80’s One Hit Wonders

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

1Digitales Medium
Nr.TitelKünstlerBewertungLänge
1Tainted Love
Techniker(in):
Paul Hardiman
Produzent(in):
Mike Thorne (UK producer & keyboardist)
Mix:
Harvey Goldberg
elektronische Instrumente und andere Instrumente:
Dave Ball (UK electronic musician, part of Soft Cell)
Saxophon:
David Tofani
Hintergrundgesang:
Vicious Pink
vocals:
Marc Almond (English pop singer and songwriter)
phonographisches Urheberrecht (℗) von:
Mercury Records Ltd. (London) (for copyrights use only) (in 1981)
aufgenommen bei:
Advision Studios in Fitzrovia, Camden (London Borough of Camden), Westminster, London (Greater London), England, Vereinigtes Königreich
Musikvideos:
Tainted Love von Soft Cell (1980s English synth‐pop duo)
Teil von:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (Nummer: 5), Paste: The 50 Greatest One-Hit Wonders of All Time (Nummer: 8), New York Post: 100 Greatest Covers (2007) (Nummer: 10), Pitchfork: The Story of Goth in 33 Songs, VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (Nummer: 33) und Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 46)
cover recording of:
Tainted Love
Texter und Komponist(in):
Ed Cobb
publisher:
Burlington Music Co., Ltd. und Embassy Music Corporation
sub-publisher:
ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
Soft Cell3.952:37
2The Boys of Summer
Techniker(in) und Mix:
Niko Bolas und Greg Ladanyi
Produzent(in):
Mike Campbell (Tom Petty and the Heartbreakers guitarist), Don Henley, Danny Kortchmar (Danny Kootch) und Greg Ladanyi
E-Bass [bass]:
Larry Klein
Gitarre [guitars], Perkussion und Synthesizer:
Mike Campbell (Tom Petty and the Heartbreakers guitarist)
Gitarrensynthesizer [synthesizer guitar]:
Danny Kortchmar (Danny Kootch)
Synthesizer:
Steve Porcaro
Sologesang:
Don Henley
Musikvideos:
The Boys of Summer (music video) von Don Henley
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 164), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 209) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 416)
recording of:
The Boys of Summer
Texter und Komponist(in):
Mike Campbell (Tom Petty and the Heartbreakers guitarist) und Don Henley
publisher:
Warner Chappell, Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–), Wild Gator Music (publishing company for Mike Campbell of Tom Petty and the Heartbreakers) und Woody Creek Music
Don Henley3.94:48
3Maniac (from “Flashdance”)
Produzent(in):
Phil Ramone und Michael Sembello
vocals:
Michael Sembello (in 1983)
phonographisches Urheberrecht (℗) von:
Polygram Records, Inc. (New York) (not for release label use! US division of PolyGram) (in 1983) und The Island Def Jam Music Group (American holding company, not normally a release label) (in 1983)
recording of:
Maniac (in 1983)
Verfasser(in):
Dennis Matkosky und Michael Sembello
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Intersong Music, Intersong Music Ltd., Intersong USA, Inc. (publisher), Riva Music Ltd., Rondor Music (London) Ltd., Sony/ATV Harmony, Warner Bros. Music Co. Inc., Warner Bros. Music Corp. und WB Music Corp. (1929–2019)
Teil von:
The 56th Academy Award for Best Original Song (Nummer: 2) und Academy Award for Best Original Song (Nummer: 1983 nominee)
Michael Sembello4.154:06
4Don’t Worry Be Happy
Techniker(in):
Chris Tergesen
Produzent(in):
Linda Goldstein
Körper-Perkussion:
Bobby McFerrin
vocals:
Bobby McFerrin
phonographisches Urheberrecht (℗) von:
EMI Manhattan (Manhattan Records after Jul 1987 acquisition of EMI America) (in 1988), EMI Records USA (formerly EMI USA, renamed since early 1990s) (in 1988) und EMI–Manhattan Records (company credits only; do NOT use as release label) (in 1988)
aufgenommen bei:
Fantasy Studios (Berkeley) in Berkeley, California (Kalifornien), Vereinigte Staaten
recording of:
Don’t Worry, Be Happy
Texter und Komponist(in):
Bobby McFerrin
Verfasser(in):
Steve Sidwell (English composer & wind instrumentalist)
publisher:
BMG Music Publishing Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships) und Probnoblem Music
Bobby McFerrin4.354:52
5Tarzan Boy
Produzent(in):
Maurizio Bassi
arranger:
Maurizio Bassi
recording of:
Tarzan Boy
Texter:
Naimy Hackett
Komponist(in):
Maurizio Bassi
publisher:
EMI Music Publishing (do not use as a release label!) und Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
Baltimora43:24
6Dance Hall Days
Produzent(in):
Ross Cullum und Chris Hughes (producer, aka “Merrick”)
phonographisches Urheberrecht (℗) von:
Geffen Records und The David Geffen Company (legal rights relating to Geffen Records) (in 1984)
recording of:
Dance Hall Days
Verfasser(in):
Darren Costin, Nick Feldman und Jack Hues
publisher:
Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Wang Chung3.23:56
7Come On Eileen
recording of:
Come On Eileen
Verfasser(in):
Kevin Adams, James Mitchell Paterson und Kevin Rowland (UK singer and songwriter, in Dexy’s Midnight Runners)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing Australia Pty Ltd (not for release label use!), EMI Music Publishing Co. Ltd., EMI Music Publishing Ltd. (PRS‐affiliated) und Kevin Adams Music Ltd.
Dexys Midnight Runners4:45
8Somebody’s Watching Me (single version)
Produzent(in):
Curtis Anthony Nolen und Rockwell (R & B – “Somebody’s Watching Me”)
Gast vocals:
Michael Jackson (“King of Pop”)
Hintergrundgesang:
Jermaine Jackson (soul/pop singer, of Jackson 5)
phonographisches Urheberrecht (℗) von:
Motown Record Corporation (company credits only; do NOT use as release label) (in 1983)
Teil von:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (Nummer: 20)
recording of:
Somebody’s Watching Me
Texter und Komponist(in):
Rockwell (R & B – “Somebody’s Watching Me”)
publisher:
EMI Music (do not use as release label! this is a music publisher) und Jobete Music (appears also as: Jobete Msc.)
Rockwell3.853:56
9Rhythm of the Night (from “The Last Dragon” soundtrack)
Produzent(in):
Richard Perry (producer)
phonographisches Urheberrecht (℗) von:
Motown Record Corporation (company credits only; do NOT use as release label) (in 1985), Motown Records (not for label use; use “Motown” instead) (in 1985, in 2009), UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1985) und RCA Records (not for release label use! for the imprint, please use “RCA” instead) (vom 2016 bis heute)
Musikvideos:
Rhythm of the Night von DeBarge
recording of:
Rhythm of the Night
Texter und Komponist(in):
Diane Warren (US songwriter)
publisher:
Edition Sunset Publishing Ltd. und Realsongs
DeBarge3.63:50
10Video Killed the Radio Star
Musikvideos:
Video Killed the Radio Star von Buggles und Video Killed the Radio Star von Buggles
Teil von:
TV Cream: Real 100 Best Singles Ever (Nummer: 56)
recording of:
Video Killed the Radio Star
Verfasser(in):
Geoff Downes (English keyboardist), Trevor Horn und Bruce Woolley
publisher:
Ackee Music, Inc., BMG Gold Songs, Carbert Music Inc., Carlin Music Corporation, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Island Music Ltd., Round Hill Compositions, Unforgettable Songs Ltd., Universal (plain logo “Universal” used by Universal Music and Universal Pictures), Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group), Universal PolyGram International Publishing, Inc. (existed only since ca. 1998) und Universal/Island Music Ltd. (for music publishing use only, formerly Island Music Ltd.)
The Buggles4.64:13
11Love Is a Battlefield
Produzent(in):
Neil Geraldo (multi-instrumentalist, songwriter, producer), Peter Coleman und Peter Coleman (British engineer & producer)
Mix:
Neil Giraldo (multi-instrumentalist, songwriter, producer) und Peter Coleman (British engineer & producer)
Bassgitarre:
Roger Capps
E-Gitarre:
Neil Giraldo (multi-instrumentalist, songwriter, producer)
Keyboard:
Charles Giordano (American keyboardist and accordionist)
Schlagzeug:
Myron Grombacher
Sologesang:
Pat Benatar
vocals:
Pat Benatar
phonographisches Urheberrecht (℗) von:
EMI Records (UK label renamed from Virgin EMI Records in 2020), Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 1983), Chrysalis Records (don’t use as an imprint; please use “Chrysalis” instead) (in 1983) und Chrysalis Records, Inc. (not for release label use!) (in 1983, in 1984)
aufgenommen bei:
MCA Whitney Recording Studios in Glendale, California (Kalifornien), Vereinigte Staaten (in 1983)
mixed at:
MCA Whitney Recording Studios in Glendale, California (Kalifornien), Vereinigte Staaten
recording of:
Love Is a Battlefield
Verfasser(in):
Mike Chapman (Australian producer and songwriter) und Holly Knight
publisher:
BMG Gold Songs, BMG Music, BMG Music Pbl. Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing Ltd. (PRS‐affiliated), Island Music Ltd., Universal Music–MGB Songs, Warner Chappell, Warner/Chappell Music Ltd. (1996–2019), Zomba Music Publishers Ltd. (UK subsidiary of Zomba Music Publishing) und Zomba Music Publishing Ltd.
Pat Benatar4.14:10
12Escape (The Piña Colada Song)
Techniker(in) und Mix:
Jim Boyer (producer/engineer)
Produzent(in):
Jim Boyer (producer/engineer) und Rupert Holmes
Bass [electric bass]:
Frank Gravis
Schlagzeug:
Leo Adamian
phonographisches Urheberrecht (℗) von:
Geffen Records, Infinity Records Inc. und MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1979)
aufgenommen bei:
Plaza Sound Studios in New York, New York, Vereinigte Staaten
mixed at:
A&R Recording Studio (third studio, 322 West 48th Street, closed in 1989) in New York, New York, Vereinigte Staaten
recording of:
Escape (The Piña Colada Song)
Texter und Komponist(in):
Rupert Holmes
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), The Holmes Line of Music, Inc., WB Music Corp. (1929–2019) (bis 2019-05-28) und WC Music Corp. (vom 2019-05-28 bis heute)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Rupert Holmes3.554:38
13(I Just) Died in Your Arms
Techniker(in):
Terry Brown (producer)
Produzent(in):
Terry Brown (producer), Cutting Crew und John Jansen (US recording engineer and producer)
Mix:
Tim Palmer (British producer/mixer)
Akustikgitarre, E-Gitarre und Synthesizer [E-mu Emulator]:
Kevin MacMichael
Bass:
Colin Farley
Klavier:
Peter-John Vettese (British keyboardist, songwriter, arranger and record producer)
Perkussion, Schlagzeug und Tamburin:
Martin Beedle
Hintergrundgesang:
Peter Birch
Sologesang:
Nick Van Eede
phonographisches Urheberrecht (℗) von:
Virgin Records Ltd. (not for release label use! for company relationships only) und Siren Records Ltd. (company and copyrights holder. File NO releases) (in 1986)
aufgenommen bei:
AIR Studios (Oxford Street, London. 1970–1991 recordings only) in London (Greater London), England, Vereinigtes Königreich
mixed at:
Utopia Studios (London) in London (Greater London), England, Vereinigtes Königreich
Teil von:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (Nummer: 26)
recording of:
(I Just) Died in Your Arms
Texter und Komponist(in):
Nick Van Eede
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Virgin Songs, Inc. und Sony/ATV Music Publishing (UK) Ltd.
Cutting Crew4.14:29
14Word Up
phonographisches Urheberrecht (℗) von:
PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1986) und The Island Def Jam Music Group (American holding company, not normally a release label) (in 1986)
Musikvideos:
Word Up! von Cameo (American soul-influenced funk group)
Teil von:
TV Cream: Real 100 Best Singles Ever (Nummer: 70) und VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (Nummer: 81)
recording of:
Word Up!
Verfasser(in):
Larry Blackmon und Tomi Jenkins
publisher:
All Seeing Eye Music, Better Days Music und Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
Cameo44:19
15Funkytown
phonographisches Urheberrecht (℗) von:
Casablanca Rec. & Filmworks Inc. (not for release label use, for copyrights use only) (in 1979)
aufgenommen bei:
Sound 80 (original location) in Minneapolis, Minnesota, Vereinigte Staaten (in 1979)
mixed at:
Allen Zentz Mastering in San Clemente, California (Kalifornien), Vereinigte Staaten (in 1979)
Teil von:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (Nummer: 37) und Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 297)
recording of:
Funkytown
Texter und Komponist(in):
Steven Greenberg
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Intersong Music, Red Sea Songs, Rick S. Music (publishing company associated with Casablanca), Steven Greenberg Music, Warner Chappell, Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–), Warner/Chappell Music Australia Pty. Ltd. und Warner/Chappell Music Ltd. (1996–2019)
Lipps, Inc.47:49
16Walking on Sunshine
recording of:
Walking on Sunshine
Texter:
Kimberley Rew (in 1983)
Komponist(in):
Kimberley Rew
publisher:
EMI Music Publishing (do not use as a release label!), Kyboside Music, Megasongs Limited, Pondwater Music und Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
Katrina & the Waves3.63:41
17I Think We’re Alone Now
zusätzlich recording engineer:
John Kerns (US engineer)
drum machine [drum]-Programmierung:
John Duarte
Techniker(in):
Bill Smith (US recording engineer)
Produzent(in):
George E. Tobin
Gitarre:
Chuck Yamek
Synthesizer:
John Duarte
Hintergrundgesang und Sologesang:
Tiffany (US 1980s pop star, "I Think We’re Alone Now")
remixer:
George E. Tobin und Bill Smith (US recording engineer)
arranger:
John Duarte
phonographisches Urheberrecht (℗) von:
UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1987)
Teil von:
RuPaul’s Drag Race Lip Sync Performances (season 7) (Nummer: 7)
cover recording of:
I Think We’re Alone Now
Texter und Komponist(in):
Ritchie Cordell
publisher:
EMI Longitude Music
recording of:
I Think We’re Alone Now
Texter und Komponist(in):
Ritchie Cordell
publisher:
EMI Longitude Music
Tiffany3.83:46
18Flashdance… What a Feeling
Produzent(in):
Giorgio Moroder
vocals:
Irene Cara
phonographisches Urheberrecht (℗) von:
Polygram Records, Inc. (New York) (not for release label use! US division of PolyGram) (in 1983), Unidisc Music Inc. (not for release label use! use “Unidisc” instead) (in 1983) und Universal Music TV (UK, a division of Universal Music Operations Limited) (in 1995)
Teil von:
Billboard: Greatest of All Time Hot 100 Songs (Nummer: 38) und Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 492)
recording of:
Flashdance… What a Feeling
Texter:
Irene Cara und Keith Forsey (drummer, producer and songwriter)
Komponist(in):
Giorgio Moroder
publisher:
Alcor Music (publisher), Carasmatic Music, Carub Music (publisher), Chappell Music Ltd., Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), GMPC, Intersong Music, Intersong Music Ltd., Intersong U.S.A. (publisher), Sony/ATV Harmony und WB Music Corp. (1929–2019)
Teil von:
The 56th Academy Award for Best Original Song (Nummer: 1) und Academy Award for Best Original Song (Nummer: 1983 winner)
Irene Cara3.653:54
19Let’s Go All the Way
recording of:
Let’s Go All the Way
Texter und Komponist(in):
Gary “Mudbone” Cooper
publisher:
EMI Music Publishing (do not use as a release label!)
Sly Fox3.53:50
20Axel F (from “Beverly Hills Cop” soundtrack)
Produzent(in):
Harold Faltermeyer
phonographisches Urheberrecht (℗) von:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) und Geffen Records (in 1984)
mixed at:
The Record Plant (aka “Record Plant” Los Angeles) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
Teil von:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (Nummer: 70)
recording of:
Axel F (Beverly Hills Cop)
Komponist(in):
Harold Faltermeyer
Harold Faltermeyer4.153:02
21One Night in Bangkok (single version)
recording of:
One Night in Bangkok
Texter:
Tim Rice
Komponist(in):
Benny Andersson (ABBA) und Björn Ulvaeus
publisher:
MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), MdW (publisher) und RCA Music Ltd. (publisher)
Teil von:
Chess (full musical)
Murray Head43:15
22First Time
phonographisches Urheberrecht (℗) von:
Mercury Records Ltd. (not for release label use!) (in 1988) und The Coca-Cola Company (in 1988)
Musikvideos:
First Time ("concept" version) von Robin Beck und First Time (band version) von Robin Beck
recording of:
First Time
Texter:
Tom Anthony (wrote "First Time") und Terry Boyle
Komponist(in):
Gavin Spencer
publisher:
EMI Music Publishing Co. Ltd., EMI Music Publishing Ltd. (PRS‐affiliated) und EMI Music Publishing Scandinavia AB
Robin Beck33:17
23Far From Over (from “Staying Alive” soundtrack)
Techniker(in):
Joel W. Moss
Produzent(in):
Johnny Mandel (American composer and arranger)
arranger:
Vince DiCola und Frank Stallone
recording of:
Far From Over (Staying Alive)
Verfasser(in):
Vince DiCola und Frank Stallone
publisher:
Sony/ATV Harmony und ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
Frank Stallone3:54
24I Can Dream About You (from “Streets of Fire” soundtrack)
recording engineer:
Dan Hartman
zusätzlich recording engineer:
Shelly Yakus
zusätzliche(r) Techniker(in):
Gabe Veltri
assistierende(r) Mix:
Steve Krause (Steven A Krause)
Mix:
Humberto Gatica
E-Bass:
Eddie N. Watkins Jr.
Klavier:
Bill Payne
Perkussion:
Bobbye Hall
zusätzlich Gitarre:
Richie Zito
zusätzlich Schlagzeug:
Art Wood (US session drummer/percussionist)
Hintergrundgesang:
Winston Ford, Dan Hartman und Joe Pizzullo
Sologesang:
Dan Hartman
phonographisches Urheberrecht (℗) von:
Geffen Records (in 1984), MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1984) und UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1984)
recording of:
I Can Dream About You
Texter und Komponist(in):
Dan Hartman
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Blackwood Music Inc., EMI Music Publishing Australia Pty Ltd (not for release label use!) und Multi-Level Music, Inc. (BMI affiliated)
Dan Hartman4.24:08
25Obsession
recording engineer:
Jeff Harris (recording engineer)
Programmierung:
Jeff Harris (recording engineer) und Holly Knight
Produzent(in):
John Ryan (producer a/k/a “The Chicago Kid”)
Bassgitarre:
Charles Ottavio
Gitarre:
Bill Wadhams
Keyboard:
Paul Antonelli
membranophone:
Frenchy O'Brien
Teil von:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (Nummer: 12)
cover recording of:
Obsession
Verfasser(in):
Michael Des Barres und Holly Knight
publisher:
Melodie der Welt GmbH & Co. KG (fka Melodie der Welt J. Michel GmbH & Co. KG; this name since 2011-04-07) und The Makiki Publishing Co. Ltd.
recording of:
Obsession
Verfasser(in):
Michael Des Barres und Holly Knight
publisher:
Melodie der Welt GmbH & Co. KG (fka Melodie der Welt J. Michel GmbH & Co. KG; this name since 2011-04-07) und The Makiki Publishing Co. Ltd.
Animotion5:37
26Breakout
Produzent(in):
Paul Staveley O’Duffy
phonographisches Urheberrecht (℗) von:
Mercury Records Ltd. (not for release label use!) (in 1986) und Phonogram Ltd. (London) (company name, NOT a label!) (in 1986)
Teil von:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (Nummer: 72)
recording of:
Breakout (in 1986)
Verfasser(in):
Andy Connell (in 1986), Corinne Drewery (in 1986) und Martin Jackson (in 1986)
publisher:
10 Music Ltd., EMI Music Publishing (do not use as a release label!), EMI Virgin Music Publishers, Sony Music Publishing (worldwide except Japan, ended 1995) und Virgin 10 Music Ltd.
Swing Out Sister3.83:46
27Higher Love (single version)
Mix:
Tom Lord‐Alge
Gitarre:
Nile Rodgers
Keyboard:
David Frank (American keyboardist, producer, writer; The System)
vocals:
Chaka Khan
recording of:
Higher Love
Verfasser(in):
Will Jennings und Steve Winwood
publisher:
Blue Sky Rider (BMI-affiliated; associated with Will Jennings), CBS Songs Ltd., F.S. Music Ltd., Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Warner Chappell North America und Willin' David Music
Steve Winwood4.55:47
28Message to My Girl
recording of:
Message to My Girl
Texter und Komponist(in):
Neil Finn
publisher:
Enz Music
Teil von:
APRA Top 100 New Zealand Songs of All Time (Nummer: 36)
Split Enz4:04
29Don’t Stop the Music
Bearbeitung von:
Don’t Stop the Music von Yarbrough & Peoples
recording of:
Don’t Stop the Music
Verfasser(in):
Jonah Ellis, Alisa Peoples und Lonnie Simmons (producer, songwriter)
publisher:
BMG Platinum Songs US und BMG Rights Management (UK) Ltd. (not for release label use! see annotation)
Yarbrough & Peoples34:10
30Tomorrow People
Ziggy Marley & The Melody Makers3:36
31Under the Boardwalk
phonographisches Urheberrecht (℗) von:
Motown Record Corporation (company credits only; do NOT use as release label) (in 1987)
cover recording of:
Under the Boardwalk
Verfasser(in):
Arthur Resnick (songwriter, producer) und Kenny Young
publisher:
Alley Music Corp., Intersong (publisher), The Hudson Bay Music Co. (publisher), TM Music Ltd. und Trio Music Company
Bruce Willis2.353:02
32Don’t Push It Don’t Force It
Leon Haywood3:29
33Solid (edit)Ashford & Simpson3:44
34China in Your Hand (single version)
Techniker(in):
Norman Goodman
Produzent(in):
Tim Burgess (T'Pau drummer) und Ron Rogers (Ronald Phillip Rogers, T'Pau)
phonographisches Urheberrecht (℗) von:
Siren Records Ltd. (company and copyrights holder. File NO releases) (in 1987), Virgin Records Ltd. (not for release label use! for company relationships only) (in 1987), Union Square Music Ltd. (for copyright use only, holding company of Union Square Music) (in 2018) und Universal Music Operations Ltd. (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (in 2018)
Bearbeitung von:
China in Your Hand von T’Pau
recording of:
China in Your Hand
Verfasser(in):
Carol Decker und Ron Rogers (Ronald Phillip Rogers, T'Pau)
publisher:
BMG Music Publishing (NYC‐based headquarters, with national subsidiaries under it), M15 Publishing Ltd, Virgin Music (Publishing) Ltd. und Virgin Music (Publ.) Ltd. (publisher) (in 1987)
T’Pau44:07
35The Rain
Teil von:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (Nummer: 63)
recording of:
The Rain
Texter und Komponist(in):
Vincent Bell (R&B / hip-hop producer)
Oran Juice Jones55:09
36The Promise
Produzent(in):
Michael Brauer (engineer) und Ben Rogan
Mix:
Michael Brauer (engineer)
Teil von:
Paste: The 50 Greatest One-Hit Wonders of All Time (Nummer: 9)
recording of:
The Promise
Verfasser(in):
Clive Farrington, Michael Floreale und Andrew Mann
When in Rome53:41
37Heat of the Moment
Techniker(in) und Produzent(in):
Mike Stone (producer and engineer, 1960s–80s)
E-Bass:
John Wetton
Gitarre:
Steve Howe
Keyboard:
Geoff Downes (English keyboardist)
Schlagzeug und Perkussion:
Carl Palmer
vocals:
Geoff Downes (English keyboardist), Steve Howe und John Wetton
phonographisches Urheberrecht (℗) von:
Geffen Records (in 1982), The David Geffen Company (legal rights relating to Geffen Records) (in 1982) und UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1982)
aufgenommen bei:
The Town House in Shepherd's Bush, Hammersmith and Fulham, London (Greater London), England, Vereinigtes Königreich
Musikvideos:
Heat of the Moment (music video) von Asia (UK progressive rock band)
recording of:
Heat of the Moment
Verfasser(in):
Geoff Downes (English keyboardist) und John Wetton
publisher:
BMG Gold Songs, Crosstown UK (Palan), Island Music Ltd., John Wetton Music Ltd, Kobalt Music Publishing Ltd. (UK), Neue Welt Musikverlag GmbH & Co. KG (– 2017), Palan Music Publishing Ltd., Warner Bros. (holding: file NO releases), Warner Bros. Music Co., Ltd., Warner Bros., Inc. (not for release label use!), Warner Chappell Music, Inc., Ackee Music Inc. (vom 1982 bis heute), Almond Legg Music Corp. (vom 1982 bis heute), WB Music Corp. (1929–2019) (von 1982 bis 2019-05-28) und WC Music Corp. (vom 2019-05-28 bis heute)
sub-publisher:
Fujipacific Music, Inc., Warner/Chappell Music Japan, Synch division (Warner/Chappell Music Japan K.K., Synch Division), Yamaha Music Publishing (bis 2017-03-31) und Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label) (vom 2017-04-01 bis heute)
Asia4.53:49
38Someday
Produzent(in):
Jim Vallance
assistierende(r) Mix:
Randy Staub
Mix:
Ed Thacker
recording of:
Someday
geschrieben in:
Vancouver, British Columbia, Kanada (in 1985-05)
Verfasser(in):
Al Connelly, Alan Frew und Jim Vallance (in 1985-05)
Glass Tiger33:38
39Edge of a Broken Heart
assistierende(r) Techniker(in):
Annette Cisneros, Judy Clapp, Jimmy Preziosi und Mark Stebbeds
Techniker(in) und Mix:
Brian Foraker
zusätzliche(r) Techniker(in):
Peter Doell
Produzent(in):
Richard Marx
Bassgitarre:
Share Pedersen
Gitarre [lead guitar]:
Jan Kuehnemund
Gitarre [rhythm guitar] und Sologesang:
Janet Gardner
Keyboard:
Derek “Keys” Nakamoto
Schlagzeug:
Roxy Petrucci
Hintergrundgesang:
Jan Kuehnemund, Share Pedersen und Roxy Petrucci
arranger:
Richard Marx
phonographisches Urheberrecht (℗) von:
EMI Manhattan (Manhattan Records after Jul 1987 acquisition of EMI America) (in 1988)
aufgenommen bei und mixed at:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
Musikvideos:
Edge of a Broken Heart von Vixen (all‐female rock/glam band)
recording of:
Edge of a Broken Heart
Verfasser(in):
Richard Marx und Fee Waybill
publisher:
BMG Monarch, EMI Songs Ltd., Feesongs und MCA Music Ltd.
sub-publisher:
フジパシフィックミュージック (Fujipacific Music, Inc.), イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (vom 2021-07-01 bis heute)
Vixen34:25
40In My House (12” version)
recording of:
In My House
Texter und Komponist(in):
Rick James (US vocalist, multi‐instrumentalist, composer & producer)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
Teil von:
“The Filthy Fifteen” (PMRC’s list of songs with “offensive lyrical content”) (Nummer: 13)
Mary Jane Girls55:05
41Let It All Blow (single version)
recording of:
Let It All Blow
Verfasser(in):
Robert Harris (saxophonist, producer and songwriter) und Keith Harrison (US funk keyboardist/vocalist for Heatwave/Dazz Band)
Dazz Band23:58
42Sunglasses at Night
Techniker(in):
Jon Astley, Phil Chapman (engineer) und Andy MacPherson
Produzent(in):
Jon Astley und Phil Chapman (engineer)
Teil von:
Huffington Post: 100 Best Canadian Songs Ever (Nummer: 30)
recording of:
Sunglasses at Night
Texter und Komponist(in):
Corey Hart
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) und Edition Meridian
Corey Hart3.655:20
43Da Da Da I Don’t Love You You Don’t Love Me Aha Aha Aha
Techniker(in):
Jim Duncombe (Swiss musician / engineer) (in 1982-01)
Produzent(in):
Klaus Voormann (in 1982-01)
E-Bass:
Klaus Voormann (in 1982-01)
E-Gitarre:
Kralle Krawinkel (in 1982-01)
Kastagnetten:
Hans‐Joachim Behrendt (in 1982-01)
Keyboard:
Stephan Remmler (in 1982-01)
Schlagzeug:
Peter Behrens (in 1982-01)
Hintergrundgesang:
Annette Humpe (in 1982-01)
Sologesang:
Stephan Remmler (in 1982)
engineered at:
Audio Studios in Berlin, Deutschland (in 1982-01) und Powerplay Studios in Maur, Zürich (Kanton Zürich), Schweiz (in 1982-01)
Bearbeitung von:
Da Da Da I Don’t Love You You Don’t Love Me Aha Aha Aha von Trio (80s German band)
Musikvideos:
Da Da Da (I Don't Love You) von Trio (80s German band)
recording of:
Da Da Da I Don’t Love You You Don’t Love Me Aha Aha Aha (in 1982-01)
Texter und Komponist(in):
Kralle (in 1981) und Stephan Remmler (in 1981)
Übersetzer:
Kralle und Stephan Remmler
publisher:
Just Us Music Production GmbH
übersetzte Version von:
Da da da ich lieb dich nicht du liebst mich nicht aha aha aha
Trio3.353:26
44Girlfriend (single version)
recording of:
Girlfriend
Verfasser(in):
Antonio M. Reid und Kenneth Edmonds (R&B musician Kenny Edmonds)
publisher:
ECAF Music, Epic Solar Songs Inc., Kear Music (publisher), Sony/ATV Songs LLC und Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Pebbles4:16
45Tempted
Produzent(in):
Roger Bechirian und Elvis Costello
Bass:
John Bentley (UK bassist, member of Squeeze)
Gitarre:
Chris Difford und Glenn Tilbrook
Keyboard und Sologesang:
Paul Carrack
Schlagzeug:
Gilson Lavis
Hintergrundgesang:
Elvis Costello und Glenn Tilbrook
Teil von:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (Nummer: 82)
recording of:
Tempted
Texter:
Chris Difford
Komponist(in):
Glenn Tilbrook
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated) und Illegal Songs Inc.
Squeeze4.154:01
46Circle
Techniker(in):
Pat Moran (UK male singer, keyboardist sound engineer and producer)
Produzent(in):
Pat Moran (UK male singer, keyboardist sound engineer and producer) (in 1988)
Sologesang:
Edie Brickell (American singer-songwriter) (in 1988)
Interpret(in):
Edie Brickell (American singer-songwriter) (in 1988)
phonographisches Urheberrecht (℗) von:
The David Geffen Company (legal rights relating to Geffen Records) (in 1988) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1988)
aufgenommen bei:
Rockfield Studios in Monmouth, Monmouthshire, Wales, Vereinigtes Königreich (in 1988)
recording of:
Circle (Edie Brickell & New Bohemians song) (in 1988)
Texter:
Edie Brickell (American singer-songwriter)
Komponist(in):
Edie Brickell (American singer-songwriter) und Kenny Withrow
publisher:
Edie Brickell Songs, Enlighted Kitty, Strange Mind Products und Warner Chappell Music Ltd. (no slash; used 1988–1996) (in 1989)
Edie Brickell & New Bohemians4.653:12
47Suddenly Last Summer
recording engineer und Produzent(in):
Val Garay
Mix:
Doug Sax
Sologesang:
Martha Davis (of The Motels)
aufgenommen bei:
Record One in Sherman Oaks, Los Angeles, California (Kalifornien), Vereinigte Staaten (von 1983-01-30 bis 1983-08-05)
recording of:
Suddenly Last Summer
Texter und Komponist(in):
Martha Davis (of The Motels)
The Motels43:37
48Babe
Techniker(in):
Rob Kingsland und Gary Loizzo
Produzent(in):
Styx (rock band from Chicago)
Interpret(in):
Styx (rock band from Chicago)
phonographisches Urheberrecht (℗) von:
A&M Records
aufgenommen bei:
Pumpkin Studios in Oak Lawn, Illinois, Vereinigte Staaten
recording of:
Babe
Texter und Komponist(in):
Dennis DeYoung
publisher:
Almo Music Corp. (USA, affiliated with ASCAP), MDW (publisher) und Stygian Songs (publishing company for the rock band Styx) (in 1979)
Styx3.354:26
49Your Love Is Driving Me Crazy
phonographisches Urheberrecht (℗) von:
The David Geffen Company (legal rights relating to Geffen Records) (in 1982)
recording of:
Your Love Is Driving Me Crazy
Texter und Komponist(in):
Sammy Hagar
publisher:
WB Music Corp. (1929–2019)
Sammy Hagar33:30
50You Can Do Magic
Techniker(in):
Chuck Kirkpatrick
Produzent(in):
Russ Ballard
Bassgitarre [bass]:
Mike Porcaro
Gitarre [guitars]:
Gerry Beckley, Michael Mirage und Rick Neigher
Keyboard [keyboards]:
Chris Coté (songwriting partner with Rick Neigher) und Jai Winding (pianist, composer, vocal)
Schlagzeug:
Jeff Porcaro und Alvin Taylor (drummer)
Synthesizer:
Chris Coté (songwriting partner with Rick Neigher), Mark Isham (American musician and score composer) und Jai Winding (pianist, composer, vocal)
vocals:
Gerry Beckley und Dewey Bunnell
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1982)
produced for:
Rujo Productions
engineered at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich und Criteria Studios in Miami, Florida, Vereinigte Staaten
recording of:
You Can Do Magic
Texter und Komponist(in):
Russ Ballard
publisher:
EMI April Music Inc., Russell Ballard Ltd und Union Square Music Songs Ltd.
America3.653:56
51Mexican RadioWall of Voodoo4.654:10
52The Future’s So Bright, I Gotta Wear Shades
Techniker(in) und Produzent(in):
Dennis Herring
aufgenommen bei und mixed at:
Dustbowl Studios in Los Angeles, California (Kalifornien), Vereinigte Staaten
Teil von:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (Nummer: 42)
recording of:
The Future's So Bright, I Gotta Wear Shades
Texter und Verfasser(in):
Pat MacDonald (singer, songwriter, guitarist for Timbuk3)
publisher:
Bugle Songs Ltd. (publishing label formerly known as Illegal Music Ltd.) und IRS Songs
Timbuk 353:23
53Chance
Techniker(in):
Will Gosling
Produzent(in):
Steve Lillywhite
recording of:
Chance
Texter:
Stuart Adamson
Komponist(in):
Stuart Adamson, Mark Brzezicki, Tony Butler (English rock bassist with Big Country) und Bruce Watson (member of Big Country)
publisher:
10 Music Ltd. und Mercury Records (or just “Mercury”; a UMG imprint, do not use it for ©/℗ credits) (in 1983)
Big Country4:25
54Rio
recording of:
Rio
Texter und Komponist(in):
Alice May (singer and songwriter)
Maywood3:25
55You’re the Greatest Lover
Produzent(in):
Hans van Hemert
recording of:
You’re the Greatest Lover
Texter und Komponist(in):
Hans van Hemert und Piet Souer (composer)
Luv’2:54
56Laß die Sonne in dein Herz
Teil von:
Germany in the Eurovision Song Contest (Deutschland beim Eurovision Song Contest) (Nummer: 1987)
recording of:
Lass die Sonne in dein Herz
Texter:
Bernd Meinunger
Komponist(in):
Ralph Siegel
Wind33:05
57And the Birds Were Singing (…Et les oiseaux chantaient) (instrumental)
Sweet People2:55

Nennungen

Veröffentlichung

urheberrechtlich geschützt (©) von und phonographisches Urheberrecht (℗) von:UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 2022)
kostenlos streamen:https://open.spotify.com/album/6WzrKNZbiE7bHTDYn8Gmvb [Info]
https://www.deezer.com/album/298292502 [Info]
Streaming-Seite:https://music.apple.com/be/album/1611606459 [Info]