Mass in B minor

~ Veröffentlichung von Johann Sebastian Bach; Münchener Bach-Orchester, Karl Richter (alle Versionen dieser Veröffentlichung ansehen, 5 vorhanden)

Anmerkung

Copyright: © 1989 Deutsche Grammophon GmbH, Berlin
This Compilation ℗ 1962 Deutsche Grammophon GmbH, Berlin

Anmerkung zuletzt geändert am 2024-12-12 17:35 UTC.

Titelliste

1▶Digitales Medium
2▼Digitales Medium
Nr.TitelKünstlerBewertungLänge
1Mass in B minor, BWV 232: Credo: Credo in unum Deum
recording engineer:
Walter Alfred Wettler
Produzent(in):
Karl-Heinz Schneider (producer)
Cello:
Oswald Uhl (cellist) (in 1961-02, in 1961-04)
Fagott:
Fritz Henker (bassoonist) (in 1961-02, in 1961-04) und Karl Kolbinger (bassoonist) (in 1961-02, in 1961-04)
flute:
Walther Theurer (in 1961-02, in 1961-04)
Geige / Violine:
Otto Büchner (violinist) (in 1961-02, in 1961-04)
Horn [corno da caccia]:
Kurt Richter (German horn player) (in 1961-02, in 1961-04)
Kontrabass:
Franz Ortner (double bass player) (in 1961-02, in 1961-04)
Oboe d’amore:
Kurt Hausmann (oboist) (in 1961-02, in 1961-04) und Edgar Shann (oboist) (in 1961-02, in 1961-04)
Orgel:
Hedwig Bilgram (harpsichordist and organist) (in 1961-02, in 1961-04)
Trompete:
Adolf Scherbaum (trumpeter) (in 1961-02, in 1961-04)
Chorgesang:
Münchener Bach‐Chor (Munich Bach Choir) (in 1961-02, in 1961-04)
Orchester:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1961-02, in 1961-04)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1961-02, in 1961-04)
aufgenommen bei:
Hochschule für Musik und Theater München in München, Bayern, Deutschland (in 1961-02, in 1961-04)
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: I. Credo in unum Deum (Mass in B minor, BWV 232: IIIa. Symbolum nicenum: Chorus "Credo in unum Deum") (in 1961-02)
komponiert in:
Leipzig, Sachsen, Deutschland (von 1747 bis 1749)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
Teil von:
h-Moll-Messe, BWV 232 (Hohe Messe in h-Moll, BWV 232, Mass in B minor)
Johann Sebastian Bach2:40
2Mass in B minor, BWV 232: Credo: Patrem omnipotentem
recording engineer:
Walter Alfred Wettler
Produzent(in):
Karl-Heinz Schneider (producer)
Cello:
Oswald Uhl (cellist) (in 1961-02, in 1961-04)
Fagott:
Fritz Henker (bassoonist) (in 1961-02, in 1961-04) und Karl Kolbinger (bassoonist) (in 1961-02, in 1961-04)
flute:
Walther Theurer (in 1961-02, in 1961-04)
Geige / Violine:
Otto Büchner (violinist) (in 1961-02, in 1961-04)
Horn [corno da caccia]:
Kurt Richter (German horn player) (in 1961-02, in 1961-04)
Kontrabass:
Franz Ortner (double bass player) (in 1961-02, in 1961-04)
Oboe d’amore:
Kurt Hausmann (oboist) (in 1961-02, in 1961-04) und Edgar Shann (oboist) (in 1961-02, in 1961-04)
Orgel:
Hedwig Bilgram (harpsichordist and organist) (in 1961-02, in 1961-04)
Trompete:
Adolf Scherbaum (trumpeter) (in 1961-02, in 1961-04)
Chorgesang:
Münchener Bach‐Chor (Munich Bach Choir) (in 1961-02, in 1961-04)
Orchester:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1961-02, in 1961-04)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1961-02, in 1961-04)
aufgenommen bei:
Hochschule für Musik und Theater München in München, Bayern, Deutschland (in 1961-02, in 1961-04)
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: II. Patrem omnipotentem (Mass in B minor, BWV 232: IIIb. Symbolum nicenum: Chorus "Patrem omnipotentem") (in 1961-02)
komponiert in:
Leipzig, Sachsen, Deutschland (von 1747 bis 1749)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
basiert auf:
Kantate, BWV 171 "Gott, wie dein Name, so ist auch dein Ruhm": I. Coro "Gott, wie dein Name, so ist auch dein Ruhm"
Teil von:
h-Moll-Messe, BWV 232 (Hohe Messe in h-Moll, BWV 232, Mass in B minor)
Johann Sebastian Bach2:09
3Mass in B minor, BWV 232: Credo: Et in unum Dominum
recording engineer:
Walter Alfred Wettler
Produzent(in):
Karl-Heinz Schneider (producer)
Cello:
Oswald Uhl (cellist) (in 1961-02, in 1961-04)
Fagott:
Fritz Henker (bassoonist) (in 1961-02, in 1961-04) und Karl Kolbinger (bassoonist) (in 1961-02, in 1961-04)
flute:
Walther Theurer (in 1961-02, in 1961-04)
Geige / Violine:
Otto Büchner (violinist) (in 1961-02, in 1961-04)
Horn [corno da caccia]:
Kurt Richter (German horn player) (in 1961-02, in 1961-04)
Kontrabass:
Franz Ortner (double bass player) (in 1961-02, in 1961-04)
Oboe d’amore:
Kurt Hausmann (oboist) (in 1961-02, in 1961-04) und Edgar Shann (oboist) (in 1961-02, in 1961-04)
Orgel:
Hedwig Bilgram (harpsichordist and organist) (in 1961-02, in 1961-04)
Trompete:
Adolf Scherbaum (trumpeter) (in 1961-02, in 1961-04)
Hochgesang:
Hertha Töpper (mezzo soprano) (in 1961-02, in 1961-04)
Soprangesang:
Maria Stader (soprano) (in 1961-02, in 1961-04)
Orchester:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1961-02, in 1961-04)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1961-02, in 1961-04)
Interpret(in):
Maria Stader (soprano) (in 1961-04)
aufgenommen bei:
Hochschule für Musik und Theater München in München, Bayern, Deutschland (in 1961-02, in 1961-04)
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: III. Et in unum Dominum (Mass in B minor, BWV 232: IIIc. Symbolum nicenum: Duet "Et in unum Dominum") (in 1961-02)
komponiert in:
Leipzig, Sachsen, Deutschland (von 1747 bis 1749)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
Teil von:
h-Moll-Messe, BWV 232 (Hohe Messe in h-Moll, BWV 232, Mass in B minor)
Johann Sebastian Bach5:26
4Mass in B minor, BWV 232: Credo: 2.4 Et incarnatus est
recording engineer:
Walter Alfred Wettler
Produzent(in):
Karl-Heinz Schneider (producer)
Cello:
Oswald Uhl (cellist) (in 1961-02, in 1961-04)
Fagott:
Fritz Henker (bassoonist) (in 1961-02, in 1961-04) und Karl Kolbinger (bassoonist) (in 1961-02, in 1961-04)
flute:
Walther Theurer (in 1961-02, in 1961-04)
Geige / Violine:
Otto Büchner (violinist) (in 1961-02, in 1961-04)
Horn [corno da caccia]:
Kurt Richter (German horn player) (in 1961-02, in 1961-04)
Kontrabass:
Franz Ortner (double bass player) (in 1961-02, in 1961-04)
Oboe d’amore:
Kurt Hausmann (oboist) (in 1961-02, in 1961-04) und Edgar Shann (oboist) (in 1961-02, in 1961-04)
Orgel:
Hedwig Bilgram (harpsichordist and organist) (in 1961-02, in 1961-04)
Trompete:
Adolf Scherbaum (trumpeter) (in 1961-02, in 1961-04)
Chorgesang:
Münchener Bach‐Chor (Munich Bach Choir) (in 1961-02, in 1961-04)
Orchester:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1961-02, in 1961-04)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1961-02, in 1961-04)
aufgenommen bei:
Hochschule für Musik und Theater München in München, Bayern, Deutschland (in 1961-02, in 1961-04)
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: IV. Et incarnatus est (Mass in B minor, BWV 232: IIId. Symbolum nicenum: Chorus "Et incarnatus est") (in 1961-02)
komponiert in:
Leipzig, Sachsen, Deutschland (von 1747 bis 1749)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
Teil von:
h-Moll-Messe, BWV 232 (Hohe Messe in h-Moll, BWV 232, Mass in B minor)
Johann Sebastian Bach3:40
5Mass in B minor, BWV 232: Credo: Crucifixus
recording engineer:
Walter Alfred Wettler
Produzent(in):
Karl-Heinz Schneider (producer)
Cello:
Oswald Uhl (cellist) (in 1961-02, in 1961-04)
Fagott:
Fritz Henker (bassoonist) (in 1961-02, in 1961-04) und Karl Kolbinger (bassoonist) (in 1961-02, in 1961-04)
flute:
Walther Theurer (in 1961-02, in 1961-04)
Geige / Violine:
Otto Büchner (violinist) (in 1961-02, in 1961-04)
Horn [corno da caccia]:
Kurt Richter (German horn player) (in 1961-02, in 1961-04)
Kontrabass:
Franz Ortner (double bass player) (in 1961-02, in 1961-04)
Oboe d’amore:
Kurt Hausmann (oboist) (in 1961-02, in 1961-04) und Edgar Shann (oboist) (in 1961-02, in 1961-04)
Orgel:
Hedwig Bilgram (harpsichordist and organist) (in 1961-02, in 1961-04)
Trompete:
Adolf Scherbaum (trumpeter) (in 1961-02, in 1961-04)
Chorgesang:
Münchener Bach‐Chor (Munich Bach Choir) (in 1961-02, in 1961-04)
Orchester:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1961-02, in 1961-04)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1961-02, in 1961-04)
aufgenommen bei:
Hochschule für Musik und Theater München in München, Bayern, Deutschland (in 1961-02, in 1961-04)
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: V. Crucifixus (Mass in B minor, BWV 232: IIIe. Symbolum nicenum: Chorus "Crucifixus") (in 1961-02)
komponiert in:
Leipzig, Sachsen, Deutschland (von 1747 bis 1749)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
basiert auf:
Kantate, BWV 12 "Weinen, Klagen, Sorgen, Zagen": II. Coro "Weinen, Klagen, Sorgen, Zagen"
Teil von:
h-Moll-Messe, BWV 232 (Hohe Messe in h-Moll, BWV 232, Mass in B minor)
Johann Sebastian Bach3:04
6Mass in B minor, BWV 232: Credo: Et resurrexit
recording engineer:
Walter Alfred Wettler
Produzent(in):
Karl-Heinz Schneider (producer)
Cello:
Oswald Uhl (cellist) (in 1961-02, in 1961-04)
Fagott:
Fritz Henker (bassoonist) (in 1961-02, in 1961-04) und Karl Kolbinger (bassoonist) (in 1961-02, in 1961-04)
flute:
Walther Theurer (in 1961-02, in 1961-04)
Geige / Violine:
Otto Büchner (violinist) (in 1961-02, in 1961-04)
Horn [corno da caccia]:
Kurt Richter (German horn player) (in 1961-02, in 1961-04)
Kontrabass:
Franz Ortner (double bass player) (in 1961-02, in 1961-04)
Oboe d’amore:
Kurt Hausmann (oboist) (in 1961-02, in 1961-04) und Edgar Shann (oboist) (in 1961-02, in 1961-04)
Orgel:
Hedwig Bilgram (harpsichordist and organist) (in 1961-02, in 1961-04)
Trompete:
Adolf Scherbaum (trumpeter) (in 1961-02, in 1961-04)
Chorgesang:
Münchener Bach‐Chor (Munich Bach Choir) (in 1961-02, in 1961-04)
Orchester:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1961-02, in 1961-04)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1961-02, in 1961-04)
aufgenommen bei:
Hochschule für Musik und Theater München in München, Bayern, Deutschland (in 1961-02, in 1961-04)
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: VI. Et resurrexit (Mass in B minor, BWV 232: IIIf. Symbolum nicenum: Chorus "Et resurrexit") (in 1961-02)
komponiert in:
Leipzig, Sachsen, Deutschland (von 1747 bis 1749)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
Teil von:
h-Moll-Messe, BWV 232 (Hohe Messe in h-Moll, BWV 232, Mass in B minor)
Johann Sebastian Bach4:27
7Mass in B minor, BWV 232: Credo: Et in Spiritum Sanctum
recording engineer:
Walter Alfred Wettler
Produzent(in):
Karl-Heinz Schneider (producer)
Cello:
Oswald Uhl (cellist) (in 1961-02, in 1961-04)
Fagott:
Fritz Henker (bassoonist) (in 1961-02, in 1961-04) und Karl Kolbinger (bassoonist) (in 1961-02, in 1961-04)
flute:
Walther Theurer (in 1961-02, in 1961-04)
Geige / Violine:
Otto Büchner (violinist) (in 1961-02, in 1961-04)
Horn [corno da caccia]:
Kurt Richter (German horn player) (in 1961-02, in 1961-04)
Kontrabass:
Franz Ortner (double bass player) (in 1961-02, in 1961-04)
Oboe d’amore:
Kurt Hausmann (oboist) (in 1961-02, in 1961-04) und Edgar Shann (oboist) (in 1961-02, in 1961-04)
Orgel:
Hedwig Bilgram (harpsichordist and organist) (in 1961-02, in 1961-04)
Trompete:
Adolf Scherbaum (trumpeter) (in 1961-02, in 1961-04)
Bass-Gesang:
Dietrich Fischer‐Dieskau (baritone) (in 1961-02, in 1961-04)
Orchester:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1961-02, in 1961-04)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1961-02, in 1961-04)
aufgenommen bei:
Hochschule für Musik und Theater München in München, Bayern, Deutschland (in 1961-02, in 1961-04)
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: VII. Et in Spiritum Sanctum Dominum (Mass in B minor, BWV 232: IIIg. Symbolum nicenum: Aria "Et in Spiritum Sanctum Dominum") (in 1961-02)
komponiert in:
Leipzig, Sachsen, Deutschland (von 1747 bis 1749)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
Teil von:
h-Moll-Messe, BWV 232 (Hohe Messe in h-Moll, BWV 232, Mass in B minor)
Johann Sebastian Bach5:37
8Mass in B minor, BWV 232: Credo: Confiteor unum baptisma
recording engineer:
Walter Alfred Wettler
Produzent(in):
Karl-Heinz Schneider (producer)
Cello:
Oswald Uhl (cellist) (in 1961-02, in 1961-04)
Fagott:
Fritz Henker (bassoonist) (in 1961-02, in 1961-04) und Karl Kolbinger (bassoonist) (in 1961-02, in 1961-04)
flute:
Walther Theurer (in 1961-02, in 1961-04)
Geige / Violine:
Otto Büchner (violinist) (in 1961-02, in 1961-04)
Horn [corno da caccia]:
Kurt Richter (German horn player) (in 1961-02, in 1961-04)
Kontrabass:
Franz Ortner (double bass player) (in 1961-02, in 1961-04)
Oboe d’amore:
Kurt Hausmann (oboist) (in 1961-02, in 1961-04) und Edgar Shann (oboist) (in 1961-02, in 1961-04)
Orgel:
Hedwig Bilgram (harpsichordist and organist) (in 1961-02, in 1961-04)
Trompete:
Adolf Scherbaum (trumpeter) (in 1961-02, in 1961-04)
Chorgesang:
Münchener Bach‐Chor (Munich Bach Choir) (in 1961-02, in 1961-04)
Orchester:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1961-02, in 1961-04)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1961-02, in 1961-04)
aufgenommen bei:
Hochschule für Musik und Theater München in München, Bayern, Deutschland (in 1961-02, in 1961-04)
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: VIII. Confiteor (Mass in B minor, BWV 232: IIIh. Symbolum nicenum: Chorus "Confiteor") (in 1961-02)
komponiert in:
Leipzig, Sachsen, Deutschland (von 1747 bis 1749)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
Teil von:
h-Moll-Messe, BWV 232 (Hohe Messe in h-Moll, BWV 232, Mass in B minor)
Johann Sebastian Bach5:06
9Mass in B minor, BWV 232: Credo: Et expecto resurrectionem
recording engineer:
Walter Alfred Wettler
Produzent(in):
Karl-Heinz Schneider (producer)
Cello:
Oswald Uhl (cellist) (in 1961-02, in 1961-04)
Fagott:
Fritz Henker (bassoonist) (in 1961-02, in 1961-04) und Karl Kolbinger (bassoonist) (in 1961-02, in 1961-04)
flute:
Walther Theurer (in 1961-02, in 1961-04)
Geige / Violine:
Otto Büchner (violinist) (in 1961-02, in 1961-04)
Horn [corno da caccia]:
Kurt Richter (German horn player) (in 1961-02, in 1961-04)
Kontrabass:
Franz Ortner (double bass player) (in 1961-02, in 1961-04)
Oboe d’amore:
Kurt Hausmann (oboist) (in 1961-02, in 1961-04) und Edgar Shann (oboist) (in 1961-02, in 1961-04)
Orgel:
Hedwig Bilgram (harpsichordist and organist) (in 1961-02, in 1961-04)
Trompete:
Adolf Scherbaum (trumpeter) (in 1961-02, in 1961-04)
Chorgesang:
Münchener Bach‐Chor (Munich Bach Choir) (in 1961-02, in 1961-04)
Orchester:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1961-02, in 1961-04)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1961-02, in 1961-04)
aufgenommen bei:
Hochschule für Musik und Theater München in München, Bayern, Deutschland (in 1961-02, in 1961-04)
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: IX. Et expecto (Mass in B minor, BWV 232: IIIi. Symbolum nicenum: Chorus "Et expecto") (in 1961-02)
komponiert in:
Leipzig, Sachsen, Deutschland (von 1747 bis 1749)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
basiert auf:
Kantate, BWV 120.1 "Gott, man lobet dich in der Stille": II. Coro "Jauchzet, ihr erfreuten Stimmen" (former BWV 120)
Teil von:
h-Moll-Messe, BWV 232 (Hohe Messe in h-Moll, BWV 232, Mass in B minor)
Johann Sebastian Bach2:14
10Mass in B minor, BWV 232: Sanctus: Sanctus
recording engineer:
Walter Alfred Wettler
Produzent(in):
Karl-Heinz Schneider (producer)
Cello:
Oswald Uhl (cellist) (in 1961-02, in 1961-04)
Fagott:
Fritz Henker (bassoonist) (in 1961-02, in 1961-04) und Karl Kolbinger (bassoonist) (in 1961-02, in 1961-04)
flute:
Walther Theurer (in 1961-02, in 1961-04)
Geige / Violine:
Otto Büchner (violinist) (in 1961-02, in 1961-04)
Horn [corno da caccia]:
Kurt Richter (German horn player) (in 1961-02, in 1961-04)
Kontrabass:
Franz Ortner (double bass player) (in 1961-02, in 1961-04)
Oboe d’amore:
Kurt Hausmann (oboist) (in 1961-02, in 1961-04) und Edgar Shann (oboist) (in 1961-02, in 1961-04)
Orgel:
Hedwig Bilgram (harpsichordist and organist) (in 1961-02, in 1961-04)
Trompete:
Adolf Scherbaum (trumpeter) (in 1961-02, in 1961-04)
Chorgesang:
Münchener Bach‐Chor (Munich Bach Choir) (in 1961-02, in 1961-04)
Orchester:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1961-02, in 1961-04)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1961-02, in 1961-04)
aufgenommen bei:
Hochschule für Musik und Theater München in München, Bayern, Deutschland (in 1961-02, in 1961-04)
recording of:
h-Moll-Messe, BWV 232: III. Sanctus (Mass in B minor, BWV 232: IVa. Chorus "Sanctus") (in 1961-02)
komponiert in:
Leipzig, Sachsen, Deutschland (von 1747 bis 1749)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
Teil von:
h-Moll-Messe, BWV 232 (Hohe Messe in h-Moll, BWV 232, Mass in B minor)
Johann Sebastian Bach5:47
11Mass in B minor, BWV 232: Sanctus: Osanna in excelsis (I)
recording engineer:
Walter Alfred Wettler
Produzent(in):
Karl-Heinz Schneider (producer)
Cello:
Oswald Uhl (cellist) (in 1961-02, in 1961-04)
Fagott:
Fritz Henker (bassoonist) (in 1961-02, in 1961-04) und Karl Kolbinger (bassoonist) (in 1961-02, in 1961-04)
flute:
Walther Theurer (in 1961-02, in 1961-04)
Geige / Violine:
Otto Büchner (violinist) (in 1961-02, in 1961-04)
Horn [corno da caccia]:
Kurt Richter (German horn player) (in 1961-02, in 1961-04)
Kontrabass:
Franz Ortner (double bass player) (in 1961-02, in 1961-04)
Oboe d’amore:
Kurt Hausmann (oboist) (in 1961-02, in 1961-04) und Edgar Shann (oboist) (in 1961-02, in 1961-04)
Orgel:
Hedwig Bilgram (harpsichordist and organist) (in 1961-02, in 1961-04)
Trompete:
Adolf Scherbaum (trumpeter) (in 1961-02, in 1961-04)
Chorgesang:
Münchener Bach‐Chor (Munich Bach Choir) (in 1961-02, in 1961-04)
Orchester:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1961-02, in 1961-04)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1961-02, in 1961-04)
aufgenommen bei:
Hochschule für Musik und Theater München in München, Bayern, Deutschland (in 1961-02, in 1961-04)
recording of:
h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: I. Osanna in excelsis (Mass in B minor, BWV 232: IVb. Chorus "Osanna in excelsis") (in 1961-02)
komponiert in:
Leipzig, Sachsen, Deutschland (von 1747 bis 1749)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
basiert auf:
Kantate, BWV 215 "Preise dein Glücke, gesegnetes Sachsen": I. Coro I/II "Preise dein Glücke, gesegnetes Sachsen"
Teil von:
h-Moll-Messe, BWV 232 (Hohe Messe in h-Moll, BWV 232, Mass in B minor)
Johann Sebastian Bach2:55
12Mass in B minor, BWV 232: Sanctus: Benedictus
recording engineer:
Walter Alfred Wettler
Produzent(in):
Karl-Heinz Schneider (producer)
Cello:
Oswald Uhl (cellist) (in 1961-02, in 1961-04)
Fagott:
Fritz Henker (bassoonist) (in 1961-02, in 1961-04) und Karl Kolbinger (bassoonist) (in 1961-02, in 1961-04)
flute:
Walther Theurer (in 1961-02, in 1961-04)
Geige / Violine:
Otto Büchner (violinist) (in 1961-02, in 1961-04)
Horn [corno da caccia]:
Kurt Richter (German horn player) (in 1961-02, in 1961-04)
Kontrabass:
Franz Ortner (double bass player) (in 1961-02, in 1961-04)
Oboe d’amore:
Kurt Hausmann (oboist) (in 1961-02, in 1961-04) und Edgar Shann (oboist) (in 1961-02, in 1961-04)
Orgel:
Hedwig Bilgram (harpsichordist and organist) (in 1961-02, in 1961-04)
Trompete:
Adolf Scherbaum (trumpeter) (in 1961-02, in 1961-04)
Tenor-Gesang:
Ernst Haefliger (tenor) (in 1961-02, in 1961-04)
Orchester:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1961-02, in 1961-04)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1961-02, in 1961-04)
aufgenommen bei:
Hochschule für Musik und Theater München in München, Bayern, Deutschland (in 1961-02, in 1961-04)
recording of:
h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: II. Benedictus (Mass in B minor, BWV 232: IVc. Aria "Benedictus") (in 1961-02)
komponiert in:
Leipzig, Sachsen, Deutschland (von 1747 bis 1749)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
Teil von:
h-Moll-Messe, BWV 232 (Hohe Messe in h-Moll, BWV 232, Mass in B minor)
Johann Sebastian Bach4:56
13Mass in B minor, BWV 232: Sanctus: Osanna in excelsis
recording engineer:
Walter Alfred Wettler
Produzent(in):
Karl-Heinz Schneider (producer)
Cello:
Oswald Uhl (cellist) (in 1961-02, in 1961-04)
Fagott:
Fritz Henker (bassoonist) (in 1961-02, in 1961-04) und Karl Kolbinger (bassoonist) (in 1961-02, in 1961-04)
flute:
Walther Theurer (in 1961-02, in 1961-04)
Geige / Violine:
Otto Büchner (violinist) (in 1961-02, in 1961-04)
Horn [corno da caccia]:
Kurt Richter (German horn player) (in 1961-02, in 1961-04)
Kontrabass:
Franz Ortner (double bass player) (in 1961-02, in 1961-04)
Oboe d’amore:
Kurt Hausmann (oboist) (in 1961-02, in 1961-04) und Edgar Shann (oboist) (in 1961-02, in 1961-04)
Orgel:
Hedwig Bilgram (harpsichordist and organist) (in 1961-02, in 1961-04)
Trompete:
Adolf Scherbaum (trumpeter) (in 1961-02, in 1961-04)
Chorgesang:
Münchener Bach‐Chor (Munich Bach Choir) (in 1961-02, in 1961-04)
Orchester:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1961-02, in 1961-04)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1961-02, in 1961-04)
aufgenommen bei:
Hochschule für Musik und Theater München in München, Bayern, Deutschland (in 1961-02, in 1961-04)
recording of:
h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: III. Osanna repetatur (Mass in B minor, BWV 232: IVd. Chorus "Osanna in excelsis") (in 1961-02)
komponiert in:
Leipzig, Sachsen, Deutschland (von 1747 bis 1749)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
basiert auf:
Kantate, BWV 215 "Preise dein Glücke, gesegnetes Sachsen": I. Coro I/II "Preise dein Glücke, gesegnetes Sachsen"
Teil von:
h-Moll-Messe, BWV 232 (Hohe Messe in h-Moll, BWV 232, Mass in B minor)
Johann Sebastian Bach2:56
14Mass in B minor, BWV 232: Agnus Dei: Agnus Dei
recording engineer:
Walter Alfred Wettler
Produzent(in):
Karl-Heinz Schneider (producer)
Cello:
Oswald Uhl (cellist) (in 1961-02, in 1961-04)
Fagott:
Fritz Henker (bassoonist) (in 1961-02, in 1961-04) und Karl Kolbinger (bassoonist) (in 1961-02, in 1961-04)
flute:
Walther Theurer (in 1961-02, in 1961-04)
Geige / Violine:
Otto Büchner (violinist) (in 1961-02, in 1961-04)
Horn [corno da caccia]:
Kurt Richter (German horn player) (in 1961-02, in 1961-04)
Kontrabass:
Franz Ortner (double bass player) (in 1961-02, in 1961-04)
Oboe d’amore:
Kurt Hausmann (oboist) (in 1961-02, in 1961-04) und Edgar Shann (oboist) (in 1961-02, in 1961-04)
Orgel:
Hedwig Bilgram (harpsichordist and organist) (in 1961-02, in 1961-04)
Trompete:
Adolf Scherbaum (trumpeter) (in 1961-02, in 1961-04)
Hochgesang:
Hertha Töpper (mezzo soprano) (in 1961-02, in 1961-04)
Orchester:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1961-02, in 1961-04)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1961-02, in 1961-04)
aufgenommen bei:
Hochschule für Musik und Theater München in München, Bayern, Deutschland (in 1961-02, in 1961-04)
recording of:
h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: IV. Agnus Dei (Mass in B minor, BWV 232: IVe. Aria "Agnus Dei") (in 1961-02)
komponiert in:
Leipzig, Sachsen, Deutschland (von 1747 bis 1749)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
Teil von:
h-Moll-Messe, BWV 232 (Hohe Messe in h-Moll, BWV 232, Mass in B minor)
Johann Sebastian Bach6:36
15Mass in B minor, BWV 232: Agnus Dei: Dona nobis pacem
recording engineer:
Walter Alfred Wettler
Produzent(in):
Karl-Heinz Schneider (producer)
Cello:
Oswald Uhl (cellist) (in 1961-02, in 1961-04)
Fagott:
Fritz Henker (bassoonist) (in 1961-02, in 1961-04) und Karl Kolbinger (bassoonist) (in 1961-02, in 1961-04)
flute:
Walther Theurer (in 1961-02, in 1961-04)
Geige / Violine:
Otto Büchner (violinist) (in 1961-02, in 1961-04)
Horn [corno da caccia]:
Kurt Richter (German horn player) (in 1961-02, in 1961-04)
Kontrabass:
Franz Ortner (double bass player) (in 1961-02, in 1961-04)
Oboe d’amore:
Kurt Hausmann (oboist) (in 1961-02, in 1961-04) und Edgar Shann (oboist) (in 1961-02, in 1961-04)
Orgel:
Hedwig Bilgram (harpsichordist and organist) (in 1961-02, in 1961-04)
Trompete:
Adolf Scherbaum (trumpeter) (in 1961-02, in 1961-04)
Chorgesang:
Münchener Bach‐Chor (Munich Bach Choir) (in 1961-02, in 1961-04)
Orchester:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1961-02, in 1961-04)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1961-02, in 1961-04)
aufgenommen bei:
Hochschule für Musik und Theater München in München, Bayern, Deutschland (in 1961-02, in 1961-04)
recording of:
h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: V. Dona nobis pacem (Mass in B minor, BWV 232: IVf. Choir "Dona nobis pacem") (in 1961-02)
komponiert in:
Leipzig, Sachsen, Deutschland (von 1747 bis 1749)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
basiert auf:
Dona nobis pacem
Teil von:
h-Moll-Messe, BWV 232 (Hohe Messe in h-Moll, BWV 232, Mass in B minor)
Johann Sebastian Bach3:25

Nennungen

Veröffentlichungsgruppe

enthalten in:111 Years of Deutsche Grammophon: The Collectors’ Edition von Various Artists (Diverse Interpreten, add compilations to this artist)