Jazz Originals, Volume 2

~ Release by Abbey Lincoln (see all versions of this release, 1 available)

Tracklist

1▼Digital Media
#TitleArtistRatingLength
1Afro-Blue
recorded in:
New York, New York, United States (in 1959)
engineer:
Jack Higgins (recording engineer)
producer:
Orrin Keepnews
double bass:
Bobby Boswell (in 1959)
drums (drum set):
Max Roach (20th century US jazz drummer & composer) (in 1959)
tenor saxophone:
Stanley Turrentine (in 1959)
trombone:
Julian Priester (in 1959)
trumpet:
Tommy Turrentine (in 1959)
vocals:
Abbey Lincoln (in 1959)
cover recording of:
Afro Blue (in 1959)
composer:
Mongo Santamaría (Cuban jazz percussionist)
publisher:
Mongo Music
Abbey Lincoln3:22
2Lonely House
recorded in:
New York, New York, United States (in 1959)
engineer:
Jack Higgins (recording engineer)
producer:
Orrin Keepnews
double bass:
Sam Jones (US jazz bassist) (in 1959)
drums (drum set):
Philly Joe Jones (US jazz drummer) (in 1959)
guitar:
Les Spann (in 1959)
piano:
Wynton Kelly (in 1959)
trumpet:
Kenny Dorham (US jazz trumpeter, singer, and composer) (in 1959)
vocals:
Abbey Lincoln (in 1959)
cover recording of:
Lonely House (from “Street Scene”) (in 1959)
lyricist:
Langston Hughes
composer:
Kurt Weill (composer)
is based on:
Street Scene: Act I. No. 10 "Lonely House" (Sam Kaplan)
Abbey Lincoln3:42
3Let Up
recorded in:
New York, New York, United States (in 1959)
engineer:
Jack Higgins (recording engineer)
producer:
Jean-Philippe Allard and Orrin Keepnews
double bass:
Bobby Boswell (in 1959)
drums (drum set):
Max Roach (20th century US jazz drummer & composer) (in 1959)
piano:
Cedar Walton (in 1959)
tenor saxophone:
Stanley Turrentine (in 1959)
trombone:
Julian Priester (in 1959)
trumpet:
Tommy Turrentine (in 1959)
vocals:
Abbey Lincoln (in 1959)
recording of:
Let Up
lyricist and composer:
Abbey Lincoln
Abbey Lincoln5:32
4Thursday's Child
recorded in:
New York, New York, United States (in 1959)
engineer:
Jack Higgins (recording engineer)
producer:
Orrin Keepnews
double bass:
Sam Jones (US jazz bassist) (in 1959)
drums (drum set):
Philly Joe Jones (US jazz drummer) (in 1959)
guitar:
Les Spann (in 1959)
piano:
Wynton Kelly (in 1959)
trumpet:
Kenny Dorham (US jazz trumpeter, singer, and composer) (in 1959)
vocals:
Abbey Lincoln (in 1959)
recording of:
Thursday’s Child (in 1959)
lyricist:
Elisse Boyd
composer:
Murray Grand
Abbey Lincoln3:33
5Brother, Where Are You
recorded in:
New York, New York, United States (in 1959)
engineer:
Jack Higgins (recording engineer)
producer:
Orrin Keepnews
flute:
Les Spann (in 1959)
vocals:
Abbey Lincoln (in 1959)
recording of:
Brother Where Are You? (in 1959)
writer:
Oscar Brown Jr. (US jazz singer-songwriter from Chicago) and Norman Curtis
arranger:
Stefan Lievestro (Dutch jazz bassist)
Abbey Lincoln3:12
6Laugh, Clown, Laugh
recorded in:
New York, New York, United States (in 1959)
engineer:
Jack Higgins (recording engineer)
producer:
Orrin Keepnews
double bass:
Bobby Boswell (in 1959)
drums (drum set):
Max Roach (20th century US jazz drummer & composer) (in 1959)
piano:
Cedar Walton (in 1959)
tenor saxophone:
Stanley Turrentine (in 1959)
trombone:
Julian Priester (in 1959)
trumpet:
Tommy Turrentine (in 1959)
vocals:
Abbey Lincoln (in 1959)
cover recording of:
Laugh! Clown! Laugh! (in 1959)
lyricist:
Sam M. Lewis (1930s lyricist) and Joe Young (US lyricist)
composer:
Ted Fio Rito
Abbey Lincoln5:27
7Come Sunday
cover recording of:
Come Sunday (1958 revision with lyrics)
lyricist and composer:
Duke Ellington (US composer, pianist & jazz bandleader)
version of:
Black, Brown, and Beige: I. Black: Come Sunday (part of the 1943 original "Black, Brown, and Beige" suite)
part of:
Black, Brown, and Beige (1958 revised version of the "Black, Brown, and Beige" suite)
Abbey Lincoln5:15
8Softly, as in a Morning Sunrise
recorded in:
New York, New York, United States (in 1959)
engineer:
Jack Higgins (recording engineer)
producer:
Orrin Keepnews
double bass:
Sam Jones (US jazz bassist) (in 1959)
drums (drum set):
Philly Joe Jones (US jazz drummer) (in 1959)
guitar:
Les Spann (in 1959)
piano:
Phil Wright (American jazz pianist and assistant to Barbara Morrison) (in 1959)
trumpet:
Kenny Dorham (US jazz trumpeter, singer, and composer) (in 1959)
vocals:
Abbey Lincoln (in 1959)
cover recording of:
Softly, as in a Morning Sunrise (The New Moon) (in 1959)
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein) (in 1928)
composer:
Sigmund Romberg (in 1928)
publisher:
Bambalina Music Publishing Company, Chappell & Co Ltd., Chappell Music Ltd., Redwood Music Ltd. (Carlin) and Warner Bros., Inc. (not for release label use!)
part of:
The New Moon: Act I
Abbey Lincoln2:48
9Lost in the Stars
recorded in:
New York, New York, United States (in 1959)
engineer:
Jack Higgins (recording engineer)
producer:
Orrin Keepnews
bass and double bass:
Sam Jones (US jazz bassist) (in 1959)
drums (drum set):
Philly Joe Jones (US jazz drummer) (in 1959)
guitar:
Les Spann (in 1959)
piano:
Phil Wright (American jazz pianist and assistant to Barbara Morrison) (in 1959)
trumpet:
Kenny Dorham (US jazz trumpeter, singer, and composer) (in 1959)
vocals:
Abbey Lincoln (in 1959)
cover recording of:
Lost in the Stars (song, Ulysses Africanus) (in 1959)
lyricist:
Maxwell Anderson
composer:
Kurt Weill (composer)
publisher:
Chappell & Co., Inc. (USA) and Hampshire House Publishing Corp.
part of:
Lost in the Stars, Act I
Abbey Lincoln4:13
10Long as You're Living
recorded in:
New York, New York, United States (in 1959)
engineer:
Jack Higgins (recording engineer)
producer:
Orrin Keepnews
double bass:
Bobby Boswell (in 1959)
drums (drum set):
Max Roach (20th century US jazz drummer & composer) (in 1959)
tenor saxophone:
Stanley Turrentine (in 1959)
trombone:
Julian Priester (in 1959)
trumpet:
Tommy Turrentine (in 1959)
vocals:
Abbey Lincoln (in 1959)
cover recording of:
Long as You’re Living (lyrics) (in 1959)
lyricist:
Oscar Brown Jr. (US jazz singer-songwriter from Chicago)
composer:
Julian Priester and Tommy Turrentine
version of:
Long as You're Living
Abbey Lincoln22:33
11I Am in Love
baritone saxophone and flute:
Sahib Shihab (American jazz musician) (on 1958-08-15)
double bass:
Sam Jones (US jazz bassist) (on 1958-08-15)
drums (drum set):
Jo Jones (US jazz drummer) (on 1958-08-15)
piano:
Wynton Kelly (on 1958-08-15)
tenor saxophone:
Benny Golson (American jazz saxophonist and composer) (on 1958-08-15)
trombone:
Curtis Fuller (on 1958-08-15)
trumpet:
Art Farmer (on 1958-08-15)
vocals:
Abbey Lincoln (on 1958-08-15)
cover recording of:
I Am in Love (Can-Can musical) (on 1958-08-15)
lyricist and composer:
Cole Porter (composer) (in 1953)
Abbey Lincoln2:51
12It's Magic
double bass:
Sam Jones (US jazz bassist) (on 1958-08-15)
drums (drum set):
Jo Jones (US jazz drummer) (on 1958-08-15)
piano:
Wynton Kelly (on 1958-08-15)
tenor saxophone:
Benny Golson (American jazz saxophonist and composer) (on 1958-08-15)
trumpet:
Art Farmer (on 1958-08-15)
vocals:
Abbey Lincoln (on 1958-08-15)
recording of:
It’s Magic (on 1958-08-15)
lyricist:
Sammy Cahn
composer:
Jule Styne
publisher:
Warner Chappell Music Ltd. (no slash; used 1988–1996)
part of:
The 21st Academy Award for Best Original Song (number: 2)
part of:
Romance on the High Seas
Abbey Lincoln4:06
13Just for Me
baritone saxophone and flute:
Jerome Richardson (on 1958-07-24)
double bass:
Paul Chambers (US jazz bassist) (on 1958-07-24)
drums (drum set):
Jo Jones (US jazz drummer) (on 1958-07-24)
piano:
Wynton Kelly (on 1958-07-24)
tenor saxophone:
Benny Golson (American jazz saxophonist and composer) (on 1958-07-24)
trombone:
Curtis Fuller (on 1958-07-24)
trumpet:
Kenny Dorham (US jazz trumpeter, singer, and composer) (on 1958-07-24)
vocals:
Abbey Lincoln (on 1958-07-24)
Abbey Lincoln3:38
14An Occasional Man
baritone saxophone and flute:
Jerome Richardson (on 1958-07-24)
double bass:
Paul Chambers (US jazz bassist) (on 1958-07-24)
drums (drum set):
Jo Jones (US jazz drummer) (on 1958-07-24)
piano:
Wynton Kelly (on 1958-07-24)
tenor saxophone:
Benny Golson (American jazz saxophonist and composer) (on 1958-07-24)
trombone:
Curtis Fuller (on 1958-07-24)
trumpet:
Kenny Dorham (US jazz trumpeter, singer, and composer) (on 1958-07-24)
vocals:
Abbey Lincoln (on 1958-07-24)
cover recording of:
An Occasional Man (on 1958-07-24)
writer:
Ralph Blane and Hugh Martin
publisher:
Saunders Publications
Abbey Lincoln3:26
15Ain't Nobody's Business
Abbey Lincoln4:32
16Out of the Past
double bass:
Sam Jones (US jazz bassist) (on 1958-08-15)
drums (drum set):
Jo Jones (US jazz drummer) (on 1958-08-15)
piano:
Wynton Kelly (on 1958-08-15)
tenor saxophone:
Benny Golson (American jazz saxophonist and composer) (on 1958-08-15)
trumpet:
Art Farmer (on 1958-08-15)
vocals:
Abbey Lincoln (on 1958-08-15)
cover recording of:
Out of the Past (on 1958-08-15)
lyricist:
Jon Hendricks
composer:
Benny Golson (American jazz saxophonist and composer)
Abbey Lincoln4:49
17Music, Maestro, Please!
recording of:
Music Maestro Please
lyricist:
Herb Magidson (in 1938)
composer:
Allie Wrubel (US composer and songwriter) (in 1938)
medley of:
Spela maestro
Abbey Lincoln3:21
18Love
Abbey Lincoln2:44
19Exactly Like You
cover recording of:
Exactly Like You
lyricist:
Dorothy Fields (American librettist and lyricist) (in 1930)
writer:
Fritz Löhner-Beda (librettist, lyricist, writer)
composer:
Jimmy McHugh (songwriter) (in 1930)
Abbey Lincoln2:58
20Little Niles
producer:
Jean-Philippe Allard
double bass:
Sam Jones (US jazz bassist) (on 1958-08-15)
drums (drum set):
Jo Jones (US jazz drummer) (on 1958-08-15)
piano:
Wynton Kelly (on 1958-08-15)
tenor saxophone:
Benny Golson (American jazz saxophonist and composer) (on 1958-08-15)
trumpet:
Art Farmer (on 1958-08-15)
vocals:
Abbey Lincoln (on 1958-08-15)
cover recording of:
Little Niles (on 1958-08-15)
composer:
Randy Weston
Abbey Lincoln5:04
21Driva'Man
Abbey Lincoln / Max Roach5:15
22Freedom Day
recording of:
Freedom Day
lyricist:
Oscar Brown Jr. (US jazz singer-songwriter from Chicago)
composer:
Max Roach (20th century US jazz drummer & composer)
Abbey Lincoln / Max Roach6:07
23Triptych (Prayer - Protest - Peace)
Abbey Lincoln / Max Roach8:06
24All Africa
engineer:
Bob d’Orleans
producer:
Nat Hentoff
congas:
Babatunde Olatunji (from 1960-08-31 until 1960-09-06)
drums (drum set):
Max Roach (20th century US jazz drummer & composer) (from 1960-08-31 until 1960-09-06)
percussion:
Tomas DuVall (from 1960-08-31 until 1960-09-06) and Ray Mantilla (from 1960-08-31 until 1960-09-06)
trumpet:
Booker Little (from 1960-08-31 until 1960-09-06)
vocals:
Abbey Lincoln (from 1960-08-31 until 1960-09-06) and Babatunde Olatunji (from 1960-08-31 until 1960-09-06)
recording of:
All Africa
lyricist:
Oscar Brown Jr. (US jazz singer-songwriter from Chicago)
composer:
Max Roach (20th century US jazz drummer & composer)
Abbey Lincoln / Max Roach8:03
25Tears for Johannesburg
engineer:
Bob d’Orleans
producer:
Nat Hentoff
congas:
Babatunde Olatunji (from 1960-08-31 until 1960-09-06)
double bass:
James Schenck (from 1960-08-31 until 1960-09-06)
drums (drum set):
Max Roach (20th century US jazz drummer & composer) (from 1960-08-31 until 1960-09-06)
percussion:
Tomas DuVall (from 1960-08-31 until 1960-09-06) and Ray Mantilla (from 1960-08-31 until 1960-09-06)
tenor saxophone:
Walter Benton (from 1960-08-31 until 1960-09-06)
trombone:
Julian Priester (from 1960-08-31 until 1960-09-06)
trumpet:
Booker Little (from 1960-08-31 until 1960-09-06)
vocals:
Abbey Lincoln (from 1960-08-31 until 1960-09-06) and Babatunde Olatunji (from 1960-08-31 until 1960-09-06)
recording of:
Tears for Johannesburg (from 1960-08-31 until 1960-09-06)
composer:
Max Roach (20th century US jazz drummer & composer)
Abbey Lincoln / Max Roach9:43
26Lonesome Lover
Abbey Lincoln / Max Roach7:02
27I Concentrate on You
Abbey Lincoln / Max Roach4:40
28Never Leave Me
Abbey Lincoln / Max Roach6:41