| Nr. | Titel | Künstler | Bewertung | Länge |
|---|
| 1 | Go West | Pet Shop Boys | 4.2 | 5:04 |
| 2 | Never Ever (radio edit) | All Saints | 3.65 | 3:54 |
| 3 | Kiss From a Rose | Seal | 3.85 | 4:48 |
| 4 | Baby, I Love Your Way | Big Mountain | 3 | 4:10 |
| 5 | Iris | The Goo Goo Dolls | 4.1 | 4:50 |
| 6 | Stars | Simply Red | 2.8 | 4:09 |
| 7 | Ironic | Alanis Morissette | 4 | 3:49 |
| 8 | Song 2- Techniker(in):
- John Smith
- Produzent(in):
- Stephen Street
- Akustikgitarre:
- Damon Albarn und Graham Coxon
- Bassgitarre:
- Alex James
- E-Gitarre, Theremin und Hintergrundgesang:
- Graham Coxon
- Hammond-Orgel, Keyboard, Klavier und Sologesang:
- Damon Albarn
- Perkussion:
- Dave Rowntree
- Schlagzeug:
- Graham Coxon und Dave Rowntree
- Herausgeber:
- EMI Music Publishing Ltd.
- phonographisches Urheberrecht (℗) von:
- EMI Records Ltd (in 1997)
- Musikvideos:
- Song 2 von Blur
- Teil von:
- NME: 50 Greatest Guitar Riffs of All Time (Nummer: 8), NME: Greatest “Indie” Anthems Ever: 2007 (Nummer: 15), Indie 88: Top 500 Indie Rock Songs (Nummer: 57) und BILLIONS CLUB
- recording of:
- Song 2
- Texter:
- Damon Albarn
- Komponist(in):
- Damon Albarn, Graham Coxon, Alex James und Dave Rowntree
- publisher:
- EMI Blackwood Music Inc., EMI Music Publishing Ltd. , Kobalt Music Publishing Ltd. , Sony Music Publishing (Japan) Inc. , Sony/ATV Music Publishing (UK) Ltd., Warner–Tamerlane Publishing Corp. , Warner/Chappell Music Ltd. , Wixen Music UK Ltd., ソニー・ミュージックパブリッシング A事業部 , ソニー・ミュージックパブリッシング EMI外国事業部 , ヤマハミュージックEH(CM) , ヤマハミュージックエンタテインメントホールディングス und ワーナー・チャペル音楽出版 Synch事業部
- sub-publisher:
- EMI Music Publishing Hong Kong , FujiPacific Music (S.E. Asia) Ltd., 香港商百代音樂股份有限公司台灣分公司 und 香港商華納音樂出版有限公司台灣分公司
| Blur | 4.25 | 2:01 |
| 9 | I’ll Be Missing You | Diddy, Faith Evans & 112 | 2 | 5:07 |
| 10 | Believe | Cher | 3.8 | 3:59 |
| 11 | Walking in Memphis | Marc Cohn | 3.9 | 4:16 |
| 12 | Informer | Snow | 3 | 4:17 |
| 13 | The Boy Is Mine (radio edit)- Produzent(in):
- Dallas Austin, Brandy und Rodney Jerkins
- phonographisches Urheberrecht (℗) von:
- Atlantic Recording Corporation (in 1998) und WEA International, Inc. (in 1998)
- produced for:
- Brand Nu, Inc., Darkchild Entertainment, Inc. und Darp, Inc.
- Bearbeitung von:
- The Boy Is Mine von Brandy & Monica
- recording of:
- The Boy Is Mine
- Verfasser(in):
- Brandy Norwood , LaShawn Daniels , Fred Jerkins, Rodney Jerkins und Japhe Tejeda
- publisher:
- Bran-Bran Music, EMI April Music Inc., EMI Blackwood Music Inc., Ensign Music Publishing, Famous Music Publishing, Fred Jerkins Publishing, Henchi Music und Sony/ATV Melody
| Brandy & Monica | 4 | 4:00 |
| 14 | Ordinary World | Duran Duran | 3.3 | 4:20 |
| 15 | Don’t Let Go (Love) | En Vogue | 4 | 4:52 |
| 16 | Groove Is in the Heart | Deee‐Lite | 4.2 | 3:52 |
| 17 | Hypnotize- recording engineer:
- Axel Niehaus und Doug Wilson
- Techniker(in):
- Lorrenn Argumedes, Rasheed Goodlowe, Lynn Montrose und Steve Jones
- Produzent(in):
- Deric “D‐Dot” Angelettie, Ron “Amen‐Ra” Lawrence und Sean “Puffy” Combs
- zusätzliche(r) Produzent(in):
- Richard “Younglord” Frierson
- Mix:
- Lane Craven und Sean “Puffy” Combs
- Editing:
- Richard “Younglord” Frierson
- Hintergrundgesang:
- Pam Long
- Sologesang:
- The Notorious B.I.G.
- phonographisches Urheberrecht (℗) von:
- Bad Boy Records LLC (in 2007) und WEA International Inc. (in 2007)
- produced for:
- Bad Boy Entertainment, Inc. und The Mystery System, Inc.
- aufgenommen bei:
- Caribbean Sound Basin in Port of Spain, Trinidad und Tobago und Daddy’s House Recording Studios in New York, New York, Vereinigte Staaten
- mixed at:
- Daddy’s House Recording Studios in New York, New York, Vereinigte Staaten und The Hit Factory in Manhattan, New York, New York, Vereinigte Staaten
- engineered at:
- Daddy’s House Recording Studios in New York, New York, Vereinigte Staaten
- Samples:
- Rise von Herb Alpert
- Teil von:
- BILLIONS CLUB
- recording of:
- Hypnotize
- Verfasser(in):
- Andy Armer, Christopher Wallace , Deric Angelettie, Ron Lawrence , Randy Alpert und Sean Combs
- publisher:
- Almo Music Corp. , B.I.G. Poppa Music, Badazz Music Company, EMI‐April Music Inc., Justin Combs Publishing und Mystery System Music
- quotes lyrics from:
- La Di Da Di
| The Notorious B.I.G. | 4.15 | 3:50 |
| 18 | You Might Need Somebody | Shola Ama | | 4:50 |
| 19 | Only Wanna Be With You- assistierende(r) Techniker(in):
- Wade Norton
- Techniker(in), Produzent(in) und Mix:
- Don Gehman
- assistierende(r) Mix:
- Liz Sroka
- Akustikgitarre und Perkussion:
- Mark Bryan und Darius Rucker
- Bassgitarre, Clavinet und Klavier:
- Dean Felber
- E-Gitarre und Mandoline:
- Mark Bryan
- Schlagzeug [drums]:
- Jim “Soni” Sonefeld
- vocals:
- Mark Bryan, Dean Felber und Jim “Soni” Sonefeld
- phonographisches Urheberrecht (℗) von:
- Atlantic Recording Corporation (in 1994) und WEA International Inc. (in 1994)
- aufgenommen bei:
- N.R.G. Recording Services in North Hollywood, Los Angeles, California , Vereinigte Staaten
- mixed at:
- Scream Studios in Studio City, Los Angeles, California , Vereinigte Staaten
- Musikvideo für:
- Only Wanna Be With You von Hootie & the Blowfish
- recording of:
- Only Wanna Be With You
- Verfasser(in):
- Mark Bryan, Dean Felber, Darius Rucker und Jim Sonefeld
| Hootie & the Blowfish | 4 | 3:50 |
| 20 | Show Me Love | Robin S | 4 | 4:12 |
| 21 | Easy | Faith No More | 4.5 | 3:08 |
| 22 | GoldenEye | Tina Turner | | 4:43 |
| 23 | I’ll Stand by You | Pretenders | 3.55 | 4:01 |
| 24 | Return of the Mack (C & J Street mix) | Mark Morrison & Cutfather & Joe | 3.5 | 3:33 |
| 25 | What Can I Do | The Corrs & Tin Tin Out | | 4:19 |
| 26 | I Promised Myself | Nick Kamen | | 3:53 |
| 27 | Cornflake Girl | Tori Amos | 3.9 | 5:05 |
| 28 | Love Like This | Faith Evans | 4 | 4:36 |
| 29 | Have I Told You Lately | Rod Stewart | | 4:02 |
| 30 | Mysterious Girl (radio edit)- sonstige Unterstützung:
- Bubbler Ranx (Aufgabe: toast)
- Produzent(in) und Mix:
- Ollie J
- Bass, Keyboard [keyboards] und Schlagzeug [drums]:
- Ollie J
- Saxophon:
- Claudio Galdes
- Hintergrundgesang [backing vocals]:
- Glen Goldsmith, Bubbler Ranx und Samantha Scott
- gemixt für und produced for:
- Roll Over Productions
- aufgenommen bei:
- Roll Over Studios London in London , England, Vereinigtes Königreich
- recording of:
- Mysterious Girl
- Verfasser(in):
- Peter Andre, Glen Goldsmith, Phillip Jacobs, Oliver Jacobs und Bubbler Ranx
- publisher:
- Int. Music Network, Mushroom Music , Perfect Songs , Roll Over Music und Warner Chappell Music
| Peter Andre | 3.1 | 3:39 |
| 31 | Sleeping Satellite | Tasmin Archer | 4 | 4:19 |
| 32 | I Swear | All‐4‐One | 4 | 4:20 |
| 33 | I Love You Always Forever | Donna Lewis | 3.8 | 4:00 |
| 34 | I Wanna Be the Only One | BeBe Winans & Eternal | 2.5 | 3:35 |
| 35 | Hold On | Jamie Walters | 4 | 4:25 |
| 36 | Just the Way It Is, Baby | The Rembrandts | 3.5 | 4:04 |
| 37 | Freak Me | Silk | | 4:35 |
| 38 | In the Meantime | Spacehog | 4.2 | 5:00 |
| 39 | Road Rage (radio edit) | Catatonia | 4.5 | 4:02 |
| 40 | I Wanna Sex You Up (single version)- Techniker(in):
- Angela Piva und Warren Woods
- Produzent(in):
- Elliot Straite
- Mix:
- Elliot Straite und Howie Tee
- Samples:
- La-Di-Da-Di von Doug E. Fresh & M.C. Ricky D und Tonight Is the Night von Betty Wright
- recording of:
- I Wanna Sex You Up
- Verfasser(in):
- Bryan Abrams, Bessie Regina Norris , Mark Calderon, Willie Clarke, Elliot Straite, Kevin Thornton und Sam Watters
- publisher:
- Boybig Publishing, Color Me Blessed Music, EMI Full Keel Music, EMI Longitude Music, EMI Songs Ltd., Hifrost Publishing und Hip City Music Inc.
| Color Me Badd | 4.6 | 4:02 |
| 41 | Auberge (single version; radio edit) | Chris Rea | 2 | 4:44 |
| 42 | Ooh Aah…Just a Little Bit (Motiv8 radio edit) | Gina G | | 3:24 |
| 43 | Spaceman | Babylon Zoo | 3.5 | 4:02 |
| 44 | Crying in the Rain | a‐ha | 3.5 | 4:23 |
| 45 | Good Stuff | The B‐52’s | 4 | 5:58 |
| 46 | I’ll Be | Edwin McCain | 3.25 | 4:27 |
| 47 | Mistadobalina | Del the Funky Homosapien | 5 | 4:20 |
| 48 | High Enough | Damn Yankees | 3.6 | 4:46 |
| 49 | Graduation (Friends Forever) | Vitamin C | 4.35 | 5:41 |
| 50 | Feel So Good | Mase | | 3:24 |