| # | Title | Rating | Length |
|---|
| 1 | Tom Sawyer- miscellaneous support:
- Alex Lifeson (task: music supervisor)
- assistant engineer:
- Kooster McAllister
- audio engineer:
- James “Jimbo” Barton
- associate producer:
- Lionel Pasamonte
- co-executive producer:
- Tilton Gardner, Glenis S. Gross and Robert McClaugherty
- executive producer:
- Allan Weinrib, Pegi Cecconi, Ray Danniels and Bryan Domyan
- producer:
- Daniel E. Catullo III and Lawrence Jordan
- assistant mixer:
- Patrick Thrasher
- mixer:
- James “Jimbo” Barton and Alex Lifeson
- assistant editor:
- Chris Reesor
- editor:
- Mark Hajek, Mark Morton and Frank Russo
- bass guitar and lead vocals:
- Geddy Lee (on 2002-11-23)
- drums (drum set):
- Neil Peart (on 2002-11-23)
- guitar:
- Alex Lifeson (on 2002-11-23)
- video director:
- Daniel E. Catullo III
- recorded at:
- Maracanã Stadium in Rio de Janeiro, Rio de Janeiro, Brazil (on 2002-11-23)
- engineered at:
- School Editing in Toronto, Ontario, Canada
- edited at:
- Stealing Time in Toronto, Ontario, Canada
- produced at:
- Coming Home Studios in Hollywood, Los Angeles, California, United States, Icon Recording Group in Hollywood, Los Angeles, California, United States, Metalworks Mastering in Mississauga, Ontario, Canada, The Post Group in Hollywood, Los Angeles, California, United States, Toybox in Toronto, Ontario, Canada and Track Record Studios in North Hollywood, Los Angeles, California, United States
- shot at:
- Maracanã Stadium in Rio de Janeiro, Rio de Janeiro, Brazil (on 2002-11-23)
- live recording of:
- Tom Sawyer (on 2002-11-23)
- lyricist:
- Pye Dubois and Neil Peart
- composer:
- Geddy Lee and Alex Lifeson
- publisher:
- Ole Core Music Publishing
| | 6:43 |
| 2 | Distant Early Warning- miscellaneous support:
- Alex Lifeson (task: music supervisor)
- assistant engineer:
- Kooster McAllister
- audio engineer:
- James “Jimbo” Barton
- associate producer:
- Lionel Pasamonte
- co-executive producer:
- Tilton Gardner, Glenis S. Gross and Robert McClaugherty
- executive producer:
- Allan Weinrib, Pegi Cecconi, Ray Danniels and Bryan Domyan
- producer:
- Daniel E. Catullo III and Lawrence Jordan
- assistant mixer:
- Patrick Thrasher
- mixer:
- James “Jimbo” Barton and Alex Lifeson
- assistant editor:
- Chris Reesor
- editor:
- Mark Hajek, Mark Morton and Frank Russo
- bass guitar and lead vocals:
- Geddy Lee (on 2002-11-23)
- drums (drum set):
- Neil Peart (on 2002-11-23)
- guitar:
- Alex Lifeson (on 2002-11-23)
- video director:
- Daniel E. Catullo III
- recorded at:
- Maracanã Stadium in Rio de Janeiro, Rio de Janeiro, Brazil (on 2002-11-23)
- engineered at:
- School Editing in Toronto, Ontario, Canada
- edited at:
- Stealing Time in Toronto, Ontario, Canada
- produced at:
- Coming Home Studios in Hollywood, Los Angeles, California, United States, Icon Recording Group in Hollywood, Los Angeles, California, United States, Metalworks Mastering in Mississauga, Ontario, Canada, The Post Group in Hollywood, Los Angeles, California, United States, Toybox in Toronto, Ontario, Canada and Track Record Studios in North Hollywood, Los Angeles, California, United States
- shot at:
- Maracanã Stadium in Rio de Janeiro, Rio de Janeiro, Brazil (on 2002-11-23)
- live recording of:
- Distant Early Warning (on 2002-11-23)
- lyricist:
- Neil Peart
- composer:
- Geddy Lee and Alex Lifeson
- publisher:
- Heath Levy Music Co. Ltd., Ole (Germany), Ole Core Music Publishing and Ole Media Management LP
| | 4:48 |
| 3 | New World Man- miscellaneous support:
- Alex Lifeson (task: music supervisor)
- assistant engineer:
- Kooster McAllister
- audio engineer:
- James “Jimbo” Barton
- associate producer:
- Lionel Pasamonte
- co-executive producer:
- Tilton Gardner, Glenis S. Gross and Robert McClaugherty
- executive producer:
- Allan Weinrib, Pegi Cecconi, Ray Danniels and Bryan Domyan
- producer:
- Daniel E. Catullo III and Lawrence Jordan
- assistant mixer:
- Patrick Thrasher
- mixer:
- James “Jimbo” Barton and Alex Lifeson
- assistant editor:
- Chris Reesor
- editor:
- Mark Hajek, Mark Morton and Frank Russo
- bass guitar and lead vocals:
- Geddy Lee (on 2002-11-23)
- drums (drum set):
- Neil Peart (on 2002-11-23)
- guitar:
- Alex Lifeson (on 2002-11-23)
- video director:
- Daniel E. Catullo III
- recorded at:
- Maracanã Stadium in Rio de Janeiro, Rio de Janeiro, Brazil (on 2002-11-23)
- engineered at:
- School Editing in Toronto, Ontario, Canada
- edited at:
- Stealing Time in Toronto, Ontario, Canada
- produced at:
- Coming Home Studios in Hollywood, Los Angeles, California, United States, Icon Recording Group in Hollywood, Los Angeles, California, United States, Metalworks Mastering in Mississauga, Ontario, Canada, The Post Group in Hollywood, Los Angeles, California, United States, Toybox in Toronto, Ontario, Canada and Track Record Studios in North Hollywood, Los Angeles, California, United States
- shot at:
- Maracanã Stadium in Rio de Janeiro, Rio de Janeiro, Brazil (on 2002-11-23)
- live recording of:
- New World Man (on 2002-11-23)
- lyricist:
- Neil Peart
- composer:
- Geddy Lee and Alex Lifeson
| | 4:06 |
| 4 | Roll the Bones- miscellaneous support:
- Alex Lifeson (task: music supervisor)
- assistant engineer:
- Kooster McAllister
- audio engineer:
- James “Jimbo” Barton
- associate producer:
- Lionel Pasamonte
- co-executive producer:
- Tilton Gardner, Glenis S. Gross and Robert McClaugherty
- executive producer:
- Allan Weinrib, Pegi Cecconi, Ray Danniels and Bryan Domyan
- producer:
- Daniel E. Catullo III and Lawrence Jordan
- assistant mixer:
- Patrick Thrasher
- mixer:
- James “Jimbo” Barton and Alex Lifeson
- assistant editor:
- Chris Reesor
- editor:
- Mark Hajek, Mark Morton and Frank Russo
- bass guitar and lead vocals:
- Geddy Lee (on 2002-11-23)
- drums (drum set):
- Neil Peart (on 2002-11-23)
- guitar:
- Alex Lifeson (on 2002-11-23)
- video director:
- Daniel E. Catullo III
- recorded at:
- Maracanã Stadium in Rio de Janeiro, Rio de Janeiro, Brazil (on 2002-11-23)
- engineered at:
- School Editing in Toronto, Ontario, Canada
- edited at:
- Stealing Time in Toronto, Ontario, Canada
- produced at:
- Coming Home Studios in Hollywood, Los Angeles, California, United States, Icon Recording Group in Hollywood, Los Angeles, California, United States, Metalworks Mastering in Mississauga, Ontario, Canada, The Post Group in Hollywood, Los Angeles, California, United States, Toybox in Toronto, Ontario, Canada and Track Record Studios in North Hollywood, Los Angeles, California, United States
- shot at:
- Maracanã Stadium in Rio de Janeiro, Rio de Janeiro, Brazil (on 2002-11-23)
- live recording of:
- Roll the Bones (on 2002-11-23)
- lyricist:
- Neil Peart
- composer:
- Geddy Lee and Alex Lifeson
| | 6:05 |
| 5 | Earthshine- miscellaneous support:
- Alex Lifeson (task: music supervisor)
- assistant engineer:
- Kooster McAllister
- audio engineer:
- James “Jimbo” Barton
- associate producer:
- Lionel Pasamonte
- co-executive producer:
- Tilton Gardner, Glenis S. Gross and Robert McClaugherty
- executive producer:
- Allan Weinrib, Pegi Cecconi, Ray Danniels and Bryan Domyan
- producer:
- Daniel E. Catullo III and Lawrence Jordan
- assistant mixer:
- Patrick Thrasher
- mixer:
- James “Jimbo” Barton and Alex Lifeson
- assistant editor:
- Chris Reesor
- editor:
- Mark Hajek, Mark Morton and Frank Russo
- bass guitar and lead vocals:
- Geddy Lee (on 2002-11-23)
- drums (drum set):
- Neil Peart (on 2002-11-23)
- guitar:
- Alex Lifeson (on 2002-11-23)
- video director:
- Daniel E. Catullo III
- recorded at:
- Maracanã Stadium in Rio de Janeiro, Rio de Janeiro, Brazil (on 2002-11-23)
- engineered at:
- School Editing in Toronto, Ontario, Canada
- edited at:
- Stealing Time in Toronto, Ontario, Canada
- produced at:
- Coming Home Studios in Hollywood, Los Angeles, California, United States, Icon Recording Group in Hollywood, Los Angeles, California, United States, Metalworks Mastering in Mississauga, Ontario, Canada, The Post Group in Hollywood, Los Angeles, California, United States, Toybox in Toronto, Ontario, Canada and Track Record Studios in North Hollywood, Los Angeles, California, United States
- shot at:
- Maracanã Stadium in Rio de Janeiro, Rio de Janeiro, Brazil (on 2002-11-23)
- live recording of:
- Earthshine (on 2002-11-23)
- lyricist:
- Neil Peart
- composer:
- Geddy Lee and Alex Lifeson
| | 6:07 |
| 6 | YYZ- miscellaneous support:
- Alex Lifeson (task: music supervisor)
- assistant engineer:
- Kooster McAllister
- audio engineer:
- James “Jimbo” Barton
- associate producer:
- Lionel Pasamonte
- co-executive producer:
- Tilton Gardner, Glenis S. Gross and Robert McClaugherty
- executive producer:
- Allan Weinrib, Pegi Cecconi, Ray Danniels and Bryan Domyan
- producer:
- Daniel E. Catullo III and Lawrence Jordan
- assistant mixer:
- Patrick Thrasher
- mixer:
- James “Jimbo” Barton and Alex Lifeson
- assistant editor:
- Chris Reesor
- editor:
- Mark Hajek, Mark Morton and Frank Russo
- bass guitar and lead vocals:
- Geddy Lee (on 2002-11-23)
- drums (drum set):
- Neil Peart (on 2002-11-23)
- guitar:
- Alex Lifeson (on 2002-11-23)
- video director:
- Daniel E. Catullo III
- recorded at:
- Maracanã Stadium in Rio de Janeiro, Rio de Janeiro, Brazil (on 2002-11-23)
- engineered at:
- School Editing in Toronto, Ontario, Canada
- edited at:
- Stealing Time in Toronto, Ontario, Canada
- produced at:
- Coming Home Studios in Hollywood, Los Angeles, California, United States, Icon Recording Group in Hollywood, Los Angeles, California, United States, Metalworks Mastering in Mississauga, Ontario, Canada, The Post Group in Hollywood, Los Angeles, California, United States, Toybox in Toronto, Ontario, Canada and Track Record Studios in North Hollywood, Los Angeles, California, United States
- shot at:
- Maracanã Stadium in Rio de Janeiro, Rio de Janeiro, Brazil (on 2002-11-23)
- live recording of:
- YYZ (on 2002-11-23)
- composer:
- Geddy Lee and Neil Peart
- publisher:
- Ole (Germany), Ole Core Music Publishing and Ole Media Management LP
| 3 | 4:40 |
| 7 | The Pass- miscellaneous support:
- Alex Lifeson (task: music supervisor)
- assistant engineer:
- Kooster McAllister
- audio engineer:
- James “Jimbo” Barton
- associate producer:
- Lionel Pasamonte
- co-executive producer:
- Tilton Gardner, Glenis S. Gross and Robert McClaugherty
- executive producer:
- Allan Weinrib, Pegi Cecconi, Ray Danniels and Bryan Domyan
- producer:
- Daniel E. Catullo III and Lawrence Jordan
- assistant mixer:
- Patrick Thrasher
- mixer:
- James “Jimbo” Barton and Alex Lifeson
- assistant editor:
- Chris Reesor
- editor:
- Mark Hajek, Mark Morton and Frank Russo
- bass guitar and lead vocals:
- Geddy Lee (on 2002-11-23)
- drums (drum set):
- Neil Peart (on 2002-11-23)
- guitar:
- Alex Lifeson (on 2002-11-23)
- video director:
- Daniel E. Catullo III
- recorded at:
- Maracanã Stadium in Rio de Janeiro, Rio de Janeiro, Brazil (on 2002-11-23)
- engineered at:
- School Editing in Toronto, Ontario, Canada
- edited at:
- Stealing Time in Toronto, Ontario, Canada
- produced at:
- Coming Home Studios in Hollywood, Los Angeles, California, United States, Icon Recording Group in Hollywood, Los Angeles, California, United States, Metalworks Mastering in Mississauga, Ontario, Canada, The Post Group in Hollywood, Los Angeles, California, United States, Toybox in Toronto, Ontario, Canada and Track Record Studios in North Hollywood, Los Angeles, California, United States
- shot at:
- Maracanã Stadium in Rio de Janeiro, Rio de Janeiro, Brazil (on 2002-11-23)
- live recording of:
- The Pass (on 2002-11-23)
- lyricist:
- Neil Peart
- composer:
- Geddy Lee and Alex Lifeson
| | 5:14 |
| 8 | Bravado- miscellaneous support:
- Alex Lifeson (task: music supervisor)
- assistant engineer:
- Kooster McAllister
- audio engineer:
- James “Jimbo” Barton
- associate producer:
- Lionel Pasamonte
- co-executive producer:
- Tilton Gardner, Glenis S. Gross and Robert McClaugherty
- executive producer:
- Allan Weinrib, Pegi Cecconi, Ray Danniels and Bryan Domyan
- producer:
- Daniel E. Catullo III and Lawrence Jordan
- assistant mixer:
- Patrick Thrasher
- mixer:
- James “Jimbo” Barton and Alex Lifeson
- assistant editor:
- Chris Reesor
- editor:
- Mark Hajek, Mark Morton and Frank Russo
- bass guitar and lead vocals:
- Geddy Lee (on 2002-11-23)
- drums (drum set):
- Neil Peart (on 2002-11-23)
- guitar:
- Alex Lifeson (on 2002-11-23)
- video director:
- Daniel E. Catullo III
- recorded at:
- Maracanã Stadium in Rio de Janeiro, Rio de Janeiro, Brazil (on 2002-11-23)
- engineered at:
- School Editing in Toronto, Ontario, Canada
- edited at:
- Stealing Time in Toronto, Ontario, Canada
- produced at:
- Coming Home Studios in Hollywood, Los Angeles, California, United States, Icon Recording Group in Hollywood, Los Angeles, California, United States, Metalworks Mastering in Mississauga, Ontario, Canada, The Post Group in Hollywood, Los Angeles, California, United States, Toybox in Toronto, Ontario, Canada and Track Record Studios in North Hollywood, Los Angeles, California, United States
- shot at:
- Maracanã Stadium in Rio de Janeiro, Rio de Janeiro, Brazil (on 2002-11-23)
- live recording of:
- Bravado (on 2002-11-23)
- lyricist:
- Neil Peart
- composer:
- Geddy Lee and Alex Lifeson
| | 6:19 |
| 9 | The Big Money- miscellaneous support:
- Alex Lifeson (task: music supervisor)
- assistant engineer:
- Kooster McAllister
- audio engineer:
- James “Jimbo” Barton
- associate producer:
- Lionel Pasamonte
- co-executive producer:
- Tilton Gardner, Glenis S. Gross and Robert McClaugherty
- executive producer:
- Allan Weinrib, Pegi Cecconi, Ray Danniels and Bryan Domyan
- producer:
- Daniel E. Catullo III and Lawrence Jordan
- assistant mixer:
- Patrick Thrasher
- mixer:
- James “Jimbo” Barton and Alex Lifeson
- assistant editor:
- Chris Reesor
- editor:
- Mark Hajek, Mark Morton and Frank Russo
- bass guitar and lead vocals:
- Geddy Lee (on 2002-11-23)
- drums (drum set):
- Neil Peart (on 2002-11-23)
- guitar:
- Alex Lifeson (on 2002-11-23)
- video director:
- Daniel E. Catullo III
- recorded at:
- Maracanã Stadium in Rio de Janeiro, Rio de Janeiro, Brazil (on 2002-11-23)
- engineered at:
- School Editing in Toronto, Ontario, Canada
- edited at:
- Stealing Time in Toronto, Ontario, Canada
- produced at:
- Coming Home Studios in Hollywood, Los Angeles, California, United States, Icon Recording Group in Hollywood, Los Angeles, California, United States, Metalworks Mastering in Mississauga, Ontario, Canada, The Post Group in Hollywood, Los Angeles, California, United States, Toybox in Toronto, Ontario, Canada and Track Record Studios in North Hollywood, Los Angeles, California, United States
- shot at:
- Maracanã Stadium in Rio de Janeiro, Rio de Janeiro, Brazil (on 2002-11-23)
- live recording of:
- The Big Money (on 2002-11-23)
- lyricist:
- Neil Peart
- composer:
- Geddy Lee and Alex Lifeson
- publisher:
- Core Music Publishing
| | 6:06 |
| 10 | The Trees- miscellaneous support:
- Alex Lifeson (task: music supervisor)
- assistant engineer:
- Kooster McAllister
- audio engineer:
- James “Jimbo” Barton
- associate producer:
- Lionel Pasamonte
- co-executive producer:
- Tilton Gardner, Glenis S. Gross and Robert McClaugherty
- executive producer:
- Allan Weinrib, Pegi Cecconi, Ray Danniels and Bryan Domyan
- producer:
- Daniel E. Catullo III and Lawrence Jordan
- assistant mixer:
- Patrick Thrasher
- mixer:
- James “Jimbo” Barton and Alex Lifeson
- assistant editor:
- Chris Reesor
- editor:
- Mark Hajek, Mark Morton and Frank Russo
- bass guitar and lead vocals:
- Geddy Lee (on 2002-11-23)
- drums (drum set):
- Neil Peart (on 2002-11-23)
- guitar:
- Alex Lifeson (on 2002-11-23)
- video director:
- Daniel E. Catullo III
- recorded at:
- Maracanã Stadium in Rio de Janeiro, Rio de Janeiro, Brazil (on 2002-11-23)
- engineered at:
- School Editing in Toronto, Ontario, Canada
- edited at:
- Stealing Time in Toronto, Ontario, Canada
- produced at:
- Coming Home Studios in Hollywood, Los Angeles, California, United States, Icon Recording Group in Hollywood, Los Angeles, California, United States, Metalworks Mastering in Mississauga, Ontario, Canada, The Post Group in Hollywood, Los Angeles, California, United States, Toybox in Toronto, Ontario, Canada and Track Record Studios in North Hollywood, Los Angeles, California, United States
- shot at:
- Maracanã Stadium in Rio de Janeiro, Rio de Janeiro, Brazil (on 2002-11-23)
- live recording of:
- The Trees (on 2002-11-23)
- lyricist:
- Neil Peart
- composer:
- Geddy Lee and Alex Lifeson
- publisher:
- Anthem Core Music Publishing (from 1980 to present)
| | 5:16 |
| 11 | Freewill- miscellaneous support:
- Alex Lifeson (task: music supervisor)
- assistant engineer:
- Kooster McAllister
- audio engineer:
- James “Jimbo” Barton
- associate producer:
- Lionel Pasamonte
- co-executive producer:
- Tilton Gardner, Glenis S. Gross and Robert McClaugherty
- executive producer:
- Allan Weinrib, Pegi Cecconi, Ray Danniels and Bryan Domyan
- producer:
- Daniel E. Catullo III and Lawrence Jordan
- assistant mixer:
- Patrick Thrasher
- mixer:
- James “Jimbo” Barton and Alex Lifeson
- assistant editor:
- Chris Reesor
- editor:
- Mark Hajek, Mark Morton and Frank Russo
- bass guitar and lead vocals:
- Geddy Lee (on 2002-11-23)
- drums (drum set):
- Neil Peart (on 2002-11-23)
- guitar:
- Alex Lifeson (on 2002-11-23)
- video director:
- Daniel E. Catullo III
- recorded at:
- Maracanã Stadium in Rio de Janeiro, Rio de Janeiro, Brazil (on 2002-11-23)
- engineered at:
- School Editing in Toronto, Ontario, Canada
- edited at:
- Stealing Time in Toronto, Ontario, Canada
- produced at:
- Coming Home Studios in Hollywood, Los Angeles, California, United States, Icon Recording Group in Hollywood, Los Angeles, California, United States, Metalworks Mastering in Mississauga, Ontario, Canada, The Post Group in Hollywood, Los Angeles, California, United States, Toybox in Toronto, Ontario, Canada and Track Record Studios in North Hollywood, Los Angeles, California, United States
- shot at:
- Maracanã Stadium in Rio de Janeiro, Rio de Janeiro, Brazil (on 2002-11-23)
- live recording of:
- Freewill (on 2002-11-23)
- lyricist:
- Neil Peart
- composer:
- Geddy Lee and Alex Lifeson
- publisher:
- Core Music Publishing and Anthem Core Music Publishing (from 1980 to present)
| | 5:40 |
| 12 | Closer to the Heart- miscellaneous support:
- Alex Lifeson (task: music supervisor)
- assistant engineer:
- Kooster McAllister
- audio engineer:
- James “Jimbo” Barton
- associate producer:
- Lionel Pasamonte
- co-executive producer:
- Tilton Gardner, Glenis S. Gross and Robert McClaugherty
- executive producer:
- Allan Weinrib, Pegi Cecconi, Ray Danniels and Bryan Domyan
- producer:
- Daniel E. Catullo III and Lawrence Jordan
- assistant mixer:
- Patrick Thrasher
- mixer:
- James “Jimbo” Barton and Alex Lifeson
- assistant editor:
- Chris Reesor
- editor:
- Mark Hajek, Mark Morton and Frank Russo
- bass guitar and lead vocals:
- Geddy Lee (on 2002-11-23)
- drums (drum set):
- Neil Peart (on 2002-11-23)
- guitar:
- Alex Lifeson (on 2002-11-23)
- video director:
- Daniel E. Catullo III
- recorded at:
- Maracanã Stadium in Rio de Janeiro, Rio de Janeiro, Brazil (on 2002-11-23)
- engineered at:
- School Editing in Toronto, Ontario, Canada
- edited at:
- Stealing Time in Toronto, Ontario, Canada
- produced at:
- Coming Home Studios in Hollywood, Los Angeles, California, United States, Icon Recording Group in Hollywood, Los Angeles, California, United States, Metalworks Mastering in Mississauga, Ontario, Canada, The Post Group in Hollywood, Los Angeles, California, United States, Toybox in Toronto, Ontario, Canada and Track Record Studios in North Hollywood, Los Angeles, California, United States
- shot at:
- Maracanã Stadium in Rio de Janeiro, Rio de Janeiro, Brazil (on 2002-11-23)
- live recording of:
- Closer to the Heart (on 2002-11-23)
- lyricist:
- Neil Peart and Peter Talbot
- composer:
- Geddy Lee and Alex Lifeson
- publisher:
- フジパシフィック音楽出版 (until 2014-12-31), Anthem Core Music Publishing (from 1980 to present) and フジパシフィックミュージック (from 2015-01-01 to present)
| 1 | 3:19 |
| 13 | Natural Science- miscellaneous support:
- Alex Lifeson (task: music supervisor)
- assistant engineer:
- Kooster McAllister
- audio engineer:
- James “Jimbo” Barton
- associate producer:
- Lionel Pasamonte
- co-executive producer:
- Tilton Gardner, Glenis S. Gross and Robert McClaugherty
- executive producer:
- Allan Weinrib, Pegi Cecconi, Ray Danniels and Bryan Domyan
- producer:
- Daniel E. Catullo III and Lawrence Jordan
- assistant mixer:
- Patrick Thrasher
- mixer:
- James “Jimbo” Barton and Alex Lifeson
- assistant editor:
- Chris Reesor
- editor:
- Mark Hajek, Mark Morton and Frank Russo
- bass guitar and lead vocals:
- Geddy Lee (on 2002-11-23)
- drums (drum set):
- Neil Peart (on 2002-11-23)
- guitar:
- Alex Lifeson (on 2002-11-23)
- video director:
- Daniel E. Catullo III
- recorded at:
- Maracanã Stadium in Rio de Janeiro, Rio de Janeiro, Brazil (on 2002-11-23)
- engineered at:
- School Editing in Toronto, Ontario, Canada
- edited at:
- Stealing Time in Toronto, Ontario, Canada
- produced at:
- Coming Home Studios in Hollywood, Los Angeles, California, United States, Icon Recording Group in Hollywood, Los Angeles, California, United States, Metalworks Mastering in Mississauga, Ontario, Canada, The Post Group in Hollywood, Los Angeles, California, United States, Toybox in Toronto, Ontario, Canada and Track Record Studios in North Hollywood, Los Angeles, California, United States
- shot at:
- Maracanã Stadium in Rio de Janeiro, Rio de Janeiro, Brazil (on 2002-11-23)
- live recording of:
- Natural Science (on 2002-11-23)
- lyricist:
- Neil Peart
- composer:
- Geddy Lee and Alex Lifeson
- publisher:
- Core Music Publishing and Anthem Core Music Publishing (from 1980 to present)
| | 8:43 |
| 14 | One Little Victory- miscellaneous support:
- Alex Lifeson (task: music supervisor)
- assistant engineer:
- Kooster McAllister
- audio engineer:
- James “Jimbo” Barton
- associate producer:
- Lionel Pasamonte
- co-executive producer:
- Tilton Gardner, Glenis S. Gross and Robert McClaugherty
- executive producer:
- Allan Weinrib, Pegi Cecconi, Ray Danniels and Bryan Domyan
- producer:
- Daniel E. Catullo III and Lawrence Jordan
- assistant mixer:
- Patrick Thrasher
- mixer:
- James “Jimbo” Barton and Alex Lifeson
- assistant editor:
- Chris Reesor
- editor:
- Mark Hajek, Mark Morton and Frank Russo
- bass guitar and lead vocals:
- Geddy Lee (on 2002-11-23)
- drums (drum set):
- Neil Peart (on 2002-11-23)
- guitar:
- Alex Lifeson (on 2002-11-23)
- video director:
- Daniel E. Catullo III
- recorded at:
- Maracanã Stadium in Rio de Janeiro, Rio de Janeiro, Brazil (on 2002-11-23)
- engineered at:
- School Editing in Toronto, Ontario, Canada
- edited at:
- Stealing Time in Toronto, Ontario, Canada
- produced at:
- Coming Home Studios in Hollywood, Los Angeles, California, United States, Icon Recording Group in Hollywood, Los Angeles, California, United States, Metalworks Mastering in Mississauga, Ontario, Canada, The Post Group in Hollywood, Los Angeles, California, United States, Toybox in Toronto, Ontario, Canada and Track Record Studios in North Hollywood, Los Angeles, California, United States
- shot at:
- Maracanã Stadium in Rio de Janeiro, Rio de Janeiro, Brazil (on 2002-11-23)
- live recording of:
- One Little Victory (on 2002-11-23)
- lyricist:
- Neil Peart
- composer:
- Geddy Lee and Alex Lifeson
| | 6:25 |
| 15 | Driven- miscellaneous support:
- Alex Lifeson (task: music supervisor)
- assistant engineer:
- Kooster McAllister
- audio engineer:
- James “Jimbo” Barton
- associate producer:
- Lionel Pasamonte
- co-executive producer:
- Tilton Gardner, Glenis S. Gross and Robert McClaugherty
- executive producer:
- Allan Weinrib, Pegi Cecconi, Ray Danniels and Bryan Domyan
- producer:
- Daniel E. Catullo III and Lawrence Jordan
- assistant mixer:
- Patrick Thrasher
- mixer:
- James “Jimbo” Barton and Alex Lifeson
- assistant editor:
- Chris Reesor
- editor:
- Mark Hajek, Mark Morton and Frank Russo
- bass guitar and lead vocals:
- Geddy Lee (on 2002-11-23)
- drums (drum set):
- Neil Peart (on 2002-11-23)
- guitar:
- Alex Lifeson (on 2002-11-23)
- video director:
- Daniel E. Catullo III
- recorded at:
- Maracanã Stadium in Rio de Janeiro, Rio de Janeiro, Brazil (on 2002-11-23)
- engineered at:
- School Editing in Toronto, Ontario, Canada
- edited at:
- Stealing Time in Toronto, Ontario, Canada
- produced at:
- Coming Home Studios in Hollywood, Los Angeles, California, United States, Icon Recording Group in Hollywood, Los Angeles, California, United States, Metalworks Mastering in Mississauga, Ontario, Canada, The Post Group in Hollywood, Los Angeles, California, United States, Toybox in Toronto, Ontario, Canada and Track Record Studios in North Hollywood, Los Angeles, California, United States
- shot at:
- Maracanã Stadium in Rio de Janeiro, Rio de Janeiro, Brazil (on 2002-11-23)
- live recording of:
- Driven (on 2002-11-23)
- composer:
- Geddy Lee, Alex Lifeson and Neil Peart
| | 5:07 |
| 16 | Ghost Rider- miscellaneous support:
- Alex Lifeson (task: music supervisor)
- assistant engineer:
- Kooster McAllister
- audio engineer:
- James “Jimbo” Barton
- associate producer:
- Lionel Pasamonte
- co-executive producer:
- Tilton Gardner, Glenis S. Gross and Robert McClaugherty
- executive producer:
- Allan Weinrib, Pegi Cecconi, Ray Danniels and Bryan Domyan
- producer:
- Daniel E. Catullo III and Lawrence Jordan
- assistant mixer:
- Patrick Thrasher
- mixer:
- James “Jimbo” Barton and Alex Lifeson
- assistant editor:
- Chris Reesor
- editor:
- Mark Hajek, Mark Morton and Frank Russo
- bass guitar and lead vocals:
- Geddy Lee (on 2002-11-23)
- drums (drum set):
- Neil Peart (on 2002-11-23)
- guitar:
- Alex Lifeson (on 2002-11-23)
- video director:
- Daniel E. Catullo III
- recorded at:
- Maracanã Stadium in Rio de Janeiro, Rio de Janeiro, Brazil (on 2002-11-23)
- engineered at:
- School Editing in Toronto, Ontario, Canada
- edited at:
- Stealing Time in Toronto, Ontario, Canada
- produced at:
- Coming Home Studios in Hollywood, Los Angeles, California, United States, Icon Recording Group in Hollywood, Los Angeles, California, United States, Metalworks Mastering in Mississauga, Ontario, Canada, The Post Group in Hollywood, Los Angeles, California, United States, Toybox in Toronto, Ontario, Canada and Track Record Studios in North Hollywood, Los Angeles, California, United States
- shot at:
- Maracanã Stadium in Rio de Janeiro, Rio de Janeiro, Brazil (on 2002-11-23)
- live recording of:
- Ghost Rider (on 2002-11-23)
- lyricist:
- Neil Peart
- composer:
- Geddy Lee and Alex Lifeson
| | 5:52 |
| 17 | Secret Touch- miscellaneous support:
- Alex Lifeson (task: music supervisor)
- assistant engineer:
- Kooster McAllister
- audio engineer:
- James “Jimbo” Barton
- associate producer:
- Lionel Pasamonte
- co-executive producer:
- Tilton Gardner, Glenis S. Gross and Robert McClaugherty
- executive producer:
- Allan Weinrib, Pegi Cecconi, Ray Danniels and Bryan Domyan
- producer:
- Daniel E. Catullo III and Lawrence Jordan
- assistant mixer:
- Patrick Thrasher
- mixer:
- James “Jimbo” Barton and Alex Lifeson
- assistant editor:
- Chris Reesor
- editor:
- Mark Hajek, Mark Morton and Frank Russo
- bass guitar and lead vocals:
- Geddy Lee (on 2002-11-23)
- drums (drum set):
- Neil Peart (on 2002-11-23)
- guitar:
- Alex Lifeson (on 2002-11-23)
- video director:
- Daniel E. Catullo III
- recorded at:
- Maracanã Stadium in Rio de Janeiro, Rio de Janeiro, Brazil (on 2002-11-23)
- engineered at:
- School Editing in Toronto, Ontario, Canada
- edited at:
- Stealing Time in Toronto, Ontario, Canada
- produced at:
- Coming Home Studios in Hollywood, Los Angeles, California, United States, Icon Recording Group in Hollywood, Los Angeles, California, United States, Metalworks Mastering in Mississauga, Ontario, Canada, The Post Group in Hollywood, Los Angeles, California, United States, Toybox in Toronto, Ontario, Canada and Track Record Studios in North Hollywood, Los Angeles, California, United States
- shot at:
- Maracanã Stadium in Rio de Janeiro, Rio de Janeiro, Brazil (on 2002-11-23)
- live recording of:
- Secret Touch (on 2002-11-23)
- lyricist:
- Neil Peart
- composer:
- Geddy Lee and Alex Lifeson
| | 7:01 |
| 18 | Dreamline- miscellaneous support:
- Alex Lifeson (task: music supervisor)
- assistant engineer:
- Kooster McAllister
- audio engineer:
- James “Jimbo” Barton
- associate producer:
- Lionel Pasamonte
- co-executive producer:
- Tilton Gardner, Glenis S. Gross and Robert McClaugherty
- executive producer:
- Allan Weinrib, Pegi Cecconi, Ray Danniels and Bryan Domyan
- producer:
- Daniel E. Catullo III and Lawrence Jordan
- assistant mixer:
- Patrick Thrasher
- mixer:
- James “Jimbo” Barton and Alex Lifeson
- assistant editor:
- Chris Reesor
- editor:
- Mark Hajek, Mark Morton and Frank Russo
- bass guitar and lead vocals:
- Geddy Lee (on 2002-11-23)
- drums (drum set):
- Neil Peart (on 2002-11-23)
- guitar:
- Alex Lifeson (on 2002-11-23)
- video director:
- Daniel E. Catullo III
- recorded at:
- Maracanã Stadium in Rio de Janeiro, Rio de Janeiro, Brazil (on 2002-11-23)
- engineered at:
- School Editing in Toronto, Ontario, Canada
- edited at:
- Stealing Time in Toronto, Ontario, Canada
- produced at:
- Coming Home Studios in Hollywood, Los Angeles, California, United States, Icon Recording Group in Hollywood, Los Angeles, California, United States, Metalworks Mastering in Mississauga, Ontario, Canada, The Post Group in Hollywood, Los Angeles, California, United States, Toybox in Toronto, Ontario, Canada and Track Record Studios in North Hollywood, Los Angeles, California, United States
- shot at:
- Maracanã Stadium in Rio de Janeiro, Rio de Janeiro, Brazil (on 2002-11-23)
- live recording of:
- Dreamline (on 2002-11-23)
- lyricist:
- Neil Peart
- composer:
- Geddy Lee and Alex Lifeson
| | 5:09 |
| 19 | Red Sector A- miscellaneous support:
- Alex Lifeson (task: music supervisor)
- assistant engineer:
- Kooster McAllister
- audio engineer:
- James “Jimbo” Barton
- associate producer:
- Lionel Pasamonte
- co-executive producer:
- Tilton Gardner, Glenis S. Gross and Robert McClaugherty
- executive producer:
- Allan Weinrib, Pegi Cecconi, Ray Danniels and Bryan Domyan
- producer:
- Daniel E. Catullo III and Lawrence Jordan
- assistant mixer:
- Patrick Thrasher
- mixer:
- James “Jimbo” Barton and Alex Lifeson
- assistant editor:
- Chris Reesor
- editor:
- Mark Hajek, Mark Morton and Frank Russo
- bass guitar and lead vocals:
- Geddy Lee (on 2002-11-23)
- drums (drum set):
- Neil Peart (on 2002-11-23)
- guitar:
- Alex Lifeson (on 2002-11-23)
- video director:
- Daniel E. Catullo III
- recorded at:
- Maracanã Stadium in Rio de Janeiro, Rio de Janeiro, Brazil (on 2002-11-23)
- engineered at:
- School Editing in Toronto, Ontario, Canada
- edited at:
- Stealing Time in Toronto, Ontario, Canada
- produced at:
- Coming Home Studios in Hollywood, Los Angeles, California, United States, Icon Recording Group in Hollywood, Los Angeles, California, United States, Metalworks Mastering in Mississauga, Ontario, Canada, The Post Group in Hollywood, Los Angeles, California, United States, Toybox in Toronto, Ontario, Canada and Track Record Studios in North Hollywood, Los Angeles, California, United States
- shot at:
- Maracanã Stadium in Rio de Janeiro, Rio de Janeiro, Brazil (on 2002-11-23)
- recording of:
- Red Sector A (on 2002-11-23)
- lyricist:
- Neil Peart
- composer:
- Geddy Lee and Alex Lifeson
- publisher:
- Heath Levy Music Co. Ltd.
| | 5:16 |
| 20 | Leave That Thing Alone- miscellaneous support:
- Alex Lifeson (task: music supervisor)
- assistant engineer:
- Kooster McAllister
- audio engineer:
- James “Jimbo” Barton
- associate producer:
- Lionel Pasamonte
- co-executive producer:
- Tilton Gardner, Glenis S. Gross and Robert McClaugherty
- executive producer:
- Allan Weinrib, Pegi Cecconi, Ray Danniels and Bryan Domyan
- producer:
- Daniel E. Catullo III and Lawrence Jordan
- assistant mixer:
- Patrick Thrasher
- mixer:
- James “Jimbo” Barton and Alex Lifeson
- assistant editor:
- Chris Reesor
- editor:
- Mark Hajek, Mark Morton and Frank Russo
- bass guitar and lead vocals:
- Geddy Lee (on 2002-11-23)
- drums (drum set):
- Neil Peart (on 2002-11-23)
- guitar:
- Alex Lifeson (on 2002-11-23)
- video director:
- Daniel E. Catullo III
- recorded at:
- Maracanã Stadium in Rio de Janeiro, Rio de Janeiro, Brazil (on 2002-11-23)
- engineered at:
- School Editing in Toronto, Ontario, Canada
- edited at:
- Stealing Time in Toronto, Ontario, Canada
- produced at:
- Coming Home Studios in Hollywood, Los Angeles, California, United States, Icon Recording Group in Hollywood, Los Angeles, California, United States, Metalworks Mastering in Mississauga, Ontario, Canada, The Post Group in Hollywood, Los Angeles, California, United States, Toybox in Toronto, Ontario, Canada and Track Record Studios in North Hollywood, Los Angeles, California, United States
- shot at:
- Maracanã Stadium in Rio de Janeiro, Rio de Janeiro, Brazil (on 2002-11-23)
- live recording of:
- Leave That Thing Alone (on 2002-11-23)
- composer:
- Geddy Lee and Alex Lifeson
| | 5:02 |
| 21 | O baterista- miscellaneous support:
- Alex Lifeson (task: music supervisor)
- assistant engineer:
- Kooster McAllister
- audio engineer:
- James “Jimbo” Barton
- associate producer:
- Lionel Pasamonte
- co-executive producer:
- Tilton Gardner, Glenis S. Gross and Robert McClaugherty
- executive producer:
- Allan Weinrib, Pegi Cecconi, Ray Danniels and Bryan Domyan
- producer:
- Daniel E. Catullo III and Lawrence Jordan
- assistant mixer:
- Patrick Thrasher
- mixer:
- James “Jimbo” Barton and Alex Lifeson
- assistant editor:
- Chris Reesor
- editor:
- Mark Hajek, Mark Morton and Frank Russo
- bass guitar and lead vocals:
- Geddy Lee (on 2002-11-23)
- drums (drum set):
- Neil Peart (on 2002-11-23)
- guitar:
- Alex Lifeson (on 2002-11-23)
- video director:
- Daniel E. Catullo III
- recorded at:
- Maracanã Stadium in Rio de Janeiro, Rio de Janeiro, Brazil (on 2002-11-23)
- engineered at:
- School Editing in Toronto, Ontario, Canada
- edited at:
- Stealing Time in Toronto, Ontario, Canada
- produced at:
- Coming Home Studios in Hollywood, Los Angeles, California, United States, Icon Recording Group in Hollywood, Los Angeles, California, United States, Metalworks Mastering in Mississauga, Ontario, Canada, The Post Group in Hollywood, Los Angeles, California, United States, Toybox in Toronto, Ontario, Canada and Track Record Studios in North Hollywood, Los Angeles, California, United States
- shot at:
- Maracanã Stadium in Rio de Janeiro, Rio de Janeiro, Brazil (on 2002-11-23)
- live recording of:
- O baterista (on 2002-11-23)
- composer:
- Neil Peart
| | 8:30 |
| 22 | Resist- miscellaneous support:
- Alex Lifeson (task: music supervisor)
- assistant engineer:
- Kooster McAllister
- audio engineer:
- James “Jimbo” Barton
- associate producer:
- Lionel Pasamonte
- co-executive producer:
- Tilton Gardner, Glenis S. Gross and Robert McClaugherty
- executive producer:
- Allan Weinrib, Pegi Cecconi, Ray Danniels and Bryan Domyan
- producer:
- Daniel E. Catullo III and Lawrence Jordan
- assistant mixer:
- Patrick Thrasher
- mixer:
- James “Jimbo” Barton and Alex Lifeson
- assistant editor:
- Chris Reesor
- editor:
- Mark Hajek, Mark Morton and Frank Russo
- bass guitar and lead vocals:
- Geddy Lee (on 2002-11-23)
- drums (drum set):
- Neil Peart (on 2002-11-23)
- guitar:
- Alex Lifeson (on 2002-11-23)
- video director:
- Daniel E. Catullo III
- recorded at:
- Maracanã Stadium in Rio de Janeiro, Rio de Janeiro, Brazil (on 2002-11-23)
- engineered at:
- School Editing in Toronto, Ontario, Canada
- edited at:
- Stealing Time in Toronto, Ontario, Canada
- produced at:
- Coming Home Studios in Hollywood, Los Angeles, California, United States, Icon Recording Group in Hollywood, Los Angeles, California, United States, Metalworks Mastering in Mississauga, Ontario, Canada, The Post Group in Hollywood, Los Angeles, California, United States, Toybox in Toronto, Ontario, Canada and Track Record Studios in North Hollywood, Los Angeles, California, United States
- shot at:
- Maracanã Stadium in Rio de Janeiro, Rio de Janeiro, Brazil (on 2002-11-23)
- live recording of:
- Resist (on 2002-11-23)
- composer:
- Geddy Lee, Alex Lifeson and Neil Peart
| | 4:53 |
| 23 | 2112- miscellaneous support:
- Alex Lifeson (task: music supervisor)
- assistant engineer:
- Kooster McAllister
- audio engineer:
- James “Jimbo” Barton
- associate producer:
- Lionel Pasamonte
- co-executive producer:
- Tilton Gardner, Glenis S. Gross and Robert McClaugherty
- executive producer:
- Allan Weinrib, Pegi Cecconi, Ray Danniels and Bryan Domyan
- producer:
- Daniel E. Catullo III and Lawrence Jordan
- assistant mixer:
- Patrick Thrasher
- mixer:
- James “Jimbo” Barton and Alex Lifeson
- assistant editor:
- Chris Reesor
- editor:
- Mark Hajek, Mark Morton and Frank Russo
- bass guitar and lead vocals:
- Geddy Lee (on 2002-11-23)
- drums (drum set):
- Neil Peart (on 2002-11-23)
- guitar:
- Alex Lifeson (on 2002-11-23)
- video director:
- Daniel E. Catullo III
- recorded at:
- Maracanã Stadium in Rio de Janeiro, Rio de Janeiro, Brazil (on 2002-11-23)
- engineered at:
- School Editing in Toronto, Ontario, Canada
- edited at:
- Stealing Time in Toronto, Ontario, Canada
- produced at:
- Coming Home Studios in Hollywood, Los Angeles, California, United States, Icon Recording Group in Hollywood, Los Angeles, California, United States, Metalworks Mastering in Mississauga, Ontario, Canada, The Post Group in Hollywood, Los Angeles, California, United States, Toybox in Toronto, Ontario, Canada and Track Record Studios in North Hollywood, Los Angeles, California, United States
- shot at:
- Maracanã Stadium in Rio de Janeiro, Rio de Janeiro, Brazil (on 2002-11-23)
- live partial recording of:
- 2112 (on 2002-11-23)
- lyricist:
- Neil Peart
- composer:
- Geddy Lee and Alex Lifeson
- publisher:
- Ole (Germany), Ole Core Music Publishing and Ole Media Management LP
| | 6:50 |
| 24 | Limelight- miscellaneous support:
- Alex Lifeson (task: music supervisor)
- assistant engineer:
- Kooster McAllister
- audio engineer:
- James “Jimbo” Barton
- associate producer:
- Lionel Pasamonte
- co-executive producer:
- Tilton Gardner, Glenis S. Gross and Robert McClaugherty
- executive producer:
- Allan Weinrib, Pegi Cecconi, Ray Danniels and Bryan Domyan
- producer:
- Daniel E. Catullo III and Lawrence Jordan
- assistant mixer:
- Patrick Thrasher
- mixer:
- James “Jimbo” Barton and Alex Lifeson
- assistant editor:
- Chris Reesor
- editor:
- Mark Hajek, Mark Morton and Frank Russo
- bass guitar and lead vocals:
- Geddy Lee (on 2002-11-23)
- drums (drum set):
- Neil Peart (on 2002-11-23)
- guitar:
- Alex Lifeson (on 2002-11-23)
- video director:
- Daniel E. Catullo III
- recorded at:
- Maracanã Stadium in Rio de Janeiro, Rio de Janeiro, Brazil (on 2002-11-23)
- engineered at:
- School Editing in Toronto, Ontario, Canada
- edited at:
- Stealing Time in Toronto, Ontario, Canada
- produced at:
- Coming Home Studios in Hollywood, Los Angeles, California, United States, Icon Recording Group in Hollywood, Los Angeles, California, United States, Metalworks Mastering in Mississauga, Ontario, Canada, The Post Group in Hollywood, Los Angeles, California, United States, Toybox in Toronto, Ontario, Canada and Track Record Studios in North Hollywood, Los Angeles, California, United States
- shot at:
- Maracanã Stadium in Rio de Janeiro, Rio de Janeiro, Brazil (on 2002-11-23)
- live recording of:
- Limelight (on 2002-11-23)
- lyricist:
- Neil Peart
- composer:
- Geddy Lee and Alex Lifeson
- publisher:
- Ole Core Music Publishing
| | 4:25 |
| 25 | La Villa Strangiato- miscellaneous support:
- Alex Lifeson (task: music supervisor)
- assistant engineer:
- Kooster McAllister
- audio engineer:
- James “Jimbo” Barton
- associate producer:
- Lionel Pasamonte
- co-executive producer:
- Tilton Gardner, Glenis S. Gross and Robert McClaugherty
- executive producer:
- Allan Weinrib, Pegi Cecconi, Ray Danniels and Bryan Domyan
- producer:
- Daniel E. Catullo III and Lawrence Jordan
- assistant mixer:
- Patrick Thrasher
- mixer:
- James “Jimbo” Barton and Alex Lifeson
- assistant editor:
- Chris Reesor
- editor:
- Mark Hajek, Mark Morton and Frank Russo
- bass guitar and lead vocals:
- Geddy Lee (on 2002-11-23)
- drums (drum set):
- Neil Peart (on 2002-11-23)
- guitar:
- Alex Lifeson (on 2002-11-23)
- video director:
- Daniel E. Catullo III
- recorded at:
- Maracanã Stadium in Rio de Janeiro, Rio de Janeiro, Brazil (on 2002-11-23)
- engineered at:
- School Editing in Toronto, Ontario, Canada
- edited at:
- Stealing Time in Toronto, Ontario, Canada
- produced at:
- Coming Home Studios in Hollywood, Los Angeles, California, United States, Icon Recording Group in Hollywood, Los Angeles, California, United States, Metalworks Mastering in Mississauga, Ontario, Canada, The Post Group in Hollywood, Los Angeles, California, United States, Toybox in Toronto, Ontario, Canada and Track Record Studios in North Hollywood, Los Angeles, California, United States
- shot at:
- Maracanã Stadium in Rio de Janeiro, Rio de Janeiro, Brazil (on 2002-11-23)
- live recording of:
- La Villa Strangiato (on 2002-11-23)
- composer:
- Geddy Lee, Alex Lifeson and Neil Peart
| | 10:07 |
| 26 | The Spirit of Radio- miscellaneous support:
- Alex Lifeson (task: music supervisor)
- assistant engineer:
- Kooster McAllister
- audio engineer:
- James “Jimbo” Barton
- associate producer:
- Lionel Pasamonte
- co-executive producer:
- Tilton Gardner, Glenis S. Gross and Robert McClaugherty
- executive producer:
- Allan Weinrib, Pegi Cecconi, Ray Danniels and Bryan Domyan
- producer:
- Daniel E. Catullo III and Lawrence Jordan
- assistant mixer:
- Patrick Thrasher
- mixer:
- James “Jimbo” Barton and Alex Lifeson
- assistant editor:
- Chris Reesor
- editor:
- Mark Hajek, Mark Morton and Frank Russo
- bass guitar and lead vocals:
- Geddy Lee (on 2002-11-23)
- drums (drum set):
- Neil Peart (on 2002-11-23)
- guitar:
- Alex Lifeson (on 2002-11-23)
- video director:
- Daniel E. Catullo III
- recorded at:
- Maracanã Stadium in Rio de Janeiro, Rio de Janeiro, Brazil (on 2002-11-23)
- engineered at:
- School Editing in Toronto, Ontario, Canada
- edited at:
- Stealing Time in Toronto, Ontario, Canada
- produced at:
- Coming Home Studios in Hollywood, Los Angeles, California, United States, Icon Recording Group in Hollywood, Los Angeles, California, United States, Metalworks Mastering in Mississauga, Ontario, Canada, The Post Group in Hollywood, Los Angeles, California, United States, Toybox in Toronto, Ontario, Canada and Track Record Studios in North Hollywood, Los Angeles, California, United States
- shot at:
- Maracanã Stadium in Rio de Janeiro, Rio de Janeiro, Brazil (on 2002-11-23)
- live recording of:
- The Spirit of Radio (on 2002-11-23)
- lyricist:
- Neil Peart
- composer:
- Geddy Lee and Alex Lifeson
- publisher:
- Core Music Publishing and Anthem Core Music Publishing (from 1980 to present)
| | 5:35 |
| 27 | By‐Tor and the Snow Dog / Cygnus X‐1 / Working Man- miscellaneous support:
- Alex Lifeson (task: music supervisor)
- assistant engineer:
- Kooster McAllister
- audio engineer:
- James “Jimbo” Barton
- associate producer:
- Lionel Pasamonte
- co-executive producer:
- Tilton Gardner, Glenis S. Gross and Robert McClaugherty
- executive producer:
- Allan Weinrib, Pegi Cecconi, Ray Danniels and Bryan Domyan
- producer:
- Daniel E. Catullo III and Lawrence Jordan
- assistant mixer:
- Patrick Thrasher
- mixer:
- James “Jimbo” Barton and Alex Lifeson
- assistant editor:
- Chris Reesor
- editor:
- Mark Hajek, Mark Morton and Frank Russo
- bass guitar and lead vocals:
- Geddy Lee (on 2002-11-23)
- drums (drum set):
- Neil Peart (on 2002-11-23)
- guitar:
- Alex Lifeson (on 2002-11-23)
- video director:
- Daniel E. Catullo III
- recorded at:
- Maracanã Stadium in Rio de Janeiro, Rio de Janeiro, Brazil (on 2002-11-23)
- engineered at:
- School Editing in Toronto, Ontario, Canada
- edited at:
- Stealing Time in Toronto, Ontario, Canada
- produced at:
- Coming Home Studios in Hollywood, Los Angeles, California, United States, Icon Recording Group in Hollywood, Los Angeles, California, United States, Metalworks Mastering in Mississauga, Ontario, Canada, The Post Group in Hollywood, Los Angeles, California, United States, Toybox in Toronto, Ontario, Canada and Track Record Studios in North Hollywood, Los Angeles, California, United States
- shot at:
- Maracanã Stadium in Rio de Janeiro, Rio de Janeiro, Brazil (on 2002-11-23)
- live medley including a recording of:
- By‐Tor & the Snow Dog (on 2002-11-23)
- lyricist:
- Neil Peart
- composer:
- Geddy Lee and Alex Lifeson
- publisher:
- Anthem Core Music Publishing (from 1980 to present)
- live medley including a recording of:
- Cygnus X‐1 (on 2002-11-23)
- lyricist:
- Neil Peart
- composer:
- Geddy Lee and Alex Lifeson
- publisher:
- Anthem Core Music Publishing (from 1980 to present)
- live medley including a recording of:
- Working Man (on 2002-11-23)
- lyricist and composer:
- Geddy Lee and Alex Lifeson
| | 13:56 |
| 28 | Credits- miscellaneous support:
- Alex Lifeson (task: music supervisor)
- assistant engineer:
- Kooster McAllister
- audio engineer:
- James “Jimbo” Barton
- assistant mixer:
- Patrick Thrasher
- mixer:
- James “Jimbo” Barton and Alex Lifeson
- produced at:
- Coming Home Studios in Hollywood, Los Angeles, California, United States, Icon Recording Group in Hollywood, Los Angeles, California, United States, Metalworks Mastering in Mississauga, Ontario, Canada, The Post Group in Hollywood, Los Angeles, California, United States, Toybox in Toronto, Ontario, Canada and Track Record Studios in North Hollywood, Los Angeles, California, United States
| | 3:48 |
| 29 | The Documentary: The Boys in Brazil | | 54:35 |
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