| Nr. | Titel | Künstler | Bewertung | Länge |
|---|
| 1 | Boom Boom | John Lee Hooker | | 2:28 |
| 2 | Hound Dog- recorded in:
- Los Angeles, California , Vereinigte Staaten (am 1952-08-13)
- recording engineer und Mix:
- Joel Moss
- assistierende(r) Techniker(in):
- Tom Hardisty , Brandon Harris und Sue McLean
- Produzent(in):
- Hummie Mann, Johnny Otis und Marc Shaiman
- Editing:
- Curtis Roush
- Gitarre:
- Pete Lewis (am 1952-08-13)
- Klavier:
- Devonia Williams (am 1952-08-13)
- Kontrabass [bass]:
- Albert Winston (am 1952-08-13)
- Schlagzeug:
- Leard Bell (am 1952-08-13)
- Vibraphon [vibes]:
- Johnny Otis (am 1952-08-13)
- vocals:
- Big Mama Thornton (am 1952-08-13)
- Orchester:
- Johnny Otis & His Orchestra (am 1952-08-13)
- conductor:
- Artie Kane
- Teil von:
- Blues Hall of Fame: Classic of Blues Recording Single (Nummer: 2006)
- recording of:
- Hound Dog (am 1952-08-13)
- Texter:
- Jerry Leiber (am 1952-08-12)
- Komponist(in):
- Mike Stoller (am 1952-08-12)
- vorher zugeschrieben zu:
- Johnny Otis
- publisher:
- Chappell Morris Ltd., Cherry Lane, Cherry Lane Music, Cherry Lane Music Publishing, Elvis Presley Music, Gladys Music, Lion Publishing Co., MCA Music Inc. , MCA Music Ltd., MCA Music Publishing , Sony/ATV Songs LLC, Universal Music Publishing , Universal/MCA Music , Williamson Music Company und Williamson Music, Inc.
| Willie May | 4.65 | 2:48 |
| 3 | Jailhouse Blues | Sleepy John Estes | | 2:54 |
| 4 | Loop Garoo | Dr. John | | 4:38 |
| 5 | Blues on the Ceiling | Fred Neil | | 2:22 |
| 6 | My Mama Don’t Allow Me | Arthur “Big Boy” Crudup | | 3:05 |
| 7 | Better Cut That Out | Sonny Boy Williamson | | 2:57 |
| 8 | Back Breaking Blues | Big Joe Turner | | 3:02 |
| 9 | Lady Sings the Blues | Billie Holiday | | 3:44 |
| 10 | First Time I Met the Blues- baritone saxophone [baritone sax]:
- Donald Hankins (am 1960-03-02)
- Bass:
- Jack Meyers (am 1960-03-02)
- Gitarre:
- Buddy Guy (am 1960-03-02)
- Klavier:
- Little Brother Montgomery (am 1960-03-02)
- Schlagzeug [drums]:
- Fred Below (am 1960-03-02)
- Tenorsaxophon [tenor sax]:
- Jarett Gibson (am 1960-03-02), Jarrett Gibson (am 1960-03-02) und Bob Neely (am 1960-03-02)
- vocals:
- Buddy Guy (am 1960-03-02)
- phonographisches Urheberrecht (℗) von:
- MCA Records, Inc. (in 1960)
- aufgenommen bei:
- Chess Studios in Chicago, Illinois, Vereinigte Staaten (am 1960-03-02)
- recording of:
- First Time I Met the Blues (am 1960-03-02)
- Komponist(in):
- Eurreal Montgomery
- publisher:
- Arc Music , Arc Music Corp. , Flomont Music, Flomont Music Publishing Co. und Jewel Music Publishing Co. Ltd.
- cover recording of:
- First Time I Met the Blues
- Komponist(in):
- Eurreal Montgomery
- publisher:
- Arc Music , Arc Music Corp. , Flomont Music, Flomont Music Publishing Co. und Jewel Music Publishing Co. Ltd.
| Buddy Guy | 3 | 2:09 |
| 11 | Stranger Blues | Brownie McGhee | | 2:20 |
| 12 | Jelly Roll Blues | Jelly Roll Morton | | 2:59 |
| 13 | You’re Nobody ’Til Somebody Loves You- Gitarre:
- Oscar Moore (am 1945-05-19)
- Klavier:
- Nat King Cole (am 1945-05-19)
- Kontrabass:
- Johnny Miller (am 1945-05-19)
- vocals:
- Nat King Cole (am 1945-05-19)
- aufgenommen bei:
- Radio Recorders Studios in West Hollywood, California , Vereinigte Staaten (am 1945-05-19)
- recording of:
- You’re Nobody Till Somebody Loves You (am 1945-05-19)
- Verfasser(in):
- James Cavanaugh, Russ Morgan und Larry Stock
- publisher:
- Capitol Records , Shapiro, Bernstein & Co., Inc. und Southern Music Publishing Co., Inc.
- Teil von:
- The Real Book
- cover recording of:
- You’re Nobody Till Somebody Loves You (in 1945)
- Verfasser(in):
- James Cavanaugh, Russ Morgan und Larry Stock
- publisher:
- Capitol Records , Shapiro, Bernstein & Co., Inc. und Southern Music Publishing Co., Inc.
- Teil von:
- The Real Book
| Nat King Cole | | 2:49 |
| 14 | Can’t Find the Keyhole Blues | “Brother” Jack McDuff | | 7:16 |
| 15 | Baby Please Don’t Go | Muddy Waters | | 3:14 |
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