Classic Cuts Presents: 90’s Night: The Ultimate DJ Collection: Complete Set

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

1▶CD: 1990
2▶CD: 1991
3▶CD: 1992
4▶CD: 1993
5▶CD: 1994
6▶CD: 1995
7▶CD: 1996
8▶CD: 1997
9▼CD: 1998
Nr.TitelKünstlerBewertungLänge
1When You’re Gone
recorded in:
Saint Ann (Saint Ann Parish), Jamaika (von 1998-06 bis 1998-08)
recording engineer:
Randy Staub (von 1998-06-06 bis 1998-08)
zusätzlich recording engineer:
Dean Maher (von 1998-06-06 bis 1998-08), Phil Thornalley (von 1998-06-06 bis 1998-08) und Phil Western (Canadian electronic musician) (von 1998-06-06 bis 1998-08)
sonstige Unterstützung:
Ron Vermeulen (technical assistance) (Aufgabe: technical assistance)
Techniker(in):
Eliot Kennedy (songwriter, producer)
Produzent(in):
Bryan Adams (Canadian singer/songwriter) und Bob Rock
assistierende(r) Mix:
Dean Maher (am 1998-09-03)
Mix:
Bob Clearmountain (am 1998-09-03)
Bass:
Dave Taylor (Bass player (Bryan Adams) and engineer) (von 1998-06-06 bis 1998-08)
Gitarre [guitars]:
BA (Canadian singer/songwriter) (von 1998-06-06 bis 1998-08) und Keith Scott (Canadian guitarist) (von 1998-06-06 bis 1998-08)
Keyboard [keyboards]:
Phil Western (Canadian electronic musician) (von 1998-06-06 bis 1998-08)
Schlagzeug [drums]:
Mickey Curry (von 1998-06-06 bis 1998-08)
Gast vocals:
Melanie C (von 1998-06-06 bis 1998-08)
vocals:
BA (Canadian singer/songwriter) (von 1998-06-06 bis 1998-08)
arranger:
Bryan Adams (Canadian singer/songwriter)
phonographisches Urheberrecht (℗) von:
A&M Records (in 1998), A&M Records, Inc. (in 1998, in 1999), Badman Limited (in 1998) und Badman Ltd. (Bryan Adams’ own publishing company, for copyrights use) (in 1999)
aufgenommen bei:
The Warehouse Studio in Vancouver, British Columbia, Kanada (am 1998-06-06), Metropolis Studios (London) in London (Greater London), England, Vereinigtes Königreich (von 1998-06 bis 1998-08) und The Warehouse Studio Mobile Unit (von 1998-06 bis 1998-08)
mixed at:
The Warehouse Studio in Vancouver, British Columbia, Kanada (am 1998-09-03)
Teil von:
The Downloader’s Music Source Book (Nummer: 185)
recording of:
When You’re Gone (von 1998-06-06 bis 1998-08)
Verfasser(in):
Bryan Adams (Canadian singer/songwriter) und Eliot Kennedy (songwriter, producer)
publisher:
Badams Music Limited (in 1998) und Sony Music Publishing (UK) Ltd. (2003–2008, 2021–present) (in 1998)
Bryan Adams feat. Melanie C43:27
2Perfect 10
Techniker(in):
John Brough
Produzent(in):
Paul Heaton und Jon Kelly (engineer at Air London Studios)
Mix:
John Brough, Paul Heaton und Jon Kelly (engineer at Air London Studios)
Bass:
Sean Welch
Blechblasinstrumente:
Kick Horns
Gitarre:
Dave Rotheray
Keyboard:
Damon Butcher
Perkussion:
Gary Hammond (percussionist)
Schlagzeug:
Dave Stead
Hintergrundgesang:
Jacqui Abbott, Paul Heaton und Dave Hemingway
Sologesang:
Jacqui Abbott und Paul Heaton
phonographisches Urheberrecht (℗) von:
Go! Discs Ltd. (company credits only; do NOT use as release label) (in 1998)
recording of:
Perfect 10
Texter:
Paul Heaton
Komponist(in):
Paul Heaton und Dave Rotheray
publisher:
Island Music Ltd.
The Beautiful South2.33:40
3The Boy Is Mine
Produzent(in):
Dallas Austin, Brandy (US R&B singer) und Rodney Jerkins
Interpret(in):
Monica (US R&B singer)
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1998) und WEA International, Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1998)
produced for:
Brand Nu, Inc., Darkchild Entertainment, Inc. und Darp, Inc.
Bearbeitung von:
The Boy Is Mine (album version) von Brandy (US R&B singer) & Monica (US R&B singer)
recording of:
The Boy Is Mine
Verfasser(in):
Brandy Norwood (US R&B singer), LaShawn Daniels (US contemporary R&B songwriter), Fred Jerkins, Rodney Jerkins und Japhe Tejeda
publisher:
Bran-Bran Music, EMI April Music Inc., EMI Blackwood Music Inc., Ensign Music Publishing, Famous Music Publishing, Fred Jerkins Publishing, Henchi Music und Sony/ATV Melody
Brandy & Monica34:02
4Mulder and Scully
recording of:
Mulder and Scully
Texter und Komponist(in):
Cerys Matthews (lead singer, Catatonia) und Mark Roberts (Welsh guitarist, Catatonia)
Catatonia3:41
5Dreams
Programmierung:
Oliver Leiber und Peter Rafelson
assistierende(r) Techniker(in):
Matt Silva
Techniker(in):
Stuart Grusin, Oliver Leiber, Phillip Begley (engineer) (Sologesang [vocals]) und Barry Rudolph
Koproduzent(in):
Peter Rafelson
Produzent(in):
Oliver Leiber
Mix:
Rob Chiarelli (US mixer)
Gitarre:
Oliver Leiber
Sologesang:
Andrea Corr
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1997) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1998)
produced for:
Noise Club, Inc. (Oliver Leiber production company)
aufgenommen bei:
Ollywood Studios in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten, Rafelson Recording in Los Angeles, California (Kalifornien), Vereinigte Staaten und Westland Studios in Dublin, County Dublin, Leinster, Irland
mixed at:
Larrabee Sound Studios (present day location in North Hollywood, since 1991) in North Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
cover recording of:
Dreams
Texter und Komponist(in):
Stevie Nicks
publisher:
Gentoo Music, Inc., Kobalt Music Publishing Ltd. (publisher) und Welsh Witch Music (BMI affiliated) (in 1977)
The Corrs43:55
6Life
recording of:
Life
Verfasser(in):
Des’ree und Prince Sampson
Des’ree3:15
7Café Del Mar ’98
Produzent(in):
Paul Schmitz-Moormann
zusätzliche(r) Produzent(in):
Sharam Jey und André Strässer
remixer:
Sharam Jey, Nalin & Kane (German trance duo), André Strässer und Three ’n One
phonographisches Urheberrecht (℗) von:
Motor Music GmbH (in 1997)
recording of:
Café Del Mar
Komponist(in):
Cosmic Baby und Paul Schmitz-Moormann
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
basiert auf:
Struggle for Pleasure
Energy 5233:52
8The Rockafeller Skank
Techniker(in) und Mix:
Simon Thornton (Big beat mixing engineer)
Produzent(in):
Fatboy Slim
Interpret(in):
Just Brothers
phonographisches Urheberrecht (℗) von:
Skint Records (in 1998)
Samples:
Beat Girl (Main Title) von The John Barry Seven und Sliced Tomatoes von Just Brothers
Musikvideos:
Rockafeller Skank von Fatboy Slim
recording of:
The Rockafeller Skank
Verfasser(in):
John Barry (English score composer), Fatboy Slim und Winifred Terry
publisher:
Gold Forever Music Inc., MCA Music Ltd., Polygram Music Publishing Ltd. (GB), Robbins Music Corp. Ltd. und Universal Music Publishing (use ONLY if no country‐specific information is available)
basiert auf:
Beat Girl (main title)
basiert auf:
Sliced Tomatoes
Fatboy Slim44:02
9Doo Wop (That Thing)
Bearbeitung von:
Doo Wop (That Thing) von Lauryn Hill
recording of:
Doo Wop (That Thing)
Texter und Komponist(in):
Ms. Lauryn Hill
Lauryn Hill3.353:58
10Hard Knock Life
recording engineer:
Paul Falcon
Produzent(in):
The 45 King (aka DJ Mark)
Mix:
Ken “DURO” Ifill (engineer and producer Ken Ifill)
aufgenommen bei:
The Hit Factory in Manhattan, New York, New York, Vereinigte Staaten
mixed at:
Platinum Island in New York, New York, Vereinigte Staaten
Samples:
It’s the Hard‐Knock Life (Annie, 1977 original Broadway cast) von Andrea McArdle, Orphans
recording of:
Hard Knock Life (Ghetto Anthem)
Verfasser(in):
Martin Charnin, Mark Howard James (aka DJ Mark), Shawn Carter (US rapper) und Charles Strouse
publisher:
45 Music, EMI Blackwood Music Inc., Helene Blue Musique Ltd., Lil Lulu Music und MPL Communications Inc. (Paul McCartney‐related, NYC‐based company)
Jay‐Z3.44:01
11High
phonographisches Urheberrecht (℗) von:
The Wild Card Label Ltd (in 1997)
Musikvideos:
High von Lighthouse Family
recording of:
High
Texter:
Paul Tucker
Komponist(in):
Tunde Baiyewu und Paul Tucker
publisher:
Polygram Music und Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
Lighthouse Family3.355:13
12All ’Bout the Money
recording of:
All 'Bout the Money
Verfasser(in):
Douglas Carr (Swedish songwriter) und Meja
Meja52:54
13Ghetto Superstar (That Is What You Are)
Techniker(in):
Phil Blackman und Chris Theis
Koproduzent(in):
Jerry Duplessis
Produzent(in):
Che, Wyclef Jean (Haitian rapper, musician and actor) und Pras Michel (Pras, American rapper, member of The Fugees)
Interpret(in):
Pras Michel (Pras, American rapper, member of The Fugees), Mya (US | R&B) und Ol’ Dirty Bastard (Wu‐Tang founder, NYC rapper/producer)
Samples:
Get Up, Get Into It, Get Involved von James Brown (The Godfather of Soul)
recording of:
Ghetto Supastar (That Is What You Are)
Verfasser(in):
Barry Gibb, Maurice Gibb, Robin Gibb, Wyclef Jean (Haitian rapper, musician and actor), Pras Michel (Pras, American rapper, member of The Fugees) und Russell Jones (Wu‐Tang founder, NYC rapper/producer)
zusätzliche(r) Verfasser(in):
James Brown (The Godfather of Soul), Bobby Byrd (founder of the Famous Flames, James Brown’s vocal group) und Ron Lenhoff
publisher:
Careers–BMG Music Publishing, Inc., Gibb Brothers Music, Sony/ATV Tunes LLC (ASCAP), T C F Music Pub. Inc., Tete San Ko, Pub., Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) und Wu‐Tang Publishing, Inc.
basiert auf:
Islands in the Stream
Pras feat. ODB & Mya3.654:28
14Horny
Mousse T. vs. Hot ’n’ Juicy3:42
15Gettin’ Jiggy With It
recording of:
Gettin’ Jiggy Wit It
Verfasser(in):
Samuel Barnes (US rapper & hip‐hop producer, aka Tone), Bernard Edwards & Nile Rodgers, Bernard Edwards (American bassist and record producer), David Porter (US soul musician, producer & songwriter), Joey Robinson, Jr. (US Electro funk/hip hop producer, songwriter & engineer), Nile Rodgers und Will Smith (US actor aka The Fresh Prince)
publisher:
Irving Music, Inc., Jelly’s Jams, LLC, Sony/ATV Tunes LLC (ASCAP), Treball Music und Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Will Smith53:51
16Music Sounds Better With You
Programmierung:
Stardust (one‐time house project “Music Sounds Better With You”)
Produzent(in):
Thomas Bangalter
Mix:
Thomas Bangalter und Alan Braxe
Sologesang:
Benjamin Diamond (French rapper/singer)
phonographisches Urheberrecht (℗) von:
Roulé Music (in 1998)
produced for:
Roulé
aufgenommen bei:
Daft House in Paris, Île-de-France, Frankreich
Samples:
Fate von Chaka Khan
Bearbeitung von:
Music Sounds Better With You (12” club mix) von Stardust (one‐time house project “Music Sounds Better With You”)
recording of:
Music Sounds Better With You
Texter:
Benjamin Cohen (French rapper/singer)
Komponist(in):
Thomas Bangalter, Benjamin Cohen (French rapper/singer) und Alain Quême
zusätzliche(r) Komponist(in):
Dominic Bugatti und Frank Musker
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Daft Music, Delabel Éditions (publisher; do NOT use as release label), EMI Publishing und Zomba Music
quotes music from:
Fate
Stardust3.84:23
17Everything’s Gonna Be Alright
Produzent(in):
Geo (of sweetbox)
phonographisches Urheberrecht (℗) von:
BMG Ariola Hamburg GmbH (in 1997)
recording of:
Everything’s Gonna Be Alright
Verfasser(in):
Tina Harris (former lead singer of Sweetbox), Roberto Rosan und Heiko Schmidt
publisher:
Edition Parasongs, EMI Music Publishing (do not use as a release label!) und EMI Music Publishing Ltd. (PRS‐affiliated)
basiert auf:
Orchestersuite Nr. 3 D-Dur, BWV 1068: II. Air (Orchestral Suite no. 3 in D major, BWV 1068: II. Air, Air on the G string)
sweetbox33:13
18Sweetest Thing
recording engineer:
Pat McCarthy und Joe O’Herlihy
zusätzlich recording engineer:
Steve Harris (mixer/producer)
Produzent(in):
Brian Eno, Daniel Lanois (Canadian record producer, guitarist, vocalist, and songwriter) und Steve Lillywhite
Mix:
Steve Harris (mixer/producer)
Bassgitarre:
Adam Clayton
Gitarre:
The Edge (U2 guitarist David Evans)
Perkussion und Schlagzeug:
Larry Mullen, Jr.
Saiteninstrumente:
Nicola Cleary, Nicholas Milne, Aengus O’Connor und Una O’Kane
Sologesang:
Bono (singer of U2)
Saiteninstrumente arranger:
Daragh O’Toole (composer/arranger)
phonographisches Urheberrecht (℗) von:
PolyGram International Music B.V. (not for release label use!) (in 1998)
recording of:
Sweetest Thing
Texter:
Bono (singer of U2)
Komponist(in):
Bono (singer of U2), Adam Clayton, The Edge (U2 guitarist David Evans) und Larry Mullen, Jr.
publisher:
Blue Mountain Music Ltd, Mother Music, PolyGram International Music Publishing B.V., Taiyo Music Inc. und Universal Music Publishing B.V. (Benelux subsidiary of Universal Music Publishing Group)
U23.33:04
19Let Me Entertain You
Programmierung:
Kerry Hopwood und Steve Power
assistierende(r) Techniker(in):
Jim Brumby (UK engineer) und Matt Hay
Produzent(in):
Guy Chambers (English songwriter and record producer) und Steve Power
Mix:
Steve Power
Bass:
David Catlin‐Birch (UK bassist and guitarist)
Gitarre:
Fil Eisler (Czech score composer) und Chester Kamen
Keyboard [keyboards]:
Guy Chambers (English songwriter and record producer)
Perkussion:
Andy Duncan (UK drummer and producer)
Schlagzeug [drums]:
Chris Sharrock
Solo-Trompete:
Steve Sidwell (English composer & wind instrumentalist) und Derek Watkins (trumpeter)
Hintergrundgesang:
Claudia Fontaine (vocals, background vocals), Beverley Skeete, Carroll Thompson und Robbie Williams
vocals:
Robbie Williams
arranger:
Guy Chambers (English songwriter and record producer)
concertmaster:
Steve Sidwell (English composer & wind instrumentalist)
phonographisches Urheberrecht (℗) von:
Chrysalis Records Ltd (not for release label use! company behind the Chrysalis imprint) (in 1997)
aufgenommen bei:
Matrix Maison Rouge Studios in London (Greater London), England, Vereinigtes Königreich
mixed at:
Battery Studios (London, owned by Zomba group) in London (Greater London), England, Vereinigtes Königreich
recording of:
Let Me Entertain You
Texter und Verfasser(in):
Guy Chambers (English songwriter and record producer) und Robbie Williams
publisher:
BMG Music Publishing, EMI Music Publishing (PRS‐affiliated), Kobalt Music Publishing Ltd. (UK) und BMG VM Music Ltd. (vom 2013-05 bis heute)
Robbie Williams44:24
20Believe
Produzent(in):
Brian Rawling und Mark Taylor (UK producer & songwriter aka Q & Groove Brothers member)
Mix:
Mark Taylor (UK producer & songwriter aka Q & Groove Brothers member)
phonographisches Urheberrecht (℗) von:
Warner Music UK Ltd. (not for release label use!) (in 1998)
produced for:
Metro (production company) und Rive Droite Music Productions
aufgenommen bei und mixed at:
Dreamhouse Studios in London (Greater London), England, Vereinigtes Königreich
Teil von:
Grammy Award: Best Dance/Electronic Recording nominees (Nummer: 2000 winner), RuPaul’s Drag Race Lip Sync Performances (season 3) (Nummer: 9), Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 159) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 337)
recording of:
Believe
Texter:
Brian Higgins (British producer and song writer) und Matt Gray (UK techno DJ/producer, former video game composer)
Komponist(in):
Brian Higgins (British producer and song writer) (in 1998), Matt Gray (UK techno DJ/producer, former video game composer) (in 1998), Stuart McLennan (in 1998), Paul Michael Barry (songwriter/musician) (in 1998), Tim Powell (Songwriter and producer, ex-Xenomania) (in 1998) und Steve Torch (in 1998)
publisher:
BMG Rights Management (Australia) Pty Ltd (not for release label use! use “BMG” (post 2008) instead.), Rive Droite Music und Warner Chappell (Warner/Chappell Music, Inc.)
Cher3.83:58
10▶CD: 1999