The First Three Albums

~ Pubblicazione di Buddy Holly & The Crickets (visualizza tutte le versioni di questa pubblicazione: 1 disponibile)

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1Oh Boy!
produttore:
Norman Petty
basso :
Joe B. Mauldin (double bassist, songwriter, and recording engineer) (il 1957-07-01)
batteria :
Jerry Allison (il 1957-07-01)
chitarra :
Buddy Holly (1950s rock & roll singer‐songwriter) (il 1957-07-01)
voce:
Buddy Holly (1950s rock & roll singer‐songwriter) (il 1957-07-01)
voce di accompagnamento:
Bob Lapham (il 1957-08-18), Bill Pickering (il 1957-08-18) e John Pickering (vocalist and leader of The Picks) (il 1957-08-18)
voce principale:
Buddy Holly (1950s rock & roll singer‐songwriter) (dal 1957-06-29 al 1957-07)
diritti fonografici (℗) detenuti da:
Geffen Records (nel 1957) e MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (nel 1957)
registrata presso:
Norman Petty Studios in Clovis, New Mexico, Stati Uniti (il 1957-07-01, il 1957-08-18)
registrazione di:
Oh, Boy! (dal 1957-07-01 al 1957-08-18)
autore:
Norman Petty, Bill Tilghman (songwriter) e Sonny West (American songwriter and musician Joseph “Sonny” West)
editore:
Melody Lane Publications Inc., Southern Music (publisher), Southern Music Publishing Co., Inc. ((ASCAP) tradename Peermusic) e Wren Music Co.
42:11
2Not Fade Away
produttore:
Norman Petty
basso :
Joe B. Mauldin (double bassist, songwriter, and recording engineer) (il 1957-05-27)
batteria :
Jerry Allison (il 1957-05-27, il 1957-05-29)
chitarra :
Buddy Holly (1950s rock & roll singer‐songwriter) (il 1957-05-27)
chitarra [lead guitar] , chitarra [rhythm guitar] e voce principale:
Buddy Holly (1950s rock & roll singer‐songwriter) (il 1957-05-29)
contrabbasso :
Joe B. Mauldin (double bassist, songwriter, and recording engineer) (il 1957-05-29)
voce:
Buddy Holly (1950s rock & roll singer‐songwriter) (il 1957-05-27)
voce di accompagnamento:
Jerry Allison (il 1957-05-29), Buddy Holly (1950s rock & roll singer‐songwriter) (il 1957-05-29) e Niki Sullivan (il 1957-05-29)
diritti fonografici (℗) detenuti da:
Geffen Records (nel 1957)
registrata presso:
Norman Petty Studios in Clovis, New Mexico, Stati Uniti (il 1957-05-27)
parte di:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 107)
registrazione di:
Not Fade Away (il 1957-05-27)
autore:
Charles Hardin Holley (1950s rock & roll singer‐songwriter), Charles Hardin (Charles Hardin Holley) e Norman Petty
editore:
McCartney Music, Inc., Melody Lane Publications Inc., MPL Communications (not for release label use! Paul McCartney-related, London-based company), MPL Communications Inc. (Paul McCartney‐related, NYC‐based company), Peermusic (Germany) GmbH, Peermusic (UK) Limited e Wren Music
registrazione di:
Not Fade Away (il 1957-05-29)
autore:
Charles Hardin Holley (1950s rock & roll singer‐songwriter), Charles Hardin (Charles Hardin Holley) e Norman Petty
editore:
McCartney Music, Inc., Melody Lane Publications Inc., MPL Communications (not for release label use! Paul McCartney-related, London-based company), MPL Communications Inc. (Paul McCartney‐related, NYC‐based company), Peermusic (Germany) GmbH, Peermusic (UK) Limited e Wren Music
4.652:23
3You’ve Got Love
registrata a:
Clovis, New Mexico, Stati Uniti (dal 1957-10-12 al 1957-10-14)
basso :
Joe B. Mauldin (double bassist, songwriter, and recording engineer) (il 1957-09-29)
batteria :
Jerry Allison (il 1957-09-29)
chitarra :
Buddy Holly (1950s rock & roll singer‐songwriter) (il 1957-09-29) e Niki Sullivan (il 1957-09-29)
voce:
Buddy Holly (1950s rock & roll singer‐songwriter) (il 1957-09-29)
voce di accompagnamento:
Bob Lapham (dal 1957-10-12 al 1957-10-14), Bill Pickering (dal 1957-10-12 al 1957-10-14) e John Pickering (vocalist and leader of The Picks) (dal 1957-10-12 al 1957-10-14)
registrata presso:
Officers Club (Tinker Air Force Base) in Oklahoma City, Oklahoma, Stati Uniti (il 1957-09-29)
registrazione di:
You’ve Got Love (dal 1957-09-29 al 1957-10-14)
autore:
Roy Orbison, Norman Petty e Johnny Wilson (aka Johnny A. Wilson & Peanuts Wilson)
52:07
4Maybe Baby
produttore:
Norman Petty
basso :
Joe B. Mauldin (double bassist, songwriter, and recording engineer) (il 1957-09-29)
batteria :
Jerry Allison (il 1957-09-29)
chitarra :
Buddy Holly (1950s rock & roll singer‐songwriter) (il 1957-09-29) e Niki Sullivan (il 1957-09-29)
voce:
Buddy Holly (1950s rock & roll singer‐songwriter) (il 1957-09-29)
voce di accompagnamento:
Bob Lapham (dal 1957-10-12 al 1957-10-14), Bill Pickering (dal 1957-10-12 al 1957-10-14) e John Pickering (vocalist and leader of The Picks) (dal 1957-10-12 al 1957-10-14)
diritti fonografici (℗) detenuti da:
Geffen Records (nel 1957) e MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (nel 1957)
registrata presso:
Officers Club (Tinker Air Force Base) in Oklahoma City, Oklahoma, Stati Uniti (il 1957-09-29) e Norman Petty Studios in Clovis, New Mexico, Stati Uniti (dal 1957-10-12 al 1957-10-14)
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1958 (recordings) (numero: 14)
registrazione di:
Maybe Baby (dal 1957-09-29 al 1957-10-14)
paroliere e compositore:
Buddy Holly (1950s rock & roll singer‐songwriter) e Norman Petty
editore:
Melody Lane Pub e MPL Communications Inc. (Paul McCartney‐related, NYC‐based company)
3.752:03
5It’s Too Late
produttore:
Norman Petty
batteria :
Jerry Allison (dal 1957-05 al 1957-07)
chitarra [lead guitar] , chitarra [rhythm guitar] e voce principale:
Buddy Holly (1950s rock & roll singer‐songwriter) (dal 1957-05 al 1957-07)
voce di accompagnamento:
The Picks (American vocal Quartet that backed Buddy Holly) (dal 1957-05 al 1957-07)
diritti fonografici (℗) detenuti da:
Geffen Records (nel 1957)
registrata presso:
Norman Petty Studios in Clovis, New Mexico, Stati Uniti (dal 1957-05 al 1957-07)
registrazione cover di:
It’s Too Late (dal 1957-05 al 1957-07)
paroliere e compositore:
Chuck Willis (American blues, rhythm and blues, and rock and roll singer and songwriter)
editore:
Chuck Willis Music Corp., Sony/ATV Songs LLC, Tideland Music Publishing Corp. e Unichappell Music, Inc.
52:24
6Tell Me How
produttore:
Norman Petty
chitarra [lead guitar] e voce principale:
Buddy Holly (1950s rock & roll singer‐songwriter) (dal 1957-05 al 1957-07)
chitarra [rhythm guitar] :
Buddy Holly (1950s rock & roll singer‐songwriter) (dal 1957-05 al 1957-07) e Niki Sullivan (dal 1957-05 al 1957-07)
contrabbasso :
Joe B. Mauldin (double bassist, songwriter, and recording engineer) (dal 1957-05 al 1957-07)
membranofono :
Jerry Allison (dal 1957-05 al 1957-07)
voce di accompagnamento:
Bob Lapham (dal 1957-10-12 al 1957-10-14), Bill Pickering (dal 1957-10-12 al 1957-10-14), John Pickering (vocalist and leader of The Picks) (dal 1957-10-12 al 1957-10-14) e The Picks (American vocal Quartet that backed Buddy Holly) (dal 1957-10-12 al 1957-10-14)
registrata presso:
Norman Petty Studios in Clovis, New Mexico, Stati Uniti (dal 1957-05 al 1957-07)
registrazione di:
Tell Me How (dal 1957-05 al 1957-10-14)
autore:
Jerry Allison, Buddy Holly (1950s rock & roll singer‐songwriter) e Norman Petty
editore:
BMG Platinum Songs US e Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
42:01
7That’ll Be the Day
produttore:
Norman Petty
batteria :
Jerry Allison (il 1957-02-25)
chitarra [lead guitar] e voce principale:
Buddy Holly (1950s rock & roll singer‐songwriter) (il 1957-02-25)
chitarra [rhythm guitar] :
Buddy Holly (1950s rock & roll singer‐songwriter) (il 1957-02-25) e Niki Sullivan (il 1957-02-25)
contrabbasso :
Larry Welborn (il 1957-02-25)
voce di accompagnamento:
June Clark (background vocals for The Crickets) (il 1957-02-25), Gary Tollett (il 1957-02-25), Niki Sullivan (il 1957-02-25) e Ramona Tollett (il 1957-02-25)
voce parlata [dialogue]:
Wolfman Jack (US disc jockey)
diritti fonografici (℗) detenuti da:
Geffen Records (nel 1957) e MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (nel 1957)
registrata presso:
Norman Petty Studios in Clovis, New Mexico, Stati Uniti (il 1957-02-25)
registrazione di:
That’ll Be the Day (il 1957-02-25)
autore:
Jerry Allison, Buddy Holly (1950s rock & roll singer‐songwriter) e Norman Petty
editore:
MPL Communications Inc. (Paul McCartney‐related, NYC‐based company), Nor-Va-Jak Music, Inc, Peermusic (UK) Limited, Southern Music (publisher), Wren Music Co. e MPL Communications (not for release label use! Paul McCartney-related, London-based company) (nel 1976)
4.62:17
8I’m Lookin’ for Someone to Love
chitarra :
Buddy Holly (1950s rock & roll singer‐songwriter)
registrazione di:
I’m Lookin’ for Someone to Love
autore:
Buddy Holly (1950s rock & roll singer‐songwriter) e Norman Petty
editore:
MPL Communications Inc. (Paul McCartney‐related, NYC‐based company) e Wren Music Co.
51:58
9An Empty Cup (and a Broken Date)
produttore:
Norman Petty
batteria :
Jerry Allison (dal 1957-09-27 al 1957-09-28)
chitarra [lead guitar] e voce principale:
Buddy Holly (1950s rock & roll singer‐songwriter) (dal 1957-09-27 al 1957-09-28)
chitarra [rhythm guitar] :
Buddy Holly (1950s rock & roll singer‐songwriter) (dal 1957-09-27 al 1957-09-28) e Niki Sullivan (dal 1957-09-27 al 1957-09-28)
contrabbasso :
Joe B. Mauldin (double bassist, songwriter, and recording engineer) (dal 1957-09-27 al 1957-09-28)
voce di accompagnamento:
The Picks (American vocal Quartet that backed Buddy Holly) (dal 1957-09-27 al 1957-09-28)
registrata presso:
Officers Club (Tinker Air Force Base) in Oklahoma City, Oklahoma, Stati Uniti (dal 1957-09-27 al 1957-09-28)
registrazione di:
An Empty Cup (and a Broken Date) (dal 1957-09-27 al 1957-09-28)
autore:
Roy Orbison e Norman Petty
editore:
Wren Music Co.
42:14
10Send Me Some Lovin’
produttore:
Norman Petty
batteria :
Jerry Allison (dal 1957-05 al 1957-07)
chitarra [lead guitar] e voce principale:
Buddy Holly (1950s rock & roll singer‐songwriter) (dal 1957-05 al 1957-07)
chitarra [rhythm guitar] :
Buddy Holly (1950s rock & roll singer‐songwriter) (dal 1957-05 al 1957-07) e Niki Sullivan (dal 1957-05 al 1957-07)
contrabbasso :
Joe B. Mauldin (double bassist, songwriter, and recording engineer) (dal 1957-05 al 1957-07)
voce di accompagnamento:
The Picks (American vocal Quartet that backed Buddy Holly) (dal 1957-05 al 1957-07)
registrata presso:
Norman Petty Studios in Clovis, New Mexico, Stati Uniti (dal 1957-05 al 1957-07)
registrazione di:
Send Me Some Lovin’ (dal 1957-05 al 1957-07)
paroliere:
Leo Price
compositore:
John Marascalco
editore:
ATV Music Corp., Robin Hood Music Co. e Sony/ATV Songs LLC
52:36
11Last Night
registrata a:
Clovis, New Mexico, Stati Uniti (dal 1957-10-12 al 1957-10-14)
produttore:
Norman Petty
batteria :
Jerry Allison (il 1957-03-01)
chitarra [lead guitar] e voce principale:
Buddy Holly (1950s rock & roll singer‐songwriter) (il 1957-03-01)
chitarra [rhythm guitar] :
Buddy Holly (1950s rock & roll singer‐songwriter) (il 1957-03-01) e Niki Sullivan (il 1957-03-01)
contrabbasso :
Joe B. Mauldin (double bassist, songwriter, and recording engineer) (il 1957-03-01)
voce di accompagnamento:
Bob Lapham (dal 1957-10-12 al 1957-10-14), Bill Pickering (dal 1957-10-12 al 1957-10-14), John Pickering (vocalist and leader of The Picks) (dal 1957-10-12 al 1957-10-14) e The Picks (American vocal Quartet that backed Buddy Holly) (dal 1957-10-12 al 1957-10-14)
registrata presso:
Norman Petty Studios in Clovis, New Mexico, Stati Uniti (il 1957-03-01)
registrazione di:
Last Night (dal 1957-03-01 al 1957-10-14)
autore:
Buddy Holly (1950s rock & roll singer‐songwriter), Joe B. Mauldin (double bassist, songwriter, and recording engineer) e Norman Petty
editore:
Wren Music Co.
51:55
12Rock Me My Baby
produttore:
Norman Petty
batteria :
Jerry Allison (dal 1957-09-27 al 1957-09-28)
chitarra [lead guitar] e voce principale:
Buddy Holly (1950s rock & roll singer‐songwriter) (dal 1957-09-27 al 1957-09-28)
chitarra [rhythm guitar] :
Buddy Holly (1950s rock & roll singer‐songwriter) (dal 1957-09-27 al 1957-09-28) e Niki Sullivan (dal 1957-09-27 al 1957-09-28)
contrabbasso :
Joe B. Mauldin (double bassist, songwriter, and recording engineer) (dal 1957-09-27 al 1957-09-28)
voce di accompagnamento:
The Picks (American vocal Quartet that backed Buddy Holly) (dal 1957-09-27 al 1957-09-28)
lavorazione tecnica effettuata presso:
Officers Club (Tinker Air Force Base) in Oklahoma City, Oklahoma, Stati Uniti (dal 1957-09-27 al 1957-09-28)
registrazione di:
Rock Me My Baby (dal 1957-09-27 al 1957-09-28)
autore:
Susan Heather e Shorty Long (1950s country/rockabilly artist)
editore:
Wren Music
51:50
13I’m Gonna Love You Too
produttore:
Norman Petty
basso :
Joe B. Mauldin (double bassist, songwriter, and recording engineer) (il 1957-07-01)
batteria :
Jerry Allison (il 1957-07-01)
chitarra :
Buddy Holly (1950s rock & roll singer‐songwriter) (il 1957-07-01)
voce:
Buddy Holly (1950s rock & roll singer‐songwriter) (il 1957-07-01)
diritti fonografici (℗) detenuti da:
Geffen Records (nel 1958) e MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (nel 1958)
registrata presso:
Norman Petty Studios in Clovis, New Mexico, Stati Uniti (il 1957-07-01)
registrazione di:
I’m Gonna Love You Too (dal 1957-06-29 al 1957-07-01)
autore:
Joe B. Mauldin (double bassist, songwriter, and recording engineer), Norman Petty e Niki Sullivan
editore:
MPL (Paul McCartney-related) (conclusa), Peermusic (UK) Ltd., Southern Music Publishing Company Limited, Wren Music Co. e MPL Communications Inc. (Paul McCartney‐related, NYC‐based company) (nel 1957, nel 1958)
4.52:15
14Peggy Sue
produttore:
Norman Petty
basso :
Joe B. Mauldin (double bassist, songwriter, and recording engineer) (il 1957-07-01)
batteria :
Jerry Allison (il 1957-07-01)
chitarra :
Buddy Holly (1950s rock & roll singer‐songwriter) (il 1957-07-01) e Niki Sullivan (il 1957-07-01)
voce:
Buddy Holly (1950s rock & roll singer‐songwriter) (il 1957-07-01)
diritti fonografici (℗) detenuti da:
Geffen Records (nel 1957) e MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (nel 1957)
registrata presso:
Norman Petty Studios in Clovis, New Mexico, Stati Uniti (il 1957-07-01)
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1957 (numero: 5), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 194) e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 370)
registrazione di:
Peggy Sue (dal 1957-06-29 al 1957-07-01)
autore:
Jerry Allison, Buddy Holly (1950s rock & roll singer‐songwriter) e Norman Petty
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), McCartney Music, Melody Lane Publications Inc., MPL Communications Inc. (Paul McCartney‐related, NYC‐based company), MPL Musik Verlags GmbH (do not use as a release label! this is a music publisher), Peermusic (UK) Limited, Southern Music (publisher) e Wren Music Co.
4.52:31
15Look at Me
produttore:
Norman Petty
basso :
Joe B. Mauldin (double bassist, songwriter, and recording engineer) (il 1957-12-19)
chitarra :
Buddy Holly (1950s rock & roll singer‐songwriter) (il 1957-12-19)
percussione [cardboard box] :
Jerry Allison (il 1957-12-19)
pianoforte :
Vi Petty (il 1957-12-19)
voce:
Buddy Holly (1950s rock & roll singer‐songwriter) (il 1957-12-19)
diritti fonografici (℗) detenuti da:
Geffen Records (nel 1958) e MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (nel 1958)
registrata presso:
Norman Petty Studios in Clovis, New Mexico, Stati Uniti (il 1957-12-19)
registrazione di:
Look at Me (dal 1957-05 al 1957-07)
autore:
Jerry Allison, Buddy Holly (1950s rock & roll singer‐songwriter) e Norman Petty
editore:
MPL Communications Inc. (Paul McCartney‐related, NYC‐based company), Southern Music (publisher) e Wren Music Co.
52:06
16Listen to Me
produttore:
Norman Petty
basso :
Joe B. Mauldin (double bassist, songwriter, and recording engineer) (il 1957-07-01)
batteria :
Jerry Allison (il 1957-07-01)
chitarra :
Buddy Holly (1950s rock & roll singer‐songwriter) (il 1957-07-01) e Niki Sullivan (il 1957-07-01)
voce:
Buddy Holly (1950s rock & roll singer‐songwriter) (il 1957-07-01)
diritti fonografici (℗) detenuti da:
Geffen Records (nel 1958) e MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (nel 1969)
registrata presso:
Norman Petty Studios in Clovis, New Mexico, Stati Uniti (il 1957-07-01)
registrazione di:
Listen to Me (dal 1957-06-29 al 1957-07-01)
paroliere e compositore:
Buddy Holly (1950s rock & roll singer‐songwriter)
autore:
Norman Petty
editore:
MPL Communications Inc. (Paul McCartney‐related, NYC‐based company), Southern Music (publisher) e Wren Music Co.
3.52:22
17Valley of Tears
produttore:
Norman Petty
basso :
Joe B. Mauldin (double bassist, songwriter, and recording engineer) (dal 1957-05 al 1957-07)
batteria :
Jerry Allison (dal 1957-05 al 1957-07)
chitarra :
Buddy Holly (1950s rock & roll singer‐songwriter) (dal 1957-05 al 1957-07)
organo :
Norman Petty (dal 1957-05 al 1957-07)
pianoforte :
Vi Petty (dal 1957-05 al 1957-07)
voce:
Buddy Holly (1950s rock & roll singer‐songwriter) (dal 1957-05 al 1957-07)
registrata presso:
Norman Petty Studios in Clovis, New Mexico, Stati Uniti (dal 1957-05 al 1957-07)
registrazione cover di:
Valley of Tears (dal 1957-05 al 1957-07)
paroliere e compositore:
Antoine Dominique Domino (Fats Domino) e Dave Bartholomew
editore:
EMI Unart Catalog Inc., Francis, Day & Hunter e Travis Music Co.
2:09
18Ready Teddy
produttore:
Norman Petty
basso :
Joe B. Mauldin (double bassist, songwriter, and recording engineer) (dal 1957-05 al 1957-07)
batteria :
Jerry Allison (dal 1957-05 al 1957-07)
chitarra :
Buddy Holly (1950s rock & roll singer‐songwriter) (dal 1957-05 al 1957-07) e Niki Sullivan (dal 1957-05 al 1957-07)
pianoforte :
Vi Petty (dal 1957-05 al 1957-07)
voce:
Buddy Holly (1950s rock & roll singer‐songwriter) (dal 1957-05 al 1957-07)
registrata presso:
Norman Petty Studios in Clovis, New Mexico, Stati Uniti (dal 1957-05 al 1957-07)
registrazione cover di:
Ready Teddy (dal 1957-05 al 1957-07)
paroliere e compositore:
Robert “Bumps” Blackwell e John Marascalco
editore:
Aberbach Ltd. (publisher), ABG Elvis Songs, Elvis Presley Music, Elvis Presley Music Inc., Robin Hood Music Co., Songs of Kobalt Music Publishing, Sony/ATV Songs LLC e Venice Music, Inc.
51:33
19Everyday
produttore:
Norman Petty
basso :
Joe B. Mauldin (double bassist, songwriter, and recording engineer) (il 1957-05-29)
celesta :
Vi Petty (il 1957-05-29)
chitarra e voce principale:
Buddy Holly (1950s rock & roll singer‐songwriter) (il 1957-05-29)
percussione [cardboard box percussion] :
Jerry Allison (il 1957-05-29)
voce:
Buddy Holly (1950s rock & roll singer‐songwriter) (il 1957-05-29)
voce di accompagnamento:
Jerry Allison (il 1957-05-29), Buddy Holly (1950s rock & roll singer‐songwriter) (il 1957-05-29) e Niki Sullivan (il 1957-05-29)
diritti fonografici (℗) detenuti da:
Geffen Records (nel 1957) e MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (nel 1957)
registrata presso:
Norman Petty Studios in Clovis, New Mexico, Stati Uniti (il 1957-05-29)
parte di:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 236)
registrazione di:
Everyday (il 1957-05-27)
autore:
Buddy Holly (1950s rock & roll singer‐songwriter) e Norman Petty
editore:
Peer International Corporation (BMI) e Southern Music Publishing Co., Inc. ((ASCAP) tradename Peermusic)
4.852:09
20Mailman, Bring Me No More Blues
produttore:
Norman Petty
basso :
Joe B. Mauldin (double bassist, songwriter, and recording engineer) (il 1957-04-08)
batteria :
Jerry Allison (il 1957-04-08)
chitarra :
Buddy Holly (1950s rock & roll singer‐songwriter) (il 1957-04-08)
pianoforte :
Vi Petty (il 1957-04-08)
voce:
Buddy Holly (1950s rock & roll singer‐songwriter) (il 1957-04-08)
registrata presso:
Norman Petty Studios in Clovis, New Mexico, Stati Uniti (il 1957-04-08)
registrazione cover di:
Mailman, Bring Me No More Blues (il 1957-04-08)
autore:
Bill Katz, Ruth Roberts e Bob Thiele (producer & songwriter)
editore:
Peermusic (UK) Limited e Southern Music Publishing Co., Inc. ((ASCAP) tradename Peermusic)
42:13
21Words of Love
produttore:
Norman Petty
basso :
Joe B. Mauldin (double bassist, songwriter, and recording engineer) (il 1957-04-08)
batteria :
Jerry Allison (il 1957-04-08)
chitarra :
Buddy Holly (1950s rock & roll singer‐songwriter) (il 1957-04-08)
voce:
Buddy Holly (1950s rock & roll singer‐songwriter) (il 1957-04-08)
diritti fonografici (℗) detenuti da:
Geffen Records (nel 1957)
registrata presso:
Norman Petty Studios in Clovis, New Mexico, Stati Uniti (il 1957-04-08)
registrazione cover di:
Words of Love (Buddy Holly song) (il 1957-04-08)
paroliere e compositore:
Buddy Holly (1950s rock & roll singer‐songwriter)
editore:
MPL Communications Inc. (Paul McCartney‐related, NYC‐based company), Nor Va Jack Music Inc., Peermusic (UK) Ltd. e Southern Music Publishing Company Limited
registrazione di:
Words of Love (Buddy Holly song)
paroliere e compositore:
Buddy Holly (1950s rock & roll singer‐songwriter)
editore:
MPL Communications Inc. (Paul McCartney‐related, NYC‐based company), Nor Va Jack Music Inc., Peermusic (UK) Ltd. e Southern Music Publishing Company Limited
41:56
22You’re So Square
produttore:
Norman Petty
basso :
Joe B. Mauldin (double bassist, songwriter, and recording engineer) (il 1957-12-19)
batteria :
Jerry Allison (il 1957-12-19)
chitarra :
Buddy Holly (1950s rock & roll singer‐songwriter) (il 1957-12-19)
voce:
Buddy Holly (1950s rock & roll singer‐songwriter) (il 1957-12-19)
diritti fonografici (℗) detenuti da:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (nel 1958)
registrata presso:
Norman Petty Studios in Clovis, New Mexico, Stati Uniti (il 1957-12-19)
registrazione cover di:
(You’re So Square) Baby I Don’t Care (il 1957-12-19)
paroliere:
Jerry Leiber (nel 1957)
compositore:
Mike Stoller (nel 1957)
editore:
Belinda (London) Ltd. (publisher), Carlin Music Corporation, Elvis Presley Music Inc., Gladys Music, Jerry Leiber Music, Mike Stoller Music (ASCAP), Sony/ATV Songs LLC e WB Music Corp. (1929–2019)
51:37
23Rave On
registrata a:
New York, New York, Stati Uniti (il 1958-01-25)
produttore:
Milton DeLugg, Norman Petty e Bob Thiele (producer & songwriter)
basso :
Joe B. Mauldin (double bassist, songwriter, and recording engineer) (il 1958-01-25, il 1958-01-26)
batteria :
Jerry Allison (il 1958-01-25, il 1958-01-26)
chitarra :
Donald Amone (il 1958-01-25), Al Caiola (il 1958-01-25) e Buddy Holly (1950s rock & roll singer‐songwriter) (il 1958-01-26)
pianoforte :
Norman Petty (il 1958-01-25, il 1958-01-26)
voce:
Buddy Holly (1950s rock & roll singer‐songwriter) (il 1958-01-25, il 1958-01-26)
voce di accompagnamento:
Robert Bollinger (il 1958-01-25), Robert Harter (il 1958-01-25), Abby Hoffer (il 1958-01-25), William Marine (il 1958-01-25) e Merril Ostrus (il 1958-01-25)
diritti fonografici (℗) detenuti da:
Geffen Records (nel 1958) e MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (nel 1958)
registrata presso:
Bell Sound Studios in New York, New York, Stati Uniti (il 1958-01-26)
parte di:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 154)
registrazione cover di:
Rave On (il 1958-01-26)
autore:
Norman Petty, Bill Tilghman (songwriter) e Sonny West (American songwriter and musician Joseph “Sonny” West)
editore:
Melody Lane Publications Inc., Nor-Va-Jak Music, Southern Music (publisher) e Wren Music Co.
4.21:51
24Little Baby
produttore:
Norman Petty
basso :
Joe B. Mauldin (double bassist, songwriter, and recording engineer) (il 1957-12-19)
batteria :
Jerry Allison (il 1957-12-19)
chitarra :
Buddy Holly (1950s rock & roll singer‐songwriter) (il 1957-12-19)
pianoforte :
C. W. Kendall (il 1957-12-19)
voce:
Buddy Holly (1950s rock & roll singer‐songwriter) (il 1957-12-19)
registrata presso:
Norman Petty Studios in Clovis, New Mexico, Stati Uniti (dal 1957-05 al 1957-07)
registrazione di:
Little Baby (dal 1957-05 al 1957-07)
autore:
Buddy Holly (1950s rock & roll singer‐songwriter), C. W. Kendall e Norman Petty
editore:
BMG Platinum Songs US, Mellin Music, Peer International Corporation (BMI) e Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
51:56
25You Are My One Desire
registrazione di:
You Are My One Desire
autore:
Don Guess (best known for his association with Buddy Holly) e Jack Neal
editore:
Palace Music, Unichappell Music, Inc. e Valley Music Ltd (publisher)
2:25
26Blue Days, Black Nights
registrazione di:
Blue Days, Black Nights
paroliere e compositore:
Ben Hall (Texas based singer, songwriter, label owner, active 1950s/60s; studio owner through 1990s)
editore:
Palace Music, Unichappell Music, Inc. e Valley Publishers, Inc. (not to be confused with Valley Pub. Inc)
2:05
27Modern Don Juan
registrazione di:
Modern Don Juan
autore:
Don Guess (best known for his association with Buddy Holly) e Jack Neal
editore:
Cedarwood Music e Universal Cedarwood Publishing
2:42
28Rock Around With Ollie Vee
registrazione di:
Rock Around With Ollie Vee
autore:
Sonny Curtis
editore:
Palace Music, Skol Music (BMI-affiliated) e Valley Publishers, Inc. (not to be confused with Valley Pub. Inc)
2:13
29Ting-a-Ling
registrazione cover di:
Ting-a-Ling
paroliere e compositore:
Ahmet Ertegun (US songwriter/producer)
autore:
Nugetre (US songwriter/producer)
editore:
Carlin Music Corp., Cedarwood Music e Unichappell Music, Inc.
2:42
30Girl on My Mind
registrazione di:
Girl on My Mind
autore:
Don Guess (best known for his association with Buddy Holly)
editore:
Cedarwood Pub. Co., Inc., Southern Music (publisher) e Universal Cedarwood Publishing
2:18
31That’ll Be the Day
parte di:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 39) e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 124)
registrazione di:
That’ll Be the Day (nel 1956)
autore:
Jerry Allison, Buddy Holly (1950s rock & roll singer‐songwriter) e Norman Petty
editore:
MPL Communications Inc. (Paul McCartney‐related, NYC‐based company), Nor-Va-Jak Music, Inc, Peermusic (UK) Limited, Southern Music (publisher), Wren Music Co. e MPL Communications (not for release label use! Paul McCartney-related, London-based company) (nel 1976)
2:31
32Love Me
registrazione di:
Love Me (Buddy Holly Song)
autore:
Buddy Holly (1950s rock & roll singer‐songwriter) e Sue Parrish
editore:
BMG Platinum Songs US, Cedarwood Pub. Co., Inc., Southern Music (publisher) e Universal Cedarwood Publishing
2:08
33I’m Changin’ All Those Changes
registrazione di:
I’m Changing All These Changes
paroliere e compositore:
Buddy Holly (1950s rock & roll singer‐songwriter)
editore:
Cedarwood Music e Cedarwood Pub. Co., Inc.
32:15
34Don’t Come Back Knockin’
registrazione di:
Don’t Come Back Knockin’
autore:
Buddy Holly (1950s rock & roll singer‐songwriter) e Sue Parrish
editore:
BMG Platinum Songs US, Palace Music, Unichappell Music, Inc. e Valley Publishers, Inc. (not to be confused with Valley Pub. Inc)
2:15
35Midnight Shift
registrazione di:
Midnight Shift
autore:
Jimmie Ainsworth e Earl Lee (Luke McDaniel, track "Midnight Shift")
editore:
Good Music (UK Publisher (1950s - 1970s)) e Sony Tree Publishing Co., Inc.
2:11
36Rock Around With Ollie Vee (version 2)
registrazione di:
Rock Around With Ollie Vee
autore:
Sonny Curtis
editore:
Palace Music, Skol Music (BMI-affiliated) e Valley Publishers, Inc. (not to be confused with Valley Pub. Inc)
2:20

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Gruppo di pubblicazioni

comprende:Buddy Holly di Buddy Holly (1950s rock & roll singer‐songwriter)
That’ll Be the Day di Buddy Holly (1950s rock & roll singer‐songwriter)
The “Chirping” Crickets di The Crickets (band originally with Buddy Holly)