Messiah

~ Veröffentlichung von Handel; Donath, Reynolds, Burrows, McIntyre, John Alldis Choir, London Philharmonic Orchestra, Karl Richter (alle Versionen dieser Veröffentlichung ansehen, 5 vorhanden)

Titelliste

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Nr.TitelKünstlerBewertungLänge
1Messiah: Part 1: Symphony (Grave-Allegro moderato)
Produzent(in):
Dr. Gerd Ploebsch (engineer)
Cembalo:
Hedwig Bilgram (harpsichordist and organist) (in 1972-11)
Orgel:
Edgar Krapp (organist) (in 1972-11)
Solo-Trompete:
Gordon Webb (trumpet player) (in 1972-11)
Orchester:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (in 1972-11)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1972-11)
Tonmeister(in):
Hans‐Peter Schweigmann (engineer)
phonographisches Urheberrecht (℗) von:
Polydor International GmbH (not for release label use!) (in 1973)
aufgenommen bei:
Brent Town Hall (Wembley Town Hall) in Brent (London Borough of Brent), London (Greater London), England, Vereinigtes Königreich (in 1972-11)
recording of:
Messiah, HWV 56: Part I, no. 1. Symphony (in 1972-11)
Komponist(in):
George Frideric Handel (German‐British baroque composer) (in 1741)
Teil von:
Messiah, HWV 56: Part I
George Frideric Handel3:25
2Messiah: Part 1: Accompagnato (Tenor): Comfort ye my people
Produzent(in):
Dr. Gerd Ploebsch (engineer)
Cembalo:
Hedwig Bilgram (harpsichordist and organist) (in 1972-11)
Orgel:
Edgar Krapp (organist) (in 1972-11)
Solo-Trompete:
Gordon Webb (trumpet player) (in 1972-11)
Tenor-Gesang:
Stuart Burrows (tenor) (in 1972-11)
Orchester:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (in 1972-11)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1972-11)
Tonmeister(in):
Hans‐Peter Schweigmann (engineer)
phonographisches Urheberrecht (℗) von:
Polydor International GmbH (not for release label use!) (in 1973)
aufgenommen bei:
Brent Town Hall (Wembley Town Hall) in Brent (London Borough of Brent), London (Greater London), England, Vereinigtes Königreich (in 1972-11)
recording of:
Messiah, HWV 56: Part I, no. 2. Recitative “Comfort ye” (Tenor) (in 1972-11)
Komponist(in):
George Frideric Handel (German‐British baroque composer) (in 1741)
Teil von:
Messiah, HWV 56: Part I
George Frideric Handel2:30
3Messiah: Part 1: Chorus: Ev'ry valley shall be exalted
Produzent(in):
Dr. Gerd Ploebsch (engineer)
Cembalo:
Hedwig Bilgram (harpsichordist and organist) (in 1972-11)
Orgel:
Edgar Krapp (organist) (in 1972-11)
Solo-Trompete:
Gordon Webb (trumpet player) (in 1972-11)
Tenor-Gesang:
Stuart Burrows (tenor) (in 1972-11)
Orchester:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (in 1972-11)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1972-11)
Tonmeister(in):
Hans‐Peter Schweigmann (engineer)
phonographisches Urheberrecht (℗) von:
Polydor International GmbH (not for release label use!) (in 1973)
aufgenommen bei:
Brent Town Hall (Wembley Town Hall) in Brent (London Borough of Brent), London (Greater London), England, Vereinigtes Königreich (in 1972-11)
recording of:
Messiah, HWV 56: Part I, no. 3. Air “Ev’ry valley shall be exalted” (Tenor) (in 1972-11)
Komponist(in):
George Frideric Handel (German‐British baroque composer) (in 1741)
Teil von:
Messiah, HWV 56: Part I
George Frideric Handel3:46
4Messiah: Part 1: Chorus: And The Glory Of The Lord Shall Be Revealed
Produzent(in):
Dr. Gerd Ploebsch (engineer)
Cembalo:
Hedwig Bilgram (harpsichordist and organist) (in 1972-11)
Orgel:
Edgar Krapp (organist) (in 1972-11)
Solo-Trompete:
Gordon Webb (trumpet player) (in 1972-11)
Chorgesang:
John Alldis Choir (The John Alldis Choir) (in 1972-11)
Orchester:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (in 1972-11)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1972-11)
chorus master:
John Alldis (chorusmaster and conductor) (in 1972-11)
Tonmeister(in):
Hans‐Peter Schweigmann (engineer)
aufgenommen bei:
Brent Town Hall (Wembley Town Hall) in Brent (London Borough of Brent), London (Greater London), England, Vereinigtes Königreich (in 1972-11)
recording of:
Messiah, HWV 56: Part I, no. 4. Chorus “And the glory of the Lord” (in 1972-11)
Komponist(in):
George Frideric Handel (German‐British baroque composer) (in 1741)
Teil von:
Messiah, HWV 56: Part I
George Frideric Handel3:22
5Messiah: Part 1: Accompagnato (Bass): Thus saith the Lord of Hosts
Produzent(in):
Dr. Gerd Ploebsch (engineer)
Cembalo:
Hedwig Bilgram (harpsichordist and organist) (in 1972-11)
Orgel:
Edgar Krapp (organist) (in 1972-11)
Solo-Trompete:
Gordon Webb (trumpet player) (in 1972-11)
Bass-Gesang:
Donald McIntyre (bass-baritone) (in 1972-11)
Orchester:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (in 1972-11)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1972-11)
Tonmeister(in):
Hans‐Peter Schweigmann (engineer)
aufgenommen bei:
Brent Town Hall (Wembley Town Hall) in Brent (London Borough of Brent), London (Greater London), England, Vereinigtes Königreich (in 1972-11)
recording of:
Messiah, HWV 56: Part I, no. 5. Recitative “Thus saith the Lord” (Bass) (in 1972-11)
Komponist(in):
George Frideric Handel (German‐British baroque composer) (in 1741)
Teil von:
Messiah, HWV 56: Part I
George Frideric Handel1:41
6Messiah: Part 1: Aria (Bass): But who may abide the day of his coming
Produzent(in):
Dr. Gerd Ploebsch (engineer)
Cembalo:
Hedwig Bilgram (harpsichordist and organist) (in 1972-11)
Orgel:
Edgar Krapp (organist) (in 1972-11)
Solo-Trompete:
Gordon Webb (trumpet player) (in 1972-11)
Bass-Gesang:
Donald McIntyre (bass-baritone) (in 1972-11)
Orchester:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (in 1972-11)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1972-11)
Tonmeister(in):
Hans‐Peter Schweigmann (engineer)
aufgenommen bei:
Brent Town Hall (Wembley Town Hall) in Brent (London Borough of Brent), London (Greater London), England, Vereinigtes Königreich (in 1972-11)
recording of:
Messiah, HWV 56: Part I, no. 6. Air “But who may abide” (in 1972-11)
Komponist(in):
George Frideric Handel (German‐British baroque composer)
Version von:
Messiah, HWV 56: Alternative Arias: Air. “But who may abide the day of His coming?” (1741)
Teil von:
Messiah, HWV 56: Part I
George Frideric Handel4:52
7Messiah: Part 1: Chorus: And he shall purify
Produzent(in):
Dr. Gerd Ploebsch (engineer)
Cembalo:
Hedwig Bilgram (harpsichordist and organist) (in 1972-11)
Orgel:
Edgar Krapp (organist) (in 1972-11)
Solo-Trompete:
Gordon Webb (trumpet player) (in 1972-11)
Chorgesang:
John Alldis Choir (The John Alldis Choir) (in 1972-11)
Orchester:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (in 1972-11)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1972-11)
chorus master:
John Alldis (chorusmaster and conductor) (in 1972-11)
Tonmeister(in):
Hans‐Peter Schweigmann (engineer)
phonographisches Urheberrecht (℗) von:
Polydor International GmbH (not for release label use!) (in 1973)
aufgenommen bei:
Brent Town Hall (Wembley Town Hall) in Brent (London Borough of Brent), London (Greater London), England, Vereinigtes Königreich (in 1972-11)
recording of:
Messiah, HWV 56: Part I, no. 7. Chorus “And He shall purify” (in 1972-11)
Komponist(in):
George Frideric Handel (German‐British baroque composer) (in 1741)
Teil von:
Messiah, HWV 56: Part I
George Frideric Handel2:38
8Messiah: Part 1: Recitative (Contralto): Behold, a virgin shall conceive
Produzent(in):
Dr. Gerd Ploebsch (engineer)
Cembalo:
Hedwig Bilgram (harpsichordist and organist) (in 1972-11)
Orgel:
Edgar Krapp (organist) (in 1972-11)
Solo-Trompete:
Gordon Webb (trumpet player) (in 1972-11)
Hochgesang:
Anna Reynolds (alto) (in 1972-11)
Orchester:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (in 1972-11)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1972-11)
Tonmeister(in):
Hans‐Peter Schweigmann (engineer)
aufgenommen bei:
Brent Town Hall (Wembley Town Hall) in Brent (London Borough of Brent), London (Greater London), England, Vereinigtes Königreich (in 1972-11)
Kompilation von:
Messiah: 7. Behold, a virgin shall conceive. Recitative (Contralto) von Anna Reynolds (alto), London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra), Karl Richter (conductor/ choir master/ organist/ harpsichordist) und Messiah: 8. O thou that tellest good tidings. Aria (Contralto) von Anna Reynolds (alto), London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra), Karl Richter (conductor/ choir master/ organist/ harpsichordist)
recording of:
Messiah, HWV 56: Part I, no. 8. Recitative “Behold, a virgin shall conceive” (Alto) (in 1972-11)
Komponist(in):
George Frideric Handel (German‐British baroque composer) (in 1741)
Teil von:
Messiah, HWV 56: Part I
George Frideric Handel5:31
9Messiah: Part 1: Chorus: O thou that tellest good tidings
Produzent(in):
Dr. Gerd Ploebsch (engineer)
Cembalo:
Hedwig Bilgram (harpsichordist and organist) (in 1972-11)
Orgel:
Edgar Krapp (organist) (in 1972-11)
Solo-Trompete:
Gordon Webb (trumpet player) (in 1972-11)
Chorgesang:
John Alldis Choir (The John Alldis Choir) (in 1972-11)
Orchester:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (in 1972-11)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1972-11)
chorus master:
John Alldis (chorusmaster and conductor) (in 1972-11)
Tonmeister(in):
Hans‐Peter Schweigmann (engineer)
phonographisches Urheberrecht (℗) von:
Polydor International GmbH (not for release label use!) (in 1973)
aufgenommen bei:
Brent Town Hall (Wembley Town Hall) in Brent (London Borough of Brent), London (Greater London), England, Vereinigtes Königreich (in 1972-11)
recording of:
Messiah, HWV 56: Part I, no. 9. Air “O thou that tellest good tidings to Zion” (Alto, Chorus) (in 1972-11)
Komponist(in):
George Frideric Handel (German‐British baroque composer) (in 1741)
Teil von:
Messiah, HWV 56: Part I
George Frideric Handel2:09
10Messiah: Part 1: Accompagnato (Bass): For behold, darkness shall cover
Produzent(in):
Dr. Gerd Ploebsch (engineer)
Cembalo:
Hedwig Bilgram (harpsichordist and organist) (in 1972-11)
Orgel:
Edgar Krapp (organist) (in 1972-11)
Solo-Trompete:
Gordon Webb (trumpet player) (in 1972-11)
Bass-Gesang:
Donald McIntyre (bass-baritone) (in 1972-11)
Orchester:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (in 1972-11)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1972-11)
Tonmeister(in):
Hans‐Peter Schweigmann (engineer)
aufgenommen bei:
Brent Town Hall (Wembley Town Hall) in Brent (London Borough of Brent), London (Greater London), England, Vereinigtes Königreich (in 1972-11)
recording of:
Messiah, HWV 56: Part I, no. 10. Recitative “For behold, darkness shall cover the earth” (Bass) (in 1972-11)
Komponist(in):
George Frideric Handel (German‐British baroque composer) (in 1741)
Teil von:
Messiah, HWV 56: Part I
George Frideric Handel1:45
11Messiah: Part 1: Aria (Bass): The people that walked in darkness
Produzent(in):
Dr. Gerd Ploebsch (engineer)
Cembalo:
Hedwig Bilgram (harpsichordist and organist) (in 1972-11)
Orgel:
Edgar Krapp (organist) (in 1972-11)
Solo-Trompete:
Gordon Webb (trumpet player) (in 1972-11)
Bass-Gesang:
Donald McIntyre (bass-baritone) (in 1972-11)
Orchester:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (in 1972-11)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1972-11)
Tonmeister(in):
Hans‐Peter Schweigmann (engineer)
aufgenommen bei:
Brent Town Hall (Wembley Town Hall) in Brent (London Borough of Brent), London (Greater London), England, Vereinigtes Königreich (in 1972-11)
recording of:
Messiah, HWV 56: Part I, no. 11. Air “The people that walked in darkness” (Bass) (in 1972-11)
Komponist(in):
George Frideric Handel (German‐British baroque composer)
Teil von:
Messiah, HWV 56: Part I
George Frideric Handel4:56
12Messiah: Part 1: Chorus: For unto us a Child is born
Produzent(in):
Dr. Gerd Ploebsch (engineer)
Cembalo:
Hedwig Bilgram (harpsichordist and organist) (in 1972-11)
Orgel:
Edgar Krapp (organist) (in 1972-11)
Solo-Trompete:
Gordon Webb (trumpet player) (in 1972-11)
Chorgesang:
John Alldis Choir (The John Alldis Choir) (in 1972-11)
Orchester:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (in 1972-11)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1972-11)
chorus master:
John Alldis (chorusmaster and conductor) (in 1972-11)
Tonmeister(in):
Hans‐Peter Schweigmann (engineer)
phonographisches Urheberrecht (℗) von:
Polydor International GmbH (not for release label use!) (in 1973)
aufgenommen bei:
Brent Town Hall (Wembley Town Hall) in Brent (London Borough of Brent), London (Greater London), England, Vereinigtes Königreich (in 1972-11)
recording of:
Messiah, HWV 56: Part I, no. 12. Chorus “For unto us a Child is born” (in 1972-11)
Komponist(in):
George Frideric Handel (German‐British baroque composer) (in 1741)
Teil von:
Messiah, HWV 56: Part I
George Frideric Handel4:11
13Messiah: Part 1: Pifa (Pastoral Symphony)
Produzent(in):
Dr. Gerd Ploebsch (engineer)
Cembalo:
Hedwig Bilgram (harpsichordist and organist) (in 1972-11)
Orgel:
Edgar Krapp (organist) (in 1972-11)
Solo-Trompete:
Gordon Webb (trumpet player) (in 1972-11)
Orchester:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (in 1972-11)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1972-11)
Tonmeister(in):
Hans‐Peter Schweigmann (engineer)
phonographisches Urheberrecht (℗) von:
Polydor International GmbH (not for release label use!) (in 1973)
aufgenommen bei:
Brent Town Hall (Wembley Town Hall) in Brent (London Borough of Brent), London (Greater London), England, Vereinigtes Königreich (in 1972-11)
recording of:
Messiah, HWV 56: Part I, no. 13. Pastoral Symphony (Pifa) (in 1972-11)
Komponist(in):
George Frideric Handel (German‐British baroque composer) (in 1741)
Teil von:
Messiah, HWV 56: Part I
George Frideric Handel3:03
14Messiah: Part 1: Recitative (Soprano): There Were Shepherds Abiding In The Fields
Produzent(in):
Dr. Gerd Ploebsch (engineer)
Cembalo:
Hedwig Bilgram (harpsichordist and organist) (in 1972-11)
Orgel:
Edgar Krapp (organist) (in 1972-11)
Solo-Trompete:
Gordon Webb (trumpet player) (in 1972-11)
Soprangesang:
Helen Donath (soprano) (in 1972-11)
Orchester:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (in 1972-11)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1972-11)
Tonmeister(in):
Hans‐Peter Schweigmann (engineer)
phonographisches Urheberrecht (℗) von:
Polydor International GmbH (not for release label use!) (in 1973)
aufgenommen bei:
Brent Town Hall (Wembley Town Hall) in Brent (London Borough of Brent), London (Greater London), England, Vereinigtes Königreich (in 1972-11)
recording of:
Messiah, HWV 56: Part I, no. 14. Recitative “There were shepherds, abiding in the field… And lo! the angel of the Lord come upon them” (Soprano) (in 1972-11)
Komponist(in):
George Frideric Handel (German‐British baroque composer) (in 1741)
Teil von:
Messiah, HWV 56: Part I
recording of:
Messiah, HWV 56: Part I, no. 15. Recitative “And the angel said unto them” (Soprano) (in 1972-11)
Komponist(in):
George Frideric Handel (German‐British baroque composer)
Teil von:
Messiah, HWV 56: Part I
recording of:
Messiah, HWV 56: Part I, no. 16. Recitative “And suddenly there was with the angel” (Soprano) (in 1972-11)
Komponist(in):
George Frideric Handel (German‐British baroque composer)
Teil von:
Messiah, HWV 56: Part I
George Frideric Handel2:08
15Messiah: Part 1: Chorus: Glory To God In The Highest
Produzent(in):
Dr. Gerd Ploebsch (engineer)
Cembalo:
Hedwig Bilgram (harpsichordist and organist) (in 1972-11)
Orgel:
Edgar Krapp (organist) (in 1972-11)
Solo-Trompete:
Gordon Webb (trumpet player) (in 1972-11)
Chorgesang:
John Alldis Choir (The John Alldis Choir) (in 1972-11)
Orchester:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (in 1972-11)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1972-11)
chorus master:
John Alldis (chorusmaster and conductor) (in 1972-11)
Tonmeister(in):
Hans‐Peter Schweigmann (engineer)
phonographisches Urheberrecht (℗) von:
Polydor International GmbH (not for release label use!) (in 1973)
aufgenommen bei:
Brent Town Hall (Wembley Town Hall) in Brent (London Borough of Brent), London (Greater London), England, Vereinigtes Königreich (in 1972-11)
recording of:
Messiah, HWV 56: Part I, no. 17. Chorus “Glory to God in the highest” (in 1972-11)
Komponist(in):
George Frideric Handel (German‐British baroque composer) (in 1741)
Teil von:
Messiah, HWV 56: Part I
George Frideric Handel1:56
16Messiah: Part 1: Aria (Soprano): Rejoice Greatly, O Daughter Of Zion
Produzent(in):
Dr. Gerd Ploebsch (engineer)
Cembalo:
Hedwig Bilgram (harpsichordist and organist) (in 1972-11)
Orgel:
Edgar Krapp (organist) (in 1972-11)
Solo-Trompete:
Gordon Webb (trumpet player) (in 1972-11)
Orchester:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (in 1972-11)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1972-11)
Tonmeister(in):
Hans‐Peter Schweigmann (engineer)
aufgenommen bei:
Brent Town Hall (Wembley Town Hall) in Brent (London Borough of Brent), London (Greater London), England, Vereinigtes Königreich (in 1972-11)
recording of:
Messiah, HWV 56: Part I, no. 18. Air “Rejoice greatly, O daughter of Zion” (Soprano) (in 1972-11)
Komponist(in):
George Frideric Handel (German‐British baroque composer) (in 1741)
Version von:
Messiah, HWV 56: Alternative Arias: Air. “Rejoice greatly, O daughter of Zion” (1741)
Teil von:
Messiah, HWV 56: Part I
George Frideric Handel4:08
17Messiah: Part 1: Recitative (Contralto): Then Shall The Eyes Of The Blind / Duet: (Contralto, Soprano): He Shall Feed
Produzent(in):
Dr. Gerd Ploebsch (engineer)
Cembalo:
Hedwig Bilgram (harpsichordist and organist) (in 1972-11)
Orgel:
Edgar Krapp (organist) (in 1972-11)
Solo-Trompete:
Gordon Webb (trumpet player) (in 1972-11)
Hochgesang:
Anna Reynolds (alto) (in 1972-11)
Soprangesang:
Helen Donath (soprano) (in 1972-11)
Orchester:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (in 1972-11)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1972-11)
Tonmeister(in):
Hans‐Peter Schweigmann (engineer)
aufgenommen bei:
Brent Town Hall (Wembley Town Hall) in Brent (London Borough of Brent), London (Greater London), England, Vereinigtes Königreich (in 1972-11)
Kompilation von:
Messiah: 18. He shall feed his flock. Duet (Contralto, Soprano) von Helen Donath (soprano), Anna Reynolds (alto), London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra), Karl Richter (conductor/ choir master/ organist/ harpsichordist)
recording of:
Messiah, HWV 56: Part I, no. 19. Recitative “Then shall the eyes of the blind” (Contralto) (in 1972-11)
Komponist(in):
George Frideric Handel (German‐British baroque composer) (in 1741)
Teil von:
Messiah, HWV 56: Part I
recording of:
Messiah, HWV 56: Part I, no. 20. Air “He Shall Feed His Flock” (Soprano, Contralto) (in 1972-11)
Komponist(in):
George Frideric Handel (German‐British baroque composer)
Teil von:
Messiah, HWV 56: Part I
recording of:
Messiah, HWV 56: Part I, no. 19. Recitative “Then shall the eyes of the blind” (Contralto)
Komponist(in):
George Frideric Handel (German‐British baroque composer) (in 1741)
Teil von:
Messiah, HWV 56: Part I
recording of:
Messiah, HWV 56: Part I, no. 20. Air “He Shall Feed His Flock” (Soprano, Contralto)
Komponist(in):
George Frideric Handel (German‐British baroque composer)
Teil von:
Messiah, HWV 56: Part I
George Frideric Handel7:10
18Messiah: Part 1: Chorus: His Yoke Is Easy, His Burthen Is Light
Produzent(in):
Dr. Gerd Ploebsch (engineer)
Cembalo:
Hedwig Bilgram (harpsichordist and organist) (in 1972-11)
Orgel:
Edgar Krapp (organist) (in 1972-11)
Solo-Trompete:
Gordon Webb (trumpet player) (in 1972-11)
Chorgesang:
John Alldis Choir (The John Alldis Choir) (in 1972-11)
Orchester:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (in 1972-11)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1972-11)
chorus master:
John Alldis (chorusmaster and conductor) (in 1972-11)
Tonmeister(in):
Hans‐Peter Schweigmann (engineer)
aufgenommen bei:
Brent Town Hall (Wembley Town Hall) in Brent (London Borough of Brent), London (Greater London), England, Vereinigtes Königreich (in 1972-11)
recording of:
Messiah, HWV 56: Part I, no. 21. Chorus “His yoke is easy” (in 1972-11)
Komponist(in):
George Frideric Handel (German‐British baroque composer) (in 1741)
Teil von:
Messiah, HWV 56: Part I
George Frideric Handel2:35
19Messiah: Part 2: Chorus: Behold The Lamb Of God
Produzent(in):
Dr. Gerd Ploebsch (engineer)
Cembalo:
Hedwig Bilgram (harpsichordist and organist) (in 1972-11)
Orgel:
Edgar Krapp (organist) (in 1972-11)
Solo-Trompete:
Gordon Webb (trumpet player) (in 1972-11)
Chorgesang:
John Alldis Choir (The John Alldis Choir) (in 1972-11)
Orchester:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (in 1972-11)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1972-11)
chorus master:
John Alldis (chorusmaster and conductor) (in 1972-11)
Tonmeister(in):
Hans‐Peter Schweigmann (engineer)
aufgenommen bei:
Brent Town Hall (Wembley Town Hall) in Brent (London Borough of Brent), London (Greater London), England, Vereinigtes Königreich (in 1972-11)
recording of:
Messiah, HWV 56: Part II, no. 22. Chorus “Behold the Lamb of God” (in 1972-11)
Komponist(in):
George Frideric Handel (German‐British baroque composer) (in 1741)
Teil von:
Messiah, HWV 56: Part II
George Frideric Handel2:47
20Messiah: Part 2: Aria (Contralto): He Was Despised
Produzent(in):
Dr. Gerd Ploebsch (engineer)
Cembalo:
Hedwig Bilgram (harpsichordist and organist) (in 1972-11)
Orgel:
Edgar Krapp (organist) (in 1972-11)
Solo-Trompete:
Gordon Webb (trumpet player) (in 1972-11)
Hochgesang:
Anna Reynolds (alto) (in 1972-11)
Orchester:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (in 1972-11)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1972-11)
Tonmeister(in):
Hans‐Peter Schweigmann (engineer)
aufgenommen bei:
Brent Town Hall (Wembley Town Hall) in Brent (London Borough of Brent), London (Greater London), England, Vereinigtes Königreich (in 1972-11)
recording of:
Messiah, HWV 56: Part II, no. 23. Air “He was despised” (Alto) (in 1972-11)
Komponist(in):
George Frideric Handel (German‐British baroque composer) (in 1741)
Teil von:
Messiah, HWV 56: Part II
George Frideric Handel12:45
21Messiah: Part 2: Chorus: Surely, He Hath Borne Our Griefs
Produzent(in):
Dr. Gerd Ploebsch (engineer)
Cembalo:
Hedwig Bilgram (harpsichordist and organist) (in 1972-11)
Orgel:
Edgar Krapp (organist) (in 1972-11)
Solo-Trompete:
Gordon Webb (trumpet player) (in 1972-11)
Chorgesang:
John Alldis Choir (The John Alldis Choir) (in 1972-11)
Orchester:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (in 1972-11)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1972-11)
chorus master:
John Alldis (chorusmaster and conductor) (in 1972-11)
Tonmeister(in):
Hans‐Peter Schweigmann (engineer)
aufgenommen bei:
Brent Town Hall (Wembley Town Hall) in Brent (London Borough of Brent), London (Greater London), England, Vereinigtes Königreich (in 1972-11)
recording of:
Messiah, HWV 56: Part II, no. 24. Chorus “Surely He hath borne our griefs” (in 1972-11)
Komponist(in):
George Frideric Handel (German‐British baroque composer) (in 1741)
Teil von:
Messiah, HWV 56: Part II
George Frideric Handel2:29
2▶CD

Nennungen

Veröffentlichung

Teil von:DG 2 CD (Deutsche Grammophon) (Reihenfolge: 8)
Discogs:https://www.discogs.com/release/11538560 [Info]
ASIN:US: B000001GY3 [Info]
Diskografieeintrag:http://messiah-guide.com/richter.html [Info]
http://www.deutschegrammophon.com/us/cat/4530282 [Info]