The Dark Knight (collectors edition)

~ Veröffentlichung von Hans Zimmer & James Newton Howard (alle Versionen dieser Veröffentlichung ansehen, 16 vorhanden)

Titelliste

1▼Digitales Medium
Nr.TitelBewertungLänge
1Why So Serious?
recording engineer:
Geoff Foster (sound engineer)
assistierende(r) Techniker(in):
Chris Bacon (American score composer), Chris Barrett (British sound engineer, @AIR Lyndhurst Studios), Katia Lewin und Greg Vines
Koproduzent(in):
Lorne Balfe (Scottish score composer) und Alex Gibson (musician/editor)
Produzent(in):
James Newton Howard (American score composer) und Hans Zimmer (German score composer)
Mix:
Alan Meyerson
Editing:
Alex Gibson (musician/editor), Daniel Pinder und Ryan Rubin
arranger:
Henry Jackman (English score composer)
mixed at:
Remote Control Productions in Santa Monica, California (Kalifornien), Vereinigte Staaten (beendet)
recording of:
Why So Serious? (The Dark Knight)
Komponist(in):
James Howard (American score composer) und Hans Zimmer (German score composer)
Teil von:
The Dark Knight (2008 film soundtrack)
3.59:14
2I’m Not a Hero
recording engineer:
Geoff Foster (sound engineer)
assistierende(r) Techniker(in):
Chris Bacon (American score composer), Chris Barrett (British sound engineer, @AIR Lyndhurst Studios), Katia Lewin und Greg Vines
Koproduzent(in):
Lorne Balfe (Scottish score composer) und Alex Gibson (musician/editor)
Produzent(in):
James Newton Howard (American score composer) und Hans Zimmer (German score composer)
Mix:
Alan Meyerson
Editing:
Alex Gibson (musician/editor), Daniel Pinder und Ryan Rubin
arranger:
Henry Jackman (English score composer)
mixed at:
Remote Control Productions in Santa Monica, California (Kalifornien), Vereinigte Staaten (beendet)
recording of:
I’m Not a Hero (The Dark Knight)
Komponist(in):
Hans Zimmer (German score composer)
Teil von:
The Dark Knight (2008 film soundtrack)
46:34
3Harvey Two‐Face
recording engineer:
Geoff Foster (sound engineer)
assistierende(r) Techniker(in):
Chris Bacon (American score composer), Chris Barrett (British sound engineer, @AIR Lyndhurst Studios), Katia Lewin und Greg Vines
Koproduzent(in):
Lorne Balfe (Scottish score composer) und Alex Gibson (musician/editor)
Produzent(in):
James Newton Howard (American score composer) und Hans Zimmer (German score composer)
Mix:
Alan Meyerson
Editing:
Alex Gibson (musician/editor), Daniel Pinder und Ryan Rubin
arranger:
Henry Jackman (English score composer)
mixed at:
Remote Control Productions in Santa Monica, California (Kalifornien), Vereinigte Staaten (beendet)
recording of:
Harvey Two-Face (The Dark Knight)
Komponist(in):
James Newton Howard (American score composer)
Teil von:
The Dark Knight (2008 film soundtrack)
2.856:16
4Aggressive Expansion
recording engineer:
Geoff Foster (sound engineer)
assistierende(r) Techniker(in):
Chris Bacon (American score composer), Chris Barrett (British sound engineer, @AIR Lyndhurst Studios), Katia Lewin und Greg Vines
Koproduzent(in):
Lorne Balfe (Scottish score composer) und Alex Gibson (musician/editor)
Produzent(in):
James Newton Howard (American score composer) und Hans Zimmer (German score composer)
Mix:
Alan Meyerson
Editing:
Alex Gibson (musician/editor), Daniel Pinder und Ryan Rubin
arranger:
Henry Jackman (English score composer)
mixed at:
Remote Control Productions in Santa Monica, California (Kalifornien), Vereinigte Staaten (beendet)
recording of:
Aggressive Expansion (The Dark Knight)
Komponist(in):
Hans Zimmer (German score composer)
Teil von:
The Dark Knight (2008 film soundtrack)
3.554:35
5Always a Catch
recording engineer:
Geoff Foster (sound engineer)
assistierende(r) Techniker(in):
Chris Bacon (American score composer), Chris Barrett (British sound engineer, @AIR Lyndhurst Studios), Katia Lewin und Greg Vines
Koproduzent(in):
Lorne Balfe (Scottish score composer) und Alex Gibson (musician/editor)
Produzent(in):
James Newton Howard (American score composer) und Hans Zimmer (German score composer)
Mix:
Alan Meyerson
Editing:
Alex Gibson (musician/editor), Daniel Pinder und Ryan Rubin
arranger:
Henry Jackman (English score composer)
mixed at:
Remote Control Productions in Santa Monica, California (Kalifornien), Vereinigte Staaten (beendet)
recording of:
Always a Catch (The Dark Knight)
Komponist(in):
James Newton Howard (American score composer) und Hans Zimmer (German score composer)
Teil von:
The Dark Knight (2008 film soundtrack)
31:39
6Blood on My Hands
recording engineer:
Geoff Foster (sound engineer)
assistierende(r) Techniker(in):
Chris Bacon (American score composer), Chris Barrett (British sound engineer, @AIR Lyndhurst Studios), Katia Lewin und Greg Vines
Koproduzent(in):
Lorne Balfe (Scottish score composer) und Alex Gibson (musician/editor)
Produzent(in):
James Newton Howard (American score composer) und Hans Zimmer (German score composer)
Mix:
Alan Meyerson
Editing:
Alex Gibson (musician/editor), Daniel Pinder und Ryan Rubin
arranger:
Henry Jackman (English score composer)
mixed at:
Remote Control Productions in Santa Monica, California (Kalifornien), Vereinigte Staaten (beendet)
recording of:
Blood on My Hands (The Dark Knight)
Komponist(in):
James Newton Howard (American score composer)
Teil von:
The Dark Knight (2008 film soundtrack)
2.852:16
7A Little Push
recording engineer:
Geoff Foster (sound engineer)
assistierende(r) Techniker(in):
Chris Bacon (American score composer), Chris Barrett (British sound engineer, @AIR Lyndhurst Studios), Katia Lewin und Greg Vines
Koproduzent(in):
Lorne Balfe (Scottish score composer) und Alex Gibson (musician/editor)
Produzent(in):
James Newton Howard (American score composer) und Hans Zimmer (German score composer)
Mix:
Alan Meyerson
Editing:
Alex Gibson (musician/editor), Daniel Pinder und Ryan Rubin
arranger:
Henry Jackman (English score composer)
mixed at:
Remote Control Productions in Santa Monica, California (Kalifornien), Vereinigte Staaten (beendet)
recording of:
A Little Push (The Dark Knight)
Komponist(in):
James Newton Howard (American score composer)
Teil von:
The Dark Knight (2008 film soundtrack)
2.152:42
8Like a Dog Chasing Cars
recording engineer:
Geoff Foster (sound engineer)
assistierende(r) Techniker(in):
Chris Bacon (American score composer), Chris Barrett (British sound engineer, @AIR Lyndhurst Studios), Katia Lewin und Greg Vines
Koproduzent(in):
Lorne Balfe (Scottish score composer) und Alex Gibson (musician/editor)
Produzent(in):
James Newton Howard (American score composer) und Hans Zimmer (German score composer)
Mix:
Alan Meyerson
Editing:
Alex Gibson (musician/editor), Daniel Pinder und Ryan Rubin
arranger:
Henry Jackman (English score composer)
mixed at:
Remote Control Productions in Santa Monica, California (Kalifornien), Vereinigte Staaten (beendet)
recording of:
Like a Dog Chasing Cars (The Dark Knight)
Komponist(in):
James Howard (American score composer) und Hans Zimmer (German score composer)
Teil von:
The Dark Knight (2008 film soundtrack)
3.655:03
9I Am the Batman
recording engineer:
Geoff Foster (sound engineer)
assistierende(r) Techniker(in):
Chris Bacon (American score composer), Chris Barrett (British sound engineer, @AIR Lyndhurst Studios), Katia Lewin und Greg Vines
Koproduzent(in):
Lorne Balfe (Scottish score composer) und Alex Gibson (musician/editor)
Produzent(in):
James Newton Howard (American score composer) und Hans Zimmer (German score composer)
Mix:
Alan Meyerson
Editing:
Alex Gibson (musician/editor), Daniel Pinder und Ryan Rubin
arranger:
Henry Jackman (English score composer)
mixed at:
Remote Control Productions in Santa Monica, California (Kalifornien), Vereinigte Staaten (beendet)
recording of:
I Am the Batman (The Dark Knight)
Komponist(in):
James Newton Howard (American score composer) und Hans Zimmer (German score composer)
Teil von:
The Dark Knight (2008 film soundtrack)
2.51:59
10And I Thought My Jokes Were Bad
recording engineer:
Geoff Foster (sound engineer)
assistierende(r) Techniker(in):
Chris Bacon (American score composer), Chris Barrett (British sound engineer, @AIR Lyndhurst Studios), Katia Lewin und Greg Vines
Koproduzent(in):
Lorne Balfe (Scottish score composer) und Alex Gibson (musician/editor)
Produzent(in):
James Newton Howard (American score composer) und Hans Zimmer (German score composer)
Mix:
Alan Meyerson
Editing:
Alex Gibson (musician/editor), Daniel Pinder und Ryan Rubin
arranger:
Henry Jackman (English score composer)
mixed at:
Remote Control Productions in Santa Monica, California (Kalifornien), Vereinigte Staaten (beendet)
recording of:
And I Thought My Jokes Were Bad (The Dark Knight)
Komponist(in):
Lorne Balfe (Scottish score composer) und Hans Zimmer (German score composer)
Teil von:
The Dark Knight (2008 film soundtrack)
3.12:28
11Agent of Chaos
recording engineer:
Geoff Foster (sound engineer)
assistierende(r) Techniker(in):
Chris Bacon (American score composer), Chris Barrett (British sound engineer, @AIR Lyndhurst Studios), Katia Lewin und Greg Vines
Koproduzent(in):
Lorne Balfe (Scottish score composer) und Alex Gibson (musician/editor)
Produzent(in):
James Newton Howard (American score composer) und Hans Zimmer (German score composer)
Mix:
Alan Meyerson
Editing:
Alex Gibson (musician/editor), Daniel Pinder und Ryan Rubin
arranger:
Henry Jackman (English score composer)
mixed at:
Remote Control Productions in Santa Monica, California (Kalifornien), Vereinigte Staaten (beendet)
recording of:
Agent of Chaos (The Dark Knight)
Komponist(in):
James Newton Howard (American score composer) und Hans Zimmer (German score composer)
Teil von:
The Dark Knight (2008 film soundtrack)
3.256:55
12Introduce a Little Anarchy
recording engineer:
Geoff Foster (sound engineer)
assistierende(r) Techniker(in):
Chris Bacon (American score composer), Chris Barrett (British sound engineer, @AIR Lyndhurst Studios), Katia Lewin und Greg Vines
Koproduzent(in):
Lorne Balfe (Scottish score composer) und Alex Gibson (musician/editor)
Produzent(in):
James Newton Howard (American score composer) und Hans Zimmer (German score composer)
Mix:
Alan Meyerson
Editing:
Alex Gibson (musician/editor), Daniel Pinder und Ryan Rubin
arranger:
Henry Jackman (English score composer)
mixed at:
Remote Control Productions in Santa Monica, California (Kalifornien), Vereinigte Staaten (beendet)
recording of:
Introduce a Little Anarchy (The Dark Knight)
Komponist(in):
James Howard (American score composer) und Hans Zimmer (German score composer)
Teil von:
The Dark Knight (2008 film soundtrack)
3.453:42
13Watch the World Burn
recording engineer:
Geoff Foster (sound engineer)
assistierende(r) Techniker(in):
Chris Bacon (American score composer), Chris Barrett (British sound engineer, @AIR Lyndhurst Studios), Katia Lewin und Greg Vines
Koproduzent(in):
Lorne Balfe (Scottish score composer) und Alex Gibson (musician/editor)
Produzent(in):
James Newton Howard (American score composer) und Hans Zimmer (German score composer)
Mix:
Alan Meyerson
Editing:
Alex Gibson (musician/editor), Daniel Pinder und Ryan Rubin
arranger:
Henry Jackman (English score composer)
mixed at:
Remote Control Productions in Santa Monica, California (Kalifornien), Vereinigte Staaten (beendet)
recording of:
Watch the World Burn (The Dark Knight)
Komponist(in):
James Newton Howard (American score composer)
Teil von:
The Dark Knight (2008 film soundtrack)
3.13:47
14A Dark Knight
recording engineer:
Geoff Foster (sound engineer)
assistierende(r) Techniker(in):
Chris Bacon (American score composer), Chris Barrett (British sound engineer, @AIR Lyndhurst Studios), Katia Lewin und Greg Vines
Koproduzent(in):
Lorne Balfe (Scottish score composer) und Alex Gibson (musician/editor)
Produzent(in):
James Newton Howard (American score composer) und Hans Zimmer (German score composer)
Mix:
Alan Meyerson
Editing:
Alex Gibson (musician/editor), Daniel Pinder und Ryan Rubin
arranger:
Henry Jackman (English score composer)
mixed at:
Remote Control Productions in Santa Monica, California (Kalifornien), Vereinigte Staaten (beendet)
recording of:
A Dark Knight (The Dark Knight)
Komponist(in):
Hans Zimmer (German score composer)
Teil von:
The Dark Knight (2008 film soundtrack)
3.516:15
15Bank Robbery (Prologue)
recording of:
Bank Robbery (Prologue) (The Dark Knight)
Komponist(in):
Hans Zimmer (German score composer)
5:24
16Buyer Beware
recording of:
Buyer Beware (The Dark Knight)
Komponist(in):
Hans Zimmer (German score composer)
2:56
17Halfway to Hong Kong
recording of:
Halfway to Hong Kong (The Dark Knight)
Komponist(in):
James Newton Howard (American score composer)
3:43
18Decent Men in an Indecent Time
recording of:
Decent Men in an Indecent Time (The Dark Knight)
Komponist(in):
James Newton Howard (American score composer) und Hans Zimmer (German score composer)
2:50
19You’re Gonna Love Me
recording of:
You're Gonna Love Me (The Dark Knight)
Komponist(in):
Lorne Balfe (Scottish score composer), James Newton Howard (American score composer) und Hans Zimmer (German score composer)
4:51
20Chance
recording of:
Chance (The Dark Knight)
Komponist(in):
James Newton Howard (American score composer) und Hans Zimmer (German score composer)
3:34
21You Complete Me
recording of:
You Complete Me (The Dark Knight)
Komponist(in):
James Newton Howard (American score composer) und Hans Zimmer (German score composer)
4:50
22The Ferries
recording of:
The Ferries (The Dark Knight)
Komponist(in):
James Newton Howard (American score composer), Henry Jackman (English score composer) und Hans Zimmer (German score composer)
9:57
23We Are Tonight’s Entertainment
recording of:
We Are Tonight’s Entertainment (The Dark Knight)
Komponist(in):
Henry Jackman (English score composer) und Hans Zimmer (German score composer)
5:37
24A Watchful Guardian
recording of:
A Watchful Guardian (The Dark Knight)
Komponist(in):
Lorne Balfe (Scottish score composer) und Hans Zimmer (German score composer)
6:42
25Why So Serious? (The Crystal Method remix)
remixer:
The Crystal Method
Remix von:
Why So Serious? von Hans Zimmer (German score composer)
recording of:
Why So Serious? (The Crystal Method remix) (The Dark Knight)
Komponist(in):
James Newton Howard (American score composer) und Hans Zimmer (German score composer)
5:29
26Poor Choice of Words (Paul van Dyk remix)
remixer:
Paul van Dyk (German DJ, record producer and musician)
recording of:
Poor Choice of Words (The Paul Van Dyk remix) (The Dark Knight)
Komponist(in):
James Newton Howard (American score composer) und Hans Zimmer (German score composer)
6:13
27Gunpowder and Gasoline (Mel Wesson remix)
remixer:
Mel Wesson
recording of:
Gunpowder and Gasoline (Mel Wesson remix) (The Dark Knight)
Komponist(in):
James Newton Howard (American score composer) und Hans Zimmer (German score composer)
14:32
28Rory’s First Kiss (Ryeland Allison remix)
remixer:
Ryeland Allison
recording of:
Rory's First Kiss (Ryeland Allison remix) (The Dark Knight)
Komponist(in):
James Newton Howard (American score composer) und Hans Zimmer (German score composer)
6:04