Sacred Cantatas, BWV 79 - 99

~ Release by Johann Sebastian Bach; Nikolaus Harnoncourt, Gustav Leonhardt, Concentus Musicus Wien (see all versions of this release, 1 available)

Tracklist

1▼Digital Media
#TitleArtistRatingLength

This medium has too many tracks to load at once, so it’s been paginated.

1Gott der Herr ist Sonn und Schild, BWV 79: No. 1. Chor. "Gott, der Herr, ist Sonn und Schild"
choir vocals:
Collegium Vocale Gent (from 1977-05-04 until 1977-05-06) and Knabenchor Hannover (Hanover Boys' Choir, German boys choir) (from 1977-05-04 until 1977-05-06)
orchestra:
Leonhardt‐Consort (Netherlands-based baroque ensemble) (from 1977-05-04 until 1977-05-06)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (from 1977-05-04 until 1977-05-06)
recorded at:
Doopsgezinde kerk (Haarlem) in Haarlem, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1977-05-04 until 1977-05-06)
recording of:
Kantate, BWV 79 "Gott der Herr ist Sonn und Schild": I. Coro "Gott der Herr ist Sonn und Schild" (from 1977-05-04 until 1977-05-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
part of:
Kantate, BWV 79 "Gott der Herr ist Sonn und Schild"
Johann Sebastian Bach5:02
2Gott der Herr ist Sonn und Schild, BWV 79: No. 2. Aria. "Gott ist unser Sonn und Schild"
alto vocals:
Paul Esswood (countertenor) (from 1977-05-04 until 1977-05-06)
orchestra:
Leonhardt‐Consort (Netherlands-based baroque ensemble) (from 1977-05-04 until 1977-05-06)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (from 1977-05-04 until 1977-05-06)
recorded at:
Doopsgezinde kerk (Haarlem) in Haarlem, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1977-05-04 until 1977-05-06)
recording of:
Kantate, BWV 79 "Gott der Herr ist Sonn und Schild": II. Aria (Alt) "Gott ist unser Sonn und Schild!" (from 1977-05-04 until 1977-05-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 79 "Gott der Herr ist Sonn und Schild"
Johann Sebastian Bach3:41
3Gott der Herr ist Sonn und Schild, BWV 79: No. 3. Chor. "Nun danket alle Gott"
choir vocals:
Collegium Vocale Gent (from 1977-05-04 until 1977-05-06) and Knabenchor Hannover (Hanover Boys' Choir, German boys choir) (from 1977-05-04 until 1977-05-06)
orchestra:
Leonhardt‐Consort (Netherlands-based baroque ensemble) (from 1977-05-04 until 1977-05-06)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (from 1977-05-04 until 1977-05-06)
recorded at:
Doopsgezinde kerk (Haarlem) in Haarlem, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1977-05-04 until 1977-05-06)
recording of:
Kantate, BWV 79 "Gott der Herr ist Sonn und Schild": III. Choral "Nun danket alle gott'" (from 1977-05-04 until 1977-05-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
Martin Rinckart (German poet) (in 1636)
part of:
Breitkopf 389 Choralgesänge (number: 259)
is based on:
Nun danket alle Gott (Lutheran choral)
part of:
Kantate, BWV 79 "Gott der Herr ist Sonn und Schild"
Johann Sebastian Bach2:13
4Gott der Herr ist Sonn und Schild, BWV 79: No. 4. Rezitativ. "Gottlob, wir wissen den rechten Weg"
bass vocals:
Max van Egmond (bass-baritone) (from 1977-05-04 until 1977-05-06)
orchestra:
Leonhardt‐Consort (Netherlands-based baroque ensemble) (from 1977-05-04 until 1977-05-06)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (from 1977-05-04 until 1977-05-06)
recorded at:
Doopsgezinde kerk (Haarlem) in Haarlem, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1977-05-04 until 1977-05-06)
recording of:
Kantate, BWV 79 "Gott der Herr ist Sonn und Schild": IV. Recitativo (Bass) "Gottlob, wir wissen den rechten Weg" (from 1977-05-04 until 1977-05-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 79 "Gott der Herr ist Sonn und Schild"
Johann Sebastian Bach0:52
5Gott der Herr ist Sonn und Schild, BWV 79: No. 5. Aria. "Gott, ach Gott, verlaß die Deinen nimmermehr"
bass vocals:
Max van Egmond (bass-baritone) (from 1977-05-04 until 1977-05-06)
orchestra:
Leonhardt‐Consort (Netherlands-based baroque ensemble) (from 1977-05-04 until 1977-05-06)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (from 1977-05-04 until 1977-05-06)
recorded at:
Doopsgezinde kerk (Haarlem) in Haarlem, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1977-05-04 until 1977-05-06)
recording of:
Kantate, BWV 79 "Gott der Herr ist Sonn und Schild": V. Aria (Duetto Sopran, Bass) "Gott, ach Gott, verlaß die Deinen" (from 1977-05-04 until 1977-05-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 79 "Gott der Herr ist Sonn und Schild"
Johann Sebastian Bach3:12
6Gott der Herr ist Sonn und Schild, BWV 79: No. 6. Choral. "Erhalt uns in der Wahrheit"
choir vocals:
Collegium Vocale Gent (from 1977-05-04 until 1977-05-06) and Knabenchor Hannover (Hanover Boys' Choir, German boys choir) (from 1977-05-04 until 1977-05-06)
orchestra:
Leonhardt‐Consort (Netherlands-based baroque ensemble) (from 1977-05-04 until 1977-05-06)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (from 1977-05-04 until 1977-05-06)
recorded at:
Doopsgezinde kerk (Haarlem) in Haarlem, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1977-05-04 until 1977-05-06)
recording of:
Kantate, BWV 79 "Gott der Herr ist Sonn und Schild": VI. Choral "Erhalt uns in der Wahrheit" (from 1977-05-04 until 1977-05-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
Ludwig Helmbold (in 1575)
part of:
Breitkopf 389 Choralgesänge (number: 267)
part of:
Kantate, BWV 79 "Gott der Herr ist Sonn und Schild"
Johann Sebastian Bach0:35
7Ein feste Burg ist unser Gott, BWV 80: No. 1. Chor. "Ein feste Burg ist unser Gott"
choir vocals:
Tölzer Knabenchor (Tölz Boys’ Choir) (from 1977-03 until 1977-05)
orchestra:
Concentus Musicus Wien (from 1977-03 until 1977-05)
conductor:
Nikolaus Harnoncourt (conductor) (from 1977-03 until 1977-05)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (from 1977-03 until 1977-05)
recording of:
Kantate, BWV 80 "Ein feste Burg ist unser Gott": I. Coro "Ein feste Burg ist unser Gott" (from 1977-03 until 1977-05)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1715 until 1730)
is based on:
Ein feste Burg ist unser Gott
part of:
Kantate, BWV 80 "Ein feste Burg ist unser Gott"
Johann Sebastian Bach5:20
8Ein feste Burg ist unser Gott, BWV 80: No. 2. Aria. "Alles, was von Gott geboren"
treble vocals:
Wilhelm Wiedl (boy soprano) (from 1977-03 until 1977-05)
orchestra:
Concentus Musicus Wien (from 1977-03 until 1977-05)
conductor:
Nikolaus Harnoncourt (conductor) (from 1977-03 until 1977-05)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (from 1977-03 until 1977-05)
recording of:
Kantate, BWV 80 "Ein feste Burg ist unser Gott": II. Aria (Bass) con Choral (Sopran) "Alles, was von Gott geboren" (from 1977-03 until 1977-05)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1715 until 1730)
part of:
Kantate, BWV 80 "Ein feste Burg ist unser Gott"
Johann Sebastian Bach3:42
9Ein feste Burg ist unser Gott, BWV 80: No. 3. Rezitativ. "Erwäge doch, kind Gottes"
bass vocals:
Ruud van der Meer (operatic bass) (from 1977-03 until 1977-05)
orchestra:
Concentus Musicus Wien (from 1977-03 until 1977-05)
conductor:
Nikolaus Harnoncourt (conductor) (from 1977-03 until 1977-05)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (from 1977-03 until 1977-05)
recording of:
Kantate, BWV 80 "Ein feste Burg ist unser Gott": III. Recitativo (Bass) "Erwäge doch, Kind Gottes" (from 1977-03 until 1977-05)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1715 until 1730)
part of:
Kantate, BWV 80 "Ein feste Burg ist unser Gott"
Johann Sebastian Bach1:42
10Ein feste Burg ist unser Gott, BWV 80: No. 4. Aria. "Komm in mein Herzenhaus"
treble vocals:
Wilhelm Wiedl (boy soprano) (from 1977-03 until 1977-05)
orchestra:
Concentus Musicus Wien (from 1977-03 until 1977-05)
conductor:
Nikolaus Harnoncourt (conductor) (from 1977-03 until 1977-05)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (from 1977-03 until 1977-05)
recording of:
Kantate, BWV 80 "Ein feste Burg ist unser Gott": IV. Aria (Sopran) "Komm in mein Herzenshaus" (from 1977-03 until 1977-05)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1715 until 1730)
part of:
Kantate, BWV 80 "Ein feste Burg ist unser Gott"
Johann Sebastian Bach3:08
11Ein feste Burg ist unser Gott, BWV 80: No. 5. Chor. "Und wenn die Welt voll Teufel wär"
choir vocals:
Tölzer Knabenchor (Tölz Boys’ Choir) (from 1977-03 until 1977-05)
orchestra:
Concentus Musicus Wien (from 1977-03 until 1977-05)
conductor:
Nikolaus Harnoncourt (conductor) (from 1977-03 until 1977-05)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (from 1977-03 until 1977-05)
recording of:
Kantate, BWV 80 "Ein feste Burg ist unser Gott": V. Choral "Und wenn die Welt voll Teufel wär" (from 1977-03 until 1977-05)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1715 until 1730)
part of:
Kantate, BWV 80 "Ein feste Burg ist unser Gott"
Johann Sebastian Bach3:18
12Ein feste Burg ist unser Gott, BWV 80: No. 6. Rezitativ. "So stehe denn"
tenor vocals:
Kurt Equiluz (tenor) (from 1977-03 until 1977-05)
orchestra:
Concentus Musicus Wien (from 1977-03 until 1977-05)
conductor:
Nikolaus Harnoncourt (conductor) (from 1977-03 until 1977-05)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (from 1977-03 until 1977-05)
recording of:
Kantate, BWV 80 "Ein feste Burg ist unser Gott": VI. Recitativo (Tenor) "So stehe dann bei Christi blutgefärbten Fahne" (from 1977-03 until 1977-05)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1715 until 1730)
part of:
Kantate, BWV 80 "Ein feste Burg ist unser Gott"
Johann Sebastian Bach1:13
13Ein feste Burg ist unser Gott, BWV 80: No. 7. Duett. "Wie selig sind doch die"
alto vocals:
Paul Esswood (countertenor) (from 1977-03 until 1977-05)
tenor vocals:
Kurt Equiluz (tenor) (from 1977-03 until 1977-05)
orchestra:
Concentus Musicus Wien (from 1977-03 until 1977-05)
conductor:
Nikolaus Harnoncourt (conductor) (from 1977-03 until 1977-05)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (from 1977-03 until 1977-05)
recording of:
Kantate, BWV 80 "Ein feste Burg ist unser Gott": VII. Duetto (Alt, Tenor) "Wie selig sind doch die, die Gott im Munde tragen" (from 1977-03 until 1977-05)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1715 until 1730)
part of:
Kantate, BWV 80 "Ein feste Burg ist unser Gott"
Johann Sebastian Bach3:43
14Ein feste Burg ist unser Gott, BWV 80: No. 8. Choral. "Das Wort sie sollen lassen stahn"
treble vocals:
Wilhelm Wiedl (boy soprano) (from 1977-03 until 1977-05)
vocals:
Tölzer Knabenchor (Tölz Boys’ Choir) (from 1977-03 until 1977-05)
orchestra:
Concentus Musicus Wien (from 1977-03 until 1977-05)
conductor:
Nikolaus Harnoncourt (conductor) (from 1977-03 until 1977-05)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (from 1977-03 until 1977-05)
recording of:
Kantate, BWV 80 "Ein feste Burg ist unser Gott": VIII. Choral "Das Wort sie sollen lassen stahn" (from 1977-03 until 1977-05)
lyricist:
Martin Luther (German theologian of the Reformation)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1715 until 1730)
part of:
Breitkopf 389 Choralgesänge (number: 76)
part of:
Kantate, BWV 80 "Ein feste Burg ist unser Gott"
Johann Sebastian Bach1:02
15Jesus schläft, was soll ich hoffen, BWV 81: No. 1. Aria. "Jesus schläft, was soll ich hoffen?"
alto vocals:
Paul Esswood (countertenor) (from 1977-03 until 1977-05)
orchestra:
Concentus Musicus Wien (from 1977-03 until 1977-05)
conductor:
Nikolaus Harnoncourt (conductor) (from 1977-03 until 1977-05)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (from 1977-03 until 1977-05)
recording of:
Kantate, BWV 81 "Jesus schläft, was soll ich hoffen": I. Aria (Alt) "Jesus schläft, was soll ich hoffen?" (from 1977-03 until 1977-05)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 81 "Jesus schläft, was soll ich hoffen"
Johann Sebastian Bach4:21
16Jesus schläft, was soll ich hoffen, BWV 81: No. 2. Rezitativ. "Herr! Warum bleibest du so ferne?"
tenor vocals:
Kurt Equiluz (tenor) (from 1977-03 until 1977-05)
orchestra:
Concentus Musicus Wien (from 1977-03 until 1977-05)
conductor:
Nikolaus Harnoncourt (conductor) (from 1977-03 until 1977-05)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (from 1977-03 until 1977-05)
recording of:
Kantate, BWV 81 "Jesus schläft, was soll ich hoffen": II. Recitativo (Tenor) "Herr, warum trittest du so ferne?" (from 1977-03 until 1977-05)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 81 "Jesus schläft, was soll ich hoffen"
Johann Sebastian Bach0:58
17Jesus schläft, was soll ich hoffen, BWV 81: No. 3. Aria. "Die schäumenden Wellen von Belials Bächen"
tenor vocals:
Kurt Equiluz (tenor) (from 1977-03 until 1977-05)
orchestra:
Concentus Musicus Wien (from 1977-03 until 1977-05)
conductor:
Nikolaus Harnoncourt (conductor) (from 1977-03 until 1977-05)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (from 1977-03 until 1977-05)
recording of:
Kantate, BWV 81 "Jesus schläft, was soll ich hoffen": III. Aria (Tenor) "Die schäumenden Wellen von Belials Bächen" (from 1977-03 until 1977-05)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 81 "Jesus schläft, was soll ich hoffen"
Johann Sebastian Bach3:02
18Jesus schläft, was soll ich hoffen, BWV 81: No. 4. Arioso. "Ihr Kleingläubigen, warum seid ihr so furchtsam?"
bass vocals:
Ruud van der Meer (operatic bass) (from 1977-03 until 1977-05)
orchestra:
Concentus Musicus Wien (from 1977-03 until 1977-05)
conductor:
Nikolaus Harnoncourt (conductor) (from 1977-03 until 1977-05)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (from 1977-03 until 1977-05)
recording of:
Kantate, BWV 81 "Jesus schläft, was soll ich hoffen": IV. Arioso (Bass) "Ihr Kleingläubigen, warum seid ihr so furchtsam?" (from 1977-03 until 1977-05)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 81 "Jesus schläft, was soll ich hoffen"
Johann Sebastian Bach1:04
19Jesus schläft, was soll ich hoffen, BWV 81: No. 5. Aria. "Schweig, aufgetürmtes Meer!"
bass vocals:
Philippe Huttenlocher (baritone) (in 1977-03) and Ruud van der Meer (operatic bass) (in 1977-03)
orchestra:
Concentus Musicus Wien (in 1977-03)
conductor:
Nikolaus Harnoncourt (conductor) (in 1977-03)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (in 1977-03, from 1977-03 until 1977-05)
recording of:
Kantate, BWV 81 "Jesus schläft, was soll ich hoffen": V. Aria (Bass) "Schweig, aufgetürmtes Meer!" (in 1977-03)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 81 "Jesus schläft, was soll ich hoffen"
Johann Sebastian Bach5:18
20Jesus schläft, was soll ich hoffen, BWV 81: No. 6. Rezitativ. "Wohl mir, mein Jesus spricht ein Wort"
alto vocals:
Paul Esswood (countertenor) (from 1977-03 until 1977-05)
orchestra:
Concentus Musicus Wien (from 1977-03 until 1977-05)
conductor:
Nikolaus Harnoncourt (conductor) (from 1977-03 until 1977-05)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (from 1977-03 until 1977-05)
recording of:
Kantate, BWV 81 "Jesus schläft, was soll ich hoffen": VI. Recitativo (Alt) "Wohl mir, mein Jesus spricht ein Wort" (from 1977-03 until 1977-05)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 81 "Jesus schläft, was soll ich hoffen"
Johann Sebastian Bach0:19
21Jesus schläft, was soll ich hoffen, BWV 81: No. 7. Choral. "Unter deinen Schirmen"
choir vocals:
Tölzer Knabenchor (Tölz Boys’ Choir) (from 1977-03 until 1977-05)
orchestra:
Concentus Musicus Wien (from 1977-03 until 1977-05)
conductor:
Nikolaus Harnoncourt (conductor) (from 1977-03 until 1977-05)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (from 1977-03 until 1977-05)
recording of:
Kantate, BWV 81 "Jesus schläft, was soll ich hoffen": VII. Choral "Unter deinen Schirmen" (from 1977-03 until 1977-05)
lyricist:
Johann Franck (German poet of the 17th century)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Breitkopf 389 Choralgesänge (number: 197)
part of:
Kantate, BWV 81 "Jesus schläft, was soll ich hoffen"
Johann Sebastian Bach1:06
22Ich habe genug, BWV 82: No. 1. Aria. "Ich habe genug"
bass vocals:
Philippe Huttenlocher (baritone) (from 1977-04-22 until 1977-04-23)
orchestra:
Concentus Musicus Wien (from 1977-04-22 until 1977-04-23)
conductor:
Nikolaus Harnoncourt (conductor) (from 1977-04-22 until 1977-04-23)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (from 1977-04-22 until 1977-04-23)
recording of:
Kantate, BWV 82 “Ich habe genung”: I. Aria (Bass) “Ich habe genung, ich habe den Heiland” (from 1977-04-22 until 1977-04-23)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1727)
part of:
Kantate, BWV 82 “Ich habe genung” (for bass)
Johann Sebastian Bach6:57
23Ich habe genug, BWV 82: No. 2. Rezitativ. "Ich habe genug"
bass vocals:
Philippe Huttenlocher (baritone) (from 1977-04-22 until 1977-04-23)
orchestra:
Concentus Musicus Wien (from 1977-04-22 until 1977-04-23)
conductor:
Nikolaus Harnoncourt (conductor) (from 1977-04-22 until 1977-04-23)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (from 1977-04-22 until 1977-04-23)
recording of:
Kantate, BWV 82 "Ich habe genung": II. Recitativo (Bass) "Ich habe genung! Mein Trost ist nur allein" (from 1977-04-22 until 1977-04-23)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1727)
part of:
Kantate, BWV 82 “Ich habe genung” (for bass)
Johann Sebastian Bach0:57
24Ich habe genug, BWV 82: No. 3. Aria. "Schlummert ein, ihr matten Augen"
bass vocals:
Philippe Huttenlocher (baritone) (from 1977-04-22 until 1977-04-23)
orchestra:
Concentus Musicus Wien (from 1977-04-22 until 1977-04-23)
conductor:
Nikolaus Harnoncourt (conductor) (from 1977-04-22 until 1977-04-23)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (from 1977-04-22 until 1977-04-23)
edit of:
Cantata No. 82, "Ich habe genug," BWV 82 BC A169: Aria: "Schlummert ein, ihr matten Augen" by Philippe Huttenlocher (baritone), Concentus Musicus Wien, Nikolaus Harnoncourt (conductor)
partial recording of:
Kantate, BWV 82 "Ich habe genung": III. Aria (Bass) "Schlummert ein, ihr matten Augen" (from 1977-04-22 until 1977-04-23)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1727)
part of:
Kantate, BWV 82 “Ich habe genung” (for bass)
Johann Sebastian Bach1:44
25Ich habe genug, BWV 82: No. 4. Rezitativ. "Mein Gott! Wenn kömmt das schöne? Nun!"
bass vocals:
Philippe Huttenlocher (baritone) (from 1977-04-22 until 1977-04-23)
orchestra:
Concentus Musicus Wien (from 1977-04-22 until 1977-04-23)
conductor:
Nikolaus Harnoncourt (conductor) (from 1977-04-22 until 1977-04-23)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (from 1977-04-22 until 1977-04-23)
recording of:
Kantate, BWV 82 "Ich habe genung": IV. Recitativo (Bass) "Mein Gott! wenn kömmt das schöne: Nun!" (from 1977-04-22 until 1977-04-23)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1727)
part of:
Kantate, BWV 82 “Ich habe genung” (for bass)
Johann Sebastian Bach0:42
26Ich habe genug, BWV 82: No. 5. Aria. "Ich freue mich auf meinen Tod"
bass vocals:
Philippe Huttenlocher (baritone) (from 1977-04-22 until 1977-04-23)
orchestra:
Concentus Musicus Wien (from 1977-04-22 until 1977-04-23)
conductor:
Nikolaus Harnoncourt (conductor) (from 1977-04-22 until 1977-04-23)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (from 1977-04-22 until 1977-04-23)
recording of:
Kantate, BWV 82 "Ich habe genung": V. Aria (Bass) "Ich freue mich auf meinen Tod" (from 1977-04-22 until 1977-04-23)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1727)
part of:
Kantate, BWV 82 “Ich habe genung” (for bass)
Johann Sebastian Bach3:26
27Erfreute Zeit im neuen Bunde, BWV 83: No. 1. Aria. "Erfreute Zeit im neuen Bunde"
orchestra:
Concentus Musicus Wien (from 1967-03-02 until 1967-09-18)
conductor:
Nikolaus Harnoncourt (conductor) (from 1967-03-02 until 1967-09-18)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (from 1967-03-02 until 1967-09-18)
recording of:
Kantate, BWV 83 "Erfreute Zeit im neuen Bunde": I. Aria (Alto) "Erfreute Zeit im neuen Bunde" (from 1967-03-02 until 1967-09-18)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 83 "Erfreute Zeit im neuen Bunde"
Johann Sebastian Bach7:45
28Erfreute Zeit im neuen Bunde, BWV 83: No. 2. Aria. "Herr, nun lässet du deinen Diener in Friede fahren"
bass vocals:
Max van Egmond (bass-baritone) (from 1967-03-02 until 1967-09-18)
orchestra:
Concentus Musicus Wien (from 1967-03-02 until 1967-09-18)
conductor:
Nikolaus Harnoncourt (conductor) (from 1967-03-02 until 1967-09-18)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (from 1967-03-02 until 1967-09-18)
recording of:
Kantate, BWV 83 "Erfreute Zeit im neuen Bunde": II. Aria (Bass) "Herr, nun lässest du deinen Diener" (from 1967-03-02 until 1967-09-18)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 83 "Erfreute Zeit im neuen Bunde"
Johann Sebastian Bach4:04
29Erfreute Zeit im neuen Bunde, BWV 83: No. 3. Aria. "Eile, Herz, voll Freudigkeit"
tenor vocals:
Kurt Equiluz (tenor) (from 1967-03-02 until 1967-09-18)
orchestra:
Concentus Musicus Wien (from 1967-03-02 until 1967-09-18)
conductor:
Nikolaus Harnoncourt (conductor) (from 1967-03-02 until 1967-09-18)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (from 1967-03-02 until 1967-09-18)
recording of:
Kantate, BWV 83 "Erfreute Zeit im neuen Bunde": III. Aria (Ten) "Eile, Herz, voll Freudigkeit" (from 1967-03-02 until 1967-09-18)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 83 "Erfreute Zeit im neuen Bunde"
Johann Sebastian Bach6:58
30Erfreute Zeit im neuen Bunde, BWV 83: No. 4. Rezitativ. "Ja, merkt dein Glaube noch viel Finsternis"
orchestra:
Concentus Musicus Wien (from 1967-03-02 until 1967-09-18)
conductor:
Nikolaus Harnoncourt (conductor) (from 1967-03-02 until 1967-09-18)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (from 1967-03-02 until 1967-09-18)
recording of:
Kantate, BWV 83 "Erfreute Zeit im neuen Bunde": IV. Recitativo (Alto) "Ja, merkt dein Glaube noch viel Finsternis" (from 1967-03-02 until 1967-09-18)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 83 "Erfreute Zeit im neuen Bunde"
Johann Sebastian Bach0:44
31Erfreute Zeit im neuen Bunde, BWV 83: No. 5. Choral. "Er ist das Heil und selig Licht"
choir vocals:
Chorus Viennensis (from 1967-03-02 until 1967-09-18), Tölzer Knabenchor (Tölz Boys’ Choir) (from 1967-03-02 until 1967-09-18) and Wiener Sängerknaben (The Vienna Boys Choir) (from 1967-03-02 until 1967-09-18)
orchestra:
Concentus Musicus Wien (from 1967-03-02 until 1967-09-18)
conductor:
Nikolaus Harnoncourt (conductor) (from 1967-03-02 until 1967-09-18)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (from 1967-03-02 until 1967-09-18)
recording of:
Kantate, BWV 83 "Erfreute Zeit im neuen Bunde": V. Choral (Coro) "Er ist das heil und selig Licht" (from 1967-03-02 until 1967-09-18)
lyricist:
Martin Luther (German theologian of the Reformation)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Breitkopf 389 Choralgesänge (number: 250)
part of:
Kantate, BWV 83 "Erfreute Zeit im neuen Bunde"
Johann Sebastian Bach0:51
32Ich bin vergnügt mit meinem Glücke, BWV 84: No. 1. Aria. "Ich bin vergnügt mit meinem Glücke"
treble vocals:
Wilhelm Wiedl (boy soprano) (from 1978-03-18 until 1978-04-24)
orchestra:
Concentus Musicus Wien (from 1978-03-18 until 1978-04-24)
conductor:
Nikolaus Harnoncourt (conductor) (from 1978-03-18 until 1978-04-24)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (from 1978-03-18 until 1978-04-24)
recording of:
Kantate, BWV 84 "Ich bin vergnügt mit meinem Glücke": I. Aria (Sopran) "Ich bin vergnügt mit meinem Glücke" (from 1978-03-18 until 1978-04-24)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1727)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 84 "Ich bin vergnügt mit meinem Glücke"
Johann Sebastian Bach5:34
33Ich bin vergnügt mit meinem Glücke, BWV 84: No. 2. Rezitativ. "Gott ist mir ja nichts schuldig"
treble vocals:
Wilhelm Wiedl (boy soprano) (from 1978-03-18 until 1978-04-24)
orchestra:
Concentus Musicus Wien (from 1978-03-18 until 1978-04-24)
conductor:
Nikolaus Harnoncourt (conductor) (from 1978-03-18 until 1978-04-24)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (from 1978-03-18 until 1978-04-24)
recording of:
Kantate, BWV 84 "Ich bin vergnügt mit meinem Glücke": II. Recitativo (Sopran) "Gott ist mir ja nichts schuldig" (from 1978-03-18 until 1978-04-24)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1727)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 84 "Ich bin vergnügt mit meinem Glücke"
Johann Sebastian Bach1:15
34Ich bin vergnügt mit meinem Glücke, BWV 84: No. 3. Aria. "Ich esse mit Freuden mein weniges Brot"
treble vocals:
Wilhelm Wiedl (boy soprano) (from 1978-03-18 until 1978-04-24)
orchestra:
Concentus Musicus Wien (from 1978-03-18 until 1978-04-24)
conductor:
Nikolaus Harnoncourt (conductor) (from 1978-03-18 until 1978-04-24)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (from 1978-03-18 until 1978-04-24)
recording of:
Kantate, BWV 84 "Ich bin vergnügt mit meinem Glücke": III. Aria (Sopran) "Ich esse mit Freuden mein weniges Brot" (from 1978-03-18 until 1978-04-24)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1727)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 84 "Ich bin vergnügt mit meinem Glücke"
Johann Sebastian Bach4:59
35Ich bin vergnügt mit meinem Glücke, BWV 84: No. 4. Rezitativ. "Im Schweiße meines Angesichts"
treble vocals:
Wilhelm Wiedl (boy soprano) (from 1978-03-18 until 1978-04-24)
orchestra:
Concentus Musicus Wien (from 1978-03-18 until 1978-04-24)
conductor:
Nikolaus Harnoncourt (conductor) (from 1978-03-18 until 1978-04-24)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (from 1978-03-18 until 1978-04-24)
recording of:
Kantate, BWV 84 "Ich bin vergnügt mit meinem Glücke": IV. Recitativo (Sopran) "Im Schweiße meines Angesichts" (from 1978-03-18 until 1978-04-24)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1727)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 84 "Ich bin vergnügt mit meinem Glücke"
Johann Sebastian Bach0:51
36Ich bin vergnügt mit meinem Glücke, BWV 84: No. 5. Choral. "Ich leb indes in dir vergnüget"
choir vocals:
Tölzer Knabenchor (Tölz Boys’ Choir) (from 1978-03-18 until 1978-04-24)
orchestra:
Concentus Musicus Wien (from 1978-03-18 until 1978-04-24)
conductor:
Nikolaus Harnoncourt (conductor) (from 1978-03-18 until 1978-04-24)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (from 1978-03-18 until 1978-04-24)
recording of:
Kantate, BWV 84 "Ich bin vergnügt mit meinem Glücke": V. Choral (Coro) "Ich leb indes in dir vergnüget" (from 1978-03-18 until 1978-04-24)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1727)
librettist:
Ämilie Juliane von Schwarzburg-Rudolstadt (in 1686)
part of:
Breitkopf 389 Choralgesänge (number: 373)
part of:
Kantate, BWV 84 "Ich bin vergnügt mit meinem Glücke"
Johann Sebastian Bach0:53
37Ich bin ein guter Hirt, BWV 85: No. 1. Aria. "Ich bin ein guter Hirt"
bass vocals:
Ruud van der Meer (operatic bass) (from 1977-03-19 until 1977-05-20)
orchestra:
Concentus Musicus Wien (from 1977-03-19 until 1977-05-20)
conductor:
Nikolaus Harnoncourt (conductor) (from 1977-03-19 until 1977-05-20)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (from 1977-03-19 until 1977-05-20)
recording of:
Kantate, BWV 85 "Ich bin ein guter Hirt": I. Aria (Bass) "Ich bin ein guter Hirt" (from 1977-03-19 until 1977-05-20)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
part of:
Kantate, BWV 85 "Ich bin ein guter Hirt"
Johann Sebastian Bach3:09
38Ich bin ein guter Hirt, BWV 85: No. 2. Aria. "Jesus ist ein guter Hirt"
alto vocals:
Paul Esswood (countertenor) (from 1977-03-19 until 1977-05-20)
orchestra:
Concentus Musicus Wien (from 1977-03-19 until 1977-05-20)
conductor:
Nikolaus Harnoncourt (conductor) (from 1977-03-19 until 1977-05-20)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (from 1977-03-19 until 1977-05-20)
recording of:
Kantate, BWV 85 "Ich bin ein guter Hirt": II. Aria (Alt) "Jesus ist ein guter Hirt" (from 1977-03-19 until 1977-05-20)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 85 "Ich bin ein guter Hirt"
Johann Sebastian Bach3:12
39Ich bin ein guter Hirt, BWV 85: No. 3. Choral. "Der Herr ist mein getreuer Hirt"
choir vocals:
Tölzer Knabenchor (Tölz Boys’ Choir) (from 1977-03-19 until 1977-05-20)
orchestra:
Concentus Musicus Wien (from 1977-03-19 until 1977-05-20)
conductor:
Nikolaus Harnoncourt (conductor) (from 1977-03-19 until 1977-05-20)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (from 1977-03-19 until 1977-05-20)
recording of:
Kantate, BWV 85 "Ich bin ein guter Hirt": III. Choral (Sop) "Der Herr ist mein getreuer Hirt" (from 1977-03-19 until 1977-05-20)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
Kornelius Becker (Lutheran pastor 1561-1604) (in 1598)
part of:
Kantate, BWV 85 "Ich bin ein guter Hirt"
Johann Sebastian Bach4:53
40Ich bin ein guter Hirt, BWV 85: No. 4. Rezitativ. "Wenn die Mietlinge schlafen"
tenor vocals:
Kurt Equiluz (tenor) (from 1977-03-19 until 1977-05-20)
orchestra:
Concentus Musicus Wien (from 1977-03-19 until 1977-05-20)
conductor:
Nikolaus Harnoncourt (conductor) (from 1977-03-19 until 1977-05-20)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (from 1977-03-19 until 1977-05-20)
recording of:
Kantate, BWV 85 "Ich bin ein guter Hirt": IV. Recitativo (Tenor) "Wann die Mietlinge schlafen" (from 1977-03-19 until 1977-05-20)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 85 "Ich bin ein guter Hirt"
Johann Sebastian Bach0:49
41Ich bin ein guter Hirt, BWV 85: No. 5. Aria. "Seht, was die Liebe tut"
tenor vocals:
Kurt Equiluz (tenor) (from 1977-03-19 until 1977-05-20)
orchestra:
Concentus Musicus Wien (from 1977-03-19 until 1977-05-20)
conductor:
Nikolaus Harnoncourt (conductor) (from 1977-03-19 until 1977-05-20)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (from 1977-03-19 until 1977-05-20)
recording of:
Kantate, BWV 85 "Ich bin ein guter Hirt": V. Aria (Tenor) "Seht, was die Liebe tut" (from 1977-03-19 until 1977-05-20)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 85 "Ich bin ein guter Hirt"
Johann Sebastian Bach2:26
42Ich bin ein guter Hirt, BWV 85: No. 6. Choral. "Ist Gott mein Schutz und treuer Hirt"
choir vocals:
Tölzer Knabenchor (Tölz Boys’ Choir) (from 1977-03-19 until 1977-05-20)
orchestra:
Concentus Musicus Wien (from 1977-03-19 until 1977-05-20)
conductor:
Nikolaus Harnoncourt (conductor) (from 1977-03-19 until 1977-05-20)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (from 1977-03-19 until 1977-05-20)
recording of:
Kantate, BWV 85 "Ich bin ein guter Hirt": VI. Choral "Ist Gott mein Schutz und treuer Hirt" (from 1977-03-19 until 1977-05-20)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
Ernst Christoph Homburg (in 1658)
part of:
Breitkopf 389 Choralgesänge (number: 216)
part of:
Kantate, BWV 85 "Ich bin ein guter Hirt"
Johann Sebastian Bach0:54
43Wahrlich, wahrlich, ich sage euch, BWV 86: No. 1. Aria. "Wahrlich, wahrlich, ich sage euch"
bass vocals:
Ruud van der Meer (operatic bass) (from 1977-03-19 until 1977-05-20)
orchestra:
Concentus Musicus Wien (from 1977-03-19 until 1977-05-20)
conductor:
Nikolaus Harnoncourt (conductor) (from 1977-03-19 until 1977-05-20)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (from 1977-03-19 until 1977-05-20)
recording of:
Kantate, BWV 86 "Wahrlich, wahrlich, ich sage euch": I. Aria (Bass) "Wahrlich, wahrlich, ich sage euch" (from 1977-03-19 until 1977-05-20)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 86 "Wahrlich, wahrlich, ich sage euch"
Johann Sebastian Bach2:20
44Wahrlich, wahrlich, ich sage euch, BWV 86: No. 2. Aria. "Ich will doch wohl Rosen brechen"
alto vocals:
Paul Esswood (countertenor) (from 1977-03-19 until 1977-05-20)
orchestra:
Concentus Musicus Wien (from 1977-03-19 until 1977-05-20)
conductor:
Nikolaus Harnoncourt (conductor) (from 1977-03-19 until 1977-05-20)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (from 1977-03-19 until 1977-05-20)
recording of:
Kantate, BWV 86 "Wahrlich, wahrlich, ich sage euch": II. Aria (Alt) "Ich will doch wohl Rosen brechen" (from 1977-03-19 until 1977-05-20)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 86 "Wahrlich, wahrlich, ich sage euch"
Johann Sebastian Bach5:22
45Wahrlich, wahrlich, ich sage euch, BWV 86: No. 3. Choral. "Und was der ewig gütig Gott"
treble vocals:
Wilhelm Wiedl (boy soprano) (from 1977-03-19 until 1977-05-20)
orchestra:
Concentus Musicus Wien (from 1977-03-19 until 1977-05-20)
conductor:
Nikolaus Harnoncourt (conductor) (from 1977-03-19 until 1977-05-20)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (from 1977-03-19 until 1977-05-20)
recording of:
Kantate, BWV 86 "Wahrlich, wahrlich, ich sage euch": III. Choral (Sopran) "Und was der ewig gütig Gott" (from 1977-03-19 until 1977-05-20)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 86 "Wahrlich, wahrlich, ich sage euch"
Johann Sebastian Bach1:47
46Wahrlich, wahrlich, ich sage euch, BWV 86: No. 4. Rezitativ. "Gott macht es nicht gleichwie die Welt"
tenor vocals:
Kurt Equiluz (tenor) (from 1977-03-19 until 1977-05-20)
orchestra:
Concentus Musicus Wien (from 1977-03-19 until 1977-05-20)
conductor:
Nikolaus Harnoncourt (conductor) (from 1977-03-19 until 1977-05-20)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (from 1977-03-19 until 1977-05-20)
recording of:
Kantate, BWV 86 "Wahrlich, wahrlich, ich sage euch": IV. Recitativo (Tenor) "Gott macht es nicht gleichwie die Welt" (from 1977-03-19 until 1977-05-20)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 86 "Wahrlich, wahrlich, ich sage euch"
Johann Sebastian Bach0:21
47Wahrlich, wahrlich, ich sage euch, BWV 86: No. 5. Aria. "Gott hilft gewiß"
tenor vocals:
Kurt Equiluz (tenor) (from 1977-03-19 until 1977-05-20)
orchestra:
Concentus Musicus Wien (from 1977-03-19 until 1977-05-20)
conductor:
Nikolaus Harnoncourt (conductor) (from 1977-03-19 until 1977-05-20)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (from 1977-03-19 until 1977-05-20)
recording of:
Kantate, BWV 86 "Wahrlich, wahrlich, ich sage euch": V. Aria (Tenor) "Gott hilft gewiß" (from 1977-03-19 until 1977-05-20)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 86 "Wahrlich, wahrlich, ich sage euch"
Johann Sebastian Bach2:31
48Wahrlich, wahrlich, ich sage euch, BWV 86: No. 6. Choral. "Die Hoffnung wart' der rechten Zeit"
choir vocals:
Tölzer Knabenchor (Tölz Boys’ Choir) (from 1977-03-19 until 1977-05-20)
orchestra:
Concentus Musicus Wien (from 1977-03-19 until 1977-05-20)
conductor:
Nikolaus Harnoncourt (conductor) (from 1977-03-19 until 1977-05-20)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (from 1977-03-19 until 1977-05-20)
recording of:
Kantate, BWV 86 "Wahrlich, wahrlich, ich sage euch": VI. Choral "Die Hoffnung wart' der rechten Zeit" (from 1977-03-19 until 1977-05-20)
lyricist:
Paul Speratus
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Breitkopf 389 Choralgesänge (number: 86)
part of:
Kantate, BWV 86 "Wahrlich, wahrlich, ich sage euch"
Johann Sebastian Bach0:52
49Bisher habt ihr nichts gebeten, BWV 87: No. 1. Arioso. "Bisher habt ihr nichts gebeten"
bass vocals:
Ruud van der Meer (operatic bass) (from 1977-04-13 until 1977-05-22)
orchestra:
Concentus Musicus Wien (from 1977-04-13 until 1977-05-22)
conductor:
Nikolaus Harnoncourt (conductor) (from 1977-04-13 until 1977-05-22)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (from 1977-04-13 until 1977-05-22)
recording of:
Kantate, BWV 87 "Bisher habt ihr nichts gebeten in meinem Namen": I. Arioso (Bass) "Bisher habt ihr nichts gebeten in meinem Namen" (from 1977-04-13 until 1977-05-22)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
part of:
Kantate, BWV 87 "Bisher habt ihr nichts gebeten in meinem Namen"
Johann Sebastian Bach1:42
50Bisher habt ihr nichts gebeten, BWV 87: No. 2. Rezitativ. "O Wort! Das Geist und Seel erschreckt"
alto vocals:
Paul Esswood (countertenor) (from 1977-04-13 until 1977-05-22)
orchestra:
Concentus Musicus Wien (from 1977-04-13 until 1977-05-22)
conductor:
Nikolaus Harnoncourt (conductor) (from 1977-04-13 until 1977-05-22)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (from 1977-04-13 until 1977-05-22)
recording of:
Kantate, BWV 87 "Bisher habt ihr nichts gebeten in meinem Namen": II. Recitativo (Alt) "O Wort, das Geist und Seel erschreckt" (from 1977-04-13 until 1977-05-22)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
part of:
Kantate, BWV 87 "Bisher habt ihr nichts gebeten in meinem Namen"
Johann Sebastian Bach0:30
51Bisher habt ihr nichts gebeten, BWV 87: No. 3. Aria. "Vergib, o Vater, unsre Schuld'
alto vocals:
Paul Esswood (countertenor) (from 1977-04-13 until 1977-05-22)
orchestra:
Concentus Musicus Wien (from 1977-04-13 until 1977-05-22)
conductor:
Nikolaus Harnoncourt (conductor) (from 1977-04-13 until 1977-05-22)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (from 1977-04-13 until 1977-05-22)
recording of:
Kantate, BWV 87 "Bisher habt ihr nichts gebeten in meinem Namen": III. Aria (Alt) "Vergib, o Vater, unsre Schuld" (from 1977-04-13 until 1977-05-22)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
part of:
Kantate, BWV 87 "Bisher habt ihr nichts gebeten in meinem Namen"
Johann Sebastian Bach7:33
52Bisher habt ihr nichts gebeten, BWV 87: No. 4. Rezitativ. "Wenn unsre Schuld bis an den Himmel steigt"
tenor vocals:
Kurt Equiluz (tenor) (from 1977-04-13 until 1977-05-22)
orchestra:
Concentus Musicus Wien (from 1977-04-13 until 1977-05-22)
conductor:
Nikolaus Harnoncourt (conductor) (from 1977-04-13 until 1977-05-22)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (from 1977-04-13 until 1977-05-22)
recording of:
Kantate, BWV 87 "Bisher habt ihr nichts gebeten in meinem Namen": IV. Recitativo (Tenor) "Wenn unsre Schuld bis an den Himmel steigt" (from 1977-04-13 until 1977-05-22)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
part of:
Kantate, BWV 87 "Bisher habt ihr nichts gebeten in meinem Namen"
Johann Sebastian Bach0:45
53Bisher habt ihr nichts gebeten, BWV 87: No. 5. Arioso. "In der Welt habt ihr Angst"
bass vocals:
Ruud van der Meer (operatic bass) (from 1977-04-13 until 1977-05-22)
orchestra:
Concentus Musicus Wien (from 1977-04-13 until 1977-05-22)
conductor:
Nikolaus Harnoncourt (conductor) (from 1977-04-13 until 1977-05-22)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (from 1977-04-13 until 1977-05-22)
recording of:
Kantate, BWV 87 "Bisher habt ihr nichts gebeten in meinem Namen": V. Arioso (Bass) "In der Welt habt ihr Angst" (from 1977-04-13 until 1977-05-22)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
part of:
Kantate, BWV 87 "Bisher habt ihr nichts gebeten in meinem Namen"
Johann Sebastian Bach1:47
54Bisher habt ihr nichts gebeten, BWV 87: No. 6. Aria. "Ich will leiden, ich will schweigen"
tenor vocals:
Kurt Equiluz (tenor) (from 1977-04-13 until 1977-05-22)
orchestra:
Concentus Musicus Wien (from 1977-04-13 until 1977-05-22)
conductor:
Nikolaus Harnoncourt (conductor) (from 1977-04-13 until 1977-05-22)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (from 1977-04-13 until 1977-05-22)
recording of:
Kantate, BWV 87 "Bisher habt ihr nichts gebeten in meinem Namen": VI. Aria (Tenor) "Ich will leiden, ich will schweigen" (from 1977-04-13 until 1977-05-22)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
part of:
Kantate, BWV 87 "Bisher habt ihr nichts gebeten in meinem Namen"
Johann Sebastian Bach4:08
55Bisher habt ihr nichts gebeten, BWV 87: No. 7. Choral. "Muß ich sein betrübet?"
choir vocals:
Tölzer Knabenchor (Tölz Boys’ Choir) (from 1977-04-13 until 1977-05-22)
orchestra:
Concentus Musicus Wien (from 1977-04-13 until 1977-05-22)
conductor:
Nikolaus Harnoncourt (conductor) (from 1977-04-13 until 1977-05-22)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (from 1977-04-13 until 1977-05-22)
recording of:
Kantate, BWV 87 "Bisher habt ihr nichts gebeten in meinem Namen": VII. Choral "Muß ich sein betrübet" (from 1977-04-13 until 1977-05-22)
lyricist:
Heinrich von Mühler
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
part of:
Breitkopf 389 Choralgesänge (number: 201)
part of:
Kantate, BWV 87 "Bisher habt ihr nichts gebeten in meinem Namen"
Johann Sebastian Bach1:12
56Siehe, ich will viel Fischer aussenden, BWV 88: No. 1. Aria. "Siehe, ich will viel Fischer aussenden"
bass vocals:
Max van Egmond (bass-baritone) (from 1978-03-01 until 1978-09-16)
orchestra:
Leonhardt‐Consort (Netherlands-based baroque ensemble) (from 1978-03-01 until 1978-09-16)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (from 1978-03-01 until 1978-09-16)
recorded at:
Doopsgezinde kerk (Haarlem) in Haarlem, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1978-03-01 until 1978-09-16)
recording of:
Kantate, BWV 88 "Siehe, ich will viel Fischer aussenden": I. Aria (Bass) "Siehe, ich will viel Fischer aussenden" (from 1978-03-01 until 1978-09-16)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
part of:
Kantate, BWV 88 "Siehe, ich will viel Fischer aussenden"
Johann Sebastian Bach7:00
57Siehe, ich will viel Fischer aussenden, BWV 88: No. 2. Rezitativ. "Wie leichtlich könnte doch der Höchste uns entbehren"
tenor vocals:
Kurt Equiluz (tenor) (from 1978-03-01 until 1978-09-16)
orchestra:
Leonhardt‐Consort (Netherlands-based baroque ensemble) (from 1978-03-01 until 1978-09-16)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (from 1978-03-01 until 1978-09-16)
recorded at:
Doopsgezinde kerk (Haarlem) in Haarlem, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1978-03-01 until 1978-09-16)
recording of:
Kantate, BWV 88 "Siehe, ich will viel Fischer aussenden": II. Recitativo (Tenor) "Wie leichtlich könnte doch der Höchste uns entbehren" (from 1978-03-01 until 1978-09-16)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 88 "Siehe, ich will viel Fischer aussenden"
Johann Sebastian Bach0:42
58Siehe, ich will viel Fischer aussenden, BWV 88: No. 3. Aria. "Nein, Gott ist allezeit geflissen"
tenor vocals:
Kurt Equiluz (tenor) (from 1978-03-01 until 1978-09-16)
orchestra:
Leonhardt‐Consort (Netherlands-based baroque ensemble) (from 1978-03-01 until 1978-09-16)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (from 1978-03-01 until 1978-09-16)
recorded at:
Doopsgezinde kerk (Haarlem) in Haarlem, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1978-03-01 until 1978-09-16)
recording of:
Kantate, BWV 88 "Siehe, ich will viel Fischer aussenden": III. Aria (Tenor), Ritornello "Nein, nein! Gott ist allezeit geflissen" (from 1978-03-01 until 1978-09-16)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 88 "Siehe, ich will viel Fischer aussenden"
Johann Sebastian Bach3:52
59Siehe, ich will viel Fischer aussenden, BWV 88: No. 4. Rezitativ und Arioso. "Jesus sprach zu Simon"
bass vocals:
Max van Egmond (bass-baritone) (from 1978-03-01 until 1978-09-16)
tenor vocals:
Kurt Equiluz (tenor) (from 1978-03-01 until 1978-09-16)
orchestra:
Leonhardt‐Consort (Netherlands-based baroque ensemble) (from 1978-03-01 until 1978-09-16)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (from 1978-03-01 until 1978-09-16)
recorded at:
Doopsgezinde kerk (Haarlem) in Haarlem, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1978-03-01 until 1978-09-16)
recording of:
Kantate, BWV 88 "Siehe, ich will viel Fischer aussenden": IV. Recitativo ed Arioso (Tenor, Bass) "Jesus sprach zu Simon" (from 1978-03-01 until 1978-09-16)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
part of:
Kantate, BWV 88 "Siehe, ich will viel Fischer aussenden"
Johann Sebastian Bach2:19
60Siehe, ich will viel Fischer aussenden, BWV 88: No. 5. Duett. "Beruft Gott selbst, so muß der Segen"
alto vocals:
Paul Esswood (countertenor) (from 1978-03-01 until 1978-09-16)
treble vocals:
Marcus Klein (boy soprano) (from 1978-03-01 until 1978-09-16)
orchestra:
Leonhardt‐Consort (Netherlands-based baroque ensemble) (from 1978-03-01 until 1978-09-16)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (from 1978-03-01 until 1978-09-16)
recording of:
Kantate, BWV 88 "Siehe, ich will viel Fischer aussenden": V. Aria (Duetto Sopran, Alt) "Beruft Gott selbst, so muß der Segen" (from 1978-03-01 until 1978-09-16)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 88 "Siehe, ich will viel Fischer aussenden"
Johann Sebastian Bach3:09
61Siehe, ich will viel Fischer aussenden, BWV 88: No. 6. Rezitativ. "Was kann dich denn in deinem Wandel schrecken"
treble vocals:
Marcus Klein (boy soprano) (from 1978-03-01 until 1978-09-16)
orchestra:
Leonhardt‐Consort (Netherlands-based baroque ensemble) (from 1978-03-01 until 1978-09-16)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (from 1978-03-01 until 1978-09-16)
recorded at:
Doopsgezinde kerk (Haarlem) in Haarlem, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1978-03-01 until 1978-09-16)
recording of:
Kantate, BWV 88 "Siehe, ich will viel Fischer aussenden": VI. Recitativo (Sopran) "Was kann dich denn in deinem Wandel schrecken" (from 1978-03-01 until 1978-09-16)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 88 "Siehe, ich will viel Fischer aussenden"
Johann Sebastian Bach1:18
62Siehe, ich will viel Fischer aussenden, BWV 88: No. 7. Choral. "Sing, bet und geh auf Gottes Wegen"
choir vocals:
Collegium Vocale Gent (from 1978-03-01 until 1978-09-16) and Knabenchor Hannover (Hanover Boys' Choir, German boys choir) (from 1978-03-01 until 1978-09-16)
orchestra:
Leonhardt‐Consort (Netherlands-based baroque ensemble) (from 1978-03-01 until 1978-09-16)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (from 1978-03-01 until 1978-09-16)
recorded at:
Doopsgezinde kerk (Haarlem) in Haarlem, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1978-03-01 until 1978-09-16)
recording of:
Kantate, BWV 88 "Siehe, ich will viel Fischer aussenden": VII. Choral "Sing, bet und geh auf Gottes Wegen" (from 1978-03-01 until 1978-09-16)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
Georg Neumark (German hymn writer) (in 1657)
part of:
Breitkopf 389 Choralgesänge (number: 368)
part of:
Kantate, BWV 88 "Siehe, ich will viel Fischer aussenden"
Johann Sebastian Bach0:48
63Was soll ich aus dir machen, Ephraim, BWV 89: No. 1. Aria. "Was soll ich aus dir machen, Ephraim"
bass vocals:
Max van Egmond (bass-baritone) (from 1978-03-01 until 1978-09-18)
orchestra:
Leonhardt‐Consort (Netherlands-based baroque ensemble) (from 1978-03-01 until 1978-09-18)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (from 1978-03-01 until 1978-09-18)
recorded at:
Doopsgezinde kerk (Haarlem) in Haarlem, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1978-03-01 until 1978-09-18)
recording of:
Kantate, BWV 89 "Was soll ich aus dir machen, Ephraim?": I. Aria (Bass) "Was soll ich aus dir machen, Ephraim?" (from 1978-03-01 until 1978-09-18)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 89 "Was soll ich aus dir machen, Ephraim?"
Johann Sebastian Bach4:40
64Was soll ich aus dir machen, Ephraim, BWV 89: No. 2. Rezitativ. "Ja, freilich sollte Gott"
alto vocals:
Paul Esswood (countertenor) (from 1978-03-01 until 1978-09-18)
orchestra:
Leonhardt‐Consort (Netherlands-based baroque ensemble) (from 1978-03-01 until 1978-09-18)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (from 1978-03-01 until 1978-09-18)
recorded at:
Doopsgezinde kerk (Haarlem) in Haarlem, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1978-03-01 until 1978-09-18)
recording of:
Kantate, BWV 89 "Was soll ich aus dir machen, Ephraim?": II. Recitativo (Alt) "Ja, freilich sollte Gott" (from 1978-03-01 until 1978-09-18)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 89 "Was soll ich aus dir machen, Ephraim?"
Johann Sebastian Bach0:43
65Was soll ich aus dir machen, Ephraim, BWV 89: No. 3. Aria. "Ein unbarmherziges Gerichte"
alto vocals:
Paul Esswood (countertenor) (from 1978-03-01 until 1978-09-18)
orchestra:
Leonhardt‐Consort (Netherlands-based baroque ensemble) (from 1978-03-01 until 1978-09-18)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (from 1978-03-01 until 1978-09-18)
recorded at:
Doopsgezinde kerk (Haarlem) in Haarlem, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1978-03-01 until 1978-09-18)
recording of:
Kantate, BWV 89 "Was soll ich aus dir machen, Ephraim?": III. Aria (Alt) "Ein unbarmherziges Gerichte" (from 1978-03-01 until 1978-09-18)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 89 "Was soll ich aus dir machen, Ephraim?"
Johann Sebastian Bach2:35
66Was soll ich aus dir machen, Ephraim, BWV 89: No. 4. Rezitativ. "Wohlan! Mein Herze legt Zorn"
treble vocals:
Marcus Klein (boy soprano) (from 1978-03-01 until 1978-09-18)
orchestra:
Leonhardt‐Consort (Netherlands-based baroque ensemble) (from 1978-03-01 until 1978-09-18)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (from 1978-03-01 until 1978-09-18)
recorded at:
Doopsgezinde kerk (Haarlem) in Haarlem, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1978-03-01 until 1978-09-18)
recording of:
Kantate, BWV 89 "Was soll ich aus dir machen, Ephraim?": IV. Recitativo (Sopran) "Wohlan! mein Herze legt Zorn, Zank und Zwietracht hin" (from 1978-03-01 until 1978-09-18)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 89 "Was soll ich aus dir machen, Ephraim?"
Johann Sebastian Bach1:08
67Was soll ich aus dir machen, Ephraim, BWV 89: No. 5. Aria. "Gerechter Gott, ach, rechnest du?"
treble vocals:
Marcus Klein (boy soprano) (from 1978-03-01 until 1978-09-18)
orchestra:
Leonhardt‐Consort (Netherlands-based baroque ensemble) (from 1978-03-01 until 1978-09-18)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (from 1978-03-01 until 1978-09-18)
recorded at:
Doopsgezinde kerk (Haarlem) in Haarlem, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1978-03-01 until 1978-09-18)
recording of:
Kantate, BWV 89 "Was soll ich aus dir machen, Ephraim?": V. Aria (Sopran) "Gerechter Gott, ach, rechnest du?" (from 1978-03-01 until 1978-09-18)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 89 "Was soll ich aus dir machen, Ephraim?"
Johann Sebastian Bach2:53
68Was soll ich aus dir machen, Ephraim, BWV 89: No. 6. Choral. "Mir mangelt zwar sehr viel"
choir vocals:
Collegium Vocale Gent (from 1978-03-01 until 1978-09-18) and Knabenchor Hannover (Hanover Boys' Choir, German boys choir) (from 1978-03-01 until 1978-09-18)
orchestra:
Leonhardt‐Consort (Netherlands-based baroque ensemble) (from 1978-03-01 until 1978-09-18)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (from 1978-03-01 until 1978-09-18)
recorded at:
Doopsgezinde kerk (Haarlem) in Haarlem, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1978-03-01 until 1978-09-18)
recording of:
Kantate, BWV 89 "Was soll ich aus dir machen, Ephraim?": VI. Choral "Mir mangelt zwar sehr viel" (from 1978-03-01 until 1978-09-18)
lyricist:
Johann Heermann
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Breitkopf 389 Choralgesänge (number: 26)
part of:
Kantate, BWV 89 "Was soll ich aus dir machen, Ephraim?"
Johann Sebastian Bach0:40
69Es reißet euch ein schrecklich Ende, BWV 90: No. 1. Aria. "Es reißet euch ein schrecklich Ende"
tenor vocals:
Kurt Equiluz (tenor) (from 1978-03-02 until 1978-09-16)
orchestra:
Leonhardt‐Consort (Netherlands-based baroque ensemble) (from 1978-03-02 until 1978-09-16)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (from 1978-03-02 until 1978-09-16)
recorded at:
Doopsgezinde kerk (Haarlem) in Haarlem, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1978-03-02 until 1978-09-16)
recording of:
Kantate, BWV 90 "Es reißet euch ein schrecklich Ende": I. Aria (Tenor) "Es reißet euch ein schrecklich Ende" (from 1978-03-02 until 1978-09-16)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 90 "Es reißet euch ein schrecklich Ende"
Johann Sebastian Bach6:16
70Es reißet euch ein schrecklich Ende, BWV 90: No. 2. Rezitativ. "Des Höchsten Güte wird von Tag zu Tage neu"
alto vocals:
Paul Esswood (countertenor) (from 1978-03-02 until 1978-09-16)
orchestra:
Leonhardt‐Consort (Netherlands-based baroque ensemble) (from 1978-03-02 until 1978-09-16)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (from 1978-03-02 until 1978-09-16)
recorded at:
Doopsgezinde kerk (Haarlem) in Haarlem, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1978-03-02 until 1978-09-16)
recording of:
Kantate, BWV 90 "Es reißet euch ein schrecklich Ende": II. Recitativo (Alt) "Des Höchsten Güte wird von Tag zu Tage neu" (from 1978-03-02 until 1978-09-16)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 90 "Es reißet euch ein schrecklich Ende"
Johann Sebastian Bach1:20
71Es reißet euch ein schrecklich Ende, BWV 90: No. 3. Aria. "So löschet im Eifer der rächende Richter"
bass vocals:
Max van Egmond (bass-baritone) (from 1978-03-02 until 1978-09-16)
orchestra:
Leonhardt‐Consort (Netherlands-based baroque ensemble) (from 1978-03-02 until 1978-09-16)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (from 1978-03-02 until 1978-09-16)
recorded at:
Doopsgezinde kerk (Haarlem) in Haarlem, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1978-03-02 until 1978-09-16)
recording of:
Kantate, BWV 90 "Es reißet euch ein schrecklich Ende": III. Aria (Bass) "So löschet im Eifer der rächende Richter" (from 1978-03-02 until 1978-09-16)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 90 "Es reißet euch ein schrecklich Ende"
Johann Sebastian Bach3:33
72Es reißet euch ein schrecklich Ende, BWV 90: No. 4. Rezitativ. "Doch Gottes Auge sieht auf uns als Auserwählte"
tenor vocals:
Kurt Equiluz (tenor) (from 1978-03-02 until 1978-09-16)
orchestra:
Leonhardt‐Consort (Netherlands-based baroque ensemble) (from 1978-03-02 until 1978-09-16)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (from 1978-03-02 until 1978-09-16)
recorded at:
Doopsgezinde kerk (Haarlem) in Haarlem, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1978-03-02 until 1978-09-16)
recording of:
Kantate, BWV 90 "Es reißet euch ein schrecklich Ende": IV. Recitativo (Tenor) "Doch Gottes Auge sieht auf uns" (from 1978-03-02 until 1978-09-16)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 90 "Es reißet euch ein schrecklich Ende"
Johann Sebastian Bach0:38
73Es reißet euch ein schrecklich Ende, BWV 90: No. 5. Choral. "Leit uns mit deiner rechten Hand"
choir vocals:
Collegium Vocale Gent (from 1978-03-02 until 1978-09-16) and Knabenchor Hannover (Hanover Boys' Choir, German boys choir) (from 1978-03-02 until 1978-09-16)
orchestra:
Leonhardt‐Consort (Netherlands-based baroque ensemble) (from 1978-03-02 until 1978-09-16)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (from 1978-03-02 until 1978-09-16)
recorded at:
Doopsgezinde kerk (Haarlem) in Haarlem, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1978-03-02 until 1978-09-16)
recording of:
Kantate, BWV 90 "Es reißet euch ein schrecklich Ende": V. Choral "Leit uns mit deiner rechten Hand" (from 1978-03-02 until 1978-09-16)
lyricist:
Martin Moller (german poet)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Breitkopf 389 Choralgesänge (number: 319)
part of:
Kantate, BWV 90 "Es reißet euch ein schrecklich Ende"
Johann Sebastian Bach0:43
74Gelobet seist su, Jesu Christ, BWV 91: No. 1. Chor. "Gelobet seist du, Jesu Christ"
choir vocals:
Collegium Vocale Gent (on 1978-09-15) and Knabenchor Hannover (Hanover Boys' Choir, German boys choir) (on 1978-09-15)
orchestra:
Leonhardt‐Consort (Netherlands-based baroque ensemble) (on 1978-09-15)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (on 1978-09-15)
recorded at:
Doopsgezinde kerk (Haarlem) in Haarlem, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (on 1978-09-15)
recording of:
Kantate, BWV 91 "Gelobet seist du, Jesu Christ": I. Coro "Gelobet seist du, Jesu Christ" (on 1978-09-15)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 91 "Gelobet seist du, Jesu Christ"
Johann Sebastian Bach3:01
75Gelobet seist su, Jesu Christ, BWV 91: No. 2. Rezitativ und Choral. "Der Glanz der höchsten Herrlichkeit"
treble vocals:
Detlef Bratschke (alto vocalist, conductor, organist and harpsichordist) (on 1978-09-15)
orchestra:
Leonhardt‐Consort (Netherlands-based baroque ensemble) (on 1978-09-15)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (on 1978-09-15)
recorded at:
Doopsgezinde kerk (Haarlem) in Haarlem, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (on 1978-09-15)
recording of:
Kantate, BWV 91 "Gelobet seist du, Jesu Christ": II. Recitativo (Sopran) e Choral "Der Glanz der höchsten Herrlichkeit" (on 1978-09-15)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 91 "Gelobet seist du, Jesu Christ"
Johann Sebastian Bach1:39
76Gelobet seist su, Jesu Christ, BWV 91: No. 3. Aria. "Gott, dem der Erdenkreis zu klein"
tenor vocals:
Kurt Equiluz (tenor) (on 1978-09-15)
orchestra:
Leonhardt‐Consort (Netherlands-based baroque ensemble) (on 1978-09-15)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (on 1978-09-15)
recorded at:
Doopsgezinde kerk (Haarlem) in Haarlem, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (on 1978-09-15)
recording of:
Kantate, BWV 91 "Gelobet seist du, Jesu Christ": III. Aria (Tenor) "Gott, dem der Erden Kreis zu klein" (on 1978-09-15)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 91 "Gelobet seist du, Jesu Christ"
Johann Sebastian Bach3:16
77Gelobet seist su, Jesu Christ, BWV 91: No. 4. Rezitativ. "O Christenheit, wohlan"
bass vocals:
Max van Egmond (bass-baritone) (on 1978-09-15)
orchestra:
Leonhardt‐Consort (Netherlands-based baroque ensemble) (on 1978-09-15)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (on 1978-09-15)
recorded at:
Doopsgezinde kerk (Haarlem) in Haarlem, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (on 1978-09-15)
recording of:
Kantate, BWV 91 "Gelobet seist du, Jesu Christ": IV. Recitativo (Bass) "O Christenheit!" (on 1978-09-15)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 91 "Gelobet seist du, Jesu Christ"
Johann Sebastian Bach1:15
78Gelobet seist su, Jesu Christ, BWV 91: No. 5. Aria. "Die Armut, so Gott auf sich nimmt"
alto vocals:
Paul Esswood (countertenor) (on 1978-09-15)
treble vocals:
Detlef Bratschke (alto vocalist, conductor, organist and harpsichordist) (on 1978-09-15)
orchestra:
Leonhardt‐Consort (Netherlands-based baroque ensemble) (on 1978-09-15)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (on 1978-09-15)
recorded at:
Doopsgezinde kerk (Haarlem) in Haarlem, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (on 1978-09-15)
recording of:
Kantate, BWV 91 "Gelobet seist du, Jesu Christ": V. Aria (Duetto Sopran, Alt) "Die Armut, so Gott auf sich nimmt" (on 1978-09-15)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 91 "Gelobet seist du, Jesu Christ"
Johann Sebastian Bach8:13
79Gelobet seist su, Jesu Christ, BWV 91: No. 6. Choral. "Das hat er alles uns getan"
choir vocals:
Collegium Vocale Gent (on 1978-09-15) and Knabenchor Hannover (Hanover Boys' Choir, German boys choir) (on 1978-09-15)
orchestra:
Leonhardt‐Consort (Netherlands-based baroque ensemble) (on 1978-09-15)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (on 1978-09-15)
recorded at:
Doopsgezinde kerk (Haarlem) in Haarlem, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (on 1978-09-15)
recording of:
Kantate, BWV 91 "Gelobet seist du, Jesu Christ": VI. Choral "Das hat er alles uns getan" (on 1978-09-15)
lyricist:
Martin Luther (German theologian of the Reformation)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Breitkopf 389 Choralgesänge (number: 109)
part of:
Kantate, BWV 91 "Gelobet seist du, Jesu Christ"
Johann Sebastian Bach0:38
80Ich hab in Gottes Herz und Sinn, BWV 92: No. 1. Choral. "Ich hab in Gottes Herz und Sinn"
choir vocals:
Collegium Vocale Gent (from 1978-09-15 until 1978-09-16) and Knabenchor Hannover (Hanover Boys' Choir, German boys choir) (from 1978-09-15 until 1978-09-16)
orchestra:
Leonhardt‐Consort (Netherlands-based baroque ensemble) (from 1978-09-15 until 1978-09-16)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (from 1978-09-15 until 1978-09-16)
recorded at:
Doopsgezinde kerk (Haarlem) in Haarlem, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1978-09-15 until 1978-09-16)
recording of:
Kantate, BWV 92 "Ich hab in Gottes Herz und Sinn": I. Coro "Ich hab in Gottes Herz und Sinn" (from 1978-09-15 until 1978-09-16)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
part of:
Kantate, BWV 92 "Ich hab in Gottes Herz und Sinn"
Johann Sebastian Bach7:07
81Ich hab in Gottes Herz und Sinn, BWV 92: No. 2. Rezitativ und Choral. "Es kann mir fehlen nimmermehr"
bass vocals:
Max van Egmond (bass-baritone) (from 1978-09-15 until 1978-09-16)
choir vocals:
Collegium Vocale Gent (from 1978-09-15 until 1978-09-16) and Knabenchor Hannover (Hanover Boys' Choir, German boys choir) (from 1978-09-15 until 1978-09-16)
orchestra:
Leonhardt‐Consort (Netherlands-based baroque ensemble) (from 1978-09-15 until 1978-09-16)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (from 1978-09-15 until 1978-09-16)
recorded at:
Doopsgezinde kerk (Haarlem) in Haarlem, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1978-09-15 until 1978-09-16)
recording of:
Kantate, BWV 92 "Ich hab in Gottes Herz und Sinn": II. Choral e Recitativo (Bass) "Es kann mir fehlen nimmermehr" (from 1978-09-15 until 1978-09-16)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
part of:
Kantate, BWV 92 "Ich hab in Gottes Herz und Sinn"
Johann Sebastian Bach3:28
82Ich hab in Gottes Herz und Sinn, BWV 92: No. 3. Aria. "Seht, seht! Wie reißt, wie bricht, wie fällt"
tenor vocals:
Kurt Equiluz (tenor) (from 1978-09-15 until 1978-09-16)
orchestra:
Leonhardt‐Consort (Netherlands-based baroque ensemble) (from 1978-09-15 until 1978-09-16)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (from 1978-09-15 until 1978-09-16)
recorded at:
Doopsgezinde kerk (Haarlem) in Haarlem, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1978-09-15 until 1978-09-16)
recording of:
Kantate, BWV 92 "Ich hab in Gottes Herz und Sinn": III. Aria (Tenor) "Seht, seht! wie reißt, wie bricht, wie fällt" (from 1978-09-15 until 1978-09-16)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
part of:
Kantate, BWV 92 "Ich hab in Gottes Herz und Sinn"
Johann Sebastian Bach2:59
83Ich hab in Gottes Herz und Sinn, BWV 92: No. 4. Choral. "Zudem ist Weisheit und Verstand"
alto vocals:
Paul Esswood (countertenor) (from 1978-09-15 until 1978-09-16)
orchestra:
Leonhardt‐Consort (Netherlands-based baroque ensemble) (from 1978-09-15 until 1978-09-16)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (from 1978-09-15 until 1978-09-16)
recorded at:
Doopsgezinde kerk (Haarlem) in Haarlem, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1978-09-15 until 1978-09-16)
recording of:
Kantate, BWV 92 "Ich hab in Gottes Herz und Sinn": IV. Choral (Alt) "Zudem ist Weisheit und Verstand" (from 1978-09-15 until 1978-09-16)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
part of:
Kantate, BWV 92 "Ich hab in Gottes Herz und Sinn"
Johann Sebastian Bach3:23
84Ich hab in Gottes Herz und Sinn, BWV 92: No. 5. Rezitativ. "Wir wollen nun nicht länger zagen"
tenor vocals:
Kurt Equiluz (tenor) (from 1978-09-15 until 1978-09-16)
orchestra:
Leonhardt‐Consort (Netherlands-based baroque ensemble) (from 1978-09-15 until 1978-09-16)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (from 1978-09-15 until 1978-09-16)
recorded at:
Doopsgezinde kerk (Haarlem) in Haarlem, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1978-09-15 until 1978-09-16)
recording of:
Kantate, BWV 92 "Ich hab in Gottes Herz und Sinn": V. Recitativo (Tenor) "Wir wollen nun nicht länger zagen" (from 1978-09-15 until 1978-09-16)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
part of:
Kantate, BWV 92 "Ich hab in Gottes Herz und Sinn"
Johann Sebastian Bach1:07
85Ich hab in Gottes Herz und Sinn, BWV 92: No. 6. Aria. "Das Brausen von den rauhen Winden"
bass vocals:
Max van Egmond (bass-baritone) (from 1978-09-15 until 1978-09-16)
orchestra:
Leonhardt‐Consort (Netherlands-based baroque ensemble) (from 1978-09-15 until 1978-09-16)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (from 1978-09-15 until 1978-09-16)
recorded at:
Doopsgezinde kerk (Haarlem) in Haarlem, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1978-09-15 until 1978-09-16)
recording of:
Kantate, BWV 92 "Ich hab in Gottes Herz und Sinn": VI. Aria (Bass) "Das Stürmen von den rauhen Winden" (from 1978-09-15 until 1978-09-16)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
part of:
Kantate, BWV 92 "Ich hab in Gottes Herz und Sinn"
Johann Sebastian Bach4:46
86Ich hab in Gottes Herz und Sinn, BWV 92: No. 7. Rezitativ und Choral. "Ei nun, mein Gott, so fall ich dir"
alto vocals:
Paul Esswood (countertenor) (from 1978-09-15 until 1978-09-16)
bass vocals:
Max van Egmond (bass-baritone) (from 1978-09-15 until 1978-09-16)
tenor vocals:
Kurt Equiluz (tenor) (from 1978-09-15 until 1978-09-16)
treble vocals:
Detlef Bratschke (alto vocalist, conductor, organist and harpsichordist) (from 1978-09-15 until 1978-09-16)
orchestra:
Leonhardt‐Consort (Netherlands-based baroque ensemble) (from 1978-09-15 until 1978-09-16)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (from 1978-09-15 until 1978-09-16)
recorded at:
Doopsgezinde kerk (Haarlem) in Haarlem, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1978-09-15 until 1978-09-16)
recording of:
Kantate, BWV 92 "Ich hab in Gottes Herz und Sinn": VII. (Choral e) Recitativo (Bass, Tenor, Alt, Sopran) "Ei nun, mein Gott, so fall ich dir" (from 1978-09-15 until 1978-09-16)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
part of:
Kantate, BWV 92 "Ich hab in Gottes Herz und Sinn"
Johann Sebastian Bach2:14
87Ich hab in Gottes Herz und Sinn, BWV 92: No. 8. Aria. "Meinem Hirten bleib ich treu"
treble vocals:
Detlef Bratschke (alto vocalist, conductor, organist and harpsichordist) (from 1978-09-15 until 1978-09-16)
orchestra:
Leonhardt‐Consort (Netherlands-based baroque ensemble) (from 1978-09-15 until 1978-09-16)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (from 1978-09-15 until 1978-09-16)
recorded at:
Doopsgezinde kerk (Haarlem) in Haarlem, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1978-09-15 until 1978-09-16)
recording of:
Kantate, BWV 92 "Ich hab in Gottes Herz und Sinn": VIII. Aria (Sopran) "Meinem Hirten bleib ich treu" (from 1978-09-15 until 1978-09-16)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
part of:
Kantate, BWV 92 "Ich hab in Gottes Herz und Sinn"
Johann Sebastian Bach3:18
88Ich hab in Gottes Herz und Sinn, BWV 92: No. 9. Choral. "Soll ich denn auch des Todes Weg"
choir vocals:
Collegium Vocale Gent (from 1978-09-15 until 1978-09-16) and Knabenchor Hannover (Hanover Boys' Choir, German boys choir) (from 1978-09-15 until 1978-09-16)
orchestra:
Leonhardt‐Consort (Netherlands-based baroque ensemble) (from 1978-09-15 until 1978-09-16)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (from 1978-09-15 until 1978-09-16)
recorded at:
Doopsgezinde kerk (Haarlem) in Haarlem, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1978-09-15 until 1978-09-16)
recording of:
Kantate, BWV 92 "Ich hab in Gottes Herz und Sinn": IX. Choral "Soll ich denn auch des Todes Weg" (from 1978-09-15 until 1978-09-16)
lyricist:
Paul Gerhardt (17th century hymn writer)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
part of:
Breitkopf 389 Choralgesänge (number: 347)
part of:
Kantate, BWV 92 "Ich hab in Gottes Herz und Sinn"
Johann Sebastian Bach1:05
89Wer nur den lieben Gott lässt walten, BWV 93: No. 1 Chor. "Wer nur den lieben Gott läßt walten"
alto vocals:
Paul Esswood (countertenor) (on 1977-04-21)
bass vocals:
Ruud van der Meer (operatic bass) (on 1977-04-21)
choir vocals:
Tölzer Knabenchor (Tölz Boys’ Choir) (on 1977-04-21)
tenor vocals:
Kurt Equiluz (tenor) (on 1977-04-21)
orchestra:
Concentus Musicus Wien (on 1977-04-21)
conductor:
Nikolaus Harnoncourt (conductor) (on 1977-04-21)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (on 1977-04-21)
recording of:
Kantate, BWV 93 "Wer nur den lieben Gott läßt walten": I. Coro (Sopran, Alt, Tenor, Bass) "Wer nur den lieben Gott läßt walten" (on 1977-04-21)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 93 "Wer nur den lieben Gott läßt walten"
Johann Sebastian Bach5:28
90Wer nur den lieben Gott lässt walten, BWV 93: No. 2. Rezitativ. "Was helfen uns die schweren Sorgen"
bass vocals:
Ruud van der Meer (operatic bass) (on 1977-04-21)
orchestra:
Concentus Musicus Wien (on 1977-04-21)
conductor:
Nikolaus Harnoncourt (conductor) (on 1977-04-21)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (on 1977-04-21)
recording of:
Kantate, BWV 93 "Wer nur den lieben Gott läßt walten": II. Recitativo (e Choral) (Bass) "Was helfen uns die schweren Sorgen?" (on 1977-04-21)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 93 "Wer nur den lieben Gott läßt walten"
Johann Sebastian Bach1:30
91Wer nur den lieben Gott lässt walten, BWV 93: No. 3. Aria. "Man halte nur ein wenig stille"
tenor vocals:
Kurt Equiluz (tenor) (on 1977-04-21)
orchestra:
Concentus Musicus Wien (on 1977-04-21)
conductor:
Nikolaus Harnoncourt (conductor) (on 1977-04-21)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (on 1977-04-21)
recording of:
Kantate, BWV 93 "Wer nur den lieben Gott läßt walten": III. Aria (Tenor) "Man halte nur ein wenig stille" (on 1977-04-21)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 93 "Wer nur den lieben Gott läßt walten"
Johann Sebastian Bach2:53
92Wer nur den lieben Gott lässt walten, BWV 93: No. 4. Duett. "Er kennt die rechten Freudenstunden"
alto vocals:
Paul Esswood (countertenor) (on 1977-04-21)
treble vocals:
Wilhelm Wiedl (boy soprano) (on 1977-04-21)
orchestra:
Concentus Musicus Wien (on 1977-04-21)
conductor:
Nikolaus Harnoncourt (conductor) (on 1977-04-21)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (on 1977-04-21)
recording of:
Kantate, BWV 93 "Wer nur den lieben Gott läßt walten": IV. Aria (Duetto Sopran, Alt) (con Choral) "Er kennt die rechten Freudenstunden" (on 1977-04-21)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 93 "Wer nur den lieben Gott läßt walten"
Johann Sebastian Bach2:49
93Wer nur den lieben Gott lässt walten, BWV 93: No. 5. Rezitativ. "Denk nicht in deiner Drangsalshitze"
tenor vocals:
Kurt Equiluz (tenor) (on 1977-04-21)
orchestra:
Concentus Musicus Wien (on 1977-04-21)
conductor:
Nikolaus Harnoncourt (conductor) (on 1977-04-21)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (on 1977-04-21)
recording of:
Kantate, BWV 93 "Wer nur den lieben Gott läßt walten": V. Recitativo (e Choral) (Tenor) "Denk nicht in deiner Drangsalshitze" (on 1977-04-21)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 93 "Wer nur den lieben Gott läßt walten"
Johann Sebastian Bach2:05
94Wer nur den lieben Gott lässt walten, BWV 93: No. 6. Aria. "Ich will auf den Herren schaun"
treble vocals:
Wilhelm Wiedl (boy soprano) (on 1977-04-21)
orchestra:
Concentus Musicus Wien (on 1977-04-21)
conductor:
Nikolaus Harnoncourt (conductor) (on 1977-04-21)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (on 1977-04-21)
recording of:
Kantate, BWV 93 "Wer nur den lieben Gott läßt walten": VI. Aria (Sopran) "Ich will auf den Herren schaun" (on 1977-04-21)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 93 "Wer nur den lieben Gott läßt walten"
Johann Sebastian Bach2:33
95Wer nur den lieben Gott lässt walten, BWV 93: No. 7. Choral. "Sing, bet und geh' auf Gottes Wegen"
choir vocals:
Tölzer Knabenchor (Tölz Boys’ Choir) (on 1977-04-21)
orchestra:
Concentus Musicus Wien (on 1977-04-21)
conductor:
Nikolaus Harnoncourt (conductor) (on 1977-04-21)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (on 1977-04-21)
recording of:
Kantate, BWV 93 "Wer nur den lieben Gott läßt walten": VII. Choral "Sing, bet und geh auf Gottes Wegen" (on 1977-04-21)
lyricist:
Georg Neumark (German hymn writer)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Breitkopf 389 Choralgesänge (number: 369)
part of:
Kantate, BWV 93 "Wer nur den lieben Gott läßt walten"
Johann Sebastian Bach0:55
96Was frag ich nach der Welt, BWV 94: No. 1. Chor. "Was frag ich nach der Welt"
choir vocals:
Tölzer Knabenchor (Tölz Boys’ Choir) (from 1978-02-14 until 1978-05-19)
orchestra:
Concentus Musicus Wien (from 1978-02-14 until 1978-05-19)
conductor:
Nikolaus Harnoncourt (conductor) (from 1978-02-14 until 1978-05-19)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (from 1978-02-14 until 1978-05-19)
recording of:
Kantate, BWV 94 "Was frag ich nach der Welt": I. Coro "Was frag ich nach der Welt" (from 1978-02-14 until 1978-05-19)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 94 "Was frag ich nach der Welt"
Johann Sebastian Bach2:48
97Was frag ich nach der Welt, BWV 94: No. 2. Aria. "Die Welt ist wie ein Rauch und Schatten"
bass vocals:
Philippe Huttenlocher (baritone) (from 1978-02-14 until 1978-05-19)
orchestra:
Concentus Musicus Wien (from 1978-02-14 until 1978-05-19)
conductor:
Nikolaus Harnoncourt (conductor) (from 1978-02-14 until 1978-05-19)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (from 1978-02-14 until 1978-05-19)
recording of:
Kantate, BWV 94 "Was frag ich nach der Welt": II. Aria (Bass) "Die Welt ist wie ein Rauch und Schatten" (from 1978-02-14 until 1978-05-19)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 94 "Was frag ich nach der Welt"
Johann Sebastian Bach2:08
98Was frag ich nach der Welt, BWV 94: No. 3. Choral und Rezitativ. "Die Welt sucht Ehr' und Ruhm"
tenor vocals:
Kurt Equiluz (tenor) (from 1978-02-14 until 1978-05-19)
orchestra:
Concentus Musicus Wien (from 1978-02-14 until 1978-05-19)
conductor:
Nikolaus Harnoncourt (conductor) (from 1978-02-14 until 1978-05-19)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (from 1978-02-14 until 1978-05-19)
recording of:
Kantate, BWV 94 "Was frag ich nach der Welt": III. Recitativo (Tenor) "Die Welt sucht Ehr und Ruhm" (from 1978-02-14 until 1978-05-19)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 94 "Was frag ich nach der Welt"
Johann Sebastian Bach3:21
99Was frag ich nach der Welt, BWV 94: No. 4. Aria. "Betörte Welt, betörte Welt!"
alto vocals:
Paul Esswood (countertenor) (from 1978-02-14 until 1978-05-19)
orchestra:
Concentus Musicus Wien (from 1978-02-14 until 1978-05-19)
conductor:
Nikolaus Harnoncourt (conductor) (from 1978-02-14 until 1978-05-19)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (from 1978-02-14 until 1978-05-19)
recording of:
Kantate, BWV 94 "Was frag ich nach der Welt": IV. Aria (Alt) "Betörte Welt, betörte Welt!" (from 1978-02-14 until 1978-05-19)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 94 "Was frag ich nach der Welt"
Johann Sebastian Bach3:55
100Was frag ich nach der Welt, BWV 94: No. 5. Choral und Rezitativ. "Die Welt bekümmert sich"
bass vocals:
Philippe Huttenlocher (baritone) (from 1978-02-14 until 1978-05-19)
orchestra:
Concentus Musicus Wien (from 1978-02-14 until 1978-05-19)
conductor:
Nikolaus Harnoncourt (conductor) (from 1978-02-14 until 1978-05-19)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (from 1978-02-14 until 1978-05-19)
recording of:
Kantate, BWV 94 "Was frag ich nach der Welt": V. Recitativo (Bass) "Die Welt bekümmert sich" (from 1978-02-14 until 1978-05-19)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 94 "Was frag ich nach der Welt"
Johann Sebastian Bach2:29
This medium has too many tracks to load at once; currently showing 100 out of 136 total. Load all tracks...