20th Century

~ Release by Pierre Boulez (see all versions of this release, 1 available)

Tracklist

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#TitleArtistRatingLength
1Cantata Profana "The Enchanted Stags", Sz. 94: I. There Was Once an Old Man
producer:
Karl-August Naegler (balance engineer)
editor:
Oliver Rogalla
baritone vocals:
John Tomlinson (English operatic bass) (in 1991-12)
choir vocals:
Chicago Symphony Chorus (in 1991-12)
tenor vocals:
John Aler (tenor) (in 1991-12)
orchestra:
Chicago Symphony Orchestra (in 1991-12)
conductor:
Pierre Boulez (composer and conductor) (in 1991-12)
chorus master:
Margaret Hillis (chorus master) (in 1991-12)
balance engineer:
Rainer Maillard
recorded at:
Symphony Center: Orchestra Hall in Chicago, Illinois, United States (in 1991-12)
recording of:
Cantata profana for tenor, baritone, double chorus & orchestra (or piano), Sz. 94, BB 100 "The Enchanted Stags": I. Molto moderato. Once there was an old man (in 1991-12)
composer:
Bartók Béla (Béla Bartók, composer) (in 1930)
part of:
Cantata profana for tenor, baritone, double chorus & orchestra (or piano), Sz. 94, BB 100 “The Enchanted Stags” (1955 English version, translated by Robert Shaw)
Béla Bartók7:00
2Cantata Profana "The Enchanted Stags", Sz. 94: II. But Their Father Grew Impatient
producer:
Karl-August Naegler (balance engineer)
editor:
Oliver Rogalla
baritone vocals:
John Tomlinson (English operatic bass) (in 1991-12)
choir vocals:
Chicago Symphony Chorus (in 1991-12)
tenor vocals:
John Aler (tenor) (in 1991-12)
orchestra:
Chicago Symphony Orchestra (in 1991-12)
conductor:
Pierre Boulez (composer and conductor) (in 1991-12)
chorus master:
Margaret Hillis (chorus master) (in 1991-12)
balance engineer:
Rainer Maillard
recorded at:
Symphony Center: Orchestra Hall in Chicago, Illinois, United States (in 1991-12)
recording of:
Cantata profana for tenor, baritone, double chorus & orchestra (or piano), Sz. 94, BB 100 "The Enchanted Stags": II. Andante. Through forest aroving, hey-yah! (in 1991-12)
composer:
Bartók Béla (Béla Bartók, composer) (in 1930)
part of:
Cantata profana for tenor, baritone, double chorus & orchestra (or piano), Sz. 94, BB 100 “The Enchanted Stags” (1955 English version, translated by Robert Shaw)
Béla Bartók8:00
3Cantata Profana "The Enchanted Stags", Sz. 94: III. There Was Once an Old Man
producer:
Karl-August Naegler (balance engineer)
editor:
Oliver Rogalla
baritone vocals:
John Tomlinson (English operatic bass) (in 1991-12)
choir vocals:
Chicago Symphony Chorus (in 1991-12)
tenor vocals:
John Aler (tenor) (in 1991-12)
orchestra:
Chicago Symphony Orchestra (in 1991-12)
conductor:
Pierre Boulez (composer and conductor) (in 1991-12)
chorus master:
Margaret Hillis (chorus master) (in 1991-12)
balance engineer:
Rainer Maillard
recorded at:
Symphony Center: Orchestra Hall in Chicago, Illinois, United States (in 1991-12)
recording of:
Cantata profana for tenor, baritone, double chorus & orchestra (or piano), Sz. 94, BB 100 "The Enchanted Stags": III. Moderato. Once there was an old man (in 1991-12)
composer:
Bartók Béla (Béla Bartók, composer) (in 1930)
part of:
Cantata profana for tenor, baritone, double chorus & orchestra (or piano), Sz. 94, BB 100 “The Enchanted Stags” (1955 English version, translated by Robert Shaw)
Béla Bartók3:17
4The Wooden Prince: Introduction
producer:
Karl-August Naegler (balance engineer)
editor:
Oliver Rogalla
orchestra:
Chicago Symphony Orchestra (in 1991-12)
conductor:
Pierre Boulez (composer and conductor) (in 1991-12)
balance engineer:
Rainer Maillard
recorded at:
Symphony Center: Orchestra Hall in Chicago, Illinois, United States (in 1991-12)
recording of:
The Wooden Prince, Sz. 60: I. Prelude (in 1991-12)
composer:
Bartók Béla (Béla Bartók, composer) (from 1914 until 1917)
part of:
The Wooden Prince, op. 13, Sz. 60
Béla Bartók5:14
5The Wooden Prince: First Dance: Dance of The Princess in The Forest
producer:
Karl-August Naegler (balance engineer)
editor:
Oliver Rogalla
orchestra:
Chicago Symphony Orchestra (in 1991-12)
conductor:
Pierre Boulez (composer and conductor) (in 1991-12)
balance engineer:
Rainer Maillard
recorded at:
Symphony Center: Orchestra Hall in Chicago, Illinois, United States (in 1991-12)
recording of:
The Wooden Prince, Sz. 60: II. Dance 1: Dance of the Princess in the Forest (in 1991-12)
composer:
Bartók Béla (Béla Bartók, composer) (from 1914 until 1917)
part of:
The Wooden Prince, op. 13, Sz. 60
Béla Bartók5:05
6The Wooden Prince: Second Dance: Dance of The Trees
producer:
Karl-August Naegler (balance engineer)
editor:
Oliver Rogalla
orchestra:
Chicago Symphony Orchestra (in 1991-12)
conductor:
Pierre Boulez (composer and conductor) (in 1991-12)
balance engineer:
Rainer Maillard
recorded at:
Symphony Center: Orchestra Hall in Chicago, Illinois, United States (in 1991-12)
recording of:
The Wooden Prince, Sz. 60: III. Dance 2: Dance of the Trees (in 1991-12)
composer:
Bartók Béla (Béla Bartók, composer) (from 1914 until 1917)
part of:
The Wooden Prince, op. 13, Sz. 60
Béla Bartók5:27
7The Wooden Prince: Third Dance: Dance of The Waves
producer:
Karl-August Naegler (balance engineer)
editor:
Oliver Rogalla
orchestra:
Chicago Symphony Orchestra (in 1991-12)
conductor:
Pierre Boulez (composer and conductor) (in 1991-12)
balance engineer:
Rainer Maillard
recorded at:
Symphony Center: Orchestra Hall in Chicago, Illinois, United States (in 1991-12)
recording of:
The Wooden Prince, Sz. 60: IV. Dance 3: Dance of the Waves (in 1991-12)
composer:
Bartók Béla (Béla Bartók, composer) (from 1914 until 1917)
part of:
The Wooden Prince, op. 13, Sz. 60
Béla Bartók11:36
8The Wooden Prince: Fourth Dance: Dance of The Princess With The Wooden Prince
producer:
Karl-August Naegler (balance engineer)
editor:
Oliver Rogalla
orchestra:
Chicago Symphony Orchestra (in 1991-12)
conductor:
Pierre Boulez (composer and conductor) (in 1991-12)
balance engineer:
Rainer Maillard
recorded at:
Symphony Center: Orchestra Hall in Chicago, Illinois, United States (in 1991-12)
recording of:
The Wooden Prince, Sz. 60: V. Dance 4: Dance of the Princess With the Wooden Doll (in 1991-12)
composer:
Bartók Béla (Béla Bartók, composer) (from 1914 until 1917)
part of:
The Wooden Prince, op. 13, Sz. 60
Béla Bartók15:21
9The Wooden Prince: Fifth Dance: The Princess Pulls And Tugs at The Wooden Prince
producer:
Karl-August Naegler (balance engineer)
editor:
Oliver Rogalla
orchestra:
Chicago Symphony Orchestra (in 1991-12)
conductor:
Pierre Boulez (composer and conductor) (in 1991-12)
balance engineer:
Rainer Maillard
recorded at:
Symphony Center: Orchestra Hall in Chicago, Illinois, United States (in 1991-12)
recording of:
The Wooden Prince, Sz. 60: VI. Dance 5: The Princess Pulls and Pushes Him and Tries to Make Him Dance (in 1991-12)
composer:
Bartók Béla (Béla Bartók, composer) (from 1914 until 1917)
part of:
The Wooden Prince, op. 13, Sz. 60
Béla Bartók1:55
10The Wooden Prince: Sixth Dance: She Tries to Attract The Real Prince With Her Seductive Dancing
producer:
Karl-August Naegler (balance engineer)
editor:
Oliver Rogalla
orchestra:
Chicago Symphony Orchestra (in 1991-12)
conductor:
Pierre Boulez (composer and conductor) (in 1991-12)
balance engineer:
Rainer Maillard
recorded at:
Symphony Center: Orchestra Hall in Chicago, Illinois, United States (in 1991-12)
recording of:
The Wooden Prince, Sz. 60: VII. Dance 6: She Tries to Attract Him With a Seductive Dance (in 1991-12)
composer:
Bartók Béla (Béla Bartók, composer) (from 1914 until 1917)
part of:
The Wooden Prince, op. 13, Sz. 60
Béla Bartók1:38
11The Wooden Prince: Seventh Dance: Dismayed, the Princess Attempts to Hurry After the Prince, but the Forest Bars Her Way
producer:
Karl-August Naegler (balance engineer)
editor:
Oliver Rogalla
orchestra:
Chicago Symphony Orchestra (in 1991-12)
conductor:
Pierre Boulez (composer and conductor) (in 1991-12)
balance engineer:
Rainer Maillard
recorded at:
Symphony Center: Orchestra Hall in Chicago, Illinois, United States (in 1991-12)
recording of:
The Wooden Prince, Sz. 60: IX. Postlude (in 1991-12)
composer:
Bartók Béla (Béla Bartók, composer) (from 1914 until 1917)
part of:
The Wooden Prince, op. 13, Sz. 60
recording of:
The Wooden Prince, Sz. 60: VIII. Dance 7: Alarmed, the Princess Rushes After Him, but the Forest Stops Her (in 1991-12)
composer:
Bartók Béla (Béla Bartók, composer) (from 1914 until 1917)
part of:
The Wooden Prince, op. 13, Sz. 60
Béla Bartók8:43
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Credits

Release group

includes:Boulez Conducts Boulez: ...Explosante-fixe... / Notations I–XII / Structures II by Boulez (composer and conductor); Boulez (composer and conductor), Pierre‐Laurent Aimard (pianist), Florent Boffard (pianist), Ensemble intercontemporain
Boulez conducts Stravinsky: Le Chant du rossignol / L’Histoire du soldat (suite) / Scherzo fantastique / Le roi des étoiles by Stravinsky (Igor Stravinsky, Russian composer); The Cleveland Orchestra, Boulez (composer and conductor)
Boulez conducts Varèse: Amériques / Arcana / Déserts / Ionisation by Varèse (composer); Chicago Symphony Orchestra, Pierre Boulez (composer and conductor)
Boulez Conducts Webern, III by Webern (composer); Berliner Philharmoniker (Berlin Philharmonic Orchestra), Pierre Boulez (composer and conductor)
Concertos by Bartók (Béla Bartók, composer); Aimard (pianist), Stefanovich (pianist), Kremer (violinist), Bashmet (Yuri Bashmet, Russian conductor and violist), London Symphony Orchestra, Berliner Philharmoniker (Berlin Philharmonic Orchestra), Boulez (composer and conductor)
Le Marteau sans maître / Dérive 1 & 2 by Boulez (composer and conductor); Ensemble intercontemporain
Lulu by Alban Berg (Austrian composer); Teresa Stratas (soprano), Orchestre de l’Opéra de Paris, Pierre Boulez (composer and conductor), Yvonne Minton (mezzo-soprano), Hanna Schwarz (mezzo soprano), Franz Mazura (bass / baritone), Kenneth Riegel (tenor), Toni Blankenheim (baritone), Robert Tear (tenor), Helmut Pampuch (tenor)
Pierrot lunaire / Herzgewächse / Ode to Napoleon by Schoenberg (Arnold Schoenberg, composer); Christine Schäfer (soprano), Pierre Boulez (composer and conductor), David Pittman-Jennings (bass-baritone), Ensemble InterContemporain
Pli selon Pli by Pierre Boulez (composer and conductor); Christine Schäfer (soprano), Ensemble InterContemporain, Pierre Boulez (composer and conductor)
Poèmes pour Mi / Sept Haïkaï / Le Réveil des oiseaux by Olivier Messiaen (composer and organist); The Cleveland Orchestra, Pierre Boulez (composer and conductor)
Ravel: Shéhérazade / Le Tombeau de Couperin / Debussy: Trois ballades de François Villon by Maurice Ravel (French composer), Claude Debussy (French composer); Pierre Boulez (composer and conductor)
Sur Incises / Messagesquisse / Anthèmes 2 by Boulez (composer and conductor); Jean‐Guihen Queyras (French cellist), Hae-Sun Kang (violinist), Ensemble intercontemporain, Pierre Boulez (composer and conductor)
Symphony no. 3 "Song of the Night" / Violin Concerto no. 1 by Karol Szymanowski (Polish composer), Christian Tetzlaff (violinist), Wiener Philharmoniker (Vienna Philharmonic) & Pierre Boulez (composer and conductor)
The Piano Concertos by Bartók (Béla Bartók, composer); Zimerman (pianist), Andsnes (pianist), Grimaud (French pianist), Chicago Symphony Orchestra, Berliner Philharmoniker (Berlin Philharmonic Orchestra), London Symphony Orchestra, Boulez (composer and conductor)
Theseus Games / Earth Dances by Birtwistle (composer); Ensemble Modern, Brabbins (conductor), Valade (flutist and conductor), Ensemble Modern Orchestra, Boulez (composer and conductor)
Violin Concerto no. 2 / Rhapsodies nos. 1 & 2 by Bartók (Béla Bartók, composer); Gil Shaham (violinist), Chicago Symphony Orchestra, Pierre Boulez (composer and conductor)