Cantatas, Volume IV: Early Cantatas from Mühlhausen and Weimar – Cantatas for Holy Week

~ Release by J.S. Bach; American Bach Soloists, Jeffrey Thomas (see all versions of this release, 1 available)

Tracklist

1▼CD
#TitleArtistRatingLength
1Himmelskönig, sei willkommen, BWV 182: Sonata
recording engineer:
Peter Nothnagle (from 1994-03-03 until 1994-04-26)
assistant producer:
Steven Lehning (gambist)
producer:
Jeffrey Thomas (tenor and conductor)
editor:
Peter Nothnagle
other instruments [period instruments]:
American Bach Soloists (from 1994-03-03 until 1994-04-26)
conductor:
Jeffrey Thomas (tenor and conductor) (from 1994-03-03 until 1994-04-26)
phonographic copyright (℗) by:
KOCH International L.P. (for copyrights use only) (in 1995)
recorded at:
St. Stephen’s Church (church in California, United States) in Belvedere, California, United States (from 1994-03-03 until 1994-04-26)
recording of:
Kantate, BWV 182 „Himmelskönig, sei willkommen“: I. Sonata (from 1994-03-03 until 1994-04-26)
premiered in:
Weimar, Thüringen (Thuringia), Germany (on 1714-03-25)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
librettist:
[anonymous] (special purpose artist)
version of:
Kantate, BWV 182 "Himmelskönig, sei willkommen" Appendix: I. Sonata
part of:
Kantate, BWV 182 „Himmelskönig, sei willkommen“
J.S. Bach2:25
2Himmelskönig, sei willkommen, BWV 182: Chorus – Himmelskönig, sei willkommen
recording engineer:
Peter Nothnagle (from 1994-03-03 until 1994-04-26)
assistant producer:
Steven Lehning (gambist)
producer:
Jeffrey Thomas (tenor and conductor)
editor:
Peter Nothnagle
other instruments [period instruments]:
American Bach Soloists (from 1994-03-03 until 1994-04-26)
alto vocals:
Judith Malafronte (mezzo-soprano) (from 1994-03-03 until 1994-04-26)
bass vocals:
James Weaver (baritone oratorio singer, american bach soloists, smithsonian chamber singers, capriole) (from 1994-03-03 until 1994-04-26)
soprano vocals:
Christine Brandes (soprano) (from 1994-03-03 until 1994-04-26)
tenor vocals:
Jeffrey Thomas (tenor and conductor) (from 1994-03-03 until 1994-04-26)
conductor:
Jeffrey Thomas (tenor and conductor) (from 1994-03-03 until 1994-04-26)
phonographic copyright (℗) by:
KOCH International L.P. (for copyrights use only) (in 1995)
recorded at:
St. Stephen’s Church (church in California, United States) in Belvedere, California, United States (from 1994-03-03 until 1994-04-26)
recording of:
Kantate, BWV 182 „Himmelskönig, sei willkommen“: II. Chor „Himmelskönig, sei willkommen“ (from 1994-03-03 until 1994-04-26)
premiered in:
Weimar, Thüringen (Thuringia), Germany (on 1714-03-25)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 182 „Himmelskönig, sei willkommen“
J.S. Bach3:10
3Himmelskönig, sei willkommen, BWV 182: Recitative – Siehe, ich komme
recording engineer:
Peter Nothnagle (from 1994-03-03 until 1994-04-26)
assistant producer:
Steven Lehning (gambist)
producer:
Jeffrey Thomas (tenor and conductor)
editor:
Peter Nothnagle
other instruments [period instruments]:
American Bach Soloists (from 1994-03-03 until 1994-04-26)
bass vocals:
James Weaver (baritone oratorio singer, american bach soloists, smithsonian chamber singers, capriole) (from 1994-03-03 until 1994-04-26)
conductor:
Jeffrey Thomas (tenor and conductor) (from 1994-03-03 until 1994-04-26)
phonographic copyright (℗) by:
KOCH International L.P. (for copyrights use only) (in 1995)
recorded at:
St. Stephen’s Church (church in California, United States) in Belvedere, California, United States (from 1994-03-03 until 1994-04-26)
recording of:
Kantate, BWV 182 „Himmelskönig, sei willkommen“: III. Rezitativ (Bass) „Siehe, ich komme“ (from 1994-03-03 until 1994-04-26)
premiered in:
Weimar, Thüringen (Thuringia), Germany (on 1714-03-25)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
part of:
Kantate, BWV 182 „Himmelskönig, sei willkommen“
J.S. Bach0:46
4Himmelskönig, sei willkommen, BWV 182: Aria – Starkes Lieben
recording engineer:
Peter Nothnagle (from 1994-03-03 until 1994-04-26)
assistant producer:
Steven Lehning (gambist)
producer:
Jeffrey Thomas (tenor and conductor)
editor:
Peter Nothnagle
other instruments [period instruments]:
American Bach Soloists (from 1994-03-03 until 1994-04-26)
bass vocals:
James Weaver (baritone oratorio singer, american bach soloists, smithsonian chamber singers, capriole) (from 1994-03-03 until 1994-04-26)
conductor:
Jeffrey Thomas (tenor and conductor) (from 1994-03-03 until 1994-04-26)
phonographic copyright (℗) by:
KOCH International L.P. (for copyrights use only) (in 1995)
recorded at:
St. Stephen’s Church (church in California, United States) in Belvedere, California, United States (from 1994-03-03 until 1994-04-26)
recording of:
Kantate, BWV 182 „Himmelskönig, sei willkommen“: IV. Arie (Bass) „Starkes Lieben“ (from 1994-03-03 until 1994-04-26)
premiered in:
Weimar, Thüringen (Thuringia), Germany (on 1714-03-25)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 182 „Himmelskönig, sei willkommen“
J.S. Bach3:28
5Himmelskönig, sei willkommen, BWV 182: Aria – Leget euch dem Heiland unter
recording engineer:
Peter Nothnagle (from 1994-03-03 until 1994-04-26)
assistant producer:
Steven Lehning (gambist)
producer:
Jeffrey Thomas (tenor and conductor)
editor:
Peter Nothnagle
other instruments [period instruments]:
American Bach Soloists (from 1994-03-03 until 1994-04-26)
alto vocals:
Judith Malafronte (mezzo-soprano) (from 1994-03-03 until 1994-04-26)
conductor:
Jeffrey Thomas (tenor and conductor) (from 1994-03-03 until 1994-04-26)
phonographic copyright (℗) by:
KOCH International L.P. (for copyrights use only) (in 1995)
recorded at:
St. Stephen’s Church (church in California, United States) in Belvedere, California, United States (from 1994-03-03 until 1994-04-26)
recording of:
Kantate, BWV 182 „Himmelskönig, sei willkommen“: V. Arie (Alt) „Leget euch dem Heiland unter“ (from 1994-03-03 until 1994-04-26)
premiered in:
Weimar, Thüringen (Thuringia), Germany (on 1714-03-25)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 182 „Himmelskönig, sei willkommen“
J.S. Bach7:36
6Himmelskönig, sei willkommen, BWV 182: Aria – Jesu, laß durch Wohl und Weh
recording engineer:
Peter Nothnagle (from 1994-03-03 until 1994-04-26)
assistant producer:
Steven Lehning (gambist)
producer:
Jeffrey Thomas (tenor and conductor)
editor:
Peter Nothnagle
other instruments [period instruments]:
American Bach Soloists (from 1994-03-03 until 1994-04-26)
tenor vocals:
Jeffrey Thomas (tenor and conductor) (from 1994-03-03 until 1994-04-26)
conductor:
Jeffrey Thomas (tenor and conductor) (from 1994-03-03 until 1994-04-26)
phonographic copyright (℗) by:
KOCH International L.P. (for copyrights use only) (in 1995)
recorded at:
St. Stephen’s Church (church in California, United States) in Belvedere, California, United States (from 1994-03-03 until 1994-04-26)
recording of:
Kantate, BWV 182 „Himmelskönig, sei willkommen“: VI. Arie (Tenor) „Jesu, laß durch Wohl und Weh“ (from 1994-03-03 until 1994-04-26)
premiered in:
Weimar, Thüringen (Thuringia), Germany (on 1714-03-25)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 182 „Himmelskönig, sei willkommen“
J.S. Bach4:21
7Himmelskönig, sei willkommen, BWV 182: Chorus – Jesu, deine Passion
recording engineer:
Peter Nothnagle (from 1994-03-03 until 1994-04-26)
assistant producer:
Steven Lehning (gambist)
producer:
Jeffrey Thomas (tenor and conductor)
editor:
Peter Nothnagle
other instruments [period instruments]:
American Bach Soloists (from 1994-03-03 until 1994-04-26)
alto vocals:
Judith Malafronte (mezzo-soprano) (from 1994-03-03 until 1994-04-26)
bass vocals:
James Weaver (baritone oratorio singer, american bach soloists, smithsonian chamber singers, capriole) (from 1994-03-03 until 1994-04-26)
soprano vocals:
Christine Brandes (soprano) (from 1994-03-03 until 1994-04-26)
tenor vocals:
Jeffrey Thomas (tenor and conductor) (from 1994-03-03 until 1994-04-26)
conductor:
Jeffrey Thomas (tenor and conductor) (from 1994-03-03 until 1994-04-26)
phonographic copyright (℗) by:
KOCH International L.P. (for copyrights use only) (in 1995)
recorded at:
St. Stephen’s Church (church in California, United States) in Belvedere, California, United States (from 1994-03-03 until 1994-04-26)
recording of:
Kantate, BWV 182 „Himmelskönig, sei willkommen“: VII. Choral „Jesu, deine Passion“ (from 1994-03-03 until 1994-04-26)
premiered in:
Weimar, Thüringen (Thuringia), Germany (on 1714-03-25)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
librettist:
Paul Stockmann (in 1633)
version of:
Kantate, BWV 182 "Himmelskönig, sei willkommen" Appendix: VII. Choral "Jesu, deine Passion"
part of:
Kantate, BWV 182 „Himmelskönig, sei willkommen“
J.S. Bach3:02
8Himmelskönig, sei willkommen, BWV 182: Chorale – So lasset uns gehen in Salem der Freuden
recording engineer:
Peter Nothnagle (from 1994-03-03 until 1994-04-26)
assistant producer:
Steven Lehning (gambist)
producer:
Jeffrey Thomas (tenor and conductor)
editor:
Peter Nothnagle
other instruments [period instruments]:
American Bach Soloists (from 1994-03-03 until 1994-04-26)
alto vocals:
Judith Malafronte (mezzo-soprano) (from 1994-03-03 until 1994-04-26)
bass vocals:
James Weaver (baritone oratorio singer, american bach soloists, smithsonian chamber singers, capriole) (from 1994-03-03 until 1994-04-26)
soprano vocals:
Christine Brandes (soprano) (from 1994-03-03 until 1994-04-26)
tenor vocals:
Jeffrey Thomas (tenor and conductor) (from 1994-03-03 until 1994-04-26)
conductor:
Jeffrey Thomas (tenor and conductor) (from 1994-03-03 until 1994-04-26)
phonographic copyright (℗) by:
KOCH International L.P. (for copyrights use only) (in 1995)
recorded at:
St. Stephen’s Church (church in California, United States) in Belvedere, California, United States (from 1994-03-03 until 1994-04-26)
recording of:
Kantate, BWV 182 „Himmelskönig, sei willkommen“: VIII. Chor „So lasset uns gehen in Salem der Freuden“ (from 1994-03-03 until 1994-04-26)
premiered in:
Weimar, Thüringen (Thuringia), Germany (on 1714-03-25)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 182 „Himmelskönig, sei willkommen“
J.S. Bach4:01
9Aus der Tiefen rufe ich, Herr, zu dir, BWV 131: Chorus – Aus der Tiefen rufe ich, Herr, zu dir
recording engineer:
Peter Nothnagle (from 1994-03-03 until 1994-04-26)
assistant producer:
Steven Lehning (gambist)
producer:
Jeffrey Thomas (tenor and conductor)
editor:
Peter Nothnagle
other instruments [period instruments]:
American Bach Soloists (from 1994-03-03 until 1994-04-26)
bass vocals:
James Weaver (baritone oratorio singer, american bach soloists, smithsonian chamber singers, capriole) (from 1994-03-03 until 1994-04-26)
countertenor vocals:
Drew Minter (countertenor) (from 1994-03-03 until 1994-04-26)
soprano vocals:
Julianne Baird (soprano) (from 1994-03-03 until 1994-04-26)
tenor vocals:
Benjamin Butterfield (classical tenor) (from 1994-03-03 until 1994-04-26)
conductor:
Jeffrey Thomas (tenor and conductor) (from 1994-03-03 until 1994-04-26)
phonographic copyright (℗) by:
KOCH International L.P. (for copyrights use only) (in 1995)
recorded at:
St. Stephen’s Church (church in California, United States) in Belvedere, California, United States (from 1994-03-03 until 1994-04-26)
recording of:
Kantate, BWV 131 „Aus der Tiefen rufe ich, Herr, zu dir“: I. Sinfonia und Chor „Aus der Tiefen rufe ich, Herr, zu dir“ (from 1994-03-03 until 1994-04-26)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1707)
part of:
Kantate, BWV 131 „Aus der Tiefen rufe ich, Herr, zu dir“
J.S. Bach4:05
10Aus der Tiefen rufe ich, Herr, zu dir, BWV 131: Arioso & Chorale – So du willst, Herr
recording engineer:
Peter Nothnagle (from 1994-03-03 until 1994-04-26)
assistant producer:
Steven Lehning (gambist)
producer:
Jeffrey Thomas (tenor and conductor)
editor:
Peter Nothnagle
other instruments [period instruments]:
American Bach Soloists (from 1994-03-03 until 1994-04-26)
bass vocals:
James Weaver (baritone oratorio singer, american bach soloists, smithsonian chamber singers, capriole) (from 1994-03-03 until 1994-04-26)
countertenor vocals:
Drew Minter (countertenor) (from 1994-03-03 until 1994-04-26)
soprano vocals:
Julianne Baird (soprano) (from 1994-03-03 until 1994-04-26)
tenor vocals:
Benjamin Butterfield (classical tenor) (from 1994-03-03 until 1994-04-26)
conductor:
Jeffrey Thomas (tenor and conductor) (from 1994-03-03 until 1994-04-26)
phonographic copyright (℗) by:
KOCH International L.P. (for copyrights use only) (in 1995)
recorded at:
St. Stephen’s Church (church in California, United States) in Belvedere, California, United States (from 1994-03-03 until 1994-04-26)
recording of:
Kantate, BWV 131 „Aus der Tiefen rufe ich, Herr, zu dir“: II. Arioso (Bass) und Choral „So du willst, Herr, Sünde zurechnen“ (from 1994-03-03 until 1994-04-26)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1707)
part of:
Kantate, BWV 131 „Aus der Tiefen rufe ich, Herr, zu dir“
J.S. Bach4:46
11Aus der Tiefen rufe ich, Herr, zu dir, BWV 131: Chorus – Ich harre des Herrn
recording engineer:
Peter Nothnagle (from 1994-03-03 until 1994-04-26)
assistant producer:
Steven Lehning (gambist)
producer:
Jeffrey Thomas (tenor and conductor)
editor:
Peter Nothnagle
other instruments [period instruments]:
American Bach Soloists (from 1994-03-03 until 1994-04-26)
bass vocals:
James Weaver (baritone oratorio singer, american bach soloists, smithsonian chamber singers, capriole) (from 1994-03-03 until 1994-04-26)
countertenor vocals:
Drew Minter (countertenor) (from 1994-03-03 until 1994-04-26)
soprano vocals:
Julianne Baird (soprano) (from 1994-03-03 until 1994-04-26)
tenor vocals:
Benjamin Butterfield (classical tenor) (from 1994-03-03 until 1994-04-26)
conductor:
Jeffrey Thomas (tenor and conductor) (from 1994-03-03 until 1994-04-26)
phonographic copyright (℗) by:
KOCH International L.P. (for copyrights use only) (in 1995)
recorded at:
St. Stephen’s Church (church in California, United States) in Belvedere, California, United States (from 1994-03-03 until 1994-04-26)
recording of:
Kantate, BWV 131 „Aus der Tiefen rufe ich, Herr, zu dir“: III. Chor „Ich harre des Herrn, meine Seele harret“ (from 1994-03-03 until 1994-04-26)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1707)
part of:
Kantate, BWV 131 „Aus der Tiefen rufe ich, Herr, zu dir“
J.S. Bach3:47
12Aus der Tiefen rufe ich, Herr, zu dir, BWV 131: Aria & Chorale – Meine Seele wartet auf den Herrn
recording engineer:
Peter Nothnagle (from 1994-03-03 until 1994-04-26)
assistant producer:
Steven Lehning (gambist)
producer:
Jeffrey Thomas (tenor and conductor)
editor:
Peter Nothnagle
other instruments [period instruments]:
American Bach Soloists (from 1994-03-03 until 1994-04-26)
bass vocals:
James Weaver (baritone oratorio singer, american bach soloists, smithsonian chamber singers, capriole) (from 1994-03-03 until 1994-04-26)
countertenor vocals:
Drew Minter (countertenor) (from 1994-03-03 until 1994-04-26)
soprano vocals:
Julianne Baird (soprano) (from 1994-03-03 until 1994-04-26)
tenor vocals:
Benjamin Butterfield (classical tenor) (from 1994-03-03 until 1994-04-26)
conductor:
Jeffrey Thomas (tenor and conductor) (from 1994-03-03 until 1994-04-26)
phonographic copyright (℗) by:
KOCH International L.P. (for copyrights use only) (in 1995)
recorded at:
St. Stephen’s Church (church in California, United States) in Belvedere, California, United States (from 1994-03-03 until 1994-04-26)
recording of:
Kantate, BWV 131 „Aus der Tiefen rufe ich, Herr, zu dir“: IV. Arie (Tenor) und Choral „Meine Seele wartet auf den Herrn“ (from 1994-03-03 until 1994-04-26)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1707)
part of:
Kantate, BWV 131 „Aus der Tiefen rufe ich, Herr, zu dir“
J.S. Bach5:34
13Aus der Tiefen rufe ich, Herr, zu dir, BWV 131: Chorus – Israel hoffe auf den Herrn
recording engineer:
Peter Nothnagle (from 1994-03-03 until 1994-04-26)
assistant producer:
Steven Lehning (gambist)
producer:
Jeffrey Thomas (tenor and conductor)
editor:
Peter Nothnagle
other instruments [period instruments]:
American Bach Soloists (from 1994-03-03 until 1994-04-26)
bass vocals:
James Weaver (baritone oratorio singer, american bach soloists, smithsonian chamber singers, capriole) (from 1994-03-03 until 1994-04-26)
countertenor vocals:
Drew Minter (countertenor) (from 1994-03-03 until 1994-04-26)
soprano vocals:
Julianne Baird (soprano) (from 1994-03-03 until 1994-04-26)
tenor vocals:
Benjamin Butterfield (classical tenor) (from 1994-03-03 until 1994-04-26)
conductor:
Jeffrey Thomas (tenor and conductor) (from 1994-03-03 until 1994-04-26)
phonographic copyright (℗) by:
KOCH International L.P. (for copyrights use only) (in 1995)
recorded at:
St. Stephen’s Church (church in California, United States) in Belvedere, California, United States (from 1994-03-03 until 1994-04-26)
recording of:
Kantate, BWV 131 „Aus der Tiefen rufe ich, Herr, zu dir“: V. Chor „Israel hoffe auf den Herrn“ (from 1994-03-03 until 1994-04-26)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1707)
part of:
Kantate, BWV 131 „Aus der Tiefen rufe ich, Herr, zu dir“
J.S. Bach3:47
14Christ lag in Todes Banden, BWV 4: Sinfonia
recording engineer:
Peter Nothnagle (from 1994-03-03 until 1994-04-26)
assistant producer:
Steven Lehning (gambist)
producer:
Jeffrey Thomas (tenor and conductor)
editor:
Peter Nothnagle
other instruments [period instruments]:
American Bach Soloists (from 1994-03-03 until 1994-04-26)
conductor:
Jeffrey Thomas (tenor and conductor) (from 1994-03-03 until 1994-04-26)
phonographic copyright (℗) by:
KOCH International L.P. (for copyrights use only) (in 1995)
recorded at:
St. Stephen’s Church (church in California, United States) in Belvedere, California, United States (from 1994-03-03 until 1994-04-26)
recording of:
Kantate, BWV 4 „Christ lag in Todesbanden“: I. Sinfonia (from 1994-03-03 until 1994-04-26)
composed in:
Mühlhausen, Thüringen (Thuringia), Germany (from 1707 until 1708)
revised in:
Leipzig, Sachsen (Saxony), Germany (from 1724 until 1725)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1707)
part of:
Kantate, BWV 4 „Christ lag in Todesbanden“ (Leipzig version, commonly recorded)
J.S. Bach1:15
15Christ lag in Todes Banden, BWV 4: Chorus – Christ lag in Toden Banden
recording engineer:
Peter Nothnagle (from 1994-03-03 until 1994-04-26)
assistant producer:
Steven Lehning (gambist)
producer:
Jeffrey Thomas (tenor and conductor)
editor:
Peter Nothnagle
other instruments [period instruments]:
American Bach Soloists (from 1994-03-03 until 1994-04-26)
bass vocals:
Kurt‐Owen Richards (classical bass singer) (from 1994-03-03 until 1994-04-26)
countertenor vocals:
Daniel Taylor (Canadian countertenor) (from 1994-03-03 until 1994-04-26)
soprano vocals:
Judith Nelson (soprano) (from 1994-03-03 until 1994-04-26)
tenor vocals:
Benjamin Butterfield (classical tenor) (from 1994-03-03 until 1994-04-26)
conductor:
Jeffrey Thomas (tenor and conductor) (from 1994-03-03 until 1994-04-26)
phonographic copyright (℗) by:
KOCH International L.P. (for copyrights use only) (in 1995)
recorded at:
St. Stephen’s Church (church in California, United States) in Belvedere, California, United States (from 1994-03-03 until 1994-04-26)
recording of:
Kantate, BWV 4 „Christ lag in Todesbanden“: II. Chor Versus I „Christ lag in Todes Banden“ (from 1994-03-03 until 1994-04-26)
composed in:
Mühlhausen, Thüringen (Thuringia), Germany (from 1707 until 1708)
revised in:
Leipzig, Sachsen (Saxony), Germany (from 1724 until 1725)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1707)
librettist:
Martin Luther (German theologian of the Reformation) (in 1524)
part of:
Kantate, BWV 4 „Christ lag in Todesbanden“ (Leipzig version, commonly recorded)
J.S. Bach3:46
16Christ lag in Todes Banden, BWV 4: Duet – Den Tod niemand zwingen kunnt
recording engineer:
Peter Nothnagle (from 1994-03-03 until 1994-04-26)
assistant producer:
Steven Lehning (gambist)
producer:
Jeffrey Thomas (tenor and conductor)
editor:
Peter Nothnagle
other instruments [period instruments]:
American Bach Soloists (from 1994-03-03 until 1994-04-26)
countertenor vocals:
Daniel Taylor (Canadian countertenor) (from 1994-03-03 until 1994-04-26)
soprano vocals:
Judith Nelson (soprano) (from 1994-03-03 until 1994-04-26)
conductor:
Jeffrey Thomas (tenor and conductor) (from 1994-03-03 until 1994-04-26)
phonographic copyright (℗) by:
KOCH International L.P. (for copyrights use only) (in 1995)
recorded at:
St. Stephen’s Church (church in California, United States) in Belvedere, California, United States (from 1994-03-03 until 1994-04-26)
recording of:
Kantate, BWV 4 „Christ lag in Todesbanden“: III. Duett (Sopran, Alt) Versus II „Den Tod niemand zwingen kunnt“ (from 1994-03-03 until 1994-04-26)
composed in:
Mühlhausen, Thüringen (Thuringia), Germany (from 1707 until 1708)
revised in:
Leipzig, Sachsen (Saxony), Germany (from 1724 until 1725)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1707)
librettist:
Martin Luther (German theologian of the Reformation) (in 1524)
part of:
Kantate, BWV 4 „Christ lag in Todesbanden“ (Leipzig version, commonly recorded)
J.S. Bach2:27
17Christ lag in Todes Banden, BWV 4: Aria – Jesus Christus, Gottes Sohn
recording engineer:
Peter Nothnagle (from 1994-03-03 until 1994-04-26)
assistant producer:
Steven Lehning (gambist)
producer:
Jeffrey Thomas (tenor and conductor)
editor:
Peter Nothnagle
other instruments [period instruments]:
American Bach Soloists (from 1994-03-03 until 1994-04-26)
tenor vocals:
Benjamin Butterfield (classical tenor) (from 1994-03-03 until 1994-04-26)
conductor:
Jeffrey Thomas (tenor and conductor) (from 1994-03-03 until 1994-04-26)
phonographic copyright (℗) by:
KOCH International L.P. (for copyrights use only) (in 1995)
recorded at:
St. Stephen’s Church (church in California, United States) in Belvedere, California, United States (from 1994-03-03 until 1994-04-26)
recording of:
Kantate, BWV 4 „Christ lag in Todesbanden“: IV. Arie (Tenor) Versus III „Jesus Christus, Gottes Sohn“ (from 1994-03-03 until 1994-04-26)
composed in:
Mühlhausen, Thüringen (Thuringia), Germany (from 1707 until 1708)
revised in:
Leipzig, Sachsen (Saxony), Germany (from 1724 until 1725)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1707)
librettist:
Martin Luther (German theologian of the Reformation) (in 1524)
part of:
Kantate, BWV 4 „Christ lag in Todesbanden“ (Leipzig version, commonly recorded)
J.S. Bach1:55
18Christ lag in Todes Banden, BWV 4: Chorus – Es war ein wunderliche Krieg
recording engineer:
Peter Nothnagle (from 1994-03-03 until 1994-04-26)
assistant producer:
Steven Lehning (gambist)
producer:
Jeffrey Thomas (tenor and conductor)
editor:
Peter Nothnagle
other instruments [period instruments]:
American Bach Soloists (from 1994-03-03 until 1994-04-26)
bass vocals:
Kurt‐Owen Richards (classical bass singer) (from 1994-03-03 until 1994-04-26)
countertenor vocals:
Daniel Taylor (Canadian countertenor) (from 1994-03-03 until 1994-04-26)
soprano vocals:
Judith Nelson (soprano) (from 1994-03-03 until 1994-04-26)
tenor vocals:
Benjamin Butterfield (classical tenor) (from 1994-03-03 until 1994-04-26)
conductor:
Jeffrey Thomas (tenor and conductor) (from 1994-03-03 until 1994-04-26)
phonographic copyright (℗) by:
KOCH International L.P. (for copyrights use only) (in 1995)
recorded at:
St. Stephen’s Church (church in California, United States) in Belvedere, California, United States (from 1994-03-03 until 1994-04-26)
recording of:
Kantate, BWV 4 „Christ lag in Todesbanden“: V. Chor Versus IV „Es war ein wunderlicher Krieg“ (from 1994-03-03 until 1994-04-26)
composed in:
Mühlhausen, Thüringen (Thuringia), Germany (from 1707 until 1708)
revised in:
Leipzig, Sachsen (Saxony), Germany (from 1724 until 1725)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1707)
librettist:
Martin Luther (German theologian of the Reformation) (in 1524)
part of:
Kantate, BWV 4 „Christ lag in Todesbanden“ (Leipzig version, commonly recorded)
J.S. Bach2:23
19Christ lag in Todes Banden, BWV 4: Aria – Hier ist das rechte Osterlamm
recording engineer:
Peter Nothnagle (from 1994-03-03 until 1994-04-26)
assistant producer:
Steven Lehning (gambist)
producer:
Jeffrey Thomas (tenor and conductor)
editor:
Peter Nothnagle
other instruments [period instruments]:
American Bach Soloists (from 1994-03-03 until 1994-04-26)
bass vocals:
Kurt‐Owen Richards (classical bass singer) (from 1994-03-03 until 1994-04-26)
conductor:
Jeffrey Thomas (tenor and conductor) (from 1994-03-03 until 1994-04-26)
phonographic copyright (℗) by:
KOCH International L.P. (for copyrights use only) (in 1995)
recorded at:
St. Stephen’s Church (church in California, United States) in Belvedere, California, United States (from 1994-03-03 until 1994-04-26)
recording of:
Kantate, BWV 4 „Christ lag in Todesbanden“: VI. Arie (Bass) Versus V „Hier ist das rechte Osterlamm“ (from 1994-03-03 until 1994-04-26)
composed in:
Mühlhausen, Thüringen (Thuringia), Germany (from 1707 until 1708)
revised in:
Leipzig, Sachsen (Saxony), Germany (from 1724 until 1725)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1707)
librettist:
Martin Luther (German theologian of the Reformation) (in 1524)
part of:
Kantate, BWV 4 „Christ lag in Todesbanden“ (Leipzig version, commonly recorded)
J.S. Bach2:42
20Christ lag in Todes Banden, BWV 4: Duet – So feiern wir das hohe fest
recording engineer:
Peter Nothnagle (from 1994-03-03 until 1994-04-26)
assistant producer:
Steven Lehning (gambist)
producer:
Jeffrey Thomas (tenor and conductor)
editor:
Peter Nothnagle
other instruments [period instruments]:
American Bach Soloists (from 1994-03-03 until 1994-04-26)
soprano vocals:
Judith Nelson (soprano) (from 1994-03-03 until 1994-04-26)
tenor vocals:
Benjamin Butterfield (classical tenor) (from 1994-03-03 until 1994-04-26)
conductor:
Jeffrey Thomas (tenor and conductor) (from 1994-03-03 until 1994-04-26)
phonographic copyright (℗) by:
KOCH International L.P. (for copyrights use only) (in 1995)
recorded at:
St. Stephen’s Church (church in California, United States) in Belvedere, California, United States (from 1994-03-03 until 1994-04-26)
recording of:
Kantate, BWV 4 „Christ lag in Todesbanden“: VII. Duett (Sopran, Tenor) Versus VI „So feiern wir das hohe Fest“ (from 1994-03-03 until 1994-04-26)
composed in:
Mühlhausen, Thüringen (Thuringia), Germany (from 1707 until 1708)
revised in:
Leipzig, Sachsen (Saxony), Germany (from 1724 until 1725)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1707)
librettist:
Martin Luther (German theologian of the Reformation) (in 1524)
part of:
Kantate, BWV 4 „Christ lag in Todesbanden“ (Leipzig version, commonly recorded)
J.S. Bach1:25
21Christ lag in Todes Banden, BWV 4: Chorale – Wir essen und leben wohl
recording engineer:
Peter Nothnagle (from 1994-03-03 until 1994-04-26)
assistant producer:
Steven Lehning (gambist)
producer:
Jeffrey Thomas (tenor and conductor)
editor:
Peter Nothnagle
other instruments [period instruments]:
American Bach Soloists (from 1994-03-03 until 1994-04-26)
bass vocals:
Kurt‐Owen Richards (classical bass singer) (from 1994-03-03 until 1994-04-26)
countertenor vocals:
Daniel Taylor (Canadian countertenor) (from 1994-03-03 until 1994-04-26)
soprano vocals:
Judith Nelson (soprano) (from 1994-03-03 until 1994-04-26)
tenor vocals:
Benjamin Butterfield (classical tenor) (from 1994-03-03 until 1994-04-26)
conductor:
Jeffrey Thomas (tenor and conductor) (from 1994-03-03 until 1994-04-26)
phonographic copyright (℗) by:
KOCH International L.P. (for copyrights use only) (in 1995)
recorded at:
St. Stephen’s Church (church in California, United States) in Belvedere, California, United States (from 1994-03-03 until 1994-04-26)
recording of:
Kantate, BWV 4 „Christ lag in Todesbanden“: VIII. Choral Versus VII „Wir essen und leben wohl“ (from 1994-03-03 until 1994-04-26)
composed in:
Mühlhausen, Thüringen (Thuringia), Germany (from 1707 until 1708)
revised in:
Leipzig, Sachsen (Saxony), Germany (from 1724 until 1725)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1707)
librettist:
Martin Luther (German theologian of the Reformation) (in 1524)
part of:
Breitkopf 389 Choralgesänge (number: 41)
part of:
Kantate, BWV 4 „Christ lag in Todesbanden“ (Leipzig version, commonly recorded)
J.S. Bach1:03

Credits

Release

manufactured in:Austria
printed in:Austria
design:CommunicationHouse, NYC (visual design)
copyrighted (©) by:KOCH International L.P. (for copyrights use only) (in 1995)
ASIN:US: B000001SH4 [info]