4 weltliche Kantaten

~ Release by Johann Sebastian Bach; Collegium Aureum, Elly Ameling, Gerald English, Siegmund Nimsgern (see all versions of this release, 2 available)

Tracklist

1▼Digital Media
#TitleArtistRatingLength
1Cantata no. 211: Schweigt stille, plaudert nicht, BWV 211 "Coffee Cantata": Schweigt stille, plaudert nicht (Recitativo)
tenor vocals:
Gerald English (English tenor) (from 1964 until 1968)
orchestra:
Collegium Aureum
conductor:
Franzjosef Maier (German violinist and conductor)
performer:
Collegium Aureum (from 1964 until 1968)
recorded at:
Fuggerschloss Kirchheim in Kirchheim in Schwaben, Bayern (Bavaria), Germany (from 1964 until 1968)
recording of:
Kantate, BWV 211 "Schweigt stille, plaudert nicht": I. Recitativo (Tenor) "Schweigt stille, plaudert nicht" (in 1968)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1734 until 1735)
librettist:
Christian Friedrich Henrici
premiered at:
Zimmermannsches Kaffeehaus in Leipzig, Sachsen (Saxony), Germany
part of:
Kantate, BWV 211 "Schweigt stille, plaudert nicht"
Johann Sebastian Bach0:39
2Cantata no. 211: Schweigt stille, plaudert nicht, BWV 211 "Coffee Cantata": Hat man nicht mit seinen Kindern (Aria)
bass vocals:
Siegmund Nimsgern (bass-baritone) (from 1964 until 1968)
vocals:
Elly Ameling (soprano)
orchestra:
Collegium Aureum
conductor:
Franzjosef Maier (German violinist and conductor)
recorded at:
Fuggerschloss Kirchheim in Kirchheim in Schwaben, Bayern (Bavaria), Germany (from 1964 until 1968)
recording of:
Kantate, BWV 211 "Schweigt stille, plaudert nicht": II. Aria (Bass) "Hat man nicht mit seinen Kindern" (from 1964 until 1968)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1734 until 1735)
librettist:
Christian Friedrich Henrici
premiered at:
Zimmermannsches Kaffeehaus in Leipzig, Sachsen (Saxony), Germany
part of:
Kantate, BWV 211 "Schweigt stille, plaudert nicht"
Johann Sebastian Bach3:14
3Cantata no. 211: Schweigt stille, plaudert nicht, BWV 211 "Coffee Cantata": Du böses Kind, du loses Mädchen (Recitativo)
bass vocals:
Siegmund Nimsgern (bass-baritone) (from 1964 until 1968)
soprano vocals:
Elly Ameling (soprano) (from 1964 until 1968)
orchestra:
Collegium Aureum
conductor:
Franzjosef Maier (German violinist and conductor)
performer:
Collegium Aureum (from 1964 until 1968)
recorded at:
Fuggerschloss Kirchheim in Kirchheim in Schwaben, Bayern (Bavaria), Germany (from 1964 until 1968)
recording of:
Kantate, BWV 211 "Schweigt stille, plaudert nicht": III. Recitativo (Bass, Sopran) "Du böses Kind, du loses Mädchen" (in 1968)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1734 until 1735)
librettist:
Christian Friedrich Henrici
premiered at:
Zimmermannsches Kaffeehaus in Leipzig, Sachsen (Saxony), Germany
part of:
Kantate, BWV 211 "Schweigt stille, plaudert nicht"
Johann Sebastian Bach0:43
4Cantata no. 211: Schweigt stille, plaudert nicht, BWV 211 "Coffee Cantata": Ei, wie schmeckt der Coffee süße (Aria)
soprano vocals:
Elly Ameling (soprano) (from 1964 until 1968)
orchestra:
Collegium Aureum
conductor:
Franzjosef Maier (German violinist and conductor)
performer:
Collegium Aureum (from 1964 until 1968)
recorded at:
Fuggerschloss Kirchheim in Kirchheim in Schwaben, Bayern (Bavaria), Germany (from 1964 until 1968)
recording of:
Kantate, BWV 211 "Schweigt stille, plaudert nicht": IV. Aria (Sopran) "Ei, wie schmeckt der Coffee süße" (in 1968)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1734 until 1735)
librettist:
Christian Friedrich Henrici
premiered at:
Zimmermannsches Kaffeehaus in Leipzig, Sachsen (Saxony), Germany
part of:
Kantate, BWV 211 "Schweigt stille, plaudert nicht"
Johann Sebastian Bach4:45
5Cantata no. 211: Schweigt stille, plaudert nicht, BWV 211 "Coffee Cantata": Wenn du mir nicht den Coffee läßt (Recitativo)
bass vocals:
Siegmund Nimsgern (bass-baritone) (from 1964 until 1968)
soprano vocals:
Elly Ameling (soprano) (from 1964 until 1968)
orchestra:
Collegium Aureum
conductor:
Franzjosef Maier (German violinist and conductor)
performer:
Collegium Aureum (from 1964 until 1968)
recorded at:
Fuggerschloss Kirchheim in Kirchheim in Schwaben, Bayern (Bavaria), Germany (from 1964 until 1968)
recording of:
Kantate, BWV 211 "Schweigt stille, plaudert nicht": V. Recitativo (Bass, Sopran) "Wenn du mir nicht den Coffee läßt" (in 1968)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1734 until 1735)
librettist:
Christian Friedrich Henrici
premiered at:
Zimmermannsches Kaffeehaus in Leipzig, Sachsen (Saxony), Germany
part of:
Kantate, BWV 211 "Schweigt stille, plaudert nicht"
Johann Sebastian Bach1:20
6Cantata no. 211: Schweigt stille, plaudert nicht, BWV 211 "Coffee Cantata": Mädchen, die von harten Sinnen (Aria)
bass vocals:
Siegmund Nimsgern (bass-baritone) (from 1964 until 1968)
orchestra:
Collegium Aureum
conductor:
Franzjosef Maier (German violinist and conductor)
performer:
Collegium Aureum (from 1964 until 1968)
recorded at:
Fuggerschloss Kirchheim in Kirchheim in Schwaben, Bayern (Bavaria), Germany (from 1964 until 1968)
recording of:
Kantate, BWV 211 "Schweigt stille, plaudert nicht": VI. Aria (Bass) "Mädchen, die von harten Sinnen" (in 1968)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1734 until 1735)
librettist:
Christian Friedrich Henrici
premiered at:
Zimmermannsches Kaffeehaus in Leipzig, Sachsen (Saxony), Germany
part of:
Kantate, BWV 211 "Schweigt stille, plaudert nicht"
Johann Sebastian Bach3:30
7Cantata no. 211: Schweigt stille, plaudert nicht, BWV 211 "Coffee Cantata": Nun folge, was dein Vater spricht (Recitativo)
bass vocals:
Siegmund Nimsgern (bass-baritone) (from 1964 until 1968)
soprano vocals:
Elly Ameling (soprano) (from 1964 until 1968)
orchestra:
Collegium Aureum
conductor:
Franzjosef Maier (German violinist and conductor)
performer:
Collegium Aureum (from 1964 until 1968)
recorded at:
Fuggerschloss Kirchheim in Kirchheim in Schwaben, Bayern (Bavaria), Germany (from 1964 until 1968)
recording of:
Kantate, BWV 211 "Schweigt stille, plaudert nicht": VII. Recitativo (Bass, Sopran) "Nun folge, was dein Vater spricht" (in 1968)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1734 until 1735)
librettist:
Christian Friedrich Henrici
premiered at:
Zimmermannsches Kaffeehaus in Leipzig, Sachsen (Saxony), Germany
part of:
Kantate, BWV 211 "Schweigt stille, plaudert nicht"
Johann Sebastian Bach0:55
8Cantata no. 211: Schweigt stille, plaudert nicht, BWV 211 "Coffee Cantata": Heute noch, heute noch (Aria)
soprano vocals:
Elly Ameling (soprano) (from 1964 until 1968)
vocals:
Siegmund Nimsgern (bass-baritone)
orchestra:
Collegium Aureum
conductor:
Franzjosef Maier (German violinist and conductor)
recorded at:
Fuggerschloss Kirchheim in Kirchheim in Schwaben, Bayern (Bavaria), Germany (from 1964 until 1968)
recording of:
Kantate, BWV 211 "Schweigt stille, plaudert nicht": VIII. Aria (Sopran) "Heute noch, lieber Vater, tut es doch" (from 1964 until 1968)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1734 until 1735)
librettist:
Christian Friedrich Henrici
premiered at:
Zimmermannsches Kaffeehaus in Leipzig, Sachsen (Saxony), Germany
part of:
Kantate, BWV 211 "Schweigt stille, plaudert nicht"
Johann Sebastian Bach6:55
9Cantata no. 211: Schweigt stille, plaudert nicht, BWV 211 "Coffee Cantata": Nun geht und sucht der alte Schlendrian (Recitativo)
tenor vocals:
Gerald English (English tenor) (from 1964 until 1968)
orchestra:
Collegium Aureum
conductor:
Franzjosef Maier (German violinist and conductor)
performer:
Collegium Aureum (from 1964 until 1968)
recorded at:
Fuggerschloss Kirchheim in Kirchheim in Schwaben, Bayern (Bavaria), Germany (from 1964 until 1968)
recording of:
Kantate, BWV 211 "Schweigt stille, plaudert nicht": IX. Recitativo (Tenor) "Nun geht und sucht der alte Schlendrian" (in 1968)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1734 until 1735)
librettist:
[anonymous] (special purpose artist)
premiered at:
Zimmermannsches Kaffeehaus in Leipzig, Sachsen (Saxony), Germany
part of:
Kantate, BWV 211 "Schweigt stille, plaudert nicht"
Johann Sebastian Bach0:45
10Cantata no. 211: Schweigt stille, plaudert nicht, BWV 211 "Coffee Cantata": Die Katze läßt das Mausen nicht (Coro)
bass vocals:
Siegmund Nimsgern (bass-baritone) (from 1964 until 1968)
soprano vocals:
Elly Ameling (soprano) (from 1964 until 1968)
tenor vocals:
Gerald English (English tenor) (from 1964 until 1968)
orchestra:
Collegium Aureum
conductor:
Franzjosef Maier (German violinist and conductor)
performer:
Collegium Aureum (from 1964 until 1968)
recorded at:
Fuggerschloss Kirchheim in Kirchheim in Schwaben, Bayern (Bavaria), Germany (from 1964 until 1968)
recording of:
Kantate, BWV 211 "Schweigt stille, plaudert nicht": X. Chorus (Sopran, Tenor, Bass) "Die Katze läßt das Mausen nicht" (in 1968)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1734 until 1735)
librettist:
[anonymous] (special purpose artist)
premiered at:
Zimmermannsches Kaffeehaus in Leipzig, Sachsen (Saxony), Germany
part of:
Kantate, BWV 211 "Schweigt stille, plaudert nicht"
Johann Sebastian Bach5:02
11Cantata no. 212: Mer hahn en neue Oberkeet, BWV 212 "Peasant Cantata": Sinfonia
orchestra:
Collegium Aureum
conductor:
Franzjosef Maier (German violinist and conductor)
performer:
Collegium Aureum (from 1964 until 1968)
recorded at:
Fuggerschloss Kirchheim in Kirchheim in Schwaben, Bayern (Bavaria), Germany (from 1964 until 1968)
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": I. Ouvertüre (in 1968)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1742-08-30)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1742)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1742)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
Johann Sebastian Bach2:24
12Cantata no. 212: Mer hahn en neue Oberkeet, BWV 212 "Peasant Cantata": Mer han en neue Oberkeet (Duetto)
bass vocals:
Siegmund Nimsgern (bass-baritone) (from 1964 until 1968)
soprano vocals:
Elly Ameling (soprano) (from 1964 until 1968)
orchestra:
Collegium Aureum
conductor:
Franzjosef Maier (German violinist and conductor)
performer:
Collegium Aureum (from 1964 until 1968)
recorded at:
Fuggerschloss Kirchheim in Kirchheim in Schwaben, Bayern (Bavaria), Germany (from 1964 until 1968)
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": II. Aria (Duetto Sopran, Bass) "Mer hahn en neue Oberkeet" (in 1968)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1742-08-30)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1742)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1742)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
Johann Sebastian Bach0:40
13Cantata no. 212: Mer hahn en neue Oberkeet, BWV 212 "Peasant Cantata": Nu, Mieke, gib dein Guschel immer her (Recitativo)
bass vocals:
Siegmund Nimsgern (bass-baritone) (from 1964 until 1968)
soprano vocals:
Elly Ameling (soprano) (from 1964 until 1968)
orchestra:
Collegium Aureum
conductor:
Franzjosef Maier (German violinist and conductor)
performer:
Collegium Aureum (from 1964 until 1968)
recorded at:
Fuggerschloss Kirchheim in Kirchheim in Schwaben, Bayern (Bavaria), Germany (from 1964 until 1968)
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": III. Recitativo (Sopran, Bass) "Nu, Mieke, gib dein Guschel immer her" (in 1968)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1742-08-30)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1742)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1742)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
Johann Sebastian Bach0:54
14Cantata no. 212: Mer hahn en neue Oberkeet, BWV 212 "Peasant Cantata": Ach es schmeckt doch gar zu gut (Aria)
soprano vocals:
Elly Ameling (soprano) (from 1964 until 1968)
orchestra:
Collegium Aureum
conductor:
Franzjosef Maier (German violinist and conductor)
performer:
Collegium Aureum (from 1964 until 1968)
recorded at:
Fuggerschloss Kirchheim in Kirchheim in Schwaben, Bayern (Bavaria), Germany (from 1964 until 1968)
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": IV. Aria (Sopran) "Ach, es schmeckt doch gar zu gut" (in 1968)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1742-08-30)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1742)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1742)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
Johann Sebastian Bach1:03
15Cantata no. 212: Mer hahn en neue Oberkeet, BWV 212 "Peasant Cantata": Der Herr ist gut (Recitativo)
bass vocals:
Siegmund Nimsgern (bass-baritone) (from 1964 until 1968)
orchestra:
Collegium Aureum
conductor:
Franzjosef Maier (German violinist and conductor)
performer:
Collegium Aureum (from 1964 until 1968)
recorded at:
Fuggerschloss Kirchheim in Kirchheim in Schwaben, Bayern (Bavaria), Germany (from 1964 until 1968)
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": V. Recitativo (Bass) "Der Herr ist gut" (in 1968)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1742-08-30)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1742)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1742)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
Johann Sebastian Bach0:26
16Cantata no. 212: Mer hahn en neue Oberkeet, BWV 212 "Peasant Cantata": Ach Herr Schösser, geht nicht gar zu schlimm (Aria)
bass vocals:
Siegmund Nimsgern (bass-baritone) (from 1964 until 1968)
orchestra:
Collegium Aureum
conductor:
Franzjosef Maier (German violinist and conductor)
performer:
Collegium Aureum (from 1964 until 1968)
recorded at:
Fuggerschloss Kirchheim in Kirchheim in Schwaben, Bayern (Bavaria), Germany (from 1964 until 1968)
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": VI. Aria (Bass) "Ach, Herr Schösser, geht nicht gar zu schlimm" (in 1968)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1742-08-30)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1742)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1742)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
Johann Sebastian Bach1:15
17Cantata no. 212: Mer hahn en neue Oberkeet, BWV 212 "Peasant Cantata": Es bleibt dabei, daß unser Herr der beste sei (Recitativo)
soprano vocals:
Elly Ameling (soprano) (from 1964 until 1968)
orchestra:
Collegium Aureum
conductor:
Franzjosef Maier (German violinist and conductor)
performer:
Collegium Aureum (from 1964 until 1968)
recorded at:
Fuggerschloss Kirchheim in Kirchheim in Schwaben, Bayern (Bavaria), Germany (from 1964 until 1968)
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": VII. Recitativo (Sopran) "Es bleibt dabei" (in 1968)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1742-08-30)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1742)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1742)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
Johann Sebastian Bach0:23
18Cantata no. 212: Mer hahn en neue Oberkeet, BWV 212 "Peasant Cantata": Unser trefflicher lieber Kammerherr (Aria)
soprano vocals:
Elly Ameling (soprano) (from 1964 until 1968)
orchestra:
Collegium Aureum
conductor:
Franzjosef Maier (German violinist and conductor)
performer:
Collegium Aureum (from 1964 until 1968)
recorded at:
Fuggerschloss Kirchheim in Kirchheim in Schwaben, Bayern (Bavaria), Germany (from 1964 until 1968)
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": VIII. Aria (Sopran) "Unser trefflicher, lieber Kammerherr" (in 1968)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1742-08-30)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1742)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1742)
librettist:
Christian Friedrich Henrici
is based on:
Folia
part of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
Johann Sebastian Bach1:52
19Cantata no. 212: Mer hahn en neue Oberkeet, BWV 212 "Peasant Cantata": Er hilft uns allen, alt und jung (Recitativo)
bass vocals:
Siegmund Nimsgern (bass-baritone) (from 1964 until 1968)
soprano vocals:
Elly Ameling (soprano) (from 1964 until 1968)
orchestra:
Collegium Aureum
conductor:
Franzjosef Maier (German violinist and conductor)
performer:
Collegium Aureum (from 1964 until 1968)
recorded at:
Fuggerschloss Kirchheim in Kirchheim in Schwaben, Bayern (Bavaria), Germany (from 1964 until 1968)
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": IX. Recitativo (Sopran, Bass) "Er hilft uns allen, alt und jung" (in 1968)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1742-08-30)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1742)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1742)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
Johann Sebastian Bach0:29
20Cantata no. 212: Mer hahn en neue Oberkeet, BWV 212 "Peasant Cantata": Das ist galant (Aria)
soprano vocals:
Elly Ameling (soprano) (from 1964 until 1968)
orchestra:
Collegium Aureum
conductor:
Franzjosef Maier (German violinist and conductor)
performer:
Collegium Aureum (from 1964 until 1968)
recorded at:
Fuggerschloss Kirchheim in Kirchheim in Schwaben, Bayern (Bavaria), Germany (from 1964 until 1968)
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": X. Aria (Sopran) "Das ist galant" (in 1968)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1742-08-30)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1742)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1742)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
Johann Sebastian Bach1:17
21Cantata no. 212: Mer hahn en neue Oberkeet, BWV 212 "Peasant Cantata": Und unsre gnädige Frau ist nicht ein prinkel stolz (Recitativo)
bass vocals:
Siegmund Nimsgern (bass-baritone) (from 1964 until 1968)
orchestra:
Collegium Aureum
conductor:
Franzjosef Maier (German violinist and conductor)
performer:
Collegium Aureum (from 1964 until 1968)
recorded at:
Fuggerschloss Kirchheim in Kirchheim in Schwaben, Bayern (Bavaria), Germany (from 1964 until 1968)
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": XI. Recitativo (Bass) "Und unsre gnädge Frau" (in 1968)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1742-08-30)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1742)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1742)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
Johann Sebastian Bach0:42
22Cantata no. 212: Mer hahn en neue Oberkeet, BWV 212 "Peasant Cantata": Fünfzig Taler bares Geld (Aria)
bass vocals:
Siegmund Nimsgern (bass-baritone) (from 1964 until 1968)
orchestra:
Collegium Aureum
conductor:
Franzjosef Maier (German violinist and conductor)
performer:
Collegium Aureum (from 1964 until 1968)
recorded at:
Fuggerschloss Kirchheim in Kirchheim in Schwaben, Bayern (Bavaria), Germany (from 1964 until 1968)
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": XII. Aria (Bass) "Fünfzig Taler bares Geld" (in 1968)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1742-08-30)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1742)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1742)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
Johann Sebastian Bach0:50
23Cantata no. 212: Mer hahn en neue Oberkeet, BWV 212 "Peasant Cantata": Im Ernst ein Wort! (Recitativo)
soprano vocals:
Elly Ameling (soprano) (from 1964 until 1968)
orchestra:
Collegium Aureum
conductor:
Franzjosef Maier (German violinist and conductor)
performer:
Collegium Aureum (from 1964 until 1968)
recorded at:
Fuggerschloss Kirchheim in Kirchheim in Schwaben, Bayern (Bavaria), Germany (from 1964 until 1968)
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": XIII. Recitativo (Sopran) "Im Ernst ein Wort" (in 1968)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1742-08-30)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1742)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1742)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
Johann Sebastian Bach0:28
24Cantata no. 212: Mer hahn en neue Oberkeet, BWV 212 "Peasant Cantata": Klein Zschocher müsse so zart und süße (Aria)
soprano vocals:
Elly Ameling (soprano) (from 1964 until 1968)
orchestra:
Collegium Aureum
conductor:
Franzjosef Maier (German violinist and conductor)
performer:
Collegium Aureum (from 1964 until 1968)
recorded at:
Fuggerschloss Kirchheim in Kirchheim in Schwaben, Bayern (Bavaria), Germany (from 1964 until 1968)
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": XIV. Aria (Sopran) "Klein-Zschocher müsse" (in 1968)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1742-08-30)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1742)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1742)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
Johann Sebastian Bach6:21
25Cantata no. 212: Mer hahn en neue Oberkeet, BWV 212 "Peasant Cantata": Das ist zu klug vor dich (Recitativo)
bass vocals:
Siegmund Nimsgern (bass-baritone) (from 1964 until 1968)
orchestra:
Collegium Aureum
conductor:
Franzjosef Maier (German violinist and conductor)
performer:
Collegium Aureum (from 1964 until 1968)
recorded at:
Fuggerschloss Kirchheim in Kirchheim in Schwaben, Bayern (Bavaria), Germany (from 1964 until 1968)
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": XV. Recitativo (Bass) "Das ist zu klug vor dich" (in 1968)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1742-08-30)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1742)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1742)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
Johann Sebastian Bach0:20
26Cantata no. 212: Mer hahn en neue Oberkeet, BWV 212 "Peasant Cantata": Es nehme zehntausend Ducaten (Aria)
bass vocals:
Siegmund Nimsgern (bass-baritone) (from 1964 until 1968)
orchestra:
Collegium Aureum
conductor:
Franzjosef Maier (German violinist and conductor)
performer:
Collegium Aureum (from 1964 until 1968)
recorded at:
Fuggerschloss Kirchheim in Kirchheim in Schwaben, Bayern (Bavaria), Germany (from 1964 until 1968)
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": XVI. Aria (Bass) "Es nehme zehntausend Dukaten" (in 1968)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1742-08-30)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1742)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1742)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
Johann Sebastian Bach0:41
27Cantata no. 212: Mer hahn en neue Oberkeet, BWV 212 "Peasant Cantata": Das klingt zu liederlich (Recitativo)
soprano vocals:
Elly Ameling (soprano) (from 1964 until 1968)
orchestra:
Collegium Aureum
conductor:
Franzjosef Maier (German violinist and conductor)
performer:
Collegium Aureum (from 1964 until 1968)
recorded at:
Fuggerschloss Kirchheim in Kirchheim in Schwaben, Bayern (Bavaria), Germany (from 1964 until 1968)
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": XVII. Recitativo (Sopran) "Das klingt zu liederlich" (in 1968)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1742-08-30)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1742)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1742)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
Johann Sebastian Bach0:20
28Cantata no. 212: Mer hahn en neue Oberkeet, BWV 212 "Peasant Cantata": Gib, Schöne, viel Söhne von artger Gestalt (Aria)
soprano vocals:
Elly Ameling (soprano) (from 1964 until 1968)
orchestra:
Collegium Aureum
conductor:
Franzjosef Maier (German violinist and conductor)
performer:
Collegium Aureum (from 1964 until 1968)
recorded at:
Fuggerschloss Kirchheim in Kirchheim in Schwaben, Bayern (Bavaria), Germany (from 1964 until 1968)
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": XVIII. Aria (Sopran) "Gib, Schöne, viel Söhne" (in 1968)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1742-08-30)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1742)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1742)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
Johann Sebastian Bach0:31
29Cantata no. 212: Mer hahn en neue Oberkeet, BWV 212 "Peasant Cantata": Du hast wohl recht (Recitativo)
bass vocals:
Siegmund Nimsgern (bass-baritone) (from 1964 until 1968)
orchestra:
Collegium Aureum
conductor:
Franzjosef Maier (German violinist and conductor)
performer:
Collegium Aureum (from 1964 until 1968)
recorded at:
Fuggerschloss Kirchheim in Kirchheim in Schwaben, Bayern (Bavaria), Germany (from 1964 until 1968)
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": XIX. Recitativo (Bass) "Du hast wohl recht" (in 1968)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1742-08-30)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1742)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1742)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
Johann Sebastian Bach0:18
30Cantata no. 212: Mer hahn en neue Oberkeet, BWV 212 "Peasant Cantata": Dein Wachstum sei feste und lache vor Lust (Aria)
bass vocals:
Siegmund Nimsgern (bass-baritone) (from 1964 until 1968)
orchestra:
Collegium Aureum
conductor:
Franzjosef Maier (German violinist and conductor)
performer:
Collegium Aureum (from 1964 until 1968)
recorded at:
Fuggerschloss Kirchheim in Kirchheim in Schwaben, Bayern (Bavaria), Germany (from 1964 until 1968)
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": XX. Aria (Bass) "Dein Wachstum sei feste und lache vor Lust" (in 1968)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1742-08-30)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1742)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1742)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
Johann Sebastian Bach6:14
31Cantata no. 212: Mer hahn en neue Oberkeet, BWV 212 "Peasant Cantata": Und damit sei es auch genug (Recitativo)
bass vocals:
Siegmund Nimsgern (bass-baritone) (from 1964 until 1968)
soprano vocals:
Elly Ameling (soprano) (from 1964 until 1968)
orchestra:
Collegium Aureum
conductor:
Franzjosef Maier (German violinist and conductor)
performer:
Collegium Aureum (from 1964 until 1968)
recorded at:
Fuggerschloss Kirchheim in Kirchheim in Schwaben, Bayern (Bavaria), Germany (from 1964 until 1968)
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": XXI. Recitativo (Sopran, Bass) "Und damit sei es auch genug" (in 1968)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1742-08-30)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1742)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1742)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
Johann Sebastian Bach0:20
32Cantata no. 212: Mer hahn en neue Oberkeet, BWV 212 "Peasant Cantata": Und daß ihr's alle wißt (Aria)
soprano vocals:
Elly Ameling (soprano) (from 1964 until 1968)
orchestra:
Collegium Aureum
conductor:
Franzjosef Maier (German violinist and conductor)
performer:
Collegium Aureum (from 1964 until 1968)
recorded at:
Fuggerschloss Kirchheim in Kirchheim in Schwaben, Bayern (Bavaria), Germany (from 1964 until 1968)
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": XXII. Aria (Sopran) "Und daß ihrs alle wißt" (in 1968)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1742-08-30)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1742)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1742)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
Johann Sebastian Bach0:45
33Cantata no. 212: Mer hahn en neue Oberkeet, BWV 212 "Peasant Cantata": Mein Schatz, erraten! (Recitativo)
bass vocals:
Siegmund Nimsgern (bass-baritone) (from 1964 until 1968)
soprano vocals:
Elly Ameling (soprano) (from 1964 until 1968)
orchestra:
Collegium Aureum
conductor:
Franzjosef Maier (German violinist and conductor)
performer:
Collegium Aureum (from 1964 until 1968)
recorded at:
Fuggerschloss Kirchheim in Kirchheim in Schwaben, Bayern (Bavaria), Germany (from 1964 until 1968)
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": XXIII. Recitativo (Sopran, Bass) "Mein Schatz! erraten" (in 1968)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1742-08-30)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1742)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1742)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
Johann Sebastian Bach0:32
34Cantata no. 212: Mer hahn en neue Oberkeet, BWV 212 "Peasant Cantata": Wir gehn nun, wo der Tudelsack (Coro)
bass vocals:
Siegmund Nimsgern (bass-baritone) (from 1964 until 1968)
soprano vocals:
Elly Ameling (soprano) (from 1964 until 1968)
orchestra:
Collegium Aureum
conductor:
Franzjosef Maier (German violinist and conductor)
performer:
Collegium Aureum (from 1964 until 1968)
recorded at:
Fuggerschloss Kirchheim in Kirchheim in Schwaben, Bayern (Bavaria), Germany (from 1964 until 1968)
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": XXIV. Chor (Sopran, Bass) "Wir gehn nun, wo der Tudelsack" (in 1968)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1742-08-30)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1742)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1742)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
Johann Sebastian Bach1:14
2▶Digital Media