200 Cigarettes: Music From the Motion Picture

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, 3 vorhanden)

Titelliste

1▼Digitales Medium
Nr.TitelKünstlerBewertungLänge
1Cruel to Be Kind
Produzent(in):
Nick Lowe (UK singer/songwriter/instrumentalist/producer)
E-Bass [bass guitar]:
Nick Lowe (UK singer/songwriter/instrumentalist/producer)
Gitarre:
Billy Bremner und Dave Edmunds
Schlagzeug:
Terry Williams (drummer)
vocals:
Nick Lowe (UK singer/songwriter/instrumentalist/producer)
phonographisches Urheberrecht (℗) von:
Riviera Global Record Productions Ltd. (in 1979)
Teil von:
TV Cream: Real 100 Best Singles Ever (Nummer: 84) und Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 152)
recording of:
Cruel to Be Kind
Verfasser(in):
Ian Gomm und Nick Lowe (UK singer/songwriter/instrumentalist/producer)
publisher:
Complete Music Ltd.
Teil von:
10 Things I Hate About You
Nick Lowe4.353:27
2In the Flesh
recording engineer:
Rob Freeman (engineer) (von 1976-08 bis 1976-09)
assistierende(r) Techniker(in):
Don Hünerberg
Techniker(in):
Rob Freeman (engineer) und Craig Leon (musician, arranger, composer and producer)
Produzent(in):
Richard Gottehrer (American songwriter and music executive)
Bassgitarre:
Gary Valentine (von 1976-08 bis 1976-09)
Farfisa-Orgel, Flügel, Klavier und Synthesizer [roland]:
Jimmy Destri (von 1976-08 bis 1976-09)
Gitarre:
Chris Stein (von 1976-08 bis 1976-09)
Schlagzeug:
Clem Burke (von 1976-08 bis 1976-09)
Hintergrundgesang:
Ellie Greenwich (von 1976-08 bis 1976-09), Hilda Harris (von 1976-08 bis 1976-09) und Micki Harris (von 1976-08 bis 1976-09)
Sologesang:
Deborah Harry (von 1976-08 bis 1976-09)
remixer:
Craig Leon (musician, arranger, composer and producer)
phonographisches Urheberrecht (℗) von:
Chrysalis Records (don’t use as an imprint; please use “Chrysalis” instead) (in 1976), Private Stock Records, Ltd. (not for release label use, for company relationships only) (in 1976), Chrysalis Records, Inc. (not for release label use!) (in 1977, in 2001), Capitol Records (imprint of Capitol Records, Inc.) (in 2001) und Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 2001)
aufgenommen bei:
Plaza Sound Studios in New York, New York, Vereinigte Staaten (von 1976-08 bis 1976-09)
recording of:
In the Flesh (von 1976-08 bis 1976-09)
Verfasser(in):
Deborah Harry und Chris Stein
publisher:
Chrysalis Music (music publisher, ASCAP-affiliated) (beendet), Monster Island Music Publishing Corporation (beendet), Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing Ltd. (PRS‐affiliated) und Jiru Music, Inc.
Blondie32:30
3Just What I Needed
assistierende(r) Techniker(in):
Nigel Walker (UK producer/engineer/guitarist)
Techniker(in):
Geoff Workman
Produzent(in):
Roy Thomas Baker (producer)
phonographisches Urheberrecht (℗) von:
Elektra Entertainment Group (not for release label use! a division of Warner Communications, Inc. for the United States, and WEA International Inc. for the world outside the United States) (in 1978), Elektra Records (not for release label use! please use its imprint “Elektra” instead) (in 1978), Elektra/Asylum Records (not for release label use! copyrights holder, distributor within the US) (in 1978) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1978)
aufgenommen bei und mixed at:
Air Studios (Oxford Street, London. 1970–1991 recordings only) in London (Greater London), England, Vereinigtes Königreich (in 1978-02)
Teil von:
Rolling Stone: The 100 Greatest Guitar Solos of All Time (2026-05-04) (Nummer: 75), Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 112) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 369)
recording of:
Just What I Needed (in 1978-02)
Texter und Komponist(in):
Ric Ocasek
publisher:
BMG Music Publishing Ltd., Lido Music, Inc. und Lido Music (not for release label use!) (in 1978)
The Cars4.33:45
4Save It for Later
cover recording of:
Save It for Later
Verfasser(in):
The Beat (The British Beat, UK ska band aka The English Beat)
Harvey Danger43:52
5Our Lips Are Sealed
Assistent recording engineer:
Ted Blechta und John Terelle
recording engineer und Mix:
Rob Freeman (engineer)
zusätzlich Assistent recording engineer:
James Ball, Eric Kortee und Darroll Gustamachio
Produzent(in):
Rob Freeman (engineer) und Richard Gottehrer (American songwriter and music executive)
assistierende(r) Mix:
Gray Russell
Bassgitarre und Gitarre:
Kathy Valentine
Gitarre [lead guitar] und Keyboard:
Charlotte Caffey
Gitarre [rhythm guitar]:
Jane Wiedlin
Perkussion und Schlagzeug:
Gina Schock
Sologesang:
Belinda Carlisle
vocals:
Charlotte Caffey und Jane Wiedlin
phonographisches Urheberrecht (℗) von:
Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 1981) und I.R.S., Inc. (in 1981)
aufgenommen bei:
Pennylane Studios in New York, New York, Vereinigte Staaten
zusätzlich aufgenommen bei:
Sound Mixers Studio in New York, New York, Vereinigte Staaten und The Record Plant (New York) in Midtown Manhattan, New York, New York, Vereinigte Staaten
mixed at:
Sound Mixers Studio in New York, New York, Vereinigte Staaten
Teil von:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (Nummer: 25), Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 317) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 477)
recording of:
Our Lips Are Sealed
Verfasser(in):
Go‐Go’s (all-female American rock band formed in 1978), Terence Edward Hall und Jane Wiedlin
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Gotown Music und Plangent Visions Music
Go‐Go’s4.52:45
6I Want Candy
Produzent(in):
Kenny Laguna
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (in 1982)
Teil von:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (Nummer: 8) und VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (Nummer: 86)
cover recording of:
I Want Candy (in 1982)
Verfasser(in):
Bert Russell Berns, Bob Feldman (of The Strangeloves), Jerry Goldstein (producer, record label owner and publisher) und Richard Gottehrer (American songwriter and music executive)
publisher:
Downtown Music Publishing LLC (PRS-affiliated), Sloopy II Music, Sony/ATV Songs LLC und Wren Music Co.
Bow Wow Wow42:43
7I Don’t Care
assistierende(r) Techniker(in):
Don Berman
Techniker(in):
Ed Stasium (US record producer & audio engineer)
Produzent(in):
Tony Bongiovi und Thomas Erdelyi (Tommy Ramone)
Bassgitarre:
Dee Dee Ramone
Gitarre:
Johnny Ramone
Schlagzeug:
Tommy Ramone
Sologesang:
Joey Ramone
aufgenommen bei:
Mediasound Studios in New York, New York, Vereinigte Staaten
mixed at:
Power Station Studios (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, Vereinigte Staaten
Remix von:
I Don’t Care (single version) von Ramones (US punk rock band)
recording of:
I Don’t Care (Ramones) (in 1977-04)
Verfasser(in):
Douglas Glenn Colvin, Thomas Erdelyi (Tommy Ramone), Jeffrey Hyman und John Cummings
publisher:
Bleu Disque Music Co., Inc. (publisher), Taco Tunes Inc. und Warner/Chappell Music (Warner/Chappell Music, Inc.)
Ramones3.851:39
8Boogie Wonderland
cover recording of:
Boogie Wonderland
Texter:
Allee Willis
Komponist(in):
Jon Lind
publisher:
EMI Blackwood Music Inc., EMI Songs Ltd., International Music Network, Irving Music (BMI) und Rondor Music (London) Ltd.
Girls Against Boys33:22
9Ladies Night (single version)
Produzent(in):
Eumir Deodato und Kool & the Gang
recording of:
Ladies’ Night
Verfasser(in):
Cliff Adams, Chris Alberts, Robert “Kool” Bell, Ronald Bell, George Brown (US percussionist of Kool & the Gang), Dennis Thomas (Kool & The Gang), Jon Faddis, Adam Ippolito, Robert Spike Mickens und Claydes Smith
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated)
Kool & the Gang4.153:28
10It’s Different for Girls
recording engineer:
Alan Winstanley (English record producer)
Produzent(in):
David Kershenbaum
Mix:
Aldo Bocca
Bassgitarre:
Graham Maby
Gitarre:
Gary Sanford
Schlagzeug:
Dave Houghton
Sologesang:
Joe Jackson (English musician)
arranger:
Joe Jackson (English musician)
phonographisches Urheberrecht (℗) von:
A&M Records, Ltd. (in 1979)
aufgenommen bei:
TW Studios (Clanger Winstanley's studio in Fulham) in Fulham, Hammersmith and Fulham, London (Greater London), England, Vereinigtes Königreich
mixed at:
Eden Studios (2nd location, Chiswick, 72-07) in Chiswick, Hounslow, London (Greater London), England, Vereinigtes Königreich
Musikvideos:
It’s Different for Girls von Joe Jackson (English musician)
recording of:
It’s Different for Girls
Texter und Komponist(in):
Joe Jackson (English musician)
publisher:
Albion Music Ltd. (in 1979)
Joe Jackson3.753:44
11Nowhere Girl
recording of:
Nowhere Girl
Verfasser(in):
Rick Holliday und Steve Hovington
B. Movie33:43
12More Than This
Produzent(in):
Rhett Davies, Bryan Ferry und Roxy Music
Mix:
Bob Clearmountain
phonographisches Urheberrecht (℗) von:
E.G. Records Ltd. (company credits only; do NOT use as release label) (in 1982), Virgin EG Records Ltd. (in 1982) und Virgin Records Ltd. (not for release label use! for company relationships only) (in 1982)
recording of:
More Than This
Texter und Komponist(in):
Bryan Ferry
publisher:
BMG Platinum Songs US, BMG Rights Management (UK) Ltd. (not for release label use! see annotation), E.G. Music Inc., EMI Virgin Music Ltd. (do not use this as a release label!), EMI Virgin Songs, Inc., Virgin Songs, Inc. und E.G. Music Ltd. (publisher) (in 1982)
Roxy Music44:10
13Romeo and Juliet
assistierende(r) Techniker(in):
Jeff Hendrickson (sound engineer) und Jon Mathias (engineer)
Techniker(in):
Shelly Yakus
Produzent(in):
Jimmy Iovine und Mark Knopfler
Bassgitarre:
John Illsley
Gitarre und Sologesang:
Mark Knopfler
Keyboard:
Roy Bittan
Schlagzeug:
Pick Withers
Hintergrundgesang:
John Illsley und Pick Withers
phonographisches Urheberrecht (℗) von:
Phonogram Ltd. (London) (company name, NOT a label!) (in 1980, in 1988), Warner Records Inc. (not for release label use; fka Warner Bros. Records Inc. until 2019) (in 1988, in 2022), Mercury Records Ltd. (London) (for copyrights use only) (in 1996) und Warner Music Group – X5 Music Group (in 2019)
aufgenommen bei:
Power Station Studios (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, Vereinigte Staaten (von 1980-06-20 bis 1980-08-25)
Musikvideos:
Romeo and Juliet von Dire Straits
recording of:
Romeo and Juliet
Texter und Komponist(in):
Mark Knopfler
publisher:
Rondor Music (London) Ltd. und Straitjacket Songs Ltd. (in 1980)
Dire Straits3.456:01
14Peace, Love and Understanding
Techniker(in):
Roger Bechirian
Produzent(in):
Nick Lowe (UK singer/songwriter/instrumentalist/producer)
Bassgitarre:
Bruce Thomas
Gitarre:
Elvis Costello
Orgel, Klavier und Synthesizer:
Steve Nieve
Schlagzeug:
Pete Thomas (drummer)
vocals:
Elvis Costello
Teil von:
New York Post: 100 Greatest Covers (2007) (Nummer: 65) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 284)
cover recording of:
(What’s So Funny ’Bout) Peace, Love and Understanding
Texter und Komponist(in):
Nick Lowe (UK singer/songwriter/instrumentalist/producer)
publisher:
Plangent Visions Music, Inc.
Elvis Costello & The Attractions4.23:31
15Blondie Medley: Rapture
medley including a recording of:
Maria (Blondie)
Texter und Komponist(in):
Jimmy Destri
publisher:
Dick Johnson Songs
medley including a recording of:
No Exit (Loud Allstars version)
Texter:
Romy Ashby, Coolio (US rapper, actor, chef & record producer), Jimmy Destri und Deborah Harry
Verfasser(in):
Albert Johnson (US rapper, Mobb Deep member Albert Johnson), Jason Hunter (east coast hip hop), Kejuan Muchita (QB rapper/producer Kejuan Muchita of Mobb Deep) und Lamont Hawkins
Komponist(in):
Jimmy Destri und Chris Stein
Version von:
No Exit
medley including a recording of:
Rapture
Verfasser(in):
Deborah Harry und Chris Stein
publisher:
BMG Monarch, Chrysalis Music (music publisher, ASCAP-affiliated), Chrysalis Music Ltd. (music publisher, affiliated with PRS), EMI Music (do not use as release label! this is a music publisher), Monster Island Music Publishing Corporation und Rare Blue Music Inc
Blondie35:20