101 Rock Hits

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 1 disponibile)

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1L.A. Woman
produttore:
Keith Forsey (drummer, producer and songwriter)
tecnico di missaggio:
Tommy Vicari
voce principale:
Billy Idol (English rock singer‐songwriter)
arrangiatore:
Keith Forsey (drummer, producer and songwriter) e Billy Idol (English rock singer‐songwriter)
diritti fonografici (℗) detenuti da:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 1990)
video musicali:
L.A. Woman di Billy Idol (English rock singer‐songwriter)
registrazione cover di:
L.A. Woman
paroliere:
Jim Morrison (lead vocalist of the Doors)
compositore:
John Densmore, Robby Krieger (American guitarist, member of The Doors), Ray Manzarek e Jim Morrison (lead vocalist of the Doors)
editore:
Doors Music Company e Rondor Music (London) Ltd.
Billy Idol44:02
2Any Way You Want It
tecnico audio, tecnico e tecnico di missaggio:
Geoff Workman
assistente tecnico:
Ken Kessie
produttore:
Kevin Elson e Geoff Workman
armonica (a bocca) e tastiera :
Gregg Rolie (keyboardist and vocalist)
basso a pedali e chitarra basso :
Ross Valory
batteria e percussione :
Steve Smith (US drummer most associated with Journey)
chitarra :
Neal Schon
voce di accompagnamento:
Gregg Rolie (keyboardist and vocalist), Neal Schon e Ross Valory
voce principale:
Steve Perry (former lead singer of Journey)
diritti fonografici (℗) detenuti da:
CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (nel 1980) e CBS, Inc. (US broadcasting company; file no releases here!) (nel 1980)
registrata presso:
The Automatt in San Francisco, California, Stati Uniti (dal 1979-11-05 al 1979-11-12)
parte di:
VH1: 100 Greatest Hard Rock Songs (2008-12-29) (numero: 80)
registrazione di:
Any Way You Want It
autore:
Steve Perry (former lead singer of Journey) e Neal Schon
editore:
BMG Rights Management (UK) Ltd. (not for release label use! see annotation), Lacey Boulevard Music, Sharandall Music e Weedhigh‐Nightmare Music
sub-editore:
フジパシフィックミュージック (Fujipacific Music, Inc.), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) e 日音 Synch事業部 (NICHION, INC. Synch Division)
Journey4.153:23
3Hip to Be Square
tecnico:
Jim Gaines e Robert Missbach
produttore:
Huey Lewis and the News (American pop rock band)
tecnico di missaggio:
Robert Missbach
sassofono baritono :
Stephen Kupka
voce di accompagnamento:
Ralph Arista, Riki Ellison (American football player), Jerome Fletcher, Ronnie Lott (American football player), Joe Montana (American football player) e Jim Moran
diritti fonografici (℗) detenuti da:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 1986)
registrazione di:
Hip to Be Square
autore:
Bill Gibson (US drummer for Huey Lews & the News), Sean Hopper (US Keyboardist for Huey Lewis & the News) e Huey Lewis
editore:
Hulex Music (publisher), MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated) e WB Music Corp. (1929–2019)
parte di:
American Psycho
Huey Lewis and the News4.254:04
4Bring Me Some Water
registrazione di:
Bring Me Some Water
paroliere e compositore:
Melissa Etheridge
editore:
Rondor Music (London) Ltd.
Melissa Etheridge4.653:54
5Couldn’t Stand the Weather
registrazione di:
Couldn’t Stand the Weather
paroliere e compositore:
Stevie Ray Vaughan
Stevie Ray Vaughan and Double Trouble4:41
6Mean to Me
produttore:
Mitchell Froom
registrazione di:
Mean to Me
paroliere e compositore:
Neil Finn
Crowded House3.83:15
7No Lies
diritti fonografici (℗) detenuti da:
Sony Music Entertainment (Australia) Limited (not for release label use! AU subsidiary of Sony Music Entertainment Inc., 1995/02–2004/02) (nel 1987)
registrata presso:
Rhinoceros Studios in Sydney, New South Wales, Australia (nel 1986-08)
registrazione di:
No Lies
editore:
Chris Gilbey
autore:
Jon Stevens (Australian/NZ rock singer) e Brent Thomas (New Zealand guitarist and songwriter)
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Greenstone Music, Warner Chappell Music (publisher as Warner/Chappell Music) e Warner/Chappell Music Australia Pty. Ltd.
Noiseworks43:54
8Dogs Are Talking
registrazione di:
Dogs Are Talking
autore:
Rick Brewster e Doc Neeson
editore:
Chris Gilbert Pty. Ltd., EMI Songs Australia Pty. Ltd., Universal Music Publishing Group, Pty. Ltd e Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group)
sub-editore:
EMI Songs France (27, rue de Berri) e Universal Music Publishing France (not for release label use!)
The Angels43:23
9Hanging On the Telephone
assistente tecnico:
Grey Russell e Peter Coleman (British engineer & producer)
tecnico:
Peter Coleman (British engineer & producer)
assistente produttore:
Peter Coleman (British engineer & producer)
produttore:
Mike Chapman (Australian producer and songwriter)
batteria :
Clem Burke (dal 1978-06 al 1978-07)
chitarra :
Frank Infante (dal 1978-06 al 1978-07) e Chris Stein (dal 1978-06 al 1978-07)
chitarra basso :
Nigel Harrison (dal 1978-06 al 1978-07)
tastiera :
Jimmy Destri (dal 1978-06 al 1978-07)
voce principale:
Deborah Harry (dal 1978-06 al 1978-07)
diritti fonografici (℗) detenuti da:
Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007), Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 1978, nel 2001), Chrysalis Records (don’t use as an imprint; please use “Chrysalis” instead) (nel 1978), Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (nel 1978), Chrysalis Records, Inc. (not for release label use!) (nel 1978, nel 2001) e Capitol Records (imprint of Capitol Records, Inc.) (nel 2001)
registrata presso:
The Record Plant (New York) in Midtown Manhattan, New York, New York, Stati Uniti (dal 1978-06 al 1978-07)
mixata presso:
Forum Studio (recording and mixing studio, located in Covington, Kentucky, USA) in Covington, Kentucky, Stati Uniti
registrazione cover di:
Hanging On the Telephone (dal 1978-06 al 1978-07)
paroliere e compositore:
Jack Lee (US songwriter and musician)
editore:
BMG Blue, Chrysalis Music Ltd. (music publisher, affiliated with PRS), Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint), Chrysalis Songs, EMI Music Publishing Ltd. (PRS‐affiliated), Red Admiral Music Inc. (publisher) e Rare Blue Music Inc (nel 1978)
Blondie4.32:21
10Real Wild Child
programmazione degli strumenti:
David Richards (Swiss-based producer and engineer) (dal 1986-04 al 1986-05)
tecnico:
David Richards (Swiss-based producer and engineer)
produttore e tecnico di missaggio:
David Bowie (English singer‐songwriter) e David Richards (Swiss-based producer and engineer)
basso, batteria, organo, campionatore [Akai S900], sintetizzatore [Yamaha DX7] e violino :
Erdal Kızılçay (dal 1986-04 al 1986-05)
chitarra :
Kevin Armstrong (UK guitarist, producer & songwriter) (dal 1986-04 al 1986-05) e Steve Jones (Sex Pistols member) (dal 1986-04 al 1986-05)
voce di accompagnamento:
Kevin Armstrong (UK guitarist, producer & songwriter) (dal 1986-04 al 1986-05), David Bowie (English singer‐songwriter) (dal 1986-04 al 1986-05) e Erdal Kızılçay (dal 1986-04 al 1986-05)
voce principale:
Iggy Pop (dal 1986-04 al 1986-05)
diritti fonografici (℗) detenuti da:
A&M Records (nel 1986)
registrata presso:
Mountain Recording Studios (original Montreux location, 1975–2002) in Montreux, Vaud (Canton Vaud), Svizzera (dal 1986-04 al 1986-05)
registrazione cover di:
Wild One (Real Wild Child) (dal 1986-04 al 1986-05)
autore:
Johnny Greenan, Johnny O’Keefe e Dave Owens (US songwriter, known for "Wild One")
editore:
Melodie der Welt (publisher), MPL Communications Inc. (Paul McCartney‐related, NYC‐based company), Peermusic (Germany) GmbH, Peermusic (UK) Limited e Southern Music (publisher)
Iggy Pop3.853:38
11Jessie’s Girl
produttore:
Keith Olsen (US producer and engineer)
arrangiatore:
Neil Geraldo (multi-instrumentalist, songwriter, producer), Keith Olsen (US producer and engineer) e Rick Springfield
diritti fonografici (℗) detenuti da:
BMG Entertainment (nel 1981), BMG Music (nel 1981), RCA Records (not for release label use! for the imprint, please use “RCA” instead) (nel 1981), RCA Records, Inc. (this is a company, only use in companies fields such as Copyright and Manufacturer - for the label use RCA) (nel 1981), Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (nel 1981, nel 2001) e Wizard Records (nel 1981)
parte di:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (numero: 20) e Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 55)
registrazione di:
Jessie’s Girl
paroliere e compositore:
Rick Springfield
editore:
BMG Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Muscleman Music, PolyGram Music Publishing Ltd., Portal Music, Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Universal–Songs of PolyGram International, Inc. e Wizard Music
Rick Springfield4.43:13
12Hold the Line
tecnico di registrazione:
Dana Latham, Gabe Veltri e Tom Knox
assistente tecnico:
Dana Latham (incarico: assistant) e Gabe Veltri (incarico: assistant)
tecnico e tecnico di missaggio:
Tom Knox
produttore:
Bruce Dickinson (engineer and producer) e Toto (US rock group)
basso :
David Hungate e Michael Porcaro
batteria :
Jeffrey Porcaro (nel 1978-08)
chitarra :
Steve Lukather (guitarist, vocalist, composer, producer and arranger)
chitarra basso :
David Hungate (nel 1978-08)
chitarra elettrica :
Steve Lukather (guitarist, vocalist, composer, producer and arranger) (nel 1978-08)
percussione :
Jeffrey Porcaro e Lenny Castro (nel 1978-08)
pianoforte :
David Paich (nel 1978-08)
tastiera :
David Paich (nel 1978-08) e Steve Porcaro (nel 1978-08)
voce:
Bobby Kimball, David Paich, Steve Lukather (guitarist, vocalist, composer, producer and arranger) e Steve Porcaro
voce di accompagnamento:
Bobby Kimball (nel 1978-08), Steve Lukather (guitarist, vocalist, composer, producer and arranger) (nel 1978-08) e David Paich (nel 1978-08)
voce principale:
Jean-Michel Byron e Bobby Kimball (nel 1978-08)
diritti fonografici (℗) detenuti da:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1977, nel 1978), CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (nel 1978), CBS, Inc. (US broadcasting company; file no releases here!) (nel 1978), Columbia Records (EMI‐owned 1931–1990, worldwide except US, CA, MX, ES, & JP; largely defunct since Jan 1973) (nel 1978), Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (nel 1978) e Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (nel 1978)
registrata presso:
Studio 55 in Los Angeles, California, Stati Uniti (nel 1978-08)
parte di:
BILLIONS CLUB
registrazione di:
Hold the Line (nel 1978-08)
paroliere e compositore:
David Paich
editore:
Hudmar Publishing Co. Inc., Kobalt Music Publishing Ltd. (UK), Sony/ATV Music Publishing Ltd. e Spirit Two Music
sub-editore:
Sony/ATV Music Publishing (UK) Ltd. e ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
Toto4.23:57
13Addicted to Love
produttore:
Bernard Edwards (American bassist and record producer)
tecnico di missaggio:
Eric Thorngren
diritti fonografici (℗) detenuti da:
Island Records, Inc. (US, Island holding) (nel 1985)
registrazione di:
Addicted to Love
paroliere e compositore:
Robert Palmer (English singer‐songwriter)
editore:
Bungalow Music, Bungalow Music N.V., Heavy Nova Music, Island Music Ltd., Neue Welt Musikverlag GmbH & Co. KG (– 2017), Warner Chappell North America Ltd., Warner/Chappell Music Canada Ltd., Warner/Chappell Music Ltd. (1996–2019), WB Music Corp. (1929–2019) e WC Music Corp.
Robert Palmer4.53:57
14Danger Zone
programmazione degli strumenti:
Hans Zimmer (German score composer)
tecnico:
Dave Concors, Dave Connors e Tom Whitlock
produttore:
Giorgio Moroder e Tom Whitlock
produttore esecutivo:
Michael Dilbeck
tecnico di missaggio:
Giorgio Moroder e Brian Reeves
batteria :
John Robinson (session drummer)
chitarra :
Dann Huff e Kenny Loggins
sassofono :
Tom Scott (saxophonist, Blues Brothers, LA Express, Starsky & Hutch)
sintetizzatore :
Tom Whitlock
tastiera :
Giorgio Moroder
voce principale:
Kenny Loggins
diritti fonografici (℗) detenuti da:
CBS Inc. (US broadcasting company; file no releases here!) (nel 1986), Columbia Records (EMI‐owned 1931–1990, worldwide except US, CA, MX, ES, & JP; largely defunct since Jan 1973) (nel 1986), Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (nel 1986) e Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1986)
registrata presso:
Oasis Recording Studios in North Hollywood, Los Angeles, California, Stati Uniti
versioni a cappella:
Danger Zone di Tufts Beelzebubs (Tufts University all-male a cappella group)
registrazione di:
Danger Zone (Top Gun)
paroliere:
Thomas Whitlock
compositore:
Giorgio Moroder
editore:
Budde Music Inc. (US publisher), Neue Welt Musikverlag GmbH (2017 – present), Sony/ATV Harmony, Sony/ATV Harmony UK, Sony/ATV Music Publishing (Germany) GmbH (1998–2002), Warner Chappell Overseas Holdings Ltd., Warner/Chappell North America, WB Music Corp. (1929–2019), ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody) (nel 1986) e GMPC (nel 1986)
Kenny Loggins4.33:37
15Satisfied
tecnico e tecnico di missaggio:
David Cole (American recording engineer and producer)
produttore:
David Cole (American recording engineer and producer) e Richard Marx
basso :
Randy Jackson (former bassist with Journey and American Idol judge)
batteria :
Mike Baird (drummer)
chitarra :
Bruce Gaitsch (American guitarist, producer, engineer and arranger) e Michael Landau
chitarra solista :
Michael Landau
organo [B3] :
Bill Payne
percussione :
Paulinho da Costa (Brazilian percussionist)
tastiera :
Jeffery (C. J.) Vanston
voce di accompagnamento:
Richard Marx e Cynthia Rhodes
voce principale:
Richard Marx
arrangiatore:
Richard Marx
diritti fonografici (℗) detenuti da:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 1989) e EMI USA (renamed EMI Records USA in the beginning of the 1990s) (nel 1989)
registrazione di:
Satisfied
paroliere e compositore:
Richard Marx
Richard Marx54:12
16(What’s So Funny ’Bout) Peace, Love and Understanding
tecnico:
Roger Bechirian
produttore:
Nick Lowe (UK singer/songwriter/instrumentalist/producer)
batteria :
Pete Thomas (drummer)
chitarra :
Elvis Costello
chitarra basso :
Bruce Thomas
organo, pianoforte e sintetizzatore :
Steve Nieve
voce:
Elvis Costello
parte di:
New York Post: 100 Greatest Covers (2007) (numero: 65) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 284)
registrazione cover di:
(What’s So Funny ’Bout) Peace, Love and Understanding
paroliere e compositore:
Nick Lowe (UK singer/songwriter/instrumentalist/producer)
editore:
Plangent Visions Music, Inc.
Elvis Costello & The Attractions4.23:32
17But You Don’t Care
diritti fonografici (℗) detenuti da:
Sony BMG Music Entertainment (Australia) Pty Limited (not for release label use! AU subsidiary of SBME 2004–2009) (nel 1979)
registrazione di:
But You Don't Care
autore:
Kevin Stanton
compositore:
Murray Burns e Kevin Stanton
editore:
BMG Music Publishing Australia Pty Ltd, Copyright Control (not for release label use! this is only for copyrights and publishing relationships) e EMI Songs Australia Pty. Ltd.
Mi‐Sex4:32
18Drop the Pilot
assistente tecnico:
Niko Bolas
tecnico e produttore:
Val Garay
basso :
Bryan Garofalo
batteria :
Craig Krampf
chitarra :
Joan Armatrading, Craig Hull e Tim Pierce (US session guitarist)
percussione :
M. L. Benoit
tastiera :
Steve Goldstein
voce:
Joan Armatrading
diritti fonografici (℗) detenuti da:
A&M Records (nel 1983) e A&M Records, Ltd. (nel 1983)
registrazione di:
Drop the Pilot
compositore:
Joan Armatrading
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Mushroom Music Pty. Ltd. e Polygram Music
Joan Armatrading43:36
19The Things We Do for Love
assistente tecnico e assistente tecnico di missaggio:
Tony Spath
tecnico, tecnico di missaggio e editor:
Eric Stewart
produttore:
10cc, Graham Gouldman, Mastermix Music Limited e Eric Stewart
batteria, gong, battimani e tamburello :
Paul Burgess (UK rock drummer) (nel 1976)
chitarra acustica, chitarra basso, chitarra elettrica, battimani e tamburello :
Graham Gouldman (nel 1976)
chitarra, organo e pianoforte e voce di accompagnamento e voce principale:
Eric Stewart (nel 1976)
voce di accompagnamento:
Graham (nel 1976)
diritti fonografici (℗) detenuti da:
Mercury Records Ltd. (not for release label use!) (nel 1976, nel 1977, nel 1997), Mercury Records Ltd. (London) (for copyrights use only) (nel 1976), Phonogram Ltd. (not for release label use!) (nel 1976, nel 1977), PolyGram Records, Inc. (not for release label use! US division of PolyGram) (nel 1977) e The Island Def Jam Music Group (American holding company, not normally a release label) (nel 1977)
registrata presso:
Strawberry Studios South in Dorking, Surrey, England, Regno Unito (nel 1976)
video musicali:
The Things We Do for Love di 10cc e The Things We Do for Love di 10cc
registrazione di:
The Things We Do for Love (nel 1976)
autore:
Graham Gouldman e Eric Stewart
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing (do not use as a release label!), EMI Music Publishing Australia Pty Ltd (not for release label use!), EMI Music Publishing Ltd. (PRS‐affiliated), St. Anne’s Music Ltd. e Man-Ken Music Ltd. (nel 1977)
10cc4.553:20
20Tuff Enuff
tecnico:
Carey Taylor
produttore:
Dave Edmunds
diritti fonografici (℗) detenuti da:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1986)
parte di:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (numero: 96)
registrazione di:
Tuff Enuff
paroliere e compositore:
Kim Wilson
editore:
Hello Mr. Wilson
The Fabulous Thunderbirds3.53:22
21Freeze Frame
tecnico:
Dave Thoener
produttore:
Seth Justman
ottoni [horns] :
Alan Rubin, Randy Brecker, Ronnie Cuber, Lou Marini, Tom Melone (US trombonist) e George Young (saxophonist)
arrangiatore:
Seth Justman
diritti fonografici (℗) detenuti da:
Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (nel 1981) e EMI Catalog (nel 2006)
registrata presso:
Long View Farm in North Brookfield, Massachusetts, Stati Uniti
mixata presso:
Mix Room, Record Plant (NYC) in New York, New York, Stati Uniti
registrazione di:
Freeze-Frame
autore:
Seth Justman e Peter Wolf (US rock vocalist, member of J. Geils Band)
editore:
Almo Music Corp. (USA, affiliated with ASCAP) e Kobalt Songs Music Publishing (USA, ASCAP affiliated)
The J. Geils Band4.23:57
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parte di:101 Hits (Australian compilation series) (numero: Rock Hits) (ordine: 25)