Annotation

Recorded in 1984.

Conductor - Richard Bonynge
Orchestra - London Symphony Orchestra
Chorus - London Symphony Orchestra Chorus

Norma - Joan Sutherland
Adalgisa - Marilyn Horne
Pollione - John Alexander
Oroveso - Richard Cross
Clotilde - Yvonne Minton
Flavio - Joseph Ward

Annotation last modified on 2020-10-08 19:19 UTC.

Tracklist

1Enhanced CD
2Enhanced CD
3Enhanced CD
#TitleArtistRatingLength
1Norma: Atto II, scena 1. Introduzione (Orchestra)
orchestra:
London Symphony Orchestra (in 1964)
conductor:
Richard Bonynge (conductor and pianist) (in 1964)
recording of:
Norma: Atto II. Introduzione (in 1964)
composer:
Vincenzo Bellini (Sicilian opera composer) (until 1831)
librettist:
Felice Romani (Librettiste, écrivain, poète, traducteur) (until 1831)
part of:
Norma: Atto II
Vincenzo Bellini3:48
2Norma: Atto II, scena 1. “Dormono entrambi” (Norma, Clotilde)
soprano vocals [Clotilde]:
Yvonne Minton (mezzo-soprano) (in 1964)
soprano vocals [Norma]:
Joan Sutherland (soprano) (in 1964)
orchestra:
London Symphony Orchestra (in 1964)
conductor:
Richard Bonynge (conductor and pianist) (in 1964)
recording of:
Norma: Atto II, scena 1. Recitativo “Dormono entrambi!” (Norma, Clotilde) (in 1964)
composer:
Vincenzo Bellini (Sicilian opera composer) (until 1831)
librettist:
Felice Romani (Librettiste, écrivain, poète, traducteur) (until 1831)
part of:
Norma: Atto II
Vincenzo Bellini5:18
3Norma: Atto II, scena 1. “Mi chiami, o Norma!” (Adalgisa, Norma)
mezzo-soprano vocals [Adalgisa]:
Marilyn Horne (American operatic mezzo-soprano) (in 1964)
soprano vocals [Norma]:
Joan Sutherland (soprano) (in 1964)
orchestra:
London Symphony Orchestra (in 1964)
conductor:
Richard Bonynge (conductor and pianist) (in 1964)
recording of:
Norma: Atto II, scena 1. Scena “Mi chiami, o Norma?” (Norma, Adalgisa) (in 1964)
composer:
Vincenzo Bellini (Sicilian opera composer) (until 1831)
librettist:
Felice Romani (Librettiste, écrivain, poète, traducteur) (until 1831)
part of:
Norma: Atto II
Vincenzo Bellini2:36
4Norma: Atto II, scena 1. “Deh! con te, con te li prendi” (Adalgisa, Norma)
mezzo-soprano vocals [Adalgisa]:
Marilyn Horne (American operatic mezzo-soprano) (in 1964)
soprano vocals [Norma]:
Joan Sutherland (soprano) (in 1964)
orchestra:
London Symphony Orchestra (in 1964)
conductor:
Richard Bonynge (conductor and pianist) (in 1964)
recording of:
Norma: Atto II, scena 1. Duetto “Deh! con te, con te li prendi” (Norma, Adalgisa) (in 1964)
composer:
Vincenzo Bellini (Sicilian opera composer) (until 1831)
librettist:
Felice Romani (Librettiste, écrivain, poète, traducteur) (until 1831)
part of:
Norma: Atto II
Vincenzo Bellini3:56
5Norma: Atto II, scena 1. “Mira, o Norma” (Adalgisa, Norma)
mezzo-soprano vocals [Adalgisa]:
Marilyn Horne (American operatic mezzo-soprano) (in 1964)
soprano vocals [Norma]:
Joan Sutherland (soprano) (in 1964)
orchestra:
London Symphony Orchestra (in 1964)
conductor:
Richard Bonynge (conductor and pianist) (in 1964)
recording of:
Norma: Atto II, scena 1. Duetto “Mira, o Norma” (Norma, Adalgisa) (in 1964)
composer:
Vincenzo Bellini (Sicilian opera composer) (until 1831)
librettist:
Felice Romani (Librettiste, écrivain, poète, traducteur) (until 1831)
part of:
Norma: Atto II
Vincenzo Bellini5:39
6Norma: Atto II, scena 1. “Si, fino all'ore estreme” (Adalgisa, Norma)
mezzo-soprano vocals [Adalgisa]:
Marilyn Horne (American operatic mezzo-soprano) (in 1964)
soprano vocals [Norma]:
Joan Sutherland (soprano) (in 1964)
orchestra:
London Symphony Orchestra (in 1964)
conductor:
Richard Bonynge (conductor and pianist) (in 1964)
recording of:
Norma: Atto II, scena 1. “Si, fino all’ore estreme” (Adalgisa, Norma) (in 1964)
composer:
Vincenzo Bellini (Sicilian opera composer)
librettist:
Felice Romani (Librettiste, écrivain, poète, traducteur)
part of:
Norma: Atto II
Vincenzo Bellini2:14
7Norma: Atto II, scena 2. “Non parti?” (Coro)
choir vocals:
London Symphony Chorus (in 1964)
orchestra:
London Symphony Orchestra (in 1964)
conductor:
Richard Bonynge (conductor and pianist) (in 1964)
recording of:
Norma: Atto II, scena 2. “Non parti?” (coro) (chorus of the warriors) (in 1964)
composer:
Vincenzo Bellini (Sicilian opera composer) (until 1831)
librettist:
Felice Romani (Librettiste, écrivain, poète, traducteur) (until 1831)
part of:
Norma: Atto II
Vincenzo Bellini4:16
8Norma: Atto II, scena 2. “Guerrieri! a voi venirne” (Oroveso, coro)
bass vocals [Oroveso]:
Richard Cross (operatic bass-baritone) (in 1964)
choir vocals:
London Symphony Chorus (in 1964)
orchestra:
London Symphony Orchestra (in 1964)
conductor:
Richard Bonynge (conductor and pianist) (in 1964)
recording of:
Norma: Atto II, scena 2. Recitativo “Guerrieri! a voi venirne” (Oroveso, coro) (in 1964)
lyricist:
Felice Romani (Librettiste, écrivain, poète, traducteur) (until 1831)
composer:
Vincenzo Bellini (Sicilian opera composer) (until 1831)
part of:
Norma: Atto II
Vincenzo Bellini4:06
9Norma: Atto II, scena 3. “Ei tornerà” (Norma, Clotilde)
soprano vocals [Clotilde]:
Yvonne Minton (mezzo-soprano) (in 1964)
soprano vocals [Norma]:
Joan Sutherland (soprano) (in 1964)
orchestra:
London Symphony Orchestra (in 1964)
conductor:
Richard Bonynge (conductor and pianist) (in 1964)
recording of:
Norma: Atto II, scena 3. Scena “Ei tornerà. Sì!” (Norma, Clotilde) (in 1964)
composer:
Vincenzo Bellini (Sicilian opera composer) (until 1831)
librettist:
Felice Romani (Librettiste, écrivain, poète, traducteur) (until 1831)
part of:
Norma: Atto II
Vincenzo Bellini4:34
10Norma: Atto II, scena 3. “Squilla il bronzo del Dio!” (Oroveso, coro, Norma)
bass vocals [Oroveso]:
Richard Cross (operatic bass-baritone) (in 1964)
choir vocals:
London Symphony Chorus (in 1964)
soprano vocals [Norma]:
Joan Sutherland (soprano) (in 1964)
orchestra:
London Symphony Orchestra (in 1964)
conductor:
Richard Bonynge (conductor and pianist) (in 1964)
recording of:
Norma: Atto II, scena 3. Scena “Squilla il bronzo del Dio!” (Coro, Oroveso, Norma) (in 1964)
composer:
Vincenzo Bellini (Sicilian opera composer) (until 1831)
librettist:
Felice Romani (Librettiste, écrivain, poète, traducteur) (until 1831)
part of:
Norma: Atto II
Vincenzo Bellini1:33
11Norma: Atto II, scena 3. “Guerra, guerra!” (Oroveso, coro, Norma)
bass vocals [Oroveso]:
Richard Cross (operatic bass-baritone) (in 1964)
choir vocals:
London Symphony Chorus (in 1964)
soprano vocals [Norma]:
Joan Sutherland (soprano) (in 1964)
orchestra:
London Symphony Orchestra (in 1964)
conductor:
Richard Bonynge (conductor and pianist) (in 1964)
recording of:
Norma: Atto II, scena 3. “Guerra! Guerra!” (Coro, Oroveso, Norma) (in 1964)
composer:
Vincenzo Bellini (Sicilian opera composer) (until 1831)
librettist:
Felice Romani (Librettiste, écrivain, poète, traducteur) (until 1831)
part of:
Norma: Atto II
Vincenzo Bellini3:29
12Norma: Atto II, scena 3. “Nè compi il rito, o Norma?” (Oroveso, Norma, Clotilde, coro, Pollione)
bass vocals [Oroveso]:
Richard Cross (operatic bass-baritone) (in 1964)
choir vocals:
London Symphony Chorus (in 1964)
soprano vocals [Clotilde]:
Yvonne Minton (mezzo-soprano) (in 1964)
soprano vocals [Norma]:
Joan Sutherland (soprano) (in 1964)
tenor vocals [Pollione]:
John Alexander (American tenor) (in 1964)
orchestra:
London Symphony Orchestra (in 1964)
conductor:
Richard Bonynge (conductor and pianist) (in 1964)
recording of:
Norma: Atto II, scena 3. Recitativo “Nè compi il rito, o Norma?” (Oroveso, Norma, Clotilde, Coro, Pollione) (in 1964)
lyricist and librettist:
Felice Romani (Librettiste, écrivain, poète, traducteur) (until 1831)
composer:
Vincenzo Bellini (Sicilian opera composer) (until 1831)
part of:
Norma: Atto II
Vincenzo Bellini3:48
13Norma: Atto II, scena 3. “In mia man alfin tu sei” (Norma, Pollione)
soprano vocals [Norma]:
Joan Sutherland (soprano) (in 1964)
tenor vocals [Pollione]:
John Alexander (American tenor) (in 1964)
orchestra:
London Symphony Orchestra (in 1964)
conductor:
Richard Bonynge (conductor and pianist) (in 1964)
recording of:
Norma: Atto II, scena 3. Duetto “In mia man alfin tu sei” (Norma, Pollione) (in 1964)
composer:
Vincenzo Bellini (Sicilian opera composer) (until 1831)
librettist:
Felice Romani (Librettiste, écrivain, poète, traducteur) (until 1831)
part of:
Norma: Atto II
Vincenzo Bellini5:32
14Norma: Atto II, scena 3. “Già mi pasco ne'tuoi sguardi” (Norma, Pollione)
soprano vocals [Norma]:
Joan Sutherland (soprano) (in 1964)
tenor vocals [Pollione]:
John Alexander (American tenor) (in 1964)
orchestra:
London Symphony Orchestra (in 1964)
conductor:
Richard Bonynge (conductor and pianist) (in 1964)
recording of:
Norma: Atto II, scena 3. “Già mi pasco ne' tuoi sguardi” (Norma, Pollione) (in 1964)
composer:
Vincenzo Bellini (Sicilian opera composer) (until 1831)
librettist:
Felice Romani (Librettiste, écrivain, poète, traducteur) (until 1831)
part of:
Norma: Atto II
Vincenzo Bellini2:33
15Norma: Atto II, scena 3. “Dammi quel ferro” (Pollione, Norma, Oroveso, coro)
bass vocals [Oroveso]:
Richard Cross (operatic bass-baritone) (in 1964)
choir vocals:
London Symphony Chorus (in 1964)
soprano vocals [Norma]:
Joan Sutherland (soprano) (in 1964)
tenor vocals [Pollione]:
John Alexander (American tenor) (in 1964)
orchestra:
London Symphony Orchestra (in 1964)
conductor:
Richard Bonynge (conductor and pianist) (in 1964)
recording of:
Norma: Atto II, scena 3. “Dammi quel ferro!” (Pollione, Norma, Oroveso, Coro) (in 1964)
composer:
Vincenzo Bellini (Sicilian opera composer) (until 1831)
librettist:
Felice Romani (Librettiste, écrivain, poète, traducteur) (until 1831)
part of:
Norma: Atto II
Vincenzo Bellini3:22
16Norma: Atto II, scena 3. “Qual cor tradisti, qual cor perdesti” (Pollione, Norma, Oroveso, coro)
bass vocals [Oroveso]:
Richard Cross (operatic bass-baritone) (in 1964)
choir vocals:
London Symphony Chorus (in 1964)
soprano vocals:
Joan Sutherland (soprano) (in 1964)
tenor vocals [Pollione]:
John Alexander (American tenor) (in 1964)
orchestra:
London Symphony Orchestra (in 1964)
conductor:
Richard Bonynge (conductor and pianist) (in 1964)
recording of:
Norma: Atto II, scena 3. Finale “Qual cor tradisti” (Norma, Pollione, Oroveso, Coro) (in 1964)
composer:
Vincenzo Bellini (Sicilian opera composer) (until 1831)
librettist:
Felice Romani (Librettiste, écrivain, poète, traducteur) (until 1831)
part of:
Norma: Atto II
Vincenzo Bellini5:21
17Norma: Atto II, scena 3. “Norma! deh! Norma, scolpati” (Pollione, Norma, Oroveso, coro)
bass vocals [Oroveso]:
Richard Cross (operatic bass-baritone) (in 1964)
choir vocals:
London Symphony Chorus (in 1964)
soprano vocals [Norma]:
Joan Sutherland (soprano) (in 1964)
tenor vocals [Pollione]:
John Alexander (American tenor) (in 1964)
orchestra:
London Symphony Orchestra (in 1964)
conductor:
Richard Bonynge (conductor and pianist) (in 1964)
recording of:
Norma: Atto II, scena 3. Finale “Norma!.. deh! Norma, scòlpati! …” (Coro, Norma, Pollione, Oroveso) (in 1964)
composer:
Vincenzo Bellini (Sicilian opera composer) (until 1831)
librettist:
Felice Romani (Librettiste, écrivain, poète, traducteur) (until 1831)
part of:
Norma: Atto II
Vincenzo Bellini2:29
18Norma: Atto II, scena 3. “Deh! non volerli vittime” (Pollione, Norma, Oroveso, coro)
bass vocals [Oroveso]:
Richard Cross (operatic bass-baritone) (in 1964)
choir vocals:
London Symphony Chorus (in 1964)
soprano vocals [Norma]:
Joan Sutherland (soprano) (in 1964)
tenor vocals [Pollione]:
John Alexander (American tenor) (in 1964)
orchestra:
London Symphony Orchestra (in 1964)
conductor:
Richard Bonynge (conductor and pianist) (in 1964)
recording of:
Norma: Atto II, scena 3. Finale “Deh! non volerli vittime” (Norma, Oroveso, Coro, Pollione) (in 1964)
composer:
Vincenzo Bellini (Sicilian opera composer) (until 1831)
librettist:
Felice Romani (Librettiste, écrivain, poète, traducteur) (until 1831)
part of:
Norma: Atto II
Vincenzo Bellini4:32