Men: The Best Jazz Vocals

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

1▶CD
2▼CD
#TitleArtistRatingLength
1Spanish Harlem
cover recording of:
Spanish Harlem
lyricist:
Jerry Leiber
composer:
Phil Spector
publisher:
ABKCO Music Ltd., ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”), Carlin Music Corporation, Mother Bertha Music Inc., Sony/ATV Songs LLC, Trio Music Co., Inc. and Unichappell Music
Kenny Rankin4:29
2After All
recording of:
After All
writer:
David Foster (Canadian music producer, arranger and composer), Jay Graydon and Al Jarreau
publisher:
AlJarreau Music, Foster Frees Music Inc., Garden Rake Music, Inc., Peermusic III, Ltd. (BMI), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ピアーミュージック (Peer Music Japan, Japan, subsidiary of Nichion), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division) and 大洋音楽 (Taiyō Music)
Al Jarreau4:20
3Still Waters
George Benson4:38
4Mood Indigo
cover recording of:
Mood Indigo (1930 jazz composition and song)
lyricist:
Irving Mills (in 1930)
composer:
Barney Bigard (in 1930) and Duke Ellington (US composer, pianist & jazz bandleader) (in 1930)
publisher:
Duke Ellington Music, Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Indigo Mood Music, Mills Music, Inc., EMI Mills Music Inc. (ASCAP-affiliated) (in 1930), EMI Music Publishing Ltd. (PRS‐affiliated) (in 1930) and Lawrence Wright Music Co., Ltd. (in 1930)
sub-publisher:
ソニー・ミュージックパブリッシング CMP外国事業部 (sub‐publisher for foreign (non‐Japanese) works) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
part of:
The Real Book (compilation of jazz standards, volume I)
Tony Bennett4:36
5The Shadow of Your Smile
Jeffery Smith5:31
6It Had to Be You
Steve Tyrell3:27
7Body and Soul
Bobby Short4:08
8What Do I Owe Her
Johnny Hartman3:14
9As Time Goes By
Johnnie Ray3:14
10Our Love Is Here to Stay
recording of:
Love Is Here to Stay
lyricist:
Ira Gershwin
composer:
George Gershwin (composer)
publisher:
Chappell & Co Ltd., Chappell & Co., Inc. (USA), Chappell Music Ltd., Frankie G. Songs, George Gershwin Music, Ira Gershwin Music, Nokawi Music, Warner Bros. Music (publisher; do NOT use as release label), Warner Chappell Music Ltd. (no slash; used 1988–1996), WB Music Corp. (1929–2019) (until 2019-05-28), Gershwin Publishing Corp (in 1938) and WC Music Corp. (from 2019-05-28 to present)
sub-publisher:
Chappell Music (UK), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
part of:
The Goldwyn Follies
Count Basie3:40
11Cheek to Cheek
recorded in:
Los Angeles, California, United States (in 1952-12)
producer:
Norman Granz
bass guitar:
Ray Brown (jazz bassist)
drums (drum set):
Alvin Stoller
guitar:
Barney Kessel
piano:
Oscar Peterson (Canadian jazz pianist and composer)
tenor saxophone:
Flip Phillips
trumpet:
Charlie Shavers
vocals:
Adele Astaire and Fred Astaire (in 1952-12)
cover recording of:
Cheek to Cheek (from “Top Hat”) (in 1952-12)
lyricist and composer:
Irving Berlin (in 1935)
publisher:
Irving Berlin (England) Music Ltd., Irving Berlin Music Company, Irving Berlin Music Corp., シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
part of:
Academy Award for Best Original Song (number: 1935 nominee)
part of:
Top Hat (1935 film)
recording of:
Cheek to Cheek (from “Top Hat”)
lyricist and composer:
Irving Berlin (in 1935)
publisher:
Irving Berlin (England) Music Ltd., Irving Berlin Music Company, Irving Berlin Music Corp., シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
part of:
Academy Award for Best Original Song (number: 1935 nominee)
part of:
Top Hat (1935 film)
Fred Astaire5:42
12Whatever Lola Wants
Mel Tormé3:21
13Nice Work If You Can Get It
recording engineer:
Alan Emig
producer:
Norman Granz
alto saxophone:
Herb Geller (on 1956-06-11) and Bud Shank (on 1956-06-11)
baritone saxophone:
Chuck Gentry (on 1956-06-11)
bass:
Joe Mondragon (on 1956-06-11)
cello:
Edgar Lustgarden (on 1956-06-11)
drums (drum set):
Alvin Stoller (on 1956-06-11)
guitar:
Barney Kessel (on 1956-06-11)
piano:
Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader) (on 1956-06-11)
tenor saxophone:
Bob Cooper (US jazz saxophonist) (on 1956-06-11) and Ted Nash (40s-80s US swing reedman, uncle of the other) (on 1956-06-11)
trombone:
Milt Bernhart (on 1956-06-11), Francis Howard (trombone) (on 1956-06-11), George Roberts (american bass trombone) (on 1956-06-11), Frank Rosolino (on 1956-06-11) and Lloyd Ulyate (on 1956-06-11)
trumpet:
Pete Candoli (on 1956-06-11), Harry “Sweets” Edison (on 1956-06-11), Maynard Ferguson (on 1956-06-11) and Conrad Gozzo (on 1956-06-11)
viola:
Virginia Majewski (violist) (on 1956-06-11)
violin:
Lew Raderman (on 1956-06-11)
vocals:
Bing Crosby (on 1956-06-11)
orchestra:
Buddy Bregman & Orchestra (on 1956-06-11)
conductor:
Buddy Bregman (on 1956-06-11)
arranger:
Buddy Bregman
recorded at:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, United States (on 1956-06-11)
cover recording of:
Nice Work If You Can Get It (on 1956-06-11)
lyricist:
Ira Gershwin (in 1937)
composer:
George Gershwin (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA) and Gershwin Publishing Corp (in 1937)
part of:
A Damsel in Distress (1937 film score)
part of:
Crazy for You (1992 musical)
part of:
My One and Only (1983 Broadway musical)
Bing Crosby2:36
14Over the Rainbow
Jimmy Scott3:48
15Once Upon a Summertime
Freddy Cole3:52
16The Touch of Your Lips
recording of:
The Touch of Your Lips (on 1964-01-20)
lyricist and composer:
Ray Noble
publisher:
Anne-Rachel Music, Jerry Leiber Music, Range Road Music and Silver Seahorse Music LLC
Chet Baker2:43
17Les Feuilles mortes
Denzal Sinclaire3:19