The Heart of Chicago 1967–1997

~ Veröffentlichung von Chicago (alle Versionen dieser Veröffentlichung ansehen, 7 vorhanden)

Titelliste

1▼CD
Nr.TitelBewertungLänge
1You’re the Inspiration
Techniker(in) und Mix:
Humberto Gatica
Produzent(in):
David Foster (Canadian music producer, arranger and composer)
assistierende(r) Mix:
Larry Fergusson
instruments arranger:
Jeremy Lubbock
arranger:
Peter Cetera und David Foster (Canadian music producer, arranger and composer)
phonographisches Urheberrecht (℗) von:
Warner Bros. Records (1958–2019; “WB” logo, with or without “records” beneath or on banner across), Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1984, in 2010) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1984)
aufgenommen bei:
Sunset Sound in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1984), The Lighthouse (studio located in N. Hollywood, California) in North Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1984) und The Record Plant (aka “Record Plant” Los Angeles) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1984)
mixed at:
Lion Share Recording Studios in Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
You’re the Inspiration (in 1984)
Verfasser(in):
Peter Cetera (in 1984) und David Foster (Canadian music producer, arranger and composer) (in 1984)
publisher:
BMG Music Publishing Ltd., Universal Music Publishing MGB Ltd., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), Double Virgo Music (in 1984) und Foster Frees Music Inc. (in 1984)
53:50
2If You Leave Me Now
recording engineer:
Armin Steiner (von 1976-03 bis 1976-04: Saiteninstrumente)
assistierende(r) Techniker(in):
Tom Likes
Techniker(in):
Wayne Tarnowski
Produzent(in):
James William Guercio
Akustikgitarre und Bass:
James William Guercio (von 1976-03 bis 1976-04)
Sologesang:
Peter Cetera (von 1976-03 bis 1976-04)
Saiteninstrumente arranger und Waldhorn arranger:
Jimmie Haskell
phonographisches Urheberrecht (℗) von:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1976), Rhino Entertainment Company (not for release label use!) (in 1976, in 2002), Warner Strategic Marketing Inc. (in 1976) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1976)
aufgenommen bei:
Sound Labs, Inc. in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten, Sound Labs, Inc. in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (Saiteninstrumente) und Caribou Ranch Recording Studio in Nederland, Colorado, Vereinigte Staaten (von 1976-03 bis 1976-04)
mixed at:
Caribou Ranch Recording Studio in Nederland, Colorado, Vereinigte Staaten (von 1976-03 bis 1976-04)
recording of:
If You Leave Me Now (von 1976-03 bis 1976-04)
Texter:
Peter Cetera
Komponist(in):
Peter Cetera (in 1976)
publisher:
Big Elk Music, BMG Music Publishing Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Fairwood Music Ltd., Island Music Ltd., Polish Prince Music und Spirit Music Publishing Ltd.
4.23:55
3Make Me Smile
Produzent(in):
James William Guercio
Sologesang:
Terry Kath (member of Chicago) (in 1969-08)
phonographisches Urheberrecht (℗) von:
Rhino Entertainment Company (not for release label use!) (in 2002)
recording of:
Make Me Smile (in 1969-08)
Texter und Komponist(in):
James Pankow (in 1969)
publisher:
Aurelius Music, Big Elk Music, IQ Music Ltd. und Moose Music
Teil von:
Ballet for a Girl in Buchannon
2:59
4Hard Habit to Break
Techniker(in) und Mix:
Humberto Gatica
Produzent(in):
David Foster (Canadian music producer, arranger and composer)
assistierende(r) Mix:
Larry Fergusson
Sologesang:
Peter Cetera (in 1984) und Bill Champlin (in 1984)
instruments arranger:
Jeremy Lubbock
arranger:
David Foster (Canadian music producer, arranger and composer)
phonographisches Urheberrecht (℗) von:
Warner Bros. Records (1958–2019; “WB” logo, with or without “records” beneath or on banner across), WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1983, in 1984) und Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1984, in 2010)
aufgenommen bei:
Sunset Sound in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1984), The Lighthouse (studio located in N. Hollywood, California) in North Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1984) und The Record Plant (aka “Record Plant” Los Angeles) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1984)
mixed at:
Lion Share Recording Studios in Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
Hard Habit to Break (in 1984)
Verfasser(in):
Steve Kipner (in 1984) und John Lewis Parker (in 1984)
publisher:
Bocu Music Ltd., EMI April Music Inc., EMI Music Publishing Australia Pty Ltd (not for release label use!), EMI Songs Ltd., MCA Music Ltd., Music Corporation of America, Inc. (BMI‐affiliated music publisher of MCA Records, Inc.?), Songs of Universal, Inc. (BMI), Universal/MCA Music Ltd. (not for release label use!), Universal/MCA Music Publishing Pty Ltd, シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division), イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (bis 2021-06-30), April Music Inc. (in 1984), Parker Songs (in 1984), Stephen A. Kipner Music (in 1984) und ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (vom 2021-07-01 bis heute)
44:44
5Saturday in the Park
Techniker(in):
Wayne Tarnowski
Produzent(in):
James William Guercio
phonographisches Urheberrecht (℗) von:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1972) und Rhino Entertainment Company (not for release label use!) (in 1972, in 2002)
aufgenommen bei und mixed at:
Columbia Studios in New York, New York, Vereinigte Staaten (von 1971-09-20 bis 1971-09-29)
Teil von:
Paste: The 25 Greatest Yacht Rock Songs of All Time (Nummer: 9)
recording of:
Saturday in the Park (von 1971-09-20 bis 1971-09-29)
Texter und Komponist(in):
Robert Lamm (in 1971)
publisher:
Big Elk Music, Lamminations Music, Spirit Music Publishing Ltd. und Warner Chappell North America Ltd.
43:55
6Wishin’ You Were Here
recording engineer:
Armin Steiner (Saiteninstrumente)
Techniker(in):
Jeff Guercio und Wayne Tarnowski
Produzent(in):
James William Guercio
Mix:
Phil Ramone
Gitarre:
James William Guercio (von 1973-08 bis 1973-12)
Synthesizer:
David Wolinski (von 1973-08 bis 1973-12)
Hintergrundgesang:
Al Jardine (guitarist and singer) (von 1973-08 bis 1973-12), Carl Wilson (Beach Boys) (von 1973-08 bis 1973-12) und Dennis Wilson (Beach Boys) (von 1973-08 bis 1973-12)
Sologesang:
Terry Kath (member of Chicago) (von 1973-08 bis 1973-12)
phonographisches Urheberrecht (℗) von:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1974) und Rhino Entertainment Company (not for release label use!) (in 2002)
aufgenommen bei:
Sound Labs, Inc. in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten und Caribou Ranch Recording Studio in Nederland, Colorado, Vereinigte Staaten (von 1973-08 bis 1973-12)
recording of:
Wishing You Were Here (von 1973-08 bis 1973-12)
Texter und Komponist(in):
Peter Cetera (in 1973)
publisher:
Big Elk Music und Polish Prince Music
4:35
7The Only One
Produzent(in):
Lenny Kravitz
Hintergrundgesang:
Lenny Kravitz
recording of:
The Only One
Verfasser(in):
Greg O’Connor (songwriter/record producer) und James Pankow
publisher:
Sarajon Songs
6:01
8Colour My World
Techniker(in):
Chris Hinshaw, Don Puluse und Brian Ross-Myring
Produzent(in):
James William Guercio
Solo-flute:
Walter Parazaider (in 1969-08)
Sologesang:
Terry Kath (member of Chicago) (in 1969-08)
phonographisches Urheberrecht (℗) von:
Warner Strategic Marketing Inc. (in 1970) und Rhino Entertainment Company (not for release label use!) (in 2002)
recording of:
Colour My World (Chicago song) (in 1969-08)
Texter:
James Pankow
Komponist(in):
James Pankow (in 1969)
publisher:
Aurelius Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), IQ Music Ltd., Moose Music, Spirit Music Publishing Ltd. und Spirit Two Music Inc.
Teil von:
Ballet for a Girl in Buchannon
23:00
9Look Away
Produzent(in):
Ron Nevison
phonographisches Urheberrecht (℗) von:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1988)
recording of:
Look Away (in 1988)
Texter und Komponist(in):
Diane Warren (US songwriter) (in 1988)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), Realsongs, Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
54:01
10Here in My Heart
Produzent(in):
James Newton Howard (American score composer)
Gitarre:
Michael Landau
Klavier:
James Newton Howard (American score composer)
aufgenommen bei und mixed at:
Conway Recording Studios in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
Here in My Heart
Verfasser(in):
Glen Ballard und James Newton Howard (American score composer)
publisher:
Aerostation Corporation und Big Fig Music
4:16
11Just You ’n’ Me
Assistent recording engineer:
Jeff Guercio (in 1973-02)
recording engineer:
Wayne Tarnowski (in 1973-02)
Produzent(in):
James William Guercio
assistierende(r) Mix:
Richard Blakin (in 1973-02)
Mix:
Phil Ramone (in 1973-02)
Sologesang:
Peter Cetera (in 1973-02)
phonographisches Urheberrecht (℗) von:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1973), Rhino Entertainment Company (not for release label use!) (in 1973, in 2002) und Warner Strategic Marketing Belgium (for copyrights use only) (in 2004)
aufgenommen bei und mixed at:
Caribou Ranch Recording Studio in Nederland, Colorado, Vereinigte Staaten (in 1973-02)
recording of:
Just You ’n’ Me (in 1973-02)
Texter:
James Pankow
Komponist(in):
James Pankow (in 1973)
publisher:
Moose Music und Big Elk Music (in 1973)
3:42
12Does Anybody Really Know What Time It Is?
Techniker(in):
Fred Catero
Produzent(in):
James William Guercio
aufgenommen bei und mixed at:
Columbia Studios in New York, New York, Vereinigte Staaten (in 1969-01)
recording of:
Does Anybody Really Know What Time It Is?
Texter und Komponist(in):
Robert Lamm (in 1969)
publisher:
Aurelius Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Lamminations Music und Spirit Music Publishing Ltd.
3:20
13Will You Still Love Me?
Techniker(in) und Mix:
Humberto Gatica
Produzent(in):
David Foster (Canadian music producer, arranger and composer)
assistierende(r) Mix:
Laura Livingston
Sologesang:
Jason Scheff (in 1986)
arranger:
David Foster (Canadian music producer, arranger and composer)
phonographisches Urheberrecht (℗) von:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 2010)
mixed at:
Lion Share Recording Studios in Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
Will You Still Love Me? (Chicago song) (in 1986)
Verfasser(in):
Richard Baskin (film composer and producer) (in 1986), David Foster (Canadian music producer, arranger and composer) (in 1986) und Tom Keane (keyboards, of The Keane Brothers) (in 1986)
publisher:
Masonmack Music, MCA Music Ltd., Peermusic III, Ltd. (BMI), Songs of Universal, Inc. (BMI), Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23), Warner Chappell Music Ltd. (no slash; used 1988–1996), ピアーミュージック (Peer Music Japan, Japan, subsidiary of Nichion), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division), Air Bear Music (in 1986), Music Corporation of America, Inc. (BMI‐affiliated music publisher of MCA Records, Inc.?) (in 1986), Warm Springs Music (in 1986) und Young Millionaires Club Music (in 1986)
45:41
14Beginnings
Produzent(in):
James William Guercio
Sologesang:
Robert Lamm
Blechblasinstrumente arranger:
Robert Lamm
recording of:
Beginnings
Texter und Komponist(in):
Robert Lamm (in 1969)
publisher:
Aurelius Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships) und Lamminations Music
7:55
15Hard to Say I’m Sorry / Get Away
Techniker(in):
Humberto Gatica
Produzent(in):
David Foster (Canadian music producer, arranger and composer)
assistierende(r) Mix:
Jack Goudie, Lee Loughnane und Walter Parazaider
Mix:
Bill Schnee
Saiteninstrumente arranger:
Peter Cetera, David Foster (Canadian music producer, arranger and composer) und Jeremy Lubbock
arranger:
Peter Cetera, David Foster (Canadian music producer, arranger and composer) und Danny Seraphine
phonographisches Urheberrecht (℗) von:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1982, in 2010)
mixed at:
Studio 55 in Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
Hard to Say I’m Sorry / Get Away
publisher:
BMG Music Publishing Ltd., Chappell Music Ltd., Double Virgo Music, Foster Frees Music Inc. und Little Sacha Songs
Medley von:
Hard to Say I’m Sorry
Medley von:
Get Away
55:05

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