Hitbox, Volume III

~ Release by Palast Orchester mit seinem Sänger Max Raabe (see all versions of this release, 1 available)

Tracklist

1▶Digital Media
2▶Digital Media
3▼Digital Media
#TitleRatingLength
1Ich bin so scharf auf Erika
engineer:
Tom Müller (engineer)
producer:
Werner Leonard
alto saxophone:
Sven Bährens (in 1997)
drums (drum set):
Vincent Riewe (in 1997)
guitar:
Ulrich Hoffmeier (in 1997)
piano:
Ian Wekwerth (in 1997)
reeds:
Harald Bendzko (in 1997), Johannes Ernst (saxophonist) (in 1997) and Rainer Fox (in 1997)
trumpet:
Thomas Huder (German trumpet player) (in 1997) and Alexander Linkenbach (in 1997)
vocals:
Max Raabe (in 1997)
arranger:
Günther Gürsch (German pianist, accordianist, arranger)
cover recording of:
Ich bin so scharf auf Erika (in 1997)
lyricist:
Gerd Karlick
composer:
Erwin Bootz
publisher:
Wiener Bohème Verlag GmbH
2:49
2Sieht eine Frau dich an
engineer:
Tom Müller (engineer)
producer:
Werner Leonard
recorded at:
Hansa Tonstudios in Berlin, Germany
recording of:
Sieht eine Frau Dich an
lyricist:
Günther Schwenn (poet, songwriter)
composer:
Will Meisel
3:01
3Bleib immer bei mir
recording of:
Bleib immer bei mir
lyricist:
Bruno Elsner and Helmut Gardens
composer and arranger:
Helmut Gardens
3:48
4Du, du gehst an mir vorbei
recording of:
Du, du gehst an mir vorbei
lyricist:
Charles Trenet
composer:
Johnny Hess and Paul Misraki
arranger:
Franz Stolzenwald
translator:
Albert Bennefeld
translated version of:
Vous qui passez sans me voir
3:37
5Wie ein Wunder kam die Liebe
2:36
6Tropennacht
engineer:
Edu Meyer
producer:
Rudolf Schröder
drums (drum set):
Vincent Riewe (in 1994)
guitar:
Paul Esslinger (in 1994)
piano:
Ian Wekwerth (in 1994)
reeds:
Sven Bährens (in 1994), Harald Bendzko (in 1994), Johannes Ernst (saxophonist) (in 1994) and Werner Leonard (in 1994)
trombone:
Jörn Ranke (in 1994)
trumpet:
Thomas Huder (German trumpet player) (in 1994) and Alexander Linkenbach (in 1994)
vocals:
Max Raabe (in 1994)
mixed at:
Hansa Tonstudios in Berlin, Germany
cover recording of:
Tropennacht (in 1994)
lyricist:
Bruno Balz (German lyricist) (in 1939)
composer:
Gerhard E. Winkler (Austrian composer) (in 1939)
recording of:
Tropennacht
lyricist:
Bruno Balz (German lyricist) (in 1939)
composer:
Gerhard E. Winkler (Austrian composer) (in 1939)
3:16
7Können Sie schon Fernseh’n
vocals:
Max Raabe
cover recording of:
Können Sie schon fernseh'n (in 1995)
lyricist:
Hans Fritz Beckmann (German lyricist)
composer:
Harald Böhmelt (Conductor and Composer)
arranger:
Gerhard Mohr (German composer)
2:09
8So wie du
engineer:
Edu Meyer
producer:
Rudolf Schröder
drums (drum set):
Vincent Riewe (in 1994)
guitar:
Paul Esslinger (in 1994)
piano:
Ian Wekwerth (in 1994)
reeds:
Sven Bährens (in 1994), Harald Bendzko (in 1994), Johannes Ernst (saxophonist) (in 1994) and Werner Leonard (in 1994)
trombone:
Jörn Ranke (in 1994)
trumpet:
Thomas Huder (German trumpet player) (in 1994) and Alexander Linkenbach (in 1994)
vocals:
Max Raabe (in 1994)
mixed at:
Hansa Tonstudios in Berlin, Germany
cover recording of:
So wie Du (in 1994)
lyricist and composer:
Bob E. Huber (in 1940)
recording of:
So wie Du
lyricist and composer:
Bob E. Huber (in 1940)
3:14
9Du lieber Herrgott
vocals:
Max Raabe
cover recording of:
Du lieber Herrgott (in 1995)
lyricist:
Richard Rillo (German lyricist)
composer:
Fred David
arranger:
Franz Stolzenwald
recording of:
Du lieber Herrgott
lyricist:
Richard Rillo (German lyricist)
composer:
Fred David
arranger:
Franz Stolzenwald
2:00
10Ich hab’ dich lieb, braune Madonna
engineer:
Edu Meyer
producer:
Rudolf Schröder
drums (drum set):
Vincent Riewe (in 1994)
guitar:
Paul Esslinger (in 1994)
piano:
Ian Wekwerth (in 1994)
reeds:
Sven Bährens (in 1994), Harald Bendzko (in 1994), Johannes Ernst (saxophonist) (in 1994) and Werner Leonard (in 1994)
trombone:
Jörn Ranke (in 1994)
trumpet:
Thomas Huder (German trumpet player) (in 1994) and Alexander Linkenbach (in 1994)
vocals:
Max Raabe (in 1994)
mixed at:
Hansa Tonstudios in Berlin, Germany
cover recording of:
Ich hab’ dich lieb, braune Madonna (in 1994)
lyricist:
Fritz Rotter (Austrian composer and lyricist) (in 1931)
composer:
Santiago López (in 1931)
recording of:
Ich hab’ dich lieb, braune Madonna
lyricist:
Fritz Rotter (Austrian composer and lyricist) (in 1931)
composer:
Santiago López (in 1931)
3:49
11Ich steh’ im Schnee
engineer:
Tom Müller (engineer)
producer:
Werner Leonard
alto saxophone:
Sven Bährens
drums (drum set):
Vincent Riewe
guitar:
Ulrich Hoffmeier
piano:
Ian Wekwerth
reeds:
Harald Bendzko, Johannes Ernst (saxophonist) and Rainer Fox
trumpet:
Thomas Huder (German trumpet player) and Alexander Linkenbach
vocals:
Max Raabe
arranger:
Günther Gürsch (German pianist, accordianist, arranger)
cover recording of:
Ich steh’ im Schnee
lyricist:
Armin Robinson (German lyricist) and Fritz Rotter (Austrian composer and lyricist)
composer:
Bronislaw Kaper
2:57
12Dinah
recording of:
Dinah
lyricist:
Sam M. Lewis (1930s lyricist) and Joe Young (US lyricist)
composer:
Harry Akst
publisher:
B & G Akst Publishing Co., EMI Mills Music Inc. (ASCAP-affiliated) and Morley Music Corp.
part of:
The Girl’s Suite
2:39
13I’ve Got You Under My Skin
cover recording of:
I’ve Got You Under My Skin
lyricist and composer:
Cole Porter (composer) (in 1936)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music (UK), Victoria Music Ltd. and Warner Chappell Music Ltd. (no slash; used 1988–1996)
part of:
The 9th Academy Award for Best Original Song (number: 2) and Academy Award for Best Original Song (number: 1936 nominee)
part of:
Born to Dance
5:06
14Original Charleston
2:07
15As Time Goes By
cover recording of:
As Time Goes By (the song from “Casablanca”)
lyricist and composer:
Herman Hupfeld
publisher:
WB Music Corp. (1929–2019) (ended), Chappell (company that specialized in library and production music), Redwood Music, Redwood Music Ltd. (Carlin), Warner Bros., Inc. (Warner Bros. Music Division) and Warner Bros., Inc. (not for release label use!) (in 1931)
sub-publisher:
香港商華納音樂出版有限公司台灣分公司 (Warner Chappell Music, Hong Kong Limited Taiwan Branch)
part of:
Casablanca (original soundtrack of the 1942 American film)
3:30

Credits