Elizabethan Songs and Consort Music

~ Release by Rose Consort of Viols, Catherine King (see all versions of this release, 1 available)

Tracklist

1▼CD
#TitleArtistRatingLength
1Fantasia
engineer and producer:
John Taylor (classical producer/engineer, often associated with Naxos recordings)
instruments:
Rose Consort of Viols (from 1997-09-08 until 1997-09-10)
recorded at:
St. Andrew's Church in Toddington, Gloucestershire, England, United Kingdom (from 1997-09-08 until 1997-09-10)
recording of:
Fantasia (from 1997-09-08 until 1997-09-10)
composer:
William Mundy (composer)
William Mundy4:02
2Ah, alas you salt sea gods
engineer and producer:
John Taylor (classical producer/engineer, often associated with Naxos recordings)
instruments:
Rose Consort of Viols (from 1997-09-08 until 1997-09-10)
mezzo-soprano vocals:
Catherine King (English mezzo) (from 1997-09-08 until 1997-09-10)
recorded at:
St. Andrew's Church in Toddington, Gloucestershire, England, United Kingdom (from 1997-09-08 until 1997-09-10)
recording of:
Ah, alas you salt sea gods (from 1997-09-08 until 1997-09-10)
composer:
Richard Farrant
Richard Farrant3:16
3A Song of Mr. Robert Parsons
engineer and producer:
John Taylor (classical producer/engineer, often associated with Naxos recordings)
instruments:
Rose Consort of Viols (from 1997-09-08 until 1997-09-10)
mezzo-soprano vocals:
Catherine King (English mezzo) (from 1997-09-08 until 1997-09-10)
recorded at:
St. Andrew's Church in Toddington, Gloucestershire, England, United Kingdom (from 1997-09-08 until 1997-09-10)
recording of:
A Song of Mr Robert Parsons (from 1997-09-08 until 1997-09-10)
composer:
Robert Parsons (composer)
Robert Parsons1:55
4The Song Called Trumpets
engineer and producer:
John Taylor (classical producer/engineer, often associated with Naxos recordings)
instruments:
Rose Consort of Viols (from 1997-09-08 until 1997-09-10)
recorded at:
St. Andrew's Church in Toddington, Gloucestershire, England, United Kingdom (from 1997-09-08 until 1997-09-10)
recording of:
A Song called Trumpets (from 1997-09-08 until 1997-09-10)
composer and arranger:
Robert Parsons (composer)
Robert Parsons2:15
5O Death, rock me asleep
engineer and producer:
John Taylor (classical producer/engineer, often associated with Naxos recordings)
instruments:
Rose Consort of Viols (from 1997-09-08 until 1997-09-10)
mezzo-soprano vocals:
Catherine King (English mezzo) (from 1997-09-08 until 1997-09-10)
recorded at:
St. Andrew's Church in Toddington, Gloucestershire, England, United Kingdom (from 1997-09-08 until 1997-09-10)
[anonymous]4:23
6In Nomine
engineer and producer:
John Taylor (classical producer/engineer, often associated with Naxos recordings)
instruments:
Rose Consort of Viols (from 1997-09-08 until 1997-09-10)
recorded at:
St. Andrew's Church in Toddington, Gloucestershire, England, United Kingdom (from 1997-09-08 until 1997-09-10)
recording of:
In Nomine (from 1997-09-08 until 1997-09-10)
composer:
John Taverner (16th century composer)
John Taverner2:25
7In Nomine
engineer and producer:
John Taylor (classical producer/engineer, often associated with Naxos recordings)
instruments:
Rose Consort of Viols (from 1997-09-08 until 1997-09-10)
recorded at:
St. Andrew's Church in Toddington, Gloucestershire, England, United Kingdom (from 1997-09-08 until 1997-09-10)
[anonymous]3:50
8Pour down, you pow'rs divine
engineer and producer:
John Taylor (classical producer/engineer, often associated with Naxos recordings)
instruments:
Rose Consort of Viols (from 1997-09-08 until 1997-09-10)
mezzo-soprano vocals:
Catherine King (English mezzo) (from 1997-09-08 until 1997-09-10)
recorded at:
St. Andrew's Church in Toddington, Gloucestershire, England, United Kingdom (from 1997-09-08 until 1997-09-10)
recording of:
Pour down, you pow'rs divine (from 1997-09-08 until 1997-09-10)
composer:
Robert Parsons (composer)
Robert Parsons5:14
9Ut re mi
engineer and producer:
John Taylor (classical producer/engineer, often associated with Naxos recordings)
instruments:
Rose Consort of Viols (from 1997-09-08 until 1997-09-10)
recorded at:
St. Andrew's Church in Toddington, Gloucestershire, England, United Kingdom (from 1997-09-08 until 1997-09-10)
recording of:
Ut re mi fa sol la (from 1997-09-08 until 1997-09-10)
composer:
Robert Parsons (composer)
Robert Parsons6:09
10Quis me statim
engineer and producer:
John Taylor (classical producer/engineer, often associated with Naxos recordings)
instruments:
Rose Consort of Viols (from 1997-09-08 until 1997-09-10)
mezzo-soprano vocals:
Catherine King (English mezzo) (from 1997-09-08 until 1997-09-10)
recorded at:
St. Andrew's Church in Toddington, Gloucestershire, England, United Kingdom (from 1997-09-08 until 1997-09-10)
recording of:
Quis me statim (from 1997-09-08 until 1997-09-10)
composer:
William Byrd (English composer)
William Byrd2:34
11In Nomine no. 14 "Reporte"
engineer and producer:
John Taylor (classical producer/engineer, often associated with Naxos recordings)
instruments:
Rose Consort of Viols (from 1997-09-08 until 1997-09-10)
recorded at:
St. Andrew's Church in Toddington, Gloucestershire, England, United Kingdom (from 1997-09-08 until 1997-09-10)
recording of:
In Nomine a 5 "Reporte" (from 1997-09-08 until 1997-09-10)
composer:
Christopher Tye (English composer & organist, c. 1505–1573)
Christopher Tye2:15
12Penelope that longed
engineer and producer:
John Taylor (classical producer/engineer, often associated with Naxos recordings)
instruments:
Rose Consort of Viols (from 1997-09-08 until 1997-09-10)
mezzo-soprano vocals:
Catherine King (English mezzo) (from 1997-09-08 until 1997-09-10)
recorded at:
St. Andrew's Church in Toddington, Gloucestershire, England, United Kingdom (from 1997-09-08 until 1997-09-10)
recording of:
Penelope that longed (from 1997-09-08 until 1997-09-10)
composer:
William Byrd (English composer)
William Byrd3:20
13In Nomine no. 20 "Crye"
engineer and producer:
John Taylor (classical producer/engineer, often associated with Naxos recordings)
instruments:
Rose Consort of Viols (from 1997-09-08 until 1997-09-10)
recorded at:
St. Andrew's Church in Toddington, Gloucestershire, England, United Kingdom (from 1997-09-08 until 1997-09-10)
recording of:
In nomine "Crye" (from 1997-09-08 until 1997-09-10)
composer:
Christopher Tye (English composer & organist, c. 1505–1573)
Christopher Tye1:54
14Send forth thy sighs
engineer and producer:
John Taylor (classical producer/engineer, often associated with Naxos recordings)
instruments:
Rose Consort of Viols (from 1997-09-08 until 1997-09-10)
mezzo-soprano vocals:
Catherine King (English mezzo) (from 1997-09-08 until 1997-09-10)
recorded at:
St. Andrew's Church in Toddington, Gloucestershire, England, United Kingdom (from 1997-09-08 until 1997-09-10)
recording of:
Send forth thy sighs (from 1997-09-08 until 1997-09-10)
composer:
Nathaniel Patrick
Nathaniel Patrick2:57
15Climb not too high
engineer and producer:
John Taylor (classical producer/engineer, often associated with Naxos recordings)
instruments:
Rose Consort of Viols (from 1997-09-08 until 1997-09-10)
mezzo-soprano vocals:
Catherine King (English mezzo) (from 1997-09-08 until 1997-09-10)
recorded at:
St. Andrew's Church in Toddington, Gloucestershire, England, United Kingdom (from 1997-09-08 until 1997-09-10)
recording of:
Climb not too high (from 1997-09-08 until 1997-09-10)
composer:
Nathaniel Patrick
Nathaniel Patrick3:06
16De la court
engineer and producer:
John Taylor (classical producer/engineer, often associated with Naxos recordings)
instruments:
Rose Consort of Viols (from 1997-09-08 until 1997-09-10)
recorded at:
St. Andrew's Church in Toddington, Gloucestershire, England, United Kingdom (from 1997-09-08 until 1997-09-10)
recording of:
De la court (from 1997-09-08 until 1997-09-10)
composer:
Robert Parsons (composer)
Robert Parsons5:51
17Eliza, her name gives honour
engineer and producer:
John Taylor (classical producer/engineer, often associated with Naxos recordings)
instruments:
Rose Consort of Viols (from 1997-09-08 until 1997-09-10)
mezzo-soprano vocals:
Catherine King (English mezzo) (from 1997-09-08 until 1997-09-10)
recorded at:
St. Andrew's Church in Toddington, Gloucestershire, England, United Kingdom (from 1997-09-08 until 1997-09-10)
recording of:
Eliza, her name gives honour (from 1997-09-08 until 1997-09-10)
composer:
John Bennet (16th/17th century composer)
John Bennet1:47
18Pavan of Albarti
engineer and producer:
John Taylor (classical producer/engineer, often associated with Naxos recordings)
instruments:
Rose Consort of Viols (from 1997-09-08 until 1997-09-10)
recorded at:
St. Andrew's Church in Toddington, Gloucestershire, England, United Kingdom (from 1997-09-08 until 1997-09-10)
recording of:
Pavin of Albarti (from 1997-09-08 until 1997-09-10)
composer:
Innocenzio Alberti
Innocenzio Alberti1:16
19Gallyard
engineer and producer:
John Taylor (classical producer/engineer, often associated with Naxos recordings)
instruments:
Rose Consort of Viols (from 1997-09-08 until 1997-09-10)
recorded at:
St. Andrew's Church in Toddington, Gloucestershire, England, United Kingdom (from 1997-09-08 until 1997-09-10)
[anonymous]0:51
20O Jove, from stately throne
engineer and producer:
John Taylor (classical producer/engineer, often associated with Naxos recordings)
instruments:
Rose Consort of Viols (from 1997-09-08 until 1997-09-10)
mezzo-soprano vocals:
Catherine King (English mezzo) (from 1997-09-08 until 1997-09-10)
recorded at:
St. Andrew's Church in Toddington, Gloucestershire, England, United Kingdom (from 1997-09-08 until 1997-09-10)
recording of:
O Jove, from stately throne (from 1997-09-08 until 1997-09-10)
composer:
Richard Farrant
Richard Farrant2:14
21A Solfing Song
engineer and producer:
John Taylor (classical producer/engineer, often associated with Naxos recordings)
instruments:
Rose Consort of Viols (from 1997-09-08 until 1997-09-10)
recorded at:
St. Andrew's Church in Toddington, Gloucestershire, England, United Kingdom (from 1997-09-08 until 1997-09-10)
recording of:
A Solfing Song (from 1997-09-08 until 1997-09-10)
composer:
Thomas Tallis (composer)
Thomas Tallis2:52
22Ah, silly poor Joas
engineer and producer:
John Taylor (classical producer/engineer, often associated with Naxos recordings)
instruments:
Rose Consort of Viols (from 1997-09-08 until 1997-09-10)
mezzo-soprano vocals:
Catherine King (English mezzo) (from 1997-09-08 until 1997-09-10)
recorded at:
St. Andrew's Church in Toddington, Gloucestershire, England, United Kingdom (from 1997-09-08 until 1997-09-10)
[anonymous]1:32
23In Nomine
engineer and producer:
John Taylor (classical producer/engineer, often associated with Naxos recordings)
instruments:
Rose Consort of Viols (from 1997-09-08 until 1997-09-10)
recorded at:
St. Andrew's Church in Toddington, Gloucestershire, England, United Kingdom (from 1997-09-08 until 1997-09-10)
recording of:
In nomine (unspecified) (from 1997-09-08 until 1997-09-10)
composer:
Thomas Tallis (composer)
Thomas Tallis2:45
24Ye sacred Muses
engineer and producer:
John Taylor (classical producer/engineer, often associated with Naxos recordings)
instruments:
Rose Consort of Viols (from 1997-09-08 until 1997-09-10)
mezzo-soprano vocals:
Catherine King (English mezzo) (from 1997-09-08 until 1997-09-10)
recorded at:
St. Andrew's Church in Toddington, Gloucestershire, England, United Kingdom (from 1997-09-08 until 1997-09-10)
recording of:
Ye Sacred Muses (à 5) (from 1997-09-08 until 1997-09-10)
composer:
William Byrd (English composer)
William Byrd3:51