続 No.1 80s ORICON HITS

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 1 disponibile)

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#TitoloArtistaValutazioneDurata
1Thriller
produttore:
Quincy Jones
voce principale:
Michael Jackson (“King of Pop”)
diritti fonografici (℗) detenuti da:
MJJ Productions Inc. (rights holder, not an imprint) (nel 1982)
registrazione di:
Thriller
paroliere e compositore:
Rod Temperton
editore:
Almo Music Corp. (USA, affiliated with ASCAP), Chrysalis Music Ltd. (music publisher, affiliated with PRS), Rodsongs (publisher), Rondor Music (London) Ltd., Universal Music Publishing France (not for release label use!) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
si basa su:
Starlight
parte di:
MJ: The Musical
Michael Jackson4.25:13
2Freedom
assistente tecnico:
Paul Gomersau
tecnico:
Chris Porter (engineer and producer)
produttore:
George Michael
sassofono :
David Baptiste (U.K. Saxophonist, flutist, percussionist, vocalist, & backing vocalist)
tastiera :
Tommy Eyre
arrangiatore:
George Michael
diritti fonografici (℗) detenuti da:
CBS Records (manufacturer/distributor, not for release label use!) (nel 1984) e Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (nel 1984)
registrazione di:
Freedom (Wham!)
paroliere e compositore:
George Michael
editore:
Chappell Music (UK) e Morrison Leahy Music Ltd. (nel 1984)
Wham!3.755:03
3A View to a Kill
tecnico e tecnico di missaggio:
Jason Corsaro (U.S. music engineer, and record producer)
produttore:
John Barry (English score composer), Jason Corsaro (U.S. music engineer, and record producer), Duran Duran (English rock band) e Bernard Edwards (American bassist and record producer)
campionatore :
Jonathan Elias
voce:
Duran Duran (English rock band)
direttore d'orchestra:
John Barry (English score composer)
arrangiatore:
John Barry (English score composer)
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1998)
registrazione di:
A View to a Kill
orchestratore:
John Barry (English score composer)
autore:
John Barry (English score composer), Simon Le Bon (singer for Duran Duran), Nick Rhodes, Andy Taylor (of Duran Duran), John Taylor (UK bassist for Duran Duran) e Roger Taylor (Duran Duran drummer)
compositore:
John Barry (English score composer) e Duran Duran (English rock band)
editore:
EMI Songs e Gloucester Place Music Ltd.
parte di:
James Bond themes
parte di:
A View to a Kill (from the James Bond film)
Duran Duran3.63:36
4Karma Chameleon
tecnico:
Simon Frith, Simon Humphrey, Gordon Milne (engineer) e Mike Ross‐Trevor (engineer)
produttore:
Steve Levine (producer)
tecnico di missaggio:
Steve Levine (producer) e Jon Moss
armonica (a bocca) ospite :
Judd Lander (nel 1983)
batteria e percussione :
Jon Moss (nel 1983)
chitarra , pianoforte , sitar , sitar elettrico e tastiera :
Roy Hay (Member of Culture Club and composer for film and television) (nel 1983)
chitarra basso :
Mikey Craig (Culture Club bassist) (nel 1983)
tastiera ospite :
Phil Pickett (songwriter, producer, keyboard player) (nel 1983)
voce di accompagnamento:
Helen Terry (UK singer) (nel 1983)
voce principale:
Boy George (nel 1983)
diritti fonografici (℗) detenuti da:
Virgin Records Ltd. (not for release label use! for company relationships only) (nel 1983, nel 2002, nel 2003)
registrata presso:
CBS Studios (London, 1972–1989) in London (Greater London), England, Regno Unito (nel 1983) e Red Bus Studios in London (Greater London), England, Regno Unito (nel 1983)
video musicali:
Karma Chameleon di Culture Club (English pop group)
registrazione di:
Karma Chameleon (nel 1983)
autore:
Mikey Craig (Culture Club bassist), George O’Dowd, Roy Hay (Member of Culture Club and composer for film and television), Jon Moss e Phil Pickett (songwriter, producer, keyboard player)
editore:
BMG Music Publishing Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Virgin Music Ltd. (do not use this as a release label!), EMI Virgin Music Publishing Australia P/L, J. Albert & Son Pty. Ltd., Pendulum Music Ltd., Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group), Virgin Music (Publishers) Ltd., Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23) e BMG VM Music Ltd. (dal 2013-05 a oggi)
Culture Club44:13
5The Power of Love
tecnico di registrazione:
Jim Gaines e Robert Missbach
assistente tecnico:
Rob Beaton, Alex Haas (Trance remixer/producer. Member of Cypher 7), Tom Size (US audio engineer) e Jim “Watts” Vereecke
tecnico aggiunto:
Michael Christopher (engineer), Phil Kaffel e Malcolm Pollack
produttore:
Bob Clearmountain, Jellybean (US producer John Benitez) e Huey Lewis and the News (American pop rock band)
tecnico di missaggio:
Robert Missbach
armonica (a bocca) :
Huey Lewis
batteria e percussione :
Bill Gibson (US drummer for Huey Lews & the News)
chitarra :
Johnny Colla (US sax & guitarist for Huey Lewis & the News) e Chris Hayes (US rock guitarist & singer (Huey Lewis & The News))
chitarra basso :
Mario Cipollina
sassofono :
Johnny Colla (US sax & guitarist for Huey Lewis & the News)
tastiera :
Sean Hopper (US Keyboardist for Huey Lewis & the News)
voce:
Johnny Colla (US sax & guitarist for Huey Lewis & the News), Bill Gibson (US drummer for Huey Lews & the News), Chris Hayes (US rock guitarist & singer (Huey Lewis & The News)), Sean Hopper (US Keyboardist for Huey Lewis & the News) e Huey Lewis
diritti fonografici (℗) detenuti da:
Chrysalis Records, Inc. (not for release label use!) (nel 1984, nel 1985, nel 1986) e Chrysalis (nel 1985)
registrata presso:
Fantasy Studios (Berkeley) in Berkeley, California, Stati Uniti, Studio D Recording in Sausalito, California, Stati Uniti e The Plant Studios (1981–2008) in Sausalito, California, Stati Uniti
mixata presso:
Power Station Studios (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, Stati Uniti
video musicali:
The Power of Love (full length) di Huey Lewis and the News (American pop rock band)
parte di:
Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 108)
registrazione di:
The Power of Love (Back to the Future)
autore:
Johnny Colla (US sax & guitarist for Huey Lewis & the News), Chris Hayes (US rock guitarist & singer (Huey Lewis & The News)) e Huey Lewis
editore:
Cause and Effect Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Huey Lewis Music, Hulex Music (publisher), Kinda Blue Music, Mushroom Music (Mushroom label’s publishing company) e WB Music Corp. (1929–2019)
sub-editore:
Warner/Chappell Music Japan, Synch division (Warner/Chappell Music Japan K.K., Synch Division) e Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label)
parte di:
The 58th Academy Award for Best Original Song (numero: 2) e Academy Award for Best Original Song (numero: 1985 nominee)
parte di:
Back to the Future: the Musical
registrazione di:
The Power of Love
autore:
Peter Gill (UK drummer for Frankie Goes to Hollywood), Holly Johnson, Brian Nash (British guitarist (Frankie Goes to Hollywood) and songwriter) e Mark O’Toole (former bassist of Frankie Goes to Hollywood)
editore:
Perfect Songs Ltd. (UK publisher, affiliated with PRS) e Rubet Music Publishing, Inc.
Huey Lewis and the News43:55
6Honesty
assistente tecnico:
Dave Martone (US engineer)
tecnico:
Jim Boyer (producer/engineer)
produttore:
Phil Ramone
tecnico di missaggio:
Jim Boyer (producer/engineer) e Phil Ramone
chitarra acustica :
David Spinozza (nel 1978)
arrangiatore ottoni [horns] e archi :
Robert Freedman
diritti fonografici (℗) detenuti da:
CBS, Inc. (US broadcasting company; file no releases here!) (nel 1978), Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (nel 1978) e Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1978)
registrata presso:
A & R Recording (Second studio, 799 7th Avenue) in Manhattan, New York, New York, Stati Uniti (nel 1978)
mixata presso:
A & R Recording (Second studio, 799 7th Avenue) in Manhattan, New York, New York, Stati Uniti
video musicali:
Honesty di Billy Joel (American singer‐songwriter and pianist)
registrazione di:
Honesty (nel 1978)
paroliere e compositore:
Billy Joel (American singer‐songwriter and pianist)
editore:
April Music Inc., EMI Songs Australia Pty. Ltd., ヤマハミュージックEH(CM) (Yamaha Music EH(CM)), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division), CBS Songs Ltd. (nel 1978), EMI April Music Inc. (nel 1978) e Impulsive Music (nel 1978)
Billy Joel3.653:52
7I Heard a Rumour
produttore:
Stock Aitken Waterman
voce:
Bananarama
diritti fonografici (℗) detenuti da:
London Records 90 Ltd. (renamed as Warner Records 90 Ltd. on 2011-08-26) (nel 1987) e London Records Ltd. (not release label) (nel 1987)
parte di:
TV Cream: Real 100 Best Singles Ever (numero: 80)
registrazione di:
I Heard a Rumour
autore:
Matt Aitken, Sara Dallin, Siobhan Fahey, Mike Stock (of Stock Aitken Waterman), Pete Waterman e Keren Woodward
editore:
All Boys Music Ltd., Grow Your Own Music, Mike Stock Publishing Limited, Reverb Music Ltd., Sid’s Songs Limited, Songs of Universal, Inc. (BMI), Sony/ATV Songs LLC, Universal Music Careers, Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Warner Chappell Music Ltd. (no slash; used 1988–1996) e Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Bananarama43:26
8Turn Around and Count 2 Ten
registrazione di:
Turn Around and Count 2 Ten
compositore:
Pete Burns e Steve Coy
Dead or Alive4:51
9Too Shy
programmazione degli strumenti:
Jez Strode
tecnico:
Colin Thurston
produttore:
Nick Rhodes e Colin Thurston
chitarra e ebow [e bow] :
Steve Askew
chitarra basso :
Nick Beggs
sintetizzatore :
Stuart Croxford Neale
voce aggiuntiva:
Nick Beggs e Stuart Croxford Neale
voce principale:
Limahl
arrangiatore:
Kajagoogoo
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1982, nel 1983)
video musicali:
Too Shy di Kajagoogoo
parte di:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (numero: 9) e VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (numero: 27)
registrazione di:
Too Shy
paroliere:
Nick Beggs e Christopher Hamill
compositore:
Steve Askew, Nick Beggs, Christopher Hamill, Stuart Croxford Neale e Jez Strode
editore:
EMI Songs e Tritec Music Ltd. (publisher and copyrights holder)
Kajagoogoo3.553:47
10Morning Train (Nine to Five)
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1980)
registrazione di:
9 to 5
paroliere e compositore:
Florrie Palmer
editore:
Chappell Music (UK), Pendulum Music (publisher) e Warner/Chappell Music Ltd. (1996–2019)
Sheena Easton4.353:22
11Be Good to Yourself
assistente tecnico:
Robert Missbach
tecnico:
Jim Gaines, Mark McKenna (engineer) e Steve Rinkoff
co-produttore aggiunto:
Randy Goodrum
produttore:
Steve Perry (former lead singer of Journey)
produttore associato:
Jim Gaines
tecnico di missaggio:
Bob Clearmountain
batteria e percussione :
Larrie Londin
chitarra :
Neal Schon
chitarra basso :
Randy Jackson (former bassist with Journey and American Idol judge)
tastiera :
Jonathan Cain
voce di accompagnamento:
Jonathan Cain, Randy Jackson (former bassist with Journey and American Idol judge) e Neal Schon
voce principale:
Steve Perry (former lead singer of Journey)
diritti fonografici (℗) detenuti da:
CBS Inc. (US broadcasting company; file no releases here!) (nel 1986) e CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (nel 1986)
registrata presso:
Fantasy Studios (Berkeley) in Berkeley, California, Stati Uniti (dal 1985-10 al 1985-12) e The Plant Studios (1981–2008) in Sausalito, California, Stati Uniti (dal 1985-10 al 1985-12)
mixata presso:
Bearsville Studios in Bearsville, New York, Stati Uniti e Power Station Studios (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, Stati Uniti
registrazione di:
Be Good to Yourself
autore:
Jonathan Cain, Steve Perry (former lead singer of Journey) e Neal Schon
editore:
Frisco Kid Music (publisher), Rock Dog Music e Street Talk Tunes
sub-editore:
フジパシフィックミュージック (Fujipacific Music, Inc.) e 日音 Synch事業部 (NICHION, INC. Synch Division)
Journey33:53
12Heart’s on Fire
assistente tecnico:
Jamey Dell
tecnico:
Ed Frugé, Ken Lowrey (engineer) e Tony Papa
produttore:
Vince DiCola e Ed Frugé
chitarra :
John Cafferty e Gary Gramolini
chitarra basso :
Pat Lupo
membranofono :
Kenny Jo Silva
sassofono :
Michael "Tunes" Antunes (sax)
tastiera :
Bobby Cotoia
voce principale:
John Cafferty
registrazione di:
Heart’s on Fire
autore:
Vince DiCola, Joe Esposito e Ed Frugé
John Cafferty4:15
13Stay With Me
Peter Cetera4:41
14Even the Nights Are Better
registrata a:
Sydney, New South Wales, Australia
assistente tecnico:
Karen Hewitt
tecnico e produttore:
Harry Maslin
assistente tecnico di missaggio:
John Van Nest
tecnico di missaggio:
Harry Maslin e John Van Nest
batteria :
Ralph Cooper (drummer)
chitarra [lead guitar] :
Rex Goh e David Moyse
chitarra [rhythm guitar] :
Graham Russell (Air Supply)
chitarra basso :
David Green (Australian bassist, formerly of Air Supply)
tastiera :
Frank Esler‐Smith
voce principale:
Russell Hitchcock e Graham Russell (Air Supply)
direttore d'orchestra:
Frank Esler‐Smith
orchestratore:
Frank Esler‐Smith
diritti fonografici (℗) detenuti da:
Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (nel 1982), Big Time Phonograph Recording Co. (nel 1982) e Interscope Records (part of UMG Recordings, Inc.) (nel 2021)
è stato produttore per:
HRM Productions Inc. (Harry Maslin production company)
mixata presso:
Allen Zentz Recording in Encino, California, Stati Uniti
parte di:
The Downloader’s Music Source Book (numero: 291)
registrazione di:
Even the Nights Are Better
autore:
Ken Bell, Terry Nelson Skinner e J.L. Wallace (US songwriter and guitarist)
editore:
Universal–Songs of PolyGram International, Inc., シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) e ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Air Supply53:58
15Lost in Your Eyes
tecnico di registrazione:
Phil Castellano (brother of John, uncle of Richie) e Don Feinberg
programmazione degli strumenti:
Fred Zarr
tecnico:
Bill Esses, Jim Goatley e Matt Malles
produttore:
Debbie Gibson
tecnico di missaggio:
Debbie Gibson, Bob Rosa e Tom Vercillo
chitarra elettrica :
Tommy Williams (former Debbie Gibson musical director)
percussione :
Bashiri Johnson
pianoforte e voce di accompagnamento:
Debbie Gibson
tastiera :
Fred Zarr
arrangiatore:
Debbie Gibson e Fred Zarr
diritti fonografici (℗) detenuti da:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 1989) e WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1989)
registrazione di:
Lost in Your Eyes
paroliere e compositore:
Debbie Gibson
editore:
Music Sales Corporation (American copyright holder in both popular and classical music) e ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
Debbie Gibson53:34
16When the Phone Stops Ringing
produttore:
Mike Chapman (Australian producer and songwriter)
remixer:
David Leonard (US producer and engineer)
registrazione di:
When the Phone Stops Ringing
autore:
Holly Knight e Bernie Taupin
editore:
Little Mole Music e Mike Chapman Publishing Enterprises
Eighth Wonder3:50
17Stand by Me
registrata a:
New York, New York, Stati Uniti (il 1960-10-27)
produttore:
Leiber and Stoller (songwriting team)
voce:
Ben E. King (il 1960-10-27)
direttore d'orchestra:
Stan Applebaum (US composer, arranger and conductor) (il 1960-10-27)
arrangiatore:
Stan Applebaum (US composer, arranger and conductor)
diritti fonografici (℗) detenuti da:
HHO Ltd. (The Henry Hadaway Organisation Ltd., music licensing), WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1960, nel 1961), Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 1961, nel 1986), Progressive Music Publishing Company Inc. (nel 1981) e Trio Music Co., Inc. (nel 1981)
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1961 (numero: 1), Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 62), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 121), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 131) e BILLIONS CLUB
registrazione di:
Stand by Me (il 1960-10-27)
editore:
Mike Stoller
autore:
Ben E. King, Jerry Leiber e Mike Stoller
editore:
A.D.T. Enterprises, Hornall Brothers Music (limited company), Jerry Leiber Music, Leiber Stoller Songs Ltd., Melodie der Welt (publisher), Melodie der Welt GmbH & Co. KG (fka Melodie der Welt J. Michel GmbH & Co. KG; this name since 2011-04-07), Progressive Music Publishing Company Inc., Rightsong Music, Sony/ATV Music Publishing Ltd., Sony/ATV Songs LLC, Trio Music (publisher), Trio Music Co., Inc., Unichappell Music e Universal Music Publishing (use ONLY if no country‐specific information is available)
Ben E. King4.653:00
18Nathalie
registrazione di:
Nathalie
compositore:
Ramón Arcusa, Gianni Belfiore (songwriter), Julio Iglesias e Claude Lemesle
Julio Iglesias3:56
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