, California, United States (on 1966-10-28) and RCA Victor Studio B (Cherokee B) in Manhattan, New York, New York, United States (on 1966-11-23)
recording of:
The Day We Fall in Love (from 1966-10-28 until 1966-11-23)
writer:
Sandy Linzer and Denny Randell
2:25
23Sometime in the Morning
recorded in:
New York, New York, United States (on 1966-10-13, on 1966-10-25)
producer:
Jeff Barry, Gerry Goffin and Carole King
background vocals:
Micky Dolenz (from 1966-10-13 until 1966-10-25) and Carole King (from 1966-10-13 until 1966-10-25)
lead vocals:
Micky Dolenz (from 1966-10-13 until 1966-10-25)
recording of:
Sometime in the Morning (from 1966-10-13 until 1966-10-25)
writer:
Gerry Goffin and Carole King
2:30
24Laugh
producer:
Jeff Barry
bass:
Ray Pohlman (on 1966-10-28)
drums (drum set):
Hal Blaine (U.S. studio drummer and percussionist) (on 1966-10-28)
guitar:
Al Casey (US rock & roll/rockabilly/surf guitarist/session musician) (on 1966-10-28) and Carol Kaye (on 1966-10-28)
harpsichord and organ:
Don Randi (on 1966-10-28) and Michel Rubini (on 1966-10-28)
percussion:
Frank Capp (on 1966-10-28) and Julius Wechter (on 1966-10-28)
background vocals:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.) (on 1966-10-28), Jeff Barry (on 1966-10-28) and Davy Jones (The Monkees member) (on 1966-10-28)
lead vocals:
Davy Jones (The Monkees member) (on 1966-10-28)
arranger:
Jeff Barry
recorded at:
RCA Studios in Hollywood, Los Angeles, California, United States (on 1966-10-28)
recording of:
Laugh (on 1966-10-28)
writer:
Mitch Margo (singer and songwriter), Hank Medress, Phil Margo (singer, songwriter) and Jay Siegel
2:29
25You Told Me
engineer:
Hank Cicalo
producer:
Douglas Farthing Hatlelid
12 string guitar [electric 12 string guitar] and lead vocals:
Michael Nesmith
banjo:
Peter Tork
bass:
Chip Douglas
drums (drum set) and zither:
Micky Dolenz
tambourine:
Davy Jones (The Monkees member)
background vocals:
Micky Dolenz, Davy Jones (The Monkees member), Michael Nesmith and Peter Tork
recorded at:
RCA Victor, Studio C in Hollywood, Los Angeles, California, United States (on 1967-03-03, on 1967-03-09)
recording of:
You Told Me (from 1967-03-03 until 1967-03-09)
lyricist and composer:
Michael Nesmith
2:25
26I’ll Spend My Life With You
engineer:
Hank Cicalo
producer:
Douglas Farthing Hatlelid
12 string guitar [acoustic 12 string guitar], celesta, organ and background vocals [harmony vocals]:
Peter Tork (from 1967-03-04 until 1967-03-18)
bass:
Chip Douglas (from 1967-03-04 until 1967-03-18)
electric guitar and lead vocals:
Micky Dolenz (from 1967-03-04 until 1967-03-18)
steel guitar:
Michael Nesmith (from 1967-03-04 until 1967-03-18)
tambourine:
Davy Jones (The Monkees member) (from 1967-03-04 until 1967-03-18)
recorded at:
RCA Victor, Studio C in Hollywood, Los Angeles, California, United States (on 1967-03-04, from 1967-03-09 until 1967-03-11, on 1967-03-18)
recording of:
I’ll Spend My Life With You (from 1967-03-04 until 1967-03-18)
writer:
Tommy Boyce (US songwriter of Boyce and Hart) and Bobby Hart
2:26
27Forget That Girl
engineer:
Hank Cicalo
producer:
Douglas Farthing Hatlelid
12 string guitar [electric 12 string guitar]:
Michael Nesmith (from 1967-03-07 until 1967-03-08)
acoustic guitar, maracas and lead vocals:
Davy Jones (The Monkees member) (from 1967-03-07 until 1967-03-08)
bass:
Chip Douglas (from 1967-03-07 until 1967-03-08)
drums (drum set):
Micky Dolenz (from 1967-03-07 until 1967-03-08)
electric piano:
Peter Tork (from 1967-03-07 until 1967-03-08)
background vocals:
Micky Dolenz (from 1967-03-07 until 1967-03-08), Chip Douglas (from 1967-03-07 until 1967-03-08), Davy Jones (The Monkees member) (from 1967-03-07 until 1967-03-08) and Peter Tork (from 1967-03-07 until 1967-03-08)
recorded at:
RCA Victor, Studio C in Hollywood, Los Angeles, California, United States (from 1967-03-07 until 1967-03-08)
recording of:
Forget That Girl (from 1967-03-07 until 1967-03-08)
lyricist and composer:
Douglas Farthing Hatlelid
2:28
28You Just May Be the One
engineer:
Hank Cicalo
producer:
Douglas Farthing Hatlelid
12 string guitar [electric 12 string guitar], acoustic guitar and lead vocals:
Michael Nesmith (from 1967-03-02 until 1967-03-16)
bass:
Peter Tork (from 1967-03-02 until 1967-03-16)
drums (drum set) and background vocals [harmony vocals]:
Micky Dolenz (from 1967-03-02 until 1967-03-16)
tambourine:
Davy Jones (The Monkees member) (from 1967-03-02 until 1967-03-16)
background vocals:
Micky Dolenz (from 1967-03-02 until 1967-03-16), Chip Douglas (from 1967-03-02 until 1967-03-16), Davy Jones (The Monkees member) (from 1967-03-02 until 1967-03-16) and Peter Tork (from 1967-03-02 until 1967-03-16)
recorded at:
RCA Victor, Studio C in Hollywood, Los Angeles, California, United States (on 1967-03-02, on 1967-03-16)
recording of:
You Just May Be the One (from 1967-03-02 until 1967-03-16)
lyricist and composer:
Michael Nesmith
2:03
29I Can’t Get Her Out of My Mind
recording of:
I Can’t Get Her Off My Mind
writer:
Tommy Boyce (US songwriter of Boyce and Hart) and Bobby Hart
2:27
30Shades of Gray
engineer:
Hank Cicalo
producer:
Douglas Farthing Hatlelid
bass:
Jerry Yester
cello:
Frederick Seykora
drums (drum set):
Micky Dolenz
French horn:
Vincent DeRosa
maracas and tambourine:
Davy Jones (The Monkees member)
piano:
Peter Tork
steel guitar:
Michael Nesmith
background vocals:
Micky Dolenz, Davy Jones (The Monkees member) and Peter Tork
lead vocals:
Davy Jones (The Monkees member) and Peter Tork
recorded at:
RCA Victor, Studio C in Hollywood, Los Angeles, California, United States (on 1967-03-16, on 1967-03-22)
recording of:
Shades of Gray (from 1967-03-16 until 1967-03-22)
writer:
Barry Mann and Cynthia Weil
33:23
2▶CD
3▶CD