Bach Zum Entspannen Und Geniessen

~ Release by Johann Sebastian Bach (see all versions of this release, 2 available)

Tracklist

1CD-R
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1Konzert für Englischhorn - I. Larghetto
cor anglais:
Albrecht Mayer (oboist) (from 2009-03-02 until 2009-03-06)
oboe:
Albrecht Mayer (oboist)
orchestra:
Berliner Barock Solisten and The English Concert (from 2009-03-02 until 2009-03-06)
conductor:
Albrecht Mayer (oboist) (from 2009-03-02 until 2009-03-06)
recorded at:
St. Paul's Church (Deptford) in Deptford, Lewisham, London (Greater London), England, United Kingdom (from 2009-03-02 until 2009-03-06)
recording of:
Konzert für Englischhorn, Streicher und Basso continuo, BWV 54: I. Larghetto (from 2009-03-02 until 2009-03-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
6:43
2Das Wohltemp. Klavier - Präludium in C-Dur
piano:
Hélène Grimaud (French pianist) (in 2003-09)
recorded at:
Radiohuset in Stockholm, Stockholms län (Stockholm county), Sweden (in 2003-09)
recording of:
The Well-Tempered Clavier, Book I: Prelude and Fugue no. 1 in C major, BWV 846: Prelude (in 2003-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1722)
part of:
Notebook for Anna Magdalena Bach (1725) (number: 29)
part of:
The Well-Tempered Clavier, Book I: Prelude and Fugue no. 1 in C major, BWV 846
revision of:
Prelude and Fugue no. 1 in C major, BWV 846.1/846a: I. Prelude (early version)
recording of:
The Well-Tempered Clavier, Book I: Prelude and Fugue no. 1 in C major, BWV 846
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1722)
part of:
Bach Compendium (number: BC L 80) and Bach-Werke-Verzeichnis (number: BWV 846)
part of:
The Well-Tempered Clavier, Book I
2:47
3Cellosuite Nr.1 - I. Prèlude
cello:
Mischa Maisky (cellist) (in 1984-10)
recorded at:
Zentralsaal in Bamberg, Bayern (Bavaria), Germany (in 1984-10)
recording of:
Suite für Violoncello solo no. 1 G-Dur, BWV 1007: I. Prélude (Cello Suite No. 1 in G major, BWV 1007: I. Prélude) (in 1984-10)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Suite für Violoncello solo no. 1 G-Dur, BWV 1007 (Cello Suite No. 1 in G major, BWV 1007)
2:43
4Brandenburg. Konzert Nr.4 - I. Allegro
engineer:
Stephan Flock
assistant producer:
Maria Stodtmeier
associate producer:
Matthias Spindler
executive producer:
Sid McLauchlan (engineer/producer)
producer:
Sid McLauchlan (engineer/producer), Georg Obermayer (producer/engineer) and Paul Smaczny
editor:
Steffen Herrmann (audio engineer)
recorder:
Michala Petri (recorder player) (on 2007-04-21) and Nikola Tarasov (on 2007-04-21)
violin:
Giuliano Carmignola (violinist) (on 2007-04-21)
orchestra:
Orchestra Mozart (on 2007-04-21)
conductor:
Claudio Abbado (conductor) (on 2007-04-21)
balance engineer:
Toine Mertens (Dutch recording engineer)
recorded at:
Teatro Municipale di Reggio Emilia (also known since the 1980s as Teatro Municipale Valli) in Reggio Emilia, Reggio Emilia, Emilia-Romagna, Italy (on 2007-04-21)
produced at:
Emil Berliner Studios in Berlin, Germany
live recording of:
Brandenburgisches Konzert Nr. 4 G-Dur, BWV 1049: I. Allegro (on 2007-04-21)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Brandenburgisches Konzert Nr. 4 G-Dur, BWV 1049 (Brandenburg Concerto No. 4 in G major, BWV 1049)
recording of:
Brandenburgisches Konzert Nr. 4 G-Dur, BWV 1049: I. Allegro
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Brandenburgisches Konzert Nr. 4 G-Dur, BWV 1049 (Brandenburg Concerto No. 4 in G major, BWV 1049)
7:01
5Goldberg-Variationen - Aria
recording engineer:
Reinhild Schmidt (Sound engineer and producer for Deutsche Grammophon) and Stefan Flock
sound engineer:
Andrew Wedman (producer and engineer)
producer:
Dr. Peter Czornyj and Werner Mayer (classical producer)
editor:
Mark Buecker (engineer of classical recordings)
piano:
Андрей Гаврилов (Andrei Gavrilov, pianist) (in 1992-09)
solo piano:
Andrei Gavrilov (pianist) (in 1992-09)
balance engineer:
Andrew Wedman (producer and engineer) (in 1992-09)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1993)
recorded at:
Friedrich-von-Thiersch-Saal in Wiesbaden, Hessen (Hesse), Germany (in 1992-09)
recording of:
Goldberg-Variationen, BWV 988: Aria (opening) (in 1992-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) and Uri Caine
part of:
Notebook for Anna Magdalena Bach (1725) (number: 26)
part of:
Goldberg-Variationen, BWV 988 (Goldberg Variations, BWV 988)
recording of:
Goldberg-Variationen, BWV 988: Aria da capo (closing) (in 1992-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Goldberg-Variationen, BWV 988 (Goldberg Variations, BWV 988)
4:50
6Sonate für Violine Solo Nr.2 - III. Andante
recorded in:
Haarlem, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (in 1980-03)
violin:
Gidon Kremer (violinist) (in 1980-03)
recording of:
Violin Sonata no. 2 in A minor, BWV 1003: III. Andante (in 1980-03)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (until 1720)
part of:
Violin Sonata no. 2 in A minor, BWV 1003
5:12
7Konyert für Violine und Oboe - I. Allegro
assistant engineer:
Sherri Hendrickson (in 2003-01)
engineer:
Marc Stedman (in 2003-01)
producer:
Thomas Frost (classical music producer)
oboe:
Allan Vogel (oboist) (in 2003-01)
violin:
Hilary Hahn (violinist) (in 2003-01)
orchestra:
Los Angeles Chamber Orchestra (in 2003-01)
conductor:
Jeffrey Kahane (pianist and conductor) (in 2003-01)
balance engineer:
Tom Lazarus (in 2003-01)
recorded at:
Zipper Hall in Los Angeles, California, United States (in 2003-01)
recording of:
Concerto for Violin & Oboe in C minor, BWV 1060R: I. Allegro (reconstructed arrangement for violin & oboe of BWV 1060) (in 2003-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arrangement of:
Concerto in C minor for Two Harpsichords, BWV 1060: I. Allegro
part of:
Concerto for Violin & Oboe in C minor, BWV 1060R (reconstructed arrangement of the concerto for harpsichord and strings)
4:31
8Himmelskönig, Sei Willkommen - Sonata
recording engineer:
Hans‐Peter Schweigmann (engineer)
co-executive producer:
Helen Kuzaj (producer)
producer:
Dr. Gerd Ploebsch (engineer)
bassoon:
Karl Kolbinger (bassoonist) (from 1974-02 until 1974-03, in 1975-01)
cello:
Fritz Kiskalt (cellist) (from 1974-02 until 1974-03, in 1975-01)
double bass:
Herbert Duft (double bass player) (from 1974-02 until 1974-03, in 1975-01)
organ:
Hedwig Bilgram (harpsichordist and organist) (from 1974-02 until 1974-03, in 1975-01) and Elmar Schloter (organist) (from 1974-02 until 1974-03, in 1975-01)
recorder:
Hans-Martin Linde (flutist and conductor) (from 1974-02 until 1974-03, in 1975-01)
violin:
Ingo Sinnhoffer (from 1974-02 until 1974-03, in 1975-01)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (from 1974-02 until 1974-03, in 1975-01)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (from 1974-02 until 1974-03, in 1975-01)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1975)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (from 1974-02 until 1974-03, in 1975-01)
recording of:
Kantate, BWV 182 „Himmelskönig, sei willkommen“: I. Sonata (from 1974-02 until 1974-03)
premiered in:
Weimar, Thüringen (Thuringia), Germany (on 1714-03-25)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
librettist:
[anonymous] (special purpose artist)
version of:
Kantate, BWV 182 "Himmelskönig, sei willkommen" Appendix: I. Sonata
part of:
Kantate, BWV 182 „Himmelskönig, sei willkommen“
2:40
9Weihnachtsoratorium - Nr.10 Sinfonia
producer:
Andrew Cornall (engineer / producer)
orchestra:
Gewandhausorchester (Leipzig Gewandhaus Orchestra) (in 2010-01)
conductor:
Riccardo Chailly (conductor) (in 2010-01)
recorded at:
Gewandhaus (1981-) in Leipzig, Sachsen (Saxony), Germany (in 2010-01)
live recording of:
Weihnachts-Oratorium, BWV 248: Teil II, X. Sinfonia (in 2010-01)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1734-12-26)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
recording of:
Weihnachts-Oratorium, BWV 248: Teil II, X. Sinfonia
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1734-12-26)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
4:42
10Präludium und Fuge in E-Moll - Präludium
producer:
Andreas Neubronner (engineer/producer, co-founded Tritonus Musikproduktion)
solo cello:
Christiane Starke (cellist) (from 2012-06 until 2012-07)
solo viola:
Juan Lucas Aisemberg (from 2012-06 until 2012-07)
violin:
Daniel Hope (violinist) (from 2012-06 until 2012-07)
arranger:
Olivier Fourés
recorded at:
Funkhaus Nalepastraße in Berlin, Germany (from 2012-06 until 2012-07)
recording of:
The Well-Tempered Clavier, Book I: Prelude and Fugue no. 10 in E minor, BWV 855: Prelude (catch-all for arrangements) (from 2012-06 until 2012-07)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1722)
arrangement of:
The Well-Tempered Clavier, Book I: Prelude and Fugue no. 10 in E minor, BWV 855.2/855: Prelude
3:01
11Orchestersuite Nr.1 - I. Ouvertüre
executive producer:
Dr. Andreas Holschneider
producer:
Dr. Gerd Ploebsch (engineer)
cello:
Anthony Pleeth (cellist) (in 1978-06)
harpsichord:
Trevor Pinnock (conductor / harpsichord) (in 1978-06)
transverse flute:
Stephen Preston (flutist) (in 1978-06)
viola:
Trevor Jones (British violist, ex. Salomon Quartet) (in 1978-06)
violin:
Monica Huggett (violinist) (in 1978-06) and Simon Standage (English violinist and conductor) (in 1978-06)
violone:
Richard Webb (cellist) (in 1978-06)
orchestra:
The English Concert (in 1978-06)
conductor:
Trevor Pinnock (conductor / harpsichord) (in 1978-06)
balance engineer:
Karl-August Naegler (balance engineer)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1978-06)
recording of:
Orchestersuite Nr. 1 C-Dur, BWV 1066: I. Ouverture (Suite for Orchestra No. 1 in C major, BWV 1066: Ouverture) (in 1978-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Orchestersuite Nr. 1 C-Dur, BWV 1066 (Orchestral suite no. 1 in C major, BWV 1066)
5:40
12Kantate BWV 147 - Jesus bleibet meine Freude
recording engineer:
Tom Russbüldt (in 2013-06)
producer:
Tobias Lehmann
oboe:
Albrecht Mayer (oboist) (in 2013-06)
vocals:
The King’s Singers (in 2013-06)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 2013)
recorded at:
Teldex Studio (Berlin) in Berlin, Germany (in 2013-06)
recording of:
Kantate, BWV 147 “Herz und Mund und Tat und Leben”: Teil II, X. Choral “Jesus bleibet meine Freude” (Jesu, Joy of Man’s Desiring; catch‐all for arrangements and unknown orchestrations) (in 2013-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arrangement of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil II, X. Choral „Jesus bleibet meine Freude“ (Jesu, Joy of Man’s Desiring)
3:11
13Italienisches Konzert - I. Allegro
recording engineer:
Eiji Yoshioka (engineer) (in 1983)
assistant engineer:
Yutaka Ohmura (engineer)
executive producer:
Dr. Andreas Holschneider
producer:
佐々木節夫 (Japanese music critic)
harpsichord:
Trevor Pinnock (conductor / harpsichord) (in 1983)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1984)
recorded at:
Ongaku No Tomo (in 1983-11)
recording of:
Italienisches Konzert F-Dur, BWV 971: I. [Allegro] (Italian Concerto in F major, BWV 971: I. [Allegro]) (in 1983)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1735)
part of:
Italienisches Konzert F-Dur, BWV 971 (Italian Concerto in F major, BWV 971)
3:54
14Cembalokonzert Nr.5 - II. Largo
executive producer:
Dr. Andreas Holschneider
producer:
Dr. Gerd Ploebsch (engineer)
harpsichord:
Trevor Pinnock (conductor / harpsichord) (in 1980-11)
orchestra:
The English Concert (in 1980-11)
conductor and concertmaster:
Trevor Pinnock (conductor / harpsichord) (in 1980-11)
balance engineer:
Karl-August Naegler (balance engineer) and Hans‐Peter Schweigmann (engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1981)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1980-11, in 1981-02)
recording of:
Concerto no. 5 for Keyboard and Orchestra in F minor, BWV 1056: II. Largo (in 1980-11)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Concerto no. 5 for Keyboard and Orchestra in F minor, BWV 1056
2:51
15Matthäus-Passion - Erbarme dich (instr.)
sound engineer:
Wolfgang Stengel
engineer:
Andrzej Sasin (producer, engineer)
oboe:
Albrecht Mayer (oboist) (in 2003-03)
oboe d'amore:
Albrecht Mayer (oboist)
violin:
Nigel Kennedy (violinist) (in 2003-03)
orchestra:
Sinfonia Varsovia (in 2003-03)
recorded at:
Polskie Radio: Studio Koncertowe PR im. Witolda Lutosławskiego (Polish Radio Concert Studio named after Witold Lutosławski) in Warsaw, Mazowieckie (Masovian Voivodeship), Poland (in 2003-03)
recording of:
Matthäus-Passion, BWV 244: Teil II, XXXIX. Aria "Erbarme dich, mein Gott" (catch-all for arrangements)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arrangement of:
Matthäus-Passion, BWV 244: Teil II, XXXIX. Aria (Alto) "Erbarme dich, mein Gott"
6:10
2CD-R